When Glenn Close took on the role of Mamaw, the tough but tender grandmother to J.D. Vance in “Hillbilly Elegy,” one of her first calls was to an acclaimed makeup and prosthetics designer. “Team Mamaw started with Matthew Mungle, who had worked with me on ‘Albert Nobbs,’” says Close. “I did not want to see myself when I looked the mirror as Mamaw because I am so different from her in life. I wanted the audience to not see Glenn Close.”
Like Close herself, Mungle is nominated for an Academy Award for his work on the film, along with makeup department head Eryn Krueger Mekash and hair department head Patricia Dehaney. Mungle knew he and Close had similar philosophies about prosthetics.
“Glenn knows I will always come from the direction of not cover an actor’s face with prosthetics,” he says. “I believe it can inhibit their performance, especially if...
Like Close herself, Mungle is nominated for an Academy Award for his work on the film, along with makeup department head Eryn Krueger Mekash and hair department head Patricia Dehaney. Mungle knew he and Close had similar philosophies about prosthetics.
“Glenn knows I will always come from the direction of not cover an actor’s face with prosthetics,” he says. “I believe it can inhibit their performance, especially if...
- 4/14/2021
- by Jenelle Riley
- Variety Film + TV
For “The United States vs. Billie Holiday” production designer Daniel T. Dorrance, in order to capture the look and feel of the 1940s, “the first thing is getting your head around what movie are we making, what’s the look of it, and what are the marks we want to hit?” That led him to a particular photograph that informed much of the film’s visual approach. Watch our exclusive video interview with Dorrance above.
SEEAndra Day (‘The United States vs. Billie Holiday’): ‘I could not find myself’ after playing the legendary singer [Complete Interview Transcript]
“I found a great image of New York in the late ’30s or ’40s, I think, that was colorized by somebody … which just had the right feel and tone to it,” Dorrance explains. “So I did a little Photoshop. I put [lead actress Andra Day] in the shot, gave her a fur coat and an umbrella, and sent...
SEEAndra Day (‘The United States vs. Billie Holiday’): ‘I could not find myself’ after playing the legendary singer [Complete Interview Transcript]
“I found a great image of New York in the late ’30s or ’40s, I think, that was colorized by somebody … which just had the right feel and tone to it,” Dorrance explains. “So I did a little Photoshop. I put [lead actress Andra Day] in the shot, gave her a fur coat and an umbrella, and sent...
- 3/4/2021
- by Daniel Montgomery
- Gold Derby
Research may be the cornerstone of any historically accurate project, but it’s only when artisans know the rules that they can break them. The costume designers behind some of this year’s period films allowed their research to guide them in balancing context with storytelling.
Oscar-winning costume designer Alexandra Byrne immersed herself in the1800s setting of Focus Features’ “Emma” starring Anya Taylor-Joy. It was a time when ladies fashion magazines were just entering circulation; the fashion plates included in each issue were engraved and then hand-colored. As with fabric dye lots, each varied slightly depending on which artist completed the work.
Like those artists, the women of the villages would then reinterpret the designs based on their own sewing skills, finances and tastes. “Twenty women could look at the same fashion plate image and you’d get 20 interpretations,” says Byrne.
But it’s not enough to research magazines of the period,...
Oscar-winning costume designer Alexandra Byrne immersed herself in the1800s setting of Focus Features’ “Emma” starring Anya Taylor-Joy. It was a time when ladies fashion magazines were just entering circulation; the fashion plates included in each issue were engraved and then hand-colored. As with fabric dye lots, each varied slightly depending on which artist completed the work.
Like those artists, the women of the villages would then reinterpret the designs based on their own sewing skills, finances and tastes. “Twenty women could look at the same fashion plate image and you’d get 20 interpretations,” says Byrne.
But it’s not enough to research magazines of the period,...
- 3/4/2021
- by Zoe Hewitt
- Variety Film + TV
If you want to win an Oscar for Best Costume Design, it’s best to pick a project for which you can create frilly dresses from a bygone era. Since its introduction at the 1948 Academy Awards, this category has favored period pieces, including last year’s winner “Little Women.” Voters love to reward the creative forces behind such films, especially those that are about the aristocracy including recent champs “Marie Antoinette” (2007), “Elizabeth: The Golden Age” (2008), “The Duchess” (2009), “The Young Victoria” (2010), and “Anna Karenina” (2013). (Scroll down for the most up-to-date 2021 Oscars predictions for Best Costume Design.)
