Annette Hess will receive the first-ever Deadline German TV Disruptor Award at Seriencamp next month. Hess has created some of the most memorable German drama series of recent years with work including Weisensee and the Ku’damm series, to Disney+ show The Interpreter of Silence, based on Hess’ novel Deutsches Haus. Ku’damm fans are currently waiting on a new series, Ku’damm 77, which Hess is in the process of writing with production set for early 2026.
As well as being a creative powerhouse, Hess is an outspoken advocate for change at an industry level. Living up to the Disruptor moniker, she has championed efforts to strengthen the role of writers and screenwriters in film and TV, and continues to fight for better representation for women in the business.
Hess will collect the inaugural German TV Disruptor Award at Seriencamp in Cologne, and take part in a fireside chat about her work and career.
As well as being a creative powerhouse, Hess is an outspoken advocate for change at an industry level. Living up to the Disruptor moniker, she has championed efforts to strengthen the role of writers and screenwriters in film and TV, and continues to fight for better representation for women in the business.
Hess will collect the inaugural German TV Disruptor Award at Seriencamp in Cologne, and take part in a fireside chat about her work and career.
- 5/15/2024
- by Stewart Clarke
- Deadline Film + TV
In an exclusive sneak-peek of its 2024 program, Cia Edström, head of the Göteborg Film Festival’s leading drama showcase TV Drama Vision, has unveiled that British actress Sarah Lancashire will be one of the 50-plus speakers due on-stage.
The star of BBC’s “Happy Valley,” Max’s “Julia” and Netflix’s forthcoming “Black Doves” will be joining Lars Blomgren, head of international at Media Res (“Scenes from a Marriage”) in a fireside chat where Lancashire will discuss her expanding career on both sides of the camera and new shingle Via Pictures.
“Sarah is an amazing actress who is moving into content creation. No doubt her exclusive on-stage talk with the leading Scandinavian power-player Lars Blomgren will inspire our industry audience”, said Edström.
The 2024 edition of the must-attend Nordic TV confab, which is due to unspool Jan. 30-31 parallel to the Göteborg Film Festival, will be hosting its usual 500-plus international...
The star of BBC’s “Happy Valley,” Max’s “Julia” and Netflix’s forthcoming “Black Doves” will be joining Lars Blomgren, head of international at Media Res (“Scenes from a Marriage”) in a fireside chat where Lancashire will discuss her expanding career on both sides of the camera and new shingle Via Pictures.
“Sarah is an amazing actress who is moving into content creation. No doubt her exclusive on-stage talk with the leading Scandinavian power-player Lars Blomgren will inspire our industry audience”, said Edström.
The 2024 edition of the must-attend Nordic TV confab, which is due to unspool Jan. 30-31 parallel to the Göteborg Film Festival, will be hosting its usual 500-plus international...
- 11/22/2023
- by Annika Pham
- Variety Film + TV
The festival’s full Industry Days programme will take place from October 2-6.
Filmfest Hamburg’s Industry Days brings together the local industry with colleagues from throughout Germany and the international industry.
The programme of keynotes, panels, and workshops kicks off on October 2 with a keynote speech by one of Germany’s most prolific directors, Dominik Graf, known for features such as Fabian: Going To The Dogs and Beloved Sisters. It will be followed by discussions about the situation of emerging talents in Germany and the initiatives being developed to promote this up-and-coming generation of filmmakers.
For the second year running,...
Filmfest Hamburg’s Industry Days brings together the local industry with colleagues from throughout Germany and the international industry.
The programme of keynotes, panels, and workshops kicks off on October 2 with a keynote speech by one of Germany’s most prolific directors, Dominik Graf, known for features such as Fabian: Going To The Dogs and Beloved Sisters. It will be followed by discussions about the situation of emerging talents in Germany and the initiatives being developed to promote this up-and-coming generation of filmmakers.
For the second year running,...
- 9/28/2023
- by Martin Blaney
- ScreenDaily
Artificial Intelligence will be fully integrated into the production process within five years, offering new creative opportunities while endangering the future of creative jobs, according to the latest edition of the Goteborg Film Festival’s Nostradamus report.
The tenth annual report, traditionally released at the Swedish festival in January, launched for the second time today in Cannes. The report charts the near future of the audiovisual industry through interviews with experts and analysis by author Johanna Koljonen. This year’s report is titled Nostradamus Report: Everything Changing All At Once.
The headline finding presented in the report is the speed with which experts expect AI to be fully integrated into the film and TV production process. The report predicts that full integration will occur within 3-5 years and will: “unlock resources and creative capacity.” However, for the industry as a whole, “jobs will start disappearing, and most of them will change.
The tenth annual report, traditionally released at the Swedish festival in January, launched for the second time today in Cannes. The report charts the near future of the audiovisual industry through interviews with experts and analysis by author Johanna Koljonen. This year’s report is titled Nostradamus Report: Everything Changing All At Once.
The headline finding presented in the report is the speed with which experts expect AI to be fully integrated into the film and TV production process. The report predicts that full integration will occur within 3-5 years and will: “unlock resources and creative capacity.” However, for the industry as a whole, “jobs will start disappearing, and most of them will change.
