Forty eight projects have been chosen for the online edition,
Projects on climate change movement Extinction Rebellion and the Saudi Arabia women’s football team are among those selected for Sheffield Doc/Fest’s 2020 online marketplace MeetMarket.
The documentary market will take place via virtual video-conferencing from June 8-10 June, with the Alternate Realities Talent Market running on the same dates.
Among the 48 projects from 500 applications selected for the MeetMarket is Xr Beyond The Emergency from the UK. Directed by Maia Kenworthy and Elena Sánchez Bellot and produced by Katrina Mansoor, it centres on the ordinary people who are devoting...
Projects on climate change movement Extinction Rebellion and the Saudi Arabia women’s football team are among those selected for Sheffield Doc/Fest’s 2020 online marketplace MeetMarket.
The documentary market will take place via virtual video-conferencing from June 8-10 June, with the Alternate Realities Talent Market running on the same dates.
Among the 48 projects from 500 applications selected for the MeetMarket is Xr Beyond The Emergency from the UK. Directed by Maia Kenworthy and Elena Sánchez Bellot and produced by Katrina Mansoor, it centres on the ordinary people who are devoting...
- 4/14/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
‘Judy & Punch’. (Photo: Ben King)
Two Aussie films, Mirrah Foulkes’ Judy & Punch and Ben Lawrence’s Hearts and Bones, will be among the 12 features in official competition at this year’s Sydney Film Festival (Sff).
Also up for the festival’s $60,000 Sydney Film Prize are Florian Henckel von Donnersmarck’s Never Look Away, which was nominated for two Oscars; recent Cannes selections such as Pedro Almodóvar’s Pain and Glory, Bong Joon-Ho’s Parasite, and Kleber Mendonça Filho and Juliano Dornelles’ Bacurau; Sundance World Cinema Dramatic Special Jury Award winner Monos, from directors Alejandro Landes and Alexis Dos; Joanna Hogg’s Sundance Grand Jury Prize winner The Souvenir; Nadav Lapid’s Golden Bear winner Synonymes, as well as Sacha Polak’s Dirty God, Teona Strugar Mitevska’s God Exists, Her Name is Petrunya, and Kiwi director Hamish Bennett’s Bellbird.
Sydney Film Festival launched the full program for its 66th...
Two Aussie films, Mirrah Foulkes’ Judy & Punch and Ben Lawrence’s Hearts and Bones, will be among the 12 features in official competition at this year’s Sydney Film Festival (Sff).
Also up for the festival’s $60,000 Sydney Film Prize are Florian Henckel von Donnersmarck’s Never Look Away, which was nominated for two Oscars; recent Cannes selections such as Pedro Almodóvar’s Pain and Glory, Bong Joon-Ho’s Parasite, and Kleber Mendonça Filho and Juliano Dornelles’ Bacurau; Sundance World Cinema Dramatic Special Jury Award winner Monos, from directors Alejandro Landes and Alexis Dos; Joanna Hogg’s Sundance Grand Jury Prize winner The Souvenir; Nadav Lapid’s Golden Bear winner Synonymes, as well as Sacha Polak’s Dirty God, Teona Strugar Mitevska’s God Exists, Her Name is Petrunya, and Kiwi director Hamish Bennett’s Bellbird.
Sydney Film Festival launched the full program for its 66th...
- 5/8/2019
- by jkeast
- IF.com.au
Author: Steven Neish
It is often joked that in Australia everything wants to kill you, but while the vast majority are probably referring to the famously dangerous wildlife world cineastes are likely to be just as cautious of the people who live there. From Animal Kingdom to Wolf Creek, Snowtown to The Loved One, it seems as though you can’t trust your neighbours down under after all. Tasmanian writer-director Damien Power isn’t likely to change that with his debut feature, a blisteringly brutal horror thriller that will have you crossing out another Australian beauty spot and leaving your camping equipment behind.
It’s New Year’s Eve in the Australian outback, and Ian (Ian Meadows) is determined to spend the night with Sam (Harriet Dyer) a fondly remembered falls from his youth, despite the protestations of a local redneck (Aaron Pedersen as German) who insists that there is...
It is often joked that in Australia everything wants to kill you, but while the vast majority are probably referring to the famously dangerous wildlife world cineastes are likely to be just as cautious of the people who live there. From Animal Kingdom to Wolf Creek, Snowtown to The Loved One, it seems as though you can’t trust your neighbours down under after all. Tasmanian writer-director Damien Power isn’t likely to change that with his debut feature, a blisteringly brutal horror thriller that will have you crossing out another Australian beauty spot and leaving your camping equipment behind.
It’s New Year’s Eve in the Australian outback, and Ian (Ian Meadows) is determined to spend the night with Sam (Harriet Dyer) a fondly remembered falls from his youth, despite the protestations of a local redneck (Aaron Pedersen as German) who insists that there is...
- 6/27/2017
- by Steven Neish
- HeyUGuys.co.uk
The Melbourne Documentary Film Festival, July 9 — 11, will feature a range of documentaries from around the world, including films direct from SXSW, Idfa, Doc Edge and Doc NYC.
Festival director Lyndon Stone has announced the competitive festival will be opened by three local documentaries: The Coffee Man, Spoke and Inside Fighter.
The Coffee Man, directed by Jeff Hann, follows the story of 2015 World Barista Champion Sasa Sestic.
.Making The Coffee Man has been the biggest project I.ve ever done, that has taught me many lessons about film making and I.m very grateful. Having the right people to support the project with likemindedness made it easier and a lot of fun too. It.s fantastic to be part of the Melbourne Documentary Film Festival.s first year,. said Hann.
Emily Baker.s Spoke follows three young cyclists who set out to bike from San Francisco to Orlando, interviewing crash victims,...
Festival director Lyndon Stone has announced the competitive festival will be opened by three local documentaries: The Coffee Man, Spoke and Inside Fighter.
The Coffee Man, directed by Jeff Hann, follows the story of 2015 World Barista Champion Sasa Sestic.
.Making The Coffee Man has been the biggest project I.ve ever done, that has taught me many lessons about film making and I.m very grateful. Having the right people to support the project with likemindedness made it easier and a lot of fun too. It.s fantastic to be part of the Melbourne Documentary Film Festival.s first year,. said Hann.
Emily Baker.s Spoke follows three young cyclists who set out to bike from San Francisco to Orlando, interviewing crash victims,...
- 6/27/2016
- by Staff Writer
- IF.com.au
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