Whether it’s Martha Marcy May Marlene or Sound of My Voice or this year’s The Wolfpack, we’ve seen a number of films at Sundance deal with communes and closed communities, but few bring the level of danger found in Partisan. The directorial debut of Ariel Kleiman (Sundance jury winner for the short Deeper Than Yesterday) is a patiently unfolding drama that displays the lengths one will go to provide shelter and community, and what happens if you step out of bounds, I remarked earlier this year.
I had the chance to speak with Kleiman over the phone this week to discuss his directorial debut. We talked about his point-of-view, improvisations, tone, the influx of recent cult movies, casting Vincent Cassel, the production design, and much more. Check out the full conversation below.
The point of the view is mostly with Jeremy Chabriel’s character. Can you talk...
I had the chance to speak with Kleiman over the phone this week to discuss his directorial debut. We talked about his point-of-view, improvisations, tone, the influx of recent cult movies, casting Vincent Cassel, the production design, and much more. Check out the full conversation below.
The point of the view is mostly with Jeremy Chabriel’s character. Can you talk...
- 10/1/2015
- by Jordan Raup
- The Film Stage
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