- 5/22/2023
- by Zac Ntim
- Deadline Film + TV
Report also examines industry’s challenges in remaining to young audiences.
AI-powered production technologies will spark a restructure of the film and television industries, bringing both dramatic efficiency gains and creative possibilities, but also major potential challenges.
That’s one of the findings of the 2023 Nostradamus report, launched in Cannes today by the Göteborg Film Festival, which also examines the industry’s challenges in remaining attractive to young audiences.
The annual Nostradamus report looks at the near-future of the audiovisual industries by talking to industry experts with analysis by author Johanna Koljonen.
Titled Everything Changing All At Once, the...
AI-powered production technologies will spark a restructure of the film and television industries, bringing both dramatic efficiency gains and creative possibilities, but also major potential challenges.
That’s one of the findings of the 2023 Nostradamus report, launched in Cannes today by the Göteborg Film Festival, which also examines the industry’s challenges in remaining attractive to young audiences.
The annual Nostradamus report looks at the near-future of the audiovisual industries by talking to industry experts with analysis by author Johanna Koljonen.
Titled Everything Changing All At Once, the...
- 5/22/2023
- by Tim Dams
- ScreenDaily
More than 70 speakers from 17 countries, including “Skam” showrunner Julie Andem, “It Takes Two” game creator/filmmaker Josef Fares, and top commissioners from Viaplay, Netflix, Amazon Studios, Dr, Svt, Nrk and Yle will take center stage at Göteborg Film Festival’s TV Drama Vision.
The festival’s flagship drama confab will run Feb. 1-2 both on-site in Sweden’s second largest city, and online, with all streamed sessions open to accredited professionals.
A record 542 delegates – including 39 online visitors – have signed up for the sold-out event, set under the overarching theme “Navigating Disruption and Cultivating Talent.”
”It’s been a challenge to set the core of this year’s program, considering the drastic changes in the drama industry, fuelled by the macroeconomic uncertainties, streaming wars and changing strategies,” acknowledges TV Drama Vision honcho Cia Edström. “But our top industry guests will offer inspiring best-practices on how to navigate these changing times, cultivate talent and innovate in storytelling.
The festival’s flagship drama confab will run Feb. 1-2 both on-site in Sweden’s second largest city, and online, with all streamed sessions open to accredited professionals.
A record 542 delegates – including 39 online visitors – have signed up for the sold-out event, set under the overarching theme “Navigating Disruption and Cultivating Talent.”
”It’s been a challenge to set the core of this year’s program, considering the drastic changes in the drama industry, fuelled by the macroeconomic uncertainties, streaming wars and changing strategies,” acknowledges TV Drama Vision honcho Cia Edström. “But our top industry guests will offer inspiring best-practices on how to navigate these changing times, cultivate talent and innovate in storytelling.
- 1/23/2023
- by Annika Pham
- Variety Film + TV
The 2022 Nostradamus report was launched in Cannes by the Göteborg Film Festival.
Transforming working conditions across the industry should offer financial, artistic, and efficiency benefits directly. That’s one message in the 2022 Nostradamus report, launched in Cannes yesterday by the Göteborg Film Festival.
The ninth report, which is usually published each January, looks at the near-future of the audiovisual industries by talking to industry experts with analysis by author Johanna Koljonen. This year’s report is entitled “Imagining a Sustainable Industry.”
Questions posed by the report include “How can we build a long-term sustainable industry, taking into consideration financial, social as well as environmental perspectives?...
Transforming working conditions across the industry should offer financial, artistic, and efficiency benefits directly. That’s one message in the 2022 Nostradamus report, launched in Cannes yesterday by the Göteborg Film Festival.
The ninth report, which is usually published each January, looks at the near-future of the audiovisual industries by talking to industry experts with analysis by author Johanna Koljonen. This year’s report is entitled “Imagining a Sustainable Industry.”
Questions posed by the report include “How can we build a long-term sustainable industry, taking into consideration financial, social as well as environmental perspectives?...
- 5/24/2022
- by Wendy Mitchell
- ScreenDaily
The Göteborg Film Festival’s annual TV industry event, TV Drama Vision, has unveiled its program, which focuses on sustainability and healthy working conditions at a time of hyper-competition in the drama space.
TV Drama Vision is set to unspool both in-person and online over Feb. 2-3.
As opening keynote, Johanna Koljonen, author of the anticipated Nostradamus Report, will kickstart the event’s conference strand, which is also due to new paths for creative producers, public funding at a crossroads, green filmmaking, diversity, changing business models and storytelling.
“The program, designed as always in close collaboration with the industry, will reveal how the streaming disruption, accelerated by the pandemic, is affecting us all. It’s important for all partners to find common grounds and reflect on long-term plans to create a sustainable industry,” says Göteborg head of industry Cia Edström, who will be hosting the event with moderators Johanna Nunnu Karppinen,...
TV Drama Vision is set to unspool both in-person and online over Feb. 2-3.