By the way, none of those films even competed for Best Picture. Indeed, only 20 of the most recent 71 Best Picture champs also won this award. Among these was “The Lord of the Rings: The Return of the King” (2004). Fantasy films such as this often boast Oscar-winning costumes, including 2019 winner “Black Panther,” and recent champs “Alice in Wonderland...
By the way, none of those films even competed for Best Picture. Indeed, only 20 of the most recent 71 Best Picture champs also won this award. Among these was “The Lord of the Rings: The Return of the King” (2004). Fantasy films such as this often boast Oscar-winning costumes, including 2019 winner “Black Panther,” and recent champs “Alice in Wonderland...
- 3/4/2021
- by Paul Sheehan
- Gold Derby
What will the costume design branch of the Academy favor this year? Will it be the lushness of period, or will voters favor something else, something contemporary? Or will they pick a winner who lands in the history books?
Whoever they choose, there are a plethora of eras to select from. David Fincher’s “Mank,” n will most likely nab a wealth of craft nominations and maybe even go home with Oscar in several categories.
Costume designer Trish Summerville is no stranger to Fincher’s world, having worked on “Gone Girl” and “The Girl With the Dragon Tattoo,” Summerville brought the glitz and glamour of old Hollywood with gowns and suits to “Mank.” Her costumes on the grand black-and-white “Mank” have been garnering awards buzz since the first photos were released. And many consider her the front-runner in this category.
Besides, it’s well-known that Hollywood loves stories about Hollywood,...
Whoever they choose, there are a plethora of eras to select from. David Fincher’s “Mank,” n will most likely nab a wealth of craft nominations and maybe even go home with Oscar in several categories.
Costume designer Trish Summerville is no stranger to Fincher’s world, having worked on “Gone Girl” and “The Girl With the Dragon Tattoo,” Summerville brought the glitz and glamour of old Hollywood with gowns and suits to “Mank.” Her costumes on the grand black-and-white “Mank” have been garnering awards buzz since the first photos were released. And many consider her the front-runner in this category.
Besides, it’s well-known that Hollywood loves stories about Hollywood,...
- 3/4/2021
- by Jazz Tangcay
- Variety Film + TV
Lee Daniels was eager to direct “The United States vs. Billie Holiday” because this was a side of the legendary singer’s story he never knew: “I didn’t understand how this story in history had never been told before. When you think about what she did with ‘Strange Fruit,’ that was about the lynching of Black men and women in the South and the government trying to stop her from singing that song … It’s not taught in schools.” Watch our exclusive video interview with Daniels above.
SEEAndra Day (‘The United States vs. Billie Holiday’) on the singer’s legacy: ‘She permeates everything that we do’ [Exclusive Video Interview]
“When you think of civil rights leaders you think of Martin Luther King, you think of Malcolm X or Gandhi, and maybe Rosa Parks. You don’t really think of Billie Holiday,” Daniels says. The image many have of her is that of...
SEEAndra Day (‘The United States vs. Billie Holiday’) on the singer’s legacy: ‘She permeates everything that we do’ [Exclusive Video Interview]
“When you think of civil rights leaders you think of Martin Luther King, you think of Malcolm X or Gandhi, and maybe Rosa Parks. You don’t really think of Billie Holiday,” Daniels says. The image many have of her is that of...
- 2/24/2021
- by Daniel Montgomery
- Gold Derby
Arriving on Hulu in the wake of “MLK/FBI” and “Judas and the Black Messiah,” “The United States vs. Billie Holiday” provides yet another angle on J. Edgar Hoover’s war against Black America. And while director Lee Daniels packs in as much righteous anger as those other films, he does so with his trademark love of melodrama and disdain for subtlety.
In her first major acting role, singer Andra Day gives an emphatic and multi-shaded performance as the legendary Lady Day, but she and her talented co-stars are subject to an often-clunky screenplay by the esteemed playwright Suzan-Lori Parks, not to mention Daniels’ signature sensibility of putting too fine a point on anything and everything.
The goal is to correct the conventional take on Holiday, one of the 20th century’s greatest singers, breaking from received ideas about her drug addiction and exploring the facts about her relentless harassment by the FBI,...
