Alec Mills, a camera operator on five James Bond films before becoming a cinematographer on the Timothy Dalton-starring The Living Daylights and License to Kill, has died at 91.
Mills died on Monday, his son, Simon Mills, announced. He was living in an assisted-care home in Denham, Buckinghamshire, England, he said.
Mills operated a camera on Peter Hunt’s On Her Majesty’s Secret Service (1969), Lewis Gilbert’s The Spy Who Loved Me (1977) and Moonraker (1979) and John Glen’s For Your Eyes Only (1981) and Octopussy (1983).
Glen then tapped him as his director of photography on The Living Daylights (1987) and License to Kill (1989), both starring Timothy Dalton.
Mills also was a camera operator on Chitty Chitty Bang Bang (1969), Roman Polanski’s Tragedy of Macbeth (1971), Gulliver’s Travels (1973), John Guillermin’s Death on the Nile (1978) and Richard Marquand’s Eye of the Needle (1980) and Return of the Jedi (1982).
Mills helped found the Guild of...
Mills died on Monday, his son, Simon Mills, announced. He was living in an assisted-care home in Denham, Buckinghamshire, England, he said.
Mills operated a camera on Peter Hunt’s On Her Majesty’s Secret Service (1969), Lewis Gilbert’s The Spy Who Loved Me (1977) and Moonraker (1979) and John Glen’s For Your Eyes Only (1981) and Octopussy (1983).
Glen then tapped him as his director of photography on The Living Daylights (1987) and License to Kill (1989), both starring Timothy Dalton.
Mills also was a camera operator on Chitty Chitty Bang Bang (1969), Roman Polanski’s Tragedy of Macbeth (1971), Gulliver’s Travels (1973), John Guillermin’s Death on the Nile (1978) and Richard Marquand’s Eye of the Needle (1980) and Return of the Jedi (1982).
Mills helped found the Guild of...
- 2/16/2024
- by The Deadline Team
- Deadline Film + TV
When it comes to the Sean Connery James Bond movies, the highest praise is usually reserved for "Goldfinger" or "Dr. No." The latter was, of course, Bond's on-screen debut, while the former introduced so many of the trademarks we've come to expect from the franchise, it's arguably even more of a Bond blueprint than "Dr. No."
But while it might not be considered the greatest James Bond film, Connery's fourth outing in the tux, "Thunderball," is a significant entry in the saga. The fourth Bond movie made $141 million, making it the most successful Bond at the time — a title it retained (adjusting for inflation) until 2012's "Skyfall." "Thunderball" was also the last time director Terrence Young would oversee a 007 movie, having helped define the character's fashion sense, humor, and bon vivant persona with "Dr. No." But the fourth Bond outing is also significant for the behind-the-scenes controversy that accompanied it.
But while it might not be considered the greatest James Bond film, Connery's fourth outing in the tux, "Thunderball," is a significant entry in the saga. The fourth Bond movie made $141 million, making it the most successful Bond at the time — a title it retained (adjusting for inflation) until 2012's "Skyfall." "Thunderball" was also the last time director Terrence Young would oversee a 007 movie, having helped define the character's fashion sense, humor, and bon vivant persona with "Dr. No." But the fourth Bond outing is also significant for the behind-the-scenes controversy that accompanied it.
- 9/19/2023
- by Joe Roberts
- Slash Film
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