As opening keynote, Johanna Koljonen, author of the anticipated Nostradamus Report, will kickstart the event’s conference strand, which is also due to new paths for creative producers, public funding at a crossroads, green filmmaking, diversity, changing business models and storytelling.
“The program, designed as always in close collaboration with the industry, will reveal how the streaming disruption, accelerated by the pandemic, is affecting us all. It’s important for all partners to find common grounds and reflect on long-term plans to create a sustainable industry,” says Göteborg head of industry Cia Edström, who will be hosting the event with moderators Johanna Nunnu Karppinen,...
- 1/25/2022
- by Annika Pham
- Variety Film + TV
Berlinale 2021: The panel, entitled “The Evolution of the Arthouse Exhibition”, took place on 3 March during the European Film Market. What future should arthouse exhibitors expect? This is the main question tackled by one of the panels that took place during this year's European Film Market, entitled “The Evolution of the Arthouse Exhibition.” The discussion, held on 3 March and moderated by Johanna Koljonen, author of the Nostradamus Report which was presented at Göteborg one month ago, saw the participation of six speakers, namely Christian Bräuer, managing director of the Yorck Kino Gruppe in Berlin and chair of Cicae; Daniela Elstner, executive director of Unifrance; Niklas Nienaß, member of the EU Parliament for Germany; Roberto Olla, executive director of Eurimages; Mira Staleva, deputy director of the Sofia International Film Festival and Cinema House; and Harald Trettenbrein, head of unit at European Commission's Eacea - Education, Audiovisual and Culture Executive...
During the 8th annual seminar presented during the Göteborg Film Festival, Johanna Koljonen focused on Transforming Storytelling Together. And sea shanties. The annual Nostradamus Report – presented during the Göteborg Film Festival's Nordic Film Market – once again looked into the future of the screen industries through research and interviews with industry experts, including Alex Stolz (Future of Film), Ari Tolppanen (Aristo-Invest), Brian Newman (Sub-Genre), Elisa Alvares (Jacaranda Consultants), Filippa Wallestam (Nent Group), Mariana Acuña Acosta (Glassbox Technologies), Marike Muselaers (Lumiere Group), Executive Director at Eurimages Roberto Olla and Walter Iuzzolino of Eagle Eye Drama. “Our interviewees were mentally thinking about the next crisis, because it will happen and the industry needs to be more resilient,” observed Johanna Koljonen, the author of the report. “We work with dreams, we talk about art and even 'industry' is an abstract term. But we are not just reflecting the world, we act in...
Johanna Koljonen and Walter Iuzzolino discussed current TV creativity, the role of streamers, how TV can survive into the future and how European content can travel. At the opening of the 2021 Göteborg Film Festival’s TV Drama Vision, Cia Edström welcomed guests to a digital event that took place “after a year unlike any other for everyone” and introduced Johanna Koljonen who hosted the first conversation on “European Vision: Transforming Storytelling Together”. Walter Iuzzolino, CEO at Eagle Eye Drama, was the main guest and started by focusing on TV production in a pandemic. He stated that this was a slightly schizophrenic world where, when the streets are empty, the TV industry remains incredibly strong and creates new content. There is intense production activity and more consumption than ever before, which is why the industry appears extremely alive. The challenge for the future of TV drama won’t be about creativity,...
Presented at Göteborg Film Festival, the report aims to examine the near future of the screen industries.
Five years from now, “virtual production methods, tools, and pipelines have been completely normalised across the industry,” according to media analyst Johanna Koljonen, author of the latest Nostradamus report, ’Transforming Storytelling Together’.
She writes in the report: “The threshold to hands-on experience with virtual production is very low today, and the tools are rapidly becoming even more accessible. At the highest end, installations that currently require a significant initial investment will also lower in price.”
The Göteborg Film Festival unveiled the eighth edition of its Nostradamus report,...
Five years from now, “virtual production methods, tools, and pipelines have been completely normalised across the industry,” according to media analyst Johanna Koljonen, author of the latest Nostradamus report, ’Transforming Storytelling Together’.
She writes in the report: “The threshold to hands-on experience with virtual production is very low today, and the tools are rapidly becoming even more accessible. At the highest end, installations that currently require a significant initial investment will also lower in price.”
The Göteborg Film Festival unveiled the eighth edition of its Nostradamus report,...
- 2/5/2021
- by Wendy Mitchell
- ScreenDaily
Goteborg’s Nostradamus Report Foresees Transformed Distribution Landscape, Battle for Truth in Media
The impact of the ongoing pandemic on the film and television industry will change production practices, re-shape the exhibitor sector, transform distribution and expand global opportunities for European producers over the next five years, according to the latest Nostradamus Report, which forecasts trends in film and TV.
Presented by author Johanna Koljonen at the Göteborg Film Festival’s annual Nostradamus seminar, the 8th Nostradamus Report, entitled “Transforming Storytelling Together,” bases its findings on research and interviews with industry experts.
