If you didn’t know Erik Bloomquist’s She Came from the Woods loves the 80s like Pac-Man loves Mrs. Pac-Man, the first few minutes should sell a tubular on-screen time warp. Hormonal camp counselors in short shorts prepare for summer’s end while Kim Wilde’s “Kids In America” blares over opening credits like any other Camp Crystal Lake or Camp Arawak copycat. Bloomquist imbues a love of 80s sleepaway horror titles into a contemporary take on Friday the 13th, The Burning, Madman — some titles are even name-dropped in dialogue. It’s hardly a modern satire like Cabin in the Woods but avoids feeling redundant through recreations of golden-age genre magic that’s gone out of style. There’s a passionate attempt to prove life can find new ways in a decade’s old slasher formula, and She Came from the Woods keeps the beat(ings) alive for now.
- 2/9/2023
- by Matt Donato
- bloody-disgusting.com
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