Bollywood actresses Kriti Sanon, Bhumi Pednekar, Vaani Kapoor, Yami Gautam, Dia Mirza, Shamita Shetty and Rouble Negi unveiled a stunning collection of amazing jewellery to dazzle the packed hall at St Regis Hotel, Mumbai. The Gem and Jewellery Export Promotion Council (Gjepc), apex body of the gems & jewellery sector, presented the 7th edition of the India International Jewellery Week (popularly known as Iijw) powered by Gia (Gemmological Institute of America); co-partnered by Forevermark and Platinum Guild International on 23rd and 24th September 2017 at St. Regis, Mumbai. Iijw 2017 was a By Invitation exclusive annual event to showcase or launch enticing jewellery collections. Bright Outdoor Advertising is the Outdoor Partner.
Mr. Praveenshankar Pandya, Chairman, Gjepc, inaugurated Iijw 2017 in the presence of Mrs. Amruta Fadnavis, wife of Hon. Maharashtra Chief Minister Mr. Devendra Fadnavis; Ms. Nirupa Bhatt (Managing Director – Gia in India & Middle East), Mehul Choksi (Chairman, Gitanjali Group) and Shailesh Sangani (Convener,...
Mr. Praveenshankar Pandya, Chairman, Gjepc, inaugurated Iijw 2017 in the presence of Mrs. Amruta Fadnavis, wife of Hon. Maharashtra Chief Minister Mr. Devendra Fadnavis; Ms. Nirupa Bhatt (Managing Director – Gia in India & Middle East), Mehul Choksi (Chairman, Gitanjali Group) and Shailesh Sangani (Convener,...
- 9/26/2017
- by BollySpice Editors
- Bollyspice
Cinematographer Siddharth Diwan at DearCinema IndieTalk, Photograph: Gaurav Singh
DearCinema organized IndieTalk with emerging cinematographer Siddharth Diwan on June 14 in Mumbai. Among others, the session was attended by three directors with whom Siddharth has collaborated- Kanu Behl (Titli), Vasan Bala (Peddlers) and Shlok Sharma (Haramkhor).
This is what we learnt at the session with Siddharth. Please note that these are not exactly Siddharth’s words but our understanding of what he said.
What’s the right format for your film?
Filmmakers now have a plethora of choices available to shoot their films. So, the first question a cinematographer/filmmaker has to deal with is – what’s the right format for the film? Format is dictated by various factors such as the look, style of shooting, lighting and most importantly, budget.
Camera and its entire workflow needs to be thoroughly tested
Once you narrow down your choices, the next step is to test the camera thoroughly.
DearCinema organized IndieTalk with emerging cinematographer Siddharth Diwan on June 14 in Mumbai. Among others, the session was attended by three directors with whom Siddharth has collaborated- Kanu Behl (Titli), Vasan Bala (Peddlers) and Shlok Sharma (Haramkhor).
This is what we learnt at the session with Siddharth. Please note that these are not exactly Siddharth’s words but our understanding of what he said.
What’s the right format for your film?
Filmmakers now have a plethora of choices available to shoot their films. So, the first question a cinematographer/filmmaker has to deal with is – what’s the right format for the film? Format is dictated by various factors such as the look, style of shooting, lighting and most importantly, budget.
Camera and its entire workflow needs to be thoroughly tested
Once you narrow down your choices, the next step is to test the camera thoroughly.
- 6/20/2014
- by Editorial Team
- DearCinema.com
Final Cut Pro was the future of film editing, when I was in college. But that was year 2002 and we were the first batch to graduate to Fcp from cut-to-cut and A-b roll machines. During my stint as a television producer with a leading broadcaster, Fcp was the definitive editing machine but times change, don’t they?
Well, as an independent filmmaker, Fcp turns out to be a nightmare with Dslr footage! Why? Read on.
Uncompressed full HD video requires around 1 Gb for one minute of content. So an hour of footage will require roughly between 480-600 Gb. But DSLRs such as Canon 7D, 5D or Nikon D7000 use an algorithm to compress the final video stored on your card. Such algorithm is called Codec that stands for Compression/Decompression module.
The codec that these DSLRs use is called H.264. The magic that this codec performs is to make your...
Well, as an independent filmmaker, Fcp turns out to be a nightmare with Dslr footage! Why? Read on.
Uncompressed full HD video requires around 1 Gb for one minute of content. So an hour of footage will require roughly between 480-600 Gb. But DSLRs such as Canon 7D, 5D or Nikon D7000 use an algorithm to compress the final video stored on your card. Such algorithm is called Codec that stands for Compression/Decompression module.
The codec that these DSLRs use is called H.264. The magic that this codec performs is to make your...
- 5/31/2011
- by Bikas Mishra
- DearCinema.com
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