Among those findings: The unprecedented Covid-19 crisis has accelerated structural changes that were already underway. In addition to continuing consolidation, the industry will go through an extensive reality check, moving from streaming wars to dealing with the struggle for truth in media, and from the pandemic to green issues.
The coming years will see the collapse of release windows and the emergence of a content releasing landscape shaped in a common...
Presented by author Johanna Koljonen at the Göteborg Film Festival’s annual Nostradamus seminar, the 8th Nostradamus Report, entitled “Transforming Storytelling Together,” bases its findings on research and interviews with industry experts.
Among those findings: The unprecedented Covid-19 crisis has accelerated structural changes that were already underway. In addition to continuing consolidation, the industry will go through an extensive reality check, moving from streaming wars to dealing with the struggle for truth in media, and from the pandemic to green issues.
The coming years will see the collapse of release windows and the emergence of a content releasing landscape shaped in a common...
- 2/4/2021
- by Ed Meza
- Variety Film + TV
A record 500 delegates have signed up for Scandinavia’s leading TV drama confab, TV Drama Vision, which is set to unspool online over Feb. 3-4, parallel to Sweden’s Göteborg Film Festival.
Next to honorary guest – Danish writer-helmer Susanne Bier, 30 keynote speakers will share their insights, business and creative tips on how to boost global industry resilience at a time of unprecedented challenges under Covid-19. Walter Iuzzolino, creator of the international curated streaming service Walter Presents – jointly owned by the U.K.’s Channel Four – will open discussions, in conversation with media analyst Johanna Koljonen, author of Göteborg’s annual Nostradamus Report.
Ampere Analysis exec director Guy Bisson returns to Goteborg for a second year running will analyze a series of TV trends to watch out for in 2021 – which he describes as turning on “compounding.” Festival and market executives Frédéric Pittoors d’Haveskercke (Series Mania), Dennis Ruh (European Film Market...
Next to honorary guest – Danish writer-helmer Susanne Bier, 30 keynote speakers will share their insights, business and creative tips on how to boost global industry resilience at a time of unprecedented challenges under Covid-19. Walter Iuzzolino, creator of the international curated streaming service Walter Presents – jointly owned by the U.K.’s Channel Four – will open discussions, in conversation with media analyst Johanna Koljonen, author of Göteborg’s annual Nostradamus Report.
Ampere Analysis exec director Guy Bisson returns to Goteborg for a second year running will analyze a series of TV trends to watch out for in 2021 – which he describes as turning on “compounding.” Festival and market executives Frédéric Pittoors d’Haveskercke (Series Mania), Dennis Ruh (European Film Market...
- 1/29/2021
- by Annika Pham
- Variety Film + TV
Running fully online over Feb. 3-4, the Nordic region’s largest TV market, TV Drama Vision – which is held parallel to Sweden’s Göteborg Film Festival – will roll out the red carpet to Danish writer-director Susanne Bier as an honorary guest.
The Emmy and Golden Globe-winning helmer will discuss her 30-year career, ranging from the Danish hits “After the Wedding” and “In a Better World” to the acclaimed English-language series “The Night Manager” and “The Undoing.” She will also share tips on how creators can adapt to the ever-changing content industry while sticking to their vision.
“It’s never easy to get star guests, so we’re thrilled to welcome Susanne Bier,” said Göteborg fest head of industry Cia Edström, who described Bier as “an interesting creator, who has moved elegantly from auteur filmmaking to the mainstream. She is a perfect match for an event like ours,” she added.
Detailing...
The Emmy and Golden Globe-winning helmer will discuss her 30-year career, ranging from the Danish hits “After the Wedding” and “In a Better World” to the acclaimed English-language series “The Night Manager” and “The Undoing.” She will also share tips on how creators can adapt to the ever-changing content industry while sticking to their vision.
“It’s never easy to get star guests, so we’re thrilled to welcome Susanne Bier,” said Göteborg fest head of industry Cia Edström, who described Bier as “an interesting creator, who has moved elegantly from auteur filmmaking to the mainstream. She is a perfect match for an event like ours,” she added.
Detailing...
- 1/15/2021
- by Annika Pham
- Variety Film + TV
A series of five webinars aims to tackle all of the important issues in children’s film production and look beyond the current problems facing the industry. Almost one month ahead of its dates (29 September-2 October), the fourth Kids Kino Industry (see the news), the Kids Kino International Film Festival’s co-production forum, has launched a series of Inspirational Webinars that are intended for film-industry professionals interested in further developing and working on content for children. Running every Monday, with the first two webinars having been held already, they aim to tackle all of the important issues in the industry and explore the situation it is currently facing. The first webinar, which was held on 24 August, dealt with "Exploring the Change", and it was organised in co-operation with the Göteborg Film Festival’s Nostradamus Report. It was an opportunity for media analyst Johanna Koljonen to present the findings of the report,...
