The latest “Predator” spin-off movie, “Prey,” is hunting down a nomination for Best TV Movie at this year’s Emmys. Given the cinematic filmmaking on display combined with the enthusiastic reviews for the flick, it would have been a strong Oscar contender. That pedigree is why it currently sits in joint second in our odds chart for Best TV Movie alongside “Fire Island.” In top spot is “Weird: The Al Yankovic Story” while the other two predicted nominees are “Hocus Pocus 2” and “Jerry and Marge Go Large.” “Prey” has the gravitas and cinematic weight, however, to emerge top of that crowded pack.
Directed by Dan Trachtenberg, “Prey” follows Amber Midthunder in 1719 as Naru, a warrior of the Comanche Nation who is forced to protect her tribe from one of the very first Predators to ever land on Earth. The film is a tight, taut, practice in tension and features...
Directed by Dan Trachtenberg, “Prey” follows Amber Midthunder in 1719 as Naru, a warrior of the Comanche Nation who is forced to protect her tribe from one of the very first Predators to ever land on Earth. The film is a tight, taut, practice in tension and features...
- 3/29/2023
- by Jacob Sarkisian
- Gold Derby
Chicago – The story of an unusual turn in a 1920s Irish friendship captured the hearts of the Chicago Film Critics Association, as they named “The Banshees of Inisherin” – written and directed by Martin McDonagh – as Best Picture at their annual awards announcement banquet on December 14th, 2022. The film also took Best Actor (Colin Farrell), Best Supporting Actress (Kerry Condon) and Best Original Screenplay. Earning the most awards was “Everything Everywhere All at Once” – helmed by Daniel Scheinert and Dan Kwan, who were awarded Best Directors – with six designated honors.
Other major recipients included Best Actress Cate Blanchett as the title character in “Tár” and Best Supporting Actor Ke Huy Quan for “Everything Everywhere All at Once.” Other awards highlights included “Guillermo del Toro’s Pinocchio” for Best Animated Feature, “Fire of Love” for Best Documentary, “Decision to Leave” as Best Foreign Language Film and Charlotte Wells, writer/director of “Aftersun,...
Other major recipients included Best Actress Cate Blanchett as the title character in “Tár” and Best Supporting Actor Ke Huy Quan for “Everything Everywhere All at Once.” Other awards highlights included “Guillermo del Toro’s Pinocchio” for Best Animated Feature, “Fire of Love” for Best Documentary, “Decision to Leave” as Best Foreign Language Film and Charlotte Wells, writer/director of “Aftersun,...
- 12/17/2022
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Included in the best of lists of a number of individual critics and societies, and towards the top for that matter, “Everything Everywhere All At Once” is a truly unique movie that functions as a homage to a number of iconic movies of the past while embracing its story’s chaos in the most entertaining fashion.
on Amazon by clicking on the image below
Evelyn Wang is a Chinese immigrant and the definite head of her family, as much as the boss of the laundromat she operates with her husband Raymond. Despite her non-stop efforts, however, her life is in shambles. Her daughter, Joy, is afraid of revealing that her female friend is actually her girlfriend, and the tension between them is palpable; her father, Gong Gong, who has just arrived in the US, is as judgemental of her as ever, something that actually also dictates her relationship with her own daughter.
on Amazon by clicking on the image below
Evelyn Wang is a Chinese immigrant and the definite head of her family, as much as the boss of the laundromat she operates with her husband Raymond. Despite her non-stop efforts, however, her life is in shambles. Her daughter, Joy, is afraid of revealing that her female friend is actually her girlfriend, and the tension between them is palpable; her father, Gong Gong, who has just arrived in the US, is as judgemental of her as ever, something that actually also dictates her relationship with her own daughter.
- 12/16/2022
- by Panos Kotzathanasis
- AsianMoviePulse
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