In her first major acting role, singer Andra Day gives an emphatic and multi-shaded performance as the legendary Lady Day, but she and her talented co-stars are subject to an often-clunky screenplay by the esteemed playwright Suzan-Lori Parks, not to mention Daniels’ signature sensibility of putting too fine a point on anything and everything.
The goal is to correct the conventional take on Holiday, one of the 20th century’s greatest singers, breaking from received ideas about her drug addiction and exploring the facts about her relentless harassment by the FBI,...
- 2/19/2021
- by Alonso Duralde
- The Wrap
Andra Day hopes that “The United States vs. Billie Holiday” will allow younger artists to “really recognize her as the gangster that she was. Everything that they’re doing with the backing of the Black Lives Matter movement in the post-Civil Rights era, she was doing by herself.” Watch our exclusive video interview with Day above.
Day plays Billie Holiday in what is her first on-screen acting role, an intimidating undertaking to say the least. “I didn’t want to be terrible,” she says flat-out. “I love Billie Holiday … I just had this idea in my mind that I would be the one stain that everybody was like, ‘Man, remember when Andra Day tried to be Billie Holiday?'” But she ultimately decided that by accepting this role, “I’m probably being caused to face my fears and to do an act of great faith. That’s how it read out to me.
Day plays Billie Holiday in what is her first on-screen acting role, an intimidating undertaking to say the least. “I didn’t want to be terrible,” she says flat-out. “I love Billie Holiday … I just had this idea in my mind that I would be the one stain that everybody was like, ‘Man, remember when Andra Day tried to be Billie Holiday?'” But she ultimately decided that by accepting this role, “I’m probably being caused to face my fears and to do an act of great faith. That’s how it read out to me.
- 2/11/2021
- by Daniel Montgomery
- Gold Derby
The second day of Deadline’s Contenders Film kicks off Sunday at 8 a.m. Pt, returning after a big Day 1 on Saturday to complete a slate of 49 films from 16 studios and distributors, one that features a hugely impressive lineup of talent numbering 150 speakers over the course of the weekend for our annual awards-season event.
Click here to register and join the livestream, and follow along all day with coverage on Deadline as well as on Twitter, Facebook and Instagram via @Deadline and #DeadlineContenders. See the full schedule of panels below.
Due to obvious health and safety reasons, and following guidelines about gatherings set by the CDC, Contenders is going virtual, after success doing so starting with Contenders TV in the spring and then again with Contenders International and Contenders Documentary. It has boosted the global reach of the event, and although we miss seeing everyone in person, it has been...
Click here to register and join the livestream, and follow along all day with coverage on Deadline as well as on Twitter, Facebook and Instagram via @Deadline and #DeadlineContenders. See the full schedule of panels below.
Due to obvious health and safety reasons, and following guidelines about gatherings set by the CDC, Contenders is going virtual, after success doing so starting with Contenders TV in the spring and then again with Contenders International and Contenders Documentary. It has boosted the global reach of the event, and although we miss seeing everyone in person, it has been...
- 1/24/2021
- by Pete Hammond
- Deadline Film + TV
“[Bille Holiday] was such an avant-garde [figure], so it was trying to pull things that seemed new. There are so many pictures of her, it’s wild. She has so many looks within all these different times, so I just went towards images that drew me in, and stayed on the line of the year that we were working in. There would be times where we were coming directly from a moment, and matching to a moment in time, and then there were moments where we could take liberty. And that was where I got to create more.” — Paolo Nieddu
On The United States vs. Billie Holiday, Paolo Nieddu crafted period-accurate looks for Holiday (played by singer-songwriter Andra Day), showcasing the “Black glamour and excellence” she represented.
With script in hand, his first step was to create a timeline of historical images, charting her style trajectory from 1947 to 1959.
His lookbook featured materials from the Library of Congress,...
On The United States vs. Billie Holiday, Paolo Nieddu crafted period-accurate looks for Holiday (played by singer-songwriter Andra Day), showcasing the “Black glamour and excellence” she represented.
With script in hand, his first step was to create a timeline of historical images, charting her style trajectory from 1947 to 1959.
His lookbook featured materials from the Library of Congress,...