The annual presentation of the acclaimed report featured industry experts in a discussion on how and when the return to normality could be expected. Göteborg Film Festival’s Nostradamus initiative has made its annual appearance at the Cannes Next section of Marché du Film Online. Every year, the Nostradamus report is one of the most anticipated, aiming to predict the near future of the industry. Under the title “Making Choices: How to Build for a Better New Normal”, the session explored ways in which the industry can adapt in the wake of the Covid-19 pandemic. The session was introduced by Cannes Next head Sten-Kristian Saluveer who presented the host of the discussion, media analyst Johanna Koljonen from Göteborg’s Kulturakademin. After a brief introduction where Koljonen mentioned the lack of racial balance in an “all-white” panel, and how the serious issues of racism and the current pandemic affect the audience’s behaviour,...
The online event will focus on representation and systemic change.
Directors Amma Asante, Paul Feig, and Julie Taymor are among the speakers signed up to Carla 2020, an online conference on creating structural change in the film and TV industries post-Covid-19.
Hosted by gender equality organisation Women in Film & TV International, the event will run from August 21-23.
Carla 2020 describes its mission as “to generate a deeper understanding of the power and impact of film and television to create cultural progress.
“The conference will highlight the fact that an increased focus on off- and on-screen representation is crucial for constructing...
Directors Amma Asante, Paul Feig, and Julie Taymor are among the speakers signed up to Carla 2020, an online conference on creating structural change in the film and TV industries post-Covid-19.
Hosted by gender equality organisation Women in Film & TV International, the event will run from August 21-23.
Carla 2020 describes its mission as “to generate a deeper understanding of the power and impact of film and television to create cultural progress.
“The conference will highlight the fact that an increased focus on off- and on-screen representation is crucial for constructing...
- 6/12/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
A series of high-profile names have committed to speaking at Carla 2020, a digital conference focusing on creating lasting structural change in the film and TV industries post-covid-19.
Keynote speakers will include Belle filmmaker Amma Asante, new Sundance director Tabitha Jackson, Swedish Film Institute CEO Anna Serner, and broadcaster Mo Abudu. They will open the conference with a series of talks on August 21.
Following on August 22 will be a series of speeches, in-conversations, roundtables and networkings events focusing on the subjects of diversity and inclusion. Panelists will discuss best practises and form new initiatives to guide the biz into a better future after the coronavirus crisis has receded. Subjects will include the mechanisms of power, racism, unconscious bias, intersectionality, sexual harassment, safety on set, and decolonizing narratives.
Speakers will include director Paul Feig, who is a recent addition so hasn’t had his specific involvement confirmed yet, but in the past...
Keynote speakers will include Belle filmmaker Amma Asante, new Sundance director Tabitha Jackson, Swedish Film Institute CEO Anna Serner, and broadcaster Mo Abudu. They will open the conference with a series of talks on August 21.
Following on August 22 will be a series of speeches, in-conversations, roundtables and networkings events focusing on the subjects of diversity and inclusion. Panelists will discuss best practises and form new initiatives to guide the biz into a better future after the coronavirus crisis has receded. Subjects will include the mechanisms of power, racism, unconscious bias, intersectionality, sexual harassment, safety on set, and decolonizing narratives.
Speakers will include director Paul Feig, who is a recent addition so hasn’t had his specific involvement confirmed yet, but in the past...
- 6/12/2020
- by Tom Grater
- Deadline Film + TV
Berlin — Having slowed incentives to a near halt this year, Brazilian president Jair Bolsonaro’s government looks set to decimate film funding in 2020. Brazil’s industry is bracing – and fighting back.
On Sunday, at Berlin, Projeto Paradiso, a philanthropic organization, announced a Sao Paulo Forum, New Business Models for a New Audiovisual Era, and that it was backing the participation of Brazil’s Clarisse Goulart, from Rio de Janeiro’s Conspiraçao Filmes, at Less is More, a European program coaching development executives.
Projeto Paradiso, is also supporting the attendance at Berlin of filmmakers behind 11 selected movies or projects from “All the Dead Ones’” Caetano Gotardo and Marco Dutta downwards.
Project Paradise will never have anywhere near the budget of Brazil’s massive Audiovisual Sector Fund, whose very existence is now challenged by Bolsonaro. But it is investing in the industry precisely where money goes furthest – development and distribution – and targets...
On Sunday, at Berlin, Projeto Paradiso, a philanthropic organization, announced a Sao Paulo Forum, New Business Models for a New Audiovisual Era, and that it was backing the participation of Brazil’s Clarisse Goulart, from Rio de Janeiro’s Conspiraçao Filmes, at Less is More, a European program coaching development executives.
Projeto Paradiso, is also supporting the attendance at Berlin of filmmakers behind 11 selected movies or projects from “All the Dead Ones’” Caetano Gotardo and Marco Dutta downwards.
Project Paradise will never have anywhere near the budget of Brazil’s massive Audiovisual Sector Fund, whose very existence is now challenged by Bolsonaro. But it is investing in the industry precisely where money goes furthest – development and distribution – and targets...
