Created and executive produced by Guillermo del Toro, the anthology series Guillermo del Toro’s Cabinet of Curiosities is now available to watch in its entirety, as all eight episodes have been released through the Netflix streaming service. And director Vincenzo Natali would like you to know that there is a black and white version of his episode Graveyard Rats on there as well. You just have to go searching for it a little bit.
Natali took to Twitter to inform us, “A reminder: Graveyard Rats is available in glorious Black & White in the ‘Trailers & More’ section of the Netflix Cabinet of Curiosities menu. I like the color version but this is the way I intended it to be viewed. Colin Hoult’s cinematography is gorgeous.“
Here’s the info on that particular episode:
“Graveyard Rats”
Directed by: Vincenzo Natali (Cube, Splice)
Written by: Vincenzo Natali, based on a short...
Natali took to Twitter to inform us, “A reminder: Graveyard Rats is available in glorious Black & White in the ‘Trailers & More’ section of the Netflix Cabinet of Curiosities menu. I like the color version but this is the way I intended it to be viewed. Colin Hoult’s cinematography is gorgeous.“
Here’s the info on that particular episode:
“Graveyard Rats”
Directed by: Vincenzo Natali (Cube, Splice)
Written by: Vincenzo Natali, based on a short...
- 11/1/2022
- by Cody Hamman
- JoBlo.com
Stars: Julianne Hough, Teddy Sears, Madalyn Horcher, Penelope Mitchell, Drew Rausch | Written by Kimberly Lofstrom Johnson, Lee Patterson | Directed by Iain Softley
If I wanted to watch The Hitcher, I’d watch The Hitcher. If I wanted to watch 127 Hours, I’d watch 127 Hours. If I wanted to watch Buried, I’d watch Buried. I certainly wouldn’t sit through Curve again.
Another mediocre movie from the Blumhouse production line, Curve is also the latest film from director Iain Softley, whose directorial career consists of one good movie, Backbeat; one cult movie, Hackers; and a whole heap of decidely average ones. Apparently he got the gig directing this film thanks to his 2005 effort The Skeleton Key which, like this film, is another example of the generic, housewife-friendly horror that tend to get on my very last nerve…
Curve follows bride-to-be Mallory, who is driving to Denver for her wedding when...
If I wanted to watch The Hitcher, I’d watch The Hitcher. If I wanted to watch 127 Hours, I’d watch 127 Hours. If I wanted to watch Buried, I’d watch Buried. I certainly wouldn’t sit through Curve again.
Another mediocre movie from the Blumhouse production line, Curve is also the latest film from director Iain Softley, whose directorial career consists of one good movie, Backbeat; one cult movie, Hackers; and a whole heap of decidely average ones. Apparently he got the gig directing this film thanks to his 2005 effort The Skeleton Key which, like this film, is another example of the generic, housewife-friendly horror that tend to get on my very last nerve…
Curve follows bride-to-be Mallory, who is driving to Denver for her wedding when...
- 4/2/2016
- by Phil Wheat
- Nerdly
Stars: Julianne Hough, Teddy Sears, Madalyn Horcher, Penelope Mitchell, Drew Rausch | Written by Kimberly Lofstrom Johnson, Lee Patterson | Directed by Iain Softley
If I wanted to watch The Hitcher, I’d watch The Hitcher. If I wanted to watch 127 Hours, I’d watch 127 Hours. If I wanted to watch Buried, I’d watch Buried. I certainly wouldn’t sit through Curve again.
Another movie from the Blumhouse production line, Curve is the latest film from director Iain Softley, whose directorial career consists of one good movie, Backbeat; one cult movie, Hackers; and a whole heap of decidely average ones. Apparently he got the gig directing this film thanks to his 2005 effort The Skeleton Key which, like this film, is another example of the generic, housewife-friendly horror that is not made for the type of crowd that attend Frightfest each and every year. Which makes it all the more odd that...
If I wanted to watch The Hitcher, I’d watch The Hitcher. If I wanted to watch 127 Hours, I’d watch 127 Hours. If I wanted to watch Buried, I’d watch Buried. I certainly wouldn’t sit through Curve again.
Another movie from the Blumhouse production line, Curve is the latest film from director Iain Softley, whose directorial career consists of one good movie, Backbeat; one cult movie, Hackers; and a whole heap of decidely average ones. Apparently he got the gig directing this film thanks to his 2005 effort The Skeleton Key which, like this film, is another example of the generic, housewife-friendly horror that is not made for the type of crowd that attend Frightfest each and every year. Which makes it all the more odd that...
- 8/31/2015
- by Phil Wheat
- Nerdly
More casting news has come for another film from Blumhouse Productions, Curve, as Teddy Sears has signed on to bring a little bit of terror to this tale. Read on for details.
According to The Wrap, Sears (pictured), who currently stars on Showtime’s “Masters of Sex,” has landed the lead role opposite Julianne Hough in Blumhouse’s micro-budget horror-thriller. Hough stars as a young bride-to-be who is trapped in her overturned car off a deserted highway after she deliberately crashes it in an attempt to escape a charming, predatory hitchhiker (Sears).
Universal is distributing with Jason Blum producing through his Blumhouse Productions along with Jaume Collet-Serra, Julie Yorn, and Juan Sola. Erik Olsen is executive producing. Lee Patterson is doing a rewrite on the script with the original draft coming from Kimberly Lofstrom Johnson. Exec VP of production Scott Bernstein will oversee the project for Universal.
Visit The Evilshop @ Amazon!
According to The Wrap, Sears (pictured), who currently stars on Showtime’s “Masters of Sex,” has landed the lead role opposite Julianne Hough in Blumhouse’s micro-budget horror-thriller. Hough stars as a young bride-to-be who is trapped in her overturned car off a deserted highway after she deliberately crashes it in an attempt to escape a charming, predatory hitchhiker (Sears).
Universal is distributing with Jason Blum producing through his Blumhouse Productions along with Jaume Collet-Serra, Julie Yorn, and Juan Sola. Erik Olsen is executive producing. Lee Patterson is doing a rewrite on the script with the original draft coming from Kimberly Lofstrom Johnson. Exec VP of production Scott Bernstein will oversee the project for Universal.
Visit The Evilshop @ Amazon!
- 10/23/2013
- by Uncle Creepy
- DreadCentral.com
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