In the restaurant lounge of the pub the mobile DJ is playing Glen Campbell. The hostelry is The Nicky Nack, what seems like tartan on the floors, an old pamphlet about infernal doings on the wall. We'll get that name again, the same Seventies orange and orchestral stab of genre. The Cabin In The Woods did it and I've no doubt that if Rabbie Burns had access to the tools he'd have indulged too.
It's misty out, somewhere it would seem in the hinterlands of Southerly Scotland and Northerly England. There's a particular kind of traffic, of transport. In the credits it's revealed as County Durham, but the footsteps sound the same across that belt. Though not quite, as Timo Saila's sound work will demonstrate.
Tom Oxenham directs, co-writes with Hugo Nicholson. They've been able to license (or at the very least appropriately credit) two songs, Turn Around, Look At Me by.
It's misty out, somewhere it would seem in the hinterlands of Southerly Scotland and Northerly England. There's a particular kind of traffic, of transport. In the credits it's revealed as County Durham, but the footsteps sound the same across that belt. Though not quite, as Timo Saila's sound work will demonstrate.
Tom Oxenham directs, co-writes with Hugo Nicholson. They've been able to license (or at the very least appropriately credit) two songs, Turn Around, Look At Me by.
- 3/28/2022
- by Andrew Robertson
- eyeforfilm.co.uk
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