- 2/24/2020
- by John Hopewell
- Variety Film + TV
The fourth edition of Efm's hub is dedicated to the social, artistic and technological developments of the coming years. The fourth edition of Efm Horizon, the European Film Market (Efm)'s hub dedicated to the transformation of the film and media sectors, will host workshops, panels, talks and keynotes at the Berliner Freiheit over the course of five days (21-25 February). Funded by Medienboard Berlin-Brandenburg, the event this year will focus on sustainability, well-being, diversity, storytelling, artificial intelligence and immersive media. It will also centre on upcoming social, technological, economic and creative developments, further investigating the future of the film and creative industries. This investigation into the future will begin with the presentation of the 7th Nostradamus Report – “A Creative Explosion” the annual report of the Göteborg Film Festival, presented by its author Johanna Koljonen (watch the interview), on Friday 21 February. For the sixth consecutive year, ten selected startups.
Annual report into the future of the screen industries and was unveiled at the Goteborg Film Festival.
The near future of the global film and TV industries will be a boom time of creativity and growing hours of content, but will also see an industry in chaos, according to thee 2020 Nostradamus report ’A Creative Explosion’.
The repprt was unveiled at the Nordic Film Market at the Goteborg Film Festival on Friday January 31.
“The next three to five years will be a time of creativity and chaos, with many artistic highs and unprecedented amounts of money invested in scripted content,” said the report.
The near future of the global film and TV industries will be a boom time of creativity and growing hours of content, but will also see an industry in chaos, according to thee 2020 Nostradamus report ’A Creative Explosion’.
The repprt was unveiled at the Nordic Film Market at the Goteborg Film Festival on Friday January 31.
“The next three to five years will be a time of creativity and chaos, with many artistic highs and unprecedented amounts of money invested in scripted content,” said the report.
- 2/3/2020
- by 1100142¦Wendy Mitchell¦0¦
- ScreenDaily
Annual Nostradamus report report looks into the future of the screen industries and was unveiled at the Goteborg Film Festival.
The near future of the film and TV industries will be a boom time of creativity and growing hours of content, but will also see an industry in chaos.
These are the predictions of the 2020 Nostradamus report – “A Creative Explosion” – which was unveiled on Friday (January 31) at the Nordic Film Market at the Goteborg Film Festival.
“The next three to five years will be a time of creativity and chaos, with many artistic highs and unprecedented amounts of money invested in scripted content,...
The near future of the film and TV industries will be a boom time of creativity and growing hours of content, but will also see an industry in chaos.
These are the predictions of the 2020 Nostradamus report – “A Creative Explosion” – which was unveiled on Friday (January 31) at the Nordic Film Market at the Goteborg Film Festival.
“The next three to five years will be a time of creativity and chaos, with many artistic highs and unprecedented amounts of money invested in scripted content,...
- 2/3/2020
- by 1100142¦Wendy Mitchell¦0¦
- ScreenDaily
Annual Nostradamus report report looks into the future of the screen industries and was unveiled at the Goteborg Film Festival.
The near future of the film and TV industries will be a boom time of creativity and growing hours of content, but will also see an industry in chaos.
These are the predictions of the 2020 Nostradamus report – “A Creative Explosion” – which was unveiled on Friday (January 31) at the Nordic Film Market at the Goteborg Film Festival.
“The next three to five years will be a time of creativity and chaos, with many artistic highs and unprecedented amounts of money invested in scripted content,...
The near future of the film and TV industries will be a boom time of creativity and growing hours of content, but will also see an industry in chaos.
These are the predictions of the 2020 Nostradamus report – “A Creative Explosion” – which was unveiled on Friday (January 31) at the Nordic Film Market at the Goteborg Film Festival.
“The next three to five years will be a time of creativity and chaos, with many artistic highs and unprecedented amounts of money invested in scripted content,...
- 2/3/2020
- by 1100142¦Wendy Mitchell¦0¦
- ScreenDaily
Powered by Netflix, Amazon Prime Video, Apple TV Plus and Disney Plus, among others, the subscription video on demand market is booming. But in five years from now, it will have contracted with no single service fully dominating the landscape, according to the 7th Nostradamus Report, which forecasts trends in film and TV.
The thorough study was presented by its author, Johanna Koljonen, during the Nordic Film Market at the Göteborg Film Festival on Friday.
Entitled “A Creative Explosion,” the report highlights key trends for the next three-to-five years with six chapters dedicated to “Diversity Beyond 50/50,” “After The Streaming Wars,” “The Pain And Glory of Feature Film,” “The Irishman In the Window,” “Boom Year Problems” and “Insight As Leverage.”
The report is based on collected data and media analysis and built around a wide range of interviews with industry experts, including Alex Mahon, CEO of Channel 4; Lars Blomgren, Endemol Shine Group...
The thorough study was presented by its author, Johanna Koljonen, during the Nordic Film Market at the Göteborg Film Festival on Friday.
Entitled “A Creative Explosion,” the report highlights key trends for the next three-to-five years with six chapters dedicated to “Diversity Beyond 50/50,” “After The Streaming Wars,” “The Pain And Glory of Feature Film,” “The Irishman In the Window,” “Boom Year Problems” and “Insight As Leverage.”
The report is based on collected data and media analysis and built around a wide range of interviews with industry experts, including Alex Mahon, CEO of Channel 4; Lars Blomgren, Endemol Shine Group...