- 1/20/2021
- by Matt Grobar
- Deadline Film + TV
Costume designers Mark Bridges (“News of the World”), Charlese Antoinette Jones (“Judas and the Black Messiah”), Paolo Nieddu (“The United States vs. Billie Holiday”) and Natalie O’Brien (“I’m Your Woman”) represent films that span more than 100 years of American history, from post-Civil War Texas to Civil Rights-era Chicago. Wardrobe plays a large part in transporting the audience to a different time and place, but are there any eras these costumers would most like to capture on-screen that they haven’t already? We asked them that and more during our “Meet the Experts” panel, which you can watch. Click on each name above to be taken to each person’s individual interview.
SEEWatch our chats with top cinematographers, costume designers, documentary filmmakers and other crafts leaders
O’Brien has designed costumes for the 14th century (“The Little Hours”) and the 19th century (“Lizzie”), and “I’m Your Woman” brought her to the late 1970s,...
SEEWatch our chats with top cinematographers, costume designers, documentary filmmakers and other crafts leaders
O’Brien has designed costumes for the 14th century (“The Little Hours”) and the 19th century (“Lizzie”), and “I’m Your Woman” brought her to the late 1970s,...
- 1/20/2021
- by Daniel Montgomery
- Gold Derby
“I wasn’t aware of this full story,” admits “The United States vs. Billie Holiday” costume designer Paolo Nieddu about how the legendary singer was hounded by the FBI after the release of her anti-lynching protest song “Strange Fruit.” “I knew the iconic image of Billie Holiday with the white gardenia singing into the chrome microphone, and that was really it. I hadn’t really explored her life story.” We talked with Nieddu as part of our “Meet the Experts” costume designers panel. Watch our interview above.
Grammy-nominated singer Andra Day plays Holiday, whose struggle with drug addiction was used against her by the federal government. “The first thing I did actually was read her autobiography, ‘Lady Sings the Blues,'” Nieddu explains. “I heard her voice through this book. It was a great way to hear her story from her point of view, and then it was just nonstop...
Grammy-nominated singer Andra Day plays Holiday, whose struggle with drug addiction was used against her by the federal government. “The first thing I did actually was read her autobiography, ‘Lady Sings the Blues,'” Nieddu explains. “I heard her voice through this book. It was a great way to hear her story from her point of view, and then it was just nonstop...
- 1/20/2021
- by Daniel Montgomery
- Gold Derby
Five top film costume designers will reveal details behind their projects when they join Gold Derby’s special “Meet the Btl Experts” Q&a event with key 2021 guild and Oscar contenders this month. Each person will participate in two video discussions to be published on Wednesday, January 13, at 5:00 p.m. Pt; 8:00 p.m. Et. We’ll have a one-on-one with our senior editor Daniel Montgomery and a group chat with Daniel and all of the group together.
RSVP today to this specific event by clicking here to book your reservation. Or click here to RSVP for our entire ongoing panel series. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Btl Experts” panel welcomes the following 2021 guild and Oscar contenders:
“Judas and the Black Messiah” (Warner Bros.): Charlese Antoinette Jones
Jones’ career has included “Raising Dion,” “See You Yesterday,...
RSVP today to this specific event by clicking here to book your reservation. Or click here to RSVP for our entire ongoing panel series. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Btl Experts” panel welcomes the following 2021 guild and Oscar contenders:
“Judas and the Black Messiah” (Warner Bros.): Charlese Antoinette Jones
Jones’ career has included “Raising Dion,” “See You Yesterday,...
- 1/6/2021
- by Chris Beachum
- Gold Derby
The 19th Costume Designers Guild Awards kicked off Tuesday at The Beverly Hilton Hotel in Beverly Hills, California, honoring the best in film, television and short-form costume design.
Hosted by This Is Us star Mandy Moore, the night was a star-studded fête, with Meryl Steep, who was honored with the prestigious Distinguished Collaborator Award, Lily Tomlin, Jane Fonda, Pierce Brosnan and James Corden all in attendance. Additional honorees included Lacoste Spotlight Award recipient Lily Collins, Career Achievement Award recipient Jeffrey Kurland, and Lois DeArmond, who received the Distinguished Service Award. Emmy Award-winning costume designer Ret Turner, who died at age 87 last May, was posthumously inducted into the Guild's Hall of Fame.
And while we certainly enjoyed seeing the aforementioned stars on the red carpet at the soiree, all eyes were on the night's nominated costume designers, who created the beloved looks we saw in Oscar-nominated films like La La Land, Jackie and [link...
