Considering the ignorant comments we read throughout the web (to say the least) after the release of “Monster”, we decided to take a vote regarding the ranking of the movies of the Japanese, in order to come up with an informed ‘top 16'. The only condition was for the people who vote to have watched at least 10 films by the director, which resulted in the following Amp members voting: Panos Kotzathanasis, Rouven Linnarz, Andrew Thayne, Tobiasz Dunin, Sean Barry, Adriana Rosati and Lukasz Mankowski. The result, which includes his 16 fiction features but not his documentaries, is as follows.
16. Distance (2001)
Koreeda directs a film filled with subtle melancholy, as he tries to present the reasons people join cults and commit horrendous attacks. Through flashbacks and dialogue, he depicts the alienation and emotional isolation the perpetrators had from their families as they succumbed to the cult's dogma. However, his efforts do not prove very fruitful,...
16. Distance (2001)
Koreeda directs a film filled with subtle melancholy, as he tries to present the reasons people join cults and commit horrendous attacks. Through flashbacks and dialogue, he depicts the alienation and emotional isolation the perpetrators had from their families as they succumbed to the cult's dogma. However, his efforts do not prove very fruitful,...
- 2/20/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Aftersun (Charlotte Wells)
One of last year’s most resonant films, Aftersun looks at the scratchy dynamics between a father and daughter while on vacation. It’s about memory, the finite nature of the relationships in our lives, and the difficulties of a parent’s diminishing mental health. Charlotte Wells knows where to put the camera in her debut—undeterred from taking risks, from placing her characters outside of the frame, from looking at shadows instead of the people themselves. Aftersun is a rare, tremendous first film, full of heart and focused melancholy; it breaks you down and fills you up simultaneously. The consistent inclusion of camcorder footage, and the fact that it enhances the story rather than becoming a distraction, further...
Aftersun (Charlotte Wells)
One of last year’s most resonant films, Aftersun looks at the scratchy dynamics between a father and daughter while on vacation. It’s about memory, the finite nature of the relationships in our lives, and the difficulties of a parent’s diminishing mental health. Charlotte Wells knows where to put the camera in her debut—undeterred from taking risks, from placing her characters outside of the frame, from looking at shadows instead of the people themselves. Aftersun is a rare, tremendous first film, full of heart and focused melancholy; it breaks you down and fills you up simultaneously. The consistent inclusion of camcorder footage, and the fact that it enhances the story rather than becoming a distraction, further...
- 7/7/2023
- by Jordan Raup
- The Film Stage
Over the last several years, major Japanese studios have started to follow the tactics of their Hollywood equivalents by finally adapting their own comics, called manga, in the way they deserve.
This tendency is not exactly new, since films based on manga/anime have been shot since the 70s. However, it is the first time that so many expensive and subsequently elaborate productions are being made. This is chiefly attributed to two factors:
1.The people behind those films finally realized that they could not squeeze eight or more hours of anime in a single film, and thus decided to present the movie in two or three parts, retaining much of the original’s story and themes.
2.They also realized since most of the titles are sci-fi themed, much of the budget should be allocated towards the special effects, in order for the adaptation to capture the images of the original.
This tendency is not exactly new, since films based on manga/anime have been shot since the 70s. However, it is the first time that so many expensive and subsequently elaborate productions are being made. This is chiefly attributed to two factors:
1.The people behind those films finally realized that they could not squeeze eight or more hours of anime in a single film, and thus decided to present the movie in two or three parts, retaining much of the original’s story and themes.
2.They also realized since most of the titles are sci-fi themed, much of the budget should be allocated towards the special effects, in order for the adaptation to capture the images of the original.
- 4/12/2022
- by AMP Group
- AsianMoviePulse
The premise of Air Doll is one than will instantly alienate a lot of people which is unfortunate as it is a premise that Koreeda uses not in the most obvious ‘wacky’ way that people might expect but to investigate emotional subjects. The film is based on a Manga by Yoshiie Goda entitled The Pneumatic Figure of a Girl and centers on an inflatable sex doll who comes to life and explores the world around her.
The sex doll in question, Nozumi, is played by Bae Du-Na, whose performances in The Host and Linda Linda Linda and now this have made it clear that she is a talented actress who will hopefully continue to get roles that afford her the opportunity to show her obvious skills as an actress.
Nozumi is owned by a restaurant waiter Hideo (Itao Itsuji) who mostly treats her as if she were real, buying her clothes,...
The sex doll in question, Nozumi, is played by Bae Du-Na, whose performances in The Host and Linda Linda Linda and now this have made it clear that she is a talented actress who will hopefully continue to get roles that afford her the opportunity to show her obvious skills as an actress.
Nozumi is owned by a restaurant waiter Hideo (Itao Itsuji) who mostly treats her as if she were real, buying her clothes,...
- 7/29/2010
- by Craig Skinner
- HeyUGuys.co.uk
Blow-up dolls and their various incarnations are, surprisingly, a fairly popular source of inspiration for modern filmmakers. From Craig Gillespie’s grossly underrated comedy “Lars and the Real Girl” to Robert Parigi’s deeply disturbing horror opus “Love Object,” these strange dolls have provided plenty of entertainment to those in the market for something oddly sexual and decidedly off-beat. Japanese director Hirokazu Koreeda (“Nobody Knows”, “Still Walking”) tosses his hat into the proverbial ring with “Air Doll,” a film based on the manga by Yoshiie Goda. And while I’m usually not attracted to this sort of melodramatic motion picture, the idea of a blow-up doll’s struggle to understand her newfound soul is very intriguing to me. Then again, maybe I’m just a closet pervert with an insatiable fetish for inflatable rubber women. A synopsis for the uninformed, courtesy of 24 Frames Per Second: A life-size Air Doll lives...
- 2/3/2010
- by Todd
- Beyond Hollywood
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