- 2/2/2020
- by Elsa Keslassy
- Variety Film + TV
Sixth-annual report, entitled ’Relevance in a New Reality’, was unveiled during Goteborg’s Nordic Film Market last week.
Media analyst Johanna Koljonen unveiled the sixth-annual Nostradamus report, entitled ’Relevance in a New Reality’ during Goteborg’s Nordic Film Market last week.
As usual, Koljonen interviews a diverse group of industry experts and asks them about the future of the screen industries in the next three to five years.
This year’s interviewees were:
Efe Cakarel, Founder and CEO, Mubi Thomas Gammeltoft, CEO, Copenhagen Film Fund Ani Korpela, Director, Head of Content and Application Business, Elisa Ben Luxford, Head of Audience,...
Media analyst Johanna Koljonen unveiled the sixth-annual Nostradamus report, entitled ’Relevance in a New Reality’ during Goteborg’s Nordic Film Market last week.
As usual, Koljonen interviews a diverse group of industry experts and asks them about the future of the screen industries in the next three to five years.
This year’s interviewees were:
Efe Cakarel, Founder and CEO, Mubi Thomas Gammeltoft, CEO, Copenhagen Film Fund Ani Korpela, Director, Head of Content and Application Business, Elisa Ben Luxford, Head of Audience,...
- 2/5/2019
- by Wendy Mitchell
- ScreenDaily
The Göteborg Film Festival’s 6th Nostradamus Report, titled “Relevance in a New Reality,” was presented at a seminar held at the festival on Friday afternoon. The yearly report is designed to forecast what the coming three-to-five years may look like for the screen industries.
This year’s Nostradamus is in five chapters in which industry experts are quoted and conclusions are drawn by the report’s authors. The new edition demonstrates a continuation and consolidation of familiar industry trends among industry professionals, covering topics such as: the uncertain future of public funding, major movements in the streaming market, the role of cinema in the new value chain, potential paths forward for Vr; and the need for a rebooted industry conversation around tech and shared challenges.
“We’ve talked about ‘structural change’ for a while now,” said Nostradamus author Johanna Koljonen. “In the next three to five years, a sector...
This year’s Nostradamus is in five chapters in which industry experts are quoted and conclusions are drawn by the report’s authors. The new edition demonstrates a continuation and consolidation of familiar industry trends among industry professionals, covering topics such as: the uncertain future of public funding, major movements in the streaming market, the role of cinema in the new value chain, potential paths forward for Vr; and the need for a rebooted industry conversation around tech and shared challenges.
“We’ve talked about ‘structural change’ for a while now,” said Nostradamus author Johanna Koljonen. “In the next three to five years, a sector...
- 2/1/2019
- by Jamie Lang
- Variety Film + TV
More than 360 international delegates are expected at Göteborg’s 13th Nordic TV Drama Vision (Jan. 30-31) described by head of industry Cia Edström as a ‘boutique event’, where top Nordic and international drama professionals gather each year to gauge the state of the Nordic market and hot content.
For the first time, to comply with the growing demand from international drama execs, a new venue – the historical theater building ‘Stora teatern’ – will host this year’s expanded Nordic TV confab.
Keynote speakers set to inspire attendees comprise seasoned U.K. TV writer Sally Wainwright, BAFTA award-winning comedy producer Jon Plowman and Netflix’s director of co-production & acquisition, Northern and Central Europe, Lina Brounéus.
Nordic professionals will be eager to discover Brounéus’ commissioning plans in the region beyond the three Originals already announced: “The Rain Season 2” from Denmark, “Quicksand” from Sweden, selected for the Berlinale Series, and “Ragnarok” from Norway, penned...
For the first time, to comply with the growing demand from international drama execs, a new venue – the historical theater building ‘Stora teatern’ – will host this year’s expanded Nordic TV confab.
Keynote speakers set to inspire attendees comprise seasoned U.K. TV writer Sally Wainwright, BAFTA award-winning comedy producer Jon Plowman and Netflix’s director of co-production & acquisition, Northern and Central Europe, Lina Brounéus.
Nordic professionals will be eager to discover Brounéus’ commissioning plans in the region beyond the three Originals already announced: “The Rain Season 2” from Denmark, “Quicksand” from Sweden, selected for the Berlinale Series, and “Ragnarok” from Norway, penned...
- 1/22/2019
- by Annika Pham
- Variety Film + TV
Panellists discuss march of the tech giants and keeping youth watching movies.
At the third edition of Flanders Image’s industry event Connext in Ghent, author Johanna Koljonen presented her annual future-facing study the Nostradamus report with updated findings.
The 2018 study was first presented at Goteborg’s Nordic Film Market in February and, in Ghent, was followed by a panel exploring its key themes.
One of the survey’s key findings, for which Koljonen interviewed a range of industry experts across film and TV including Danish Film Institute CEO Claus Ladegaard and Mediavision CEO Marie Nilsson, was the danger for...