Hosted by This Is Us star Mandy Moore, the night was a star-studded fête, with Meryl Steep, who was honored with the prestigious Distinguished Collaborator Award, Lily Tomlin, Jane Fonda, Pierce Brosnan and James Corden all in attendance. Additional honorees included Lacoste Spotlight Award recipient Lily Collins, Career Achievement Award recipient Jeffrey Kurland, and Lois DeArmond, who received the Distinguished Service Award. Emmy Award-winning costume designer Ret Turner, who died at age 87 last May, was posthumously inducted into the Guild's Hall of Fame.
And while we certainly enjoyed seeing the aforementioned stars on the red carpet at the soiree, all eyes were on the night's nominated costume designers, who created the beloved looks we saw in Oscar-nominated films like La La Land, Jackie and [link...
- 2/22/2017
- Entertainment Tonight
“Hidden Figures,” “Jackie” and “La La Land” emerged as major award contenders at the Costume Designers Guild Awards, to be held on February 21 in Beverly Hills.
The feature film category is split into three sections: contemporary, period and fantasy, with Deborah Cook nominated for the stop-motion animation movie “Kubo and the Two Strings” in the fantasy category. The first animated movie to earn a Cdg nomination, “Kubo” is nominated for the puppet costumes made for the movie.
Read More: Cinema Eye Honors 2017: The Best Things Winners Kirsten Johnson, Keith Maitland, Clay Tweel and More Said
The other films nominated in the category are “Doctor Strange,” “Fantastic Beasts and Where to Find Them,” “Miss Peregrine’s Home for Peculiar Children” and “Rogue One: A Star Wars Story.” Costume designer Colleen Atwood earned nominations for both “Fantastic Beasts” and “Miss Peregrine’s Home for Peculiar Children.”
The contemporary category nominations went to “Absolutely Fabulous: The Movie,...
The feature film category is split into three sections: contemporary, period and fantasy, with Deborah Cook nominated for the stop-motion animation movie “Kubo and the Two Strings” in the fantasy category. The first animated movie to earn a Cdg nomination, “Kubo” is nominated for the puppet costumes made for the movie.
Read More: Cinema Eye Honors 2017: The Best Things Winners Kirsten Johnson, Keith Maitland, Clay Tweel and More Said
The other films nominated in the category are “Doctor Strange,” “Fantastic Beasts and Where to Find Them,” “Miss Peregrine’s Home for Peculiar Children” and “Rogue One: A Star Wars Story.” Costume designer Colleen Atwood earned nominations for both “Fantastic Beasts” and “Miss Peregrine’s Home for Peculiar Children.”
The contemporary category nominations went to “Absolutely Fabulous: The Movie,...
- 1/12/2017
- by Graham Winfrey
- Indiewire
With her jaw-dropping fashion sense and bold outfits in the first season of Empire, few could have predicted that Cookie Lyon would make her first appearance on the second season of Empire in a gorilla suit. According to the Fox show’s costume designer, Paolo Nieddu, that was not always the plan. Vulture needed more details. Below, Nieddu outlines how Cookie's gorilla outfit at the Free Lucious rally scene came to be, and where he drew inspiration for the stunning, feathery outfit she donned beneath the gorilla getup — a 2013 heaven's bird Gucci dress.“We had these T-shirts made for the audience that said ‘Free Lucious.’ And initially it was scripted that Cookie would be wearing a 'Free Lucious' T-shirt also because she’d be emceeing the crowd. I said to [show creator] Lee [Daniels], 'Okay, well maybe hers doesn’t need to be a T-shirt. I don’t want the first time we...
- 9/24/2015
- by Dan Hyman
- Vulture
"It literally gives me chills,” Paolo Nieddu says of his "dream job" as costume designer for Empire. Having worked as the assistant costume designer on Sex and the City: The Movie, Nieddu is no stranger to executing high-end, big-ticket looks onscreen. But as he told Vulture in the weeks leading up to the Fox smash-hit show’s season-two premiere, working on Empire, where the fashion is as over-the-top as the plotlines, has him feeling like part of history. “To think 'Oh my god, in 30 years some kid could be watching Empire and referencing those looks for a new show just how we talk about Dynasty' is unbelievable,” he says. Nieddu, who was at the helm for last season’s pilot episode but turned over the reigns to fellow costume designer Rita McGhee, took on all 18 episodes this go-round. And while outfitting Taraji P. Henson’s Cookie Lyon could be a...
