- (1996-1997 Season) He was lighting designer for Betty Comden, Adolph Green and Charles Strouse's musical, "Applause," at the Paper Mill Playhouse in Millburn, New Jersey with Stephanie Powers, John Dossett and Kate Jennings Grant in the cast. Gene Saks was director. Ann Reinking was choreographer. John McDaniel was musical supervisor. Michael Anania was scenic designer. Robert Mackintosh and Tomaz Starzewski were costume designers.
- (March 16 to April 21, 1996) He was lighting designer for the musical, "The Kiss of the Spider Woman," at the Ahmanson Theatre in Los Angeles, California with Chita Rivera, Juan Chiron and Dorian Harewood in the cast. Harold Prince was director. Terrence McNally wrote the book. John Kander was composer. Fred Ebb was lyricist. Rob Bowman was musical director. Vincent Paterson and Rob Marshall were choreographers. Florence Klotz was costume designer.
- (2001-2002 season) He was lighting designer for Sinan Unel's play, "Pera Palas," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Steven Willford was director. Larry Gruber was set designer. Mirena Zada was costume designer. Robert Murphy was sound designer.
- (1995 to 1996 season) He was lighting designer for the musical, "Babes in Arms" at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Kevin Cahoon and Kristin Chenoweth in the cast. David Bishop was music director. John Arnone was set designer. Ray Forton was technical director. Liza Gennaro was choreographer. Garland Wright was director and artistic director. Richard Rodgers and Lorenz Hart were composers and lyricists. Ken LaZebnik wrote the new book. Sari Ketter was associate director. Susan Hilferty was costume designer.
- (1996 to 1997 season) He was lighting designer for William Shakespeare's play, "A Midsummer's Night Dream," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Randy Reyes, Sally Wingert and David Hyde Pierce, in the cast. Joe Dowling was director and artistic director. Frank Hallinan Flood was set designer. Paul Tazewell was costume designer. Keith Thomas was composer.
- (February 6, 1987) He was lighting designer for Ronald Ribman's play, "Sweet Tale at the Richelieu," in a world premiere American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Andrei Serban was director. John Conklin was set and costume designer. Robert Brustein was artistic director.
- (May 15, 1987) He was lighting designer for Bertolt Brecht's play, "The Good Woman of Setzuan," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Eric Bentley was translator. Andrei Serban was director. Elizabeth Swados was composer. Jeff Muskovin was set designer. Catherine Zuber was costume designer. Thom Molinaro was movement director. Charles Otte was associate director. Robert Brustein was artistic director.
- (October 2, 1987) He was lighting designer for Bertolt Brecht's play, "The Good Woman of Setzuan," at the American Repertory Theatre in Cambridge, Massachusetts. Eric Bentley was translator. Andrei Serban was director. Elizabeth Swados was composer. Jeff Muskovin was set designer. Catherine Zuber was costume designer. Thom Molinaro was movement director. Robert Brustein was artistic director.
- (November 27, 1987) He was lighting designer for William Hauptmann's play, "Gillette," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. David Wheeler was director. Loy Arcenas was set designer. Catherine Zuber was costume designer. Stephen D. Santomenna was sound designer. Robert Brustein was artistic director.
- (February 5, 1988) He was lighting designer for Heiner Muller's play, "Quartet," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. The play was based on Choderlos De Laclos' novel, "Les Liaisons Dangereuses." Robert Wilson was director. set and lighting designer. Martin Pearlman was music composer and adapter. Frida Parmegianni was costume designer. Stephen D. Santomenna was sound designer. Jane Perry was assistant director. Robert Brustein was artistic director.
- (May 12, 1989) He was lighting designer for Moliere's play, "The Miser," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Andrei Serban was director. Albert Bermel was translator. Derek McLane was set designer. Judith Anne Dolan was costume designer. Stephen D. Santomenna was sound designer. Thom Molinaro was movement coach. Robert Brustein was artistic director.
- (December 8, 1989) He was lighting designer for William Shakespeare's play, "Twelfth Night," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Diane Lane (Olivia) and Cherry Jones (Viola) in the cast. Andrei Serban was director. Mel Marvin was music composer. Derek McLane was set designer. Catherine Zuber was costume designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (January 2, 1993) He was lighting designer for George Bernard Shaw's play, "Heartbreak House," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Jeremy Geidt in the cast. David Wheeler was director. Derek McLane was set designer. Catherine Zuber was costume designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
- (May 28, 1993) He was lighting designer for Peter Feibleman's play, "Cakewalk," in an American repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Ron Daniels was director. Tony Streiges was set designer. Catherine Zuber was costume designer. Maribeth Back was sound designer. Carly Simon was incidental music composer. Matthias Gohl was music arranger and producer. Robert Brustein was artistic director.
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