At the third edition of Flanders Image’s industry event Connext in Ghent, author Johanna Koljonen presented her annual future-facing study the Nostradamus report with updated findings.
The 2018 study was first presented at Goteborg’s Nordic Film Market in February and, in Ghent, was followed by a panel exploring its key themes.
One of the survey’s key findings, for which Koljonen interviewed a range of industry experts across film and TV including Danish Film Institute CEO Claus Ladegaard and Mediavision CEO Marie Nilsson, was the danger for...
- 10/10/2018
- by Matt Mueller
- ScreenDaily
Panellists discuss march of the tech giants and keeping youth watching movies.
At the third edition of Flanders Image’s industry event Connext in Ghent, author Johanna Koljonen presented her annual future-facing study the Nostradamus report with updated findings. The 2018 study was first presented at Goteborg’s Nordic Film Market in February and, in Ghent, was followed by a panel exploring its key themes.
One of the survey’s key findings, for which Koljonen interviewed a range of industry experts across film and TV including Danish Film Institute CEO Claus Ladegaard and Mediavision CEO Marie Nilsson, was the danger for...
At the third edition of Flanders Image’s industry event Connext in Ghent, author Johanna Koljonen presented her annual future-facing study the Nostradamus report with updated findings. The 2018 study was first presented at Goteborg’s Nordic Film Market in February and, in Ghent, was followed by a panel exploring its key themes.
One of the survey’s key findings, for which Koljonen interviewed a range of industry experts across film and TV including Danish Film Institute CEO Claus Ladegaard and Mediavision CEO Marie Nilsson, was the danger for...
- 10/10/2018
- by Matt Mueller
- ScreenDaily
Latest Nostradamus report anticipates a “leaner” industry by 2023.
Source: Pexels
Pressing issues facing the film industry in the next five years include the TV and film worlds converging on the same digital platforms, traditional funding models needing to evolve, and the challenges of achieving gender equality starting from today’s dismal statistics, according to the 2018 Nostradamus report, an annual future-facing study presented by the Goteborg Film Festival with support from Lindholmen Science Park.
Author Johanna Koljonen unveiled the fifth-annual report at Goteborg’s Nordic Film Market. As usual, she has interviewed a range of experts from the TV and film world looking ahead at the next five years.
“In 2023, the number of storytelling voices will not be smaller, but the industry will be leaner, and a new normal will have started to take shape,” Koljonen predicts in the report’s introduction.
Some key points raised are:
The consumer relationship
The report suggests, “Pressures on the window...
Source: Pexels
Pressing issues facing the film industry in the next five years include the TV and film worlds converging on the same digital platforms, traditional funding models needing to evolve, and the challenges of achieving gender equality starting from today’s dismal statistics, according to the 2018 Nostradamus report, an annual future-facing study presented by the Goteborg Film Festival with support from Lindholmen Science Park.
Author Johanna Koljonen unveiled the fifth-annual report at Goteborg’s Nordic Film Market. As usual, she has interviewed a range of experts from the TV and film world looking ahead at the next five years.
“In 2023, the number of storytelling voices will not be smaller, but the industry will be leaner, and a new normal will have started to take shape,” Koljonen predicts in the report’s introduction.
Some key points raised are:
The consumer relationship
The report suggests, “Pressures on the window...
- 2/6/2018
- by Wendy Mitchell
- ScreenDaily
Goteborg’s TV Drama Vision projects also include South Pole thriller and Second World-era drama.
Source: Filmlance International Ab
The Bridge
As the fourth and final series of hit Danish-Swedish TV series The Bridge plays around the world, a Serbia-Croatia version is “nearly greenlit,” says Lars Blomgren, executive producer and MD of Swedish production company Filmlance.
At Goteborg’s TV Drama Vision conference this week, he also said the fourth remake, from Germany-Austria, was now shooting. That follows three earlier remakes: UK-France, Us-Mexico and Estonia-Russia. There will be more, he predicts, “There are plans on many parts of the planet.”
Sofia Helin, who plays Swedish detective Saga Noren in the hit show, said she was ready to move onto new projects but proud of creating the “feminist role model” that is her character. “I’m happy we created Saga, she has meant a lot to not only people who identify with her condition [the character is on the autism spectrum] but just as a female...
Source: Filmlance International Ab
The Bridge
As the fourth and final series of hit Danish-Swedish TV series The Bridge plays around the world, a Serbia-Croatia version is “nearly greenlit,” says Lars Blomgren, executive producer and MD of Swedish production company Filmlance.
At Goteborg’s TV Drama Vision conference this week, he also said the fourth remake, from Germany-Austria, was now shooting. That follows three earlier remakes: UK-France, Us-Mexico and Estonia-Russia. There will be more, he predicts, “There are plans on many parts of the planet.”
Sofia Helin, who plays Swedish detective Saga Noren in the hit show, said she was ready to move onto new projects but proud of creating the “feminist role model” that is her character. “I’m happy we created Saga, she has meant a lot to not only people who identify with her condition [the character is on the autism spectrum] but just as a female...
- 2/2/2018
- by Wendy Mitchell
- ScreenDaily
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