- 9/24/2015
- by Dan Hyman
- Vulture
This year's Emmys include the introduction of an award for Best Contemporary Costume Design. In previous years, costume prizes were divided between series, movie/miniseries and variety. Starting this year, they're separated by era: contemporary and period/fantasy. Who will Emmy voters choose in this inaugural contest? -Break- Will Taraji P. Henson ('Empire') make Emmys history? Voters could go the glamorous route by picking Fox's "Empire," which has arguably the showiest costumes on TV, taking place as it does in the high-fashion world of the New York music business. It has two nominations in this category: one for Paolo Nieddu's work in the pilot episode which establishes the characters' styles, and another for Rita D. McGhee's designs in "The Lyon's Roar," which places the emphasis on its costumes by setting the action at a lavish white party. While another Fox dram...'...
- 8/23/2015
- Gold Derby
View Photo Gallery
Forget all that talk that Lee Daniels‘ Empire is a rip-off of 50 Cent‘s Power, Empire is a phenomenon all its own. The evidence is clear that people are hooked on this show: Last week’s second episode of the series drew in 10.3 million viewers, up five percent since its debut. You can credit that to the series’ intriguing plot line (a mogul and his family struggle to maintain their music empire), its infectious soundtrack, and the impressive acting from a top cast, namely Terrence Howard and Taraji P. Henson. But the real hero of the show is most definitely its costumes.
Designed by costume designer Rita McGhee (who was brought in after the pilot to dress the rest of the season, following designer Paolo Nieddu), the show’s outlandish outfits are as fun to feast your eyes on as the drama itself. And taking the Empire crown for best dressed character?...
Forget all that talk that Lee Daniels‘ Empire is a rip-off of 50 Cent‘s Power, Empire is a phenomenon all its own. The evidence is clear that people are hooked on this show: Last week’s second episode of the series drew in 10.3 million viewers, up five percent since its debut. You can credit that to the series’ intriguing plot line (a mogul and his family struggle to maintain their music empire), its infectious soundtrack, and the impressive acting from a top cast, namely Terrence Howard and Taraji P. Henson. But the real hero of the show is most definitely its costumes.
Designed by costume designer Rita McGhee (who was brought in after the pilot to dress the rest of the season, following designer Paolo Nieddu), the show’s outlandish outfits are as fun to feast your eyes on as the drama itself. And taking the Empire crown for best dressed character?...
- 1/21/2015
- by Tara Aquino
- VH1.com
View Photo Gallery
Forget all that talk that Lee Daniels‘ Empire is a rip-off of 50 Cent‘s Power, Empire is a phenomenon all its own. The evidence is clear that people are hooked on this show: Last week’s second episode of the series drew in 10.3 million viewers, up five percent since its debut. You can credit that to the series’ intriguing plot line (a mogul and his family struggle to maintain their music empire), its infectious soundtrack, and the impressive acting from a top cast, namely Terrence Howard and Taraji P. Henson. But the real hero of the show is most definitely its costumes.
Designed by costume designer Rita McGhee (who was brought in after the pilot to dress the rest of the season, following designer Paolo Nieddu), the show’s outlandish outfits are as fun to feast your eyes on as the drama itself. And taking the Empire crown for best dressed character?...
Forget all that talk that Lee Daniels‘ Empire is a rip-off of 50 Cent‘s Power, Empire is a phenomenon all its own. The evidence is clear that people are hooked on this show: Last week’s second episode of the series drew in 10.3 million viewers, up five percent since its debut. You can credit that to the series’ intriguing plot line (a mogul and his family struggle to maintain their music empire), its infectious soundtrack, and the impressive acting from a top cast, namely Terrence Howard and Taraji P. Henson. But the real hero of the show is most definitely its costumes.
Designed by costume designer Rita McGhee (who was brought in after the pilot to dress the rest of the season, following designer Paolo Nieddu), the show’s outlandish outfits are as fun to feast your eyes on as the drama itself. And taking the Empire crown for best dressed character?...
- 1/21/2015
- by Tara Aquino
- TheFabLife - Movies
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