DuVernay has become the first African American woman to play in Competition at Venice.
Ava DuVernay has highlighted the inequalities that continue across the film circuit saying that Black filmmakers are told “you cannot play international film festivals.”
Speaking at the press conference for her Venice title Origin – through which she becomes the first US Black female filmmaker to have a film in Competition at the festival – DuVernay said, “It’s very rare for two Black filmmakers [herself and producer Paul Garnes] to make a film that leaves the country [the US]. For Black filmmakers, we’re told that people who love films in other...
Ava DuVernay has highlighted the inequalities that continue across the film circuit saying that Black filmmakers are told “you cannot play international film festivals.”
Speaking at the press conference for her Venice title Origin – through which she becomes the first US Black female filmmaker to have a film in Competition at the festival – DuVernay said, “It’s very rare for two Black filmmakers [herself and producer Paul Garnes] to make a film that leaves the country [the US]. For Black filmmakers, we’re told that people who love films in other...
- 9/6/2023
- by Ben Dalton
- ScreenDaily
While it’s still uncertain how many U.S. movie stars will be attending the upcoming Venice Film Festival, the fest has announced a series of masterclasses to be held by top directors including Wes Anderson, Edward Berger, Damien Chazelle and Nicolas Winding Refn.
Several of the Venice masterclasses are dedicated to helmers being lauded by the fest such as “The Night Porter” director Liliana Cavani, who is being celebrated with a Golden Lion for Lifetime Achievement, and Anderson, who will receive the fest’s Cartier Glory to the Filmmaker Award.
Refn will pay tribute to late Italian horror master Ruggero Deodato, whose 1980 film “Cannibal Holocaust” is considered one of the goriest movies of all time.
Chazelle, who presides over year’s Venice competition jury, will hold his class with composer and regular collaborator Justin Hurwitz, with whom he has worked on “Whiplash,” “First Man” and “La La Land.” Multiple...
Several of the Venice masterclasses are dedicated to helmers being lauded by the fest such as “The Night Porter” director Liliana Cavani, who is being celebrated with a Golden Lion for Lifetime Achievement, and Anderson, who will receive the fest’s Cartier Glory to the Filmmaker Award.
Refn will pay tribute to late Italian horror master Ruggero Deodato, whose 1980 film “Cannibal Holocaust” is considered one of the goriest movies of all time.
Chazelle, who presides over year’s Venice competition jury, will hold his class with composer and regular collaborator Justin Hurwitz, with whom he has worked on “Whiplash,” “First Man” and “La La Land.” Multiple...
- 8/22/2023
- by Nick Vivarelli
- Variety Film + TV
“The internet feeds itself; I don’t feel the need to contribute.”
Director Olivia Wilde declined to address the tabloid-driven discussion around her Venice out-of-competition title Don’t Worry Darling at the press conference for the film, which lead actress Florence Pugh missed as she arrived in Venice while the conference was taking place.
Answering a question from Screen about whether Pugh’s absence was due to a falling out between the pair, Wilde said, “Florence is a force. We are so grateful she’s able to make it tonight [Pugh will walk the red carpet in promoting the film]. I know as a director how disruptive it is to lose...
Director Olivia Wilde declined to address the tabloid-driven discussion around her Venice out-of-competition title Don’t Worry Darling at the press conference for the film, which lead actress Florence Pugh missed as she arrived in Venice while the conference was taking place.
Answering a question from Screen about whether Pugh’s absence was due to a falling out between the pair, Wilde said, “Florence is a force. We are so grateful she’s able to make it tonight [Pugh will walk the red carpet in promoting the film]. I know as a director how disruptive it is to lose...
- 9/5/2022
- by Ben Dalton
- ScreenDaily
The star studded Variety and Hotel Danieli pre-festival cocktail party on Aug. 30 was a taster of the riches in store at the Venice Film Festival that kicks off the following day.
Head of the jury Julianne Moore and fellow jurors, “A Separation” actor Leila Hatami and filmmakers Audrey Diwan, Mariano Cohn, Leonardo Di Costanzo and Rodrigo Sorogoyen, were present as was “Thor: Love and Thunder” actor Tessa Thompson, who is serving on the festival’s Horizons strand jury.
The evening, titled “Cinema Danieli – An Unforgettable Story,” on the terrace of the plush Hotel Danieli, which turns 200 this year, has become a festival tradition dating back 13 years. It was introduced by Claudio Staderini, director of the Danieli, who described the hotel as a shooting and residential choice of many of the biggest movie stars in the world.
Festival artistic director Alberto Barbera said that the Variety and Danieli pre-festival cocktail as...
Head of the jury Julianne Moore and fellow jurors, “A Separation” actor Leila Hatami and filmmakers Audrey Diwan, Mariano Cohn, Leonardo Di Costanzo and Rodrigo Sorogoyen, were present as was “Thor: Love and Thunder” actor Tessa Thompson, who is serving on the festival’s Horizons strand jury.
The evening, titled “Cinema Danieli – An Unforgettable Story,” on the terrace of the plush Hotel Danieli, which turns 200 this year, has become a festival tradition dating back 13 years. It was introduced by Claudio Staderini, director of the Danieli, who described the hotel as a shooting and residential choice of many of the biggest movie stars in the world.
Festival artistic director Alberto Barbera said that the Variety and Danieli pre-festival cocktail as...
- 8/31/2022
- by Naman Ramachandran
- Variety Film + TV
Walter Hill, the director behind “The Warriors” and “48 Hrs.,” is the recipient of the Cartier Glory to the Filmmaker Award from this year’s Venice International Film Festival, Cartier and La Biennale di Venezia announced Friday. His new film, “Dead For a Dollar,” will premiere at the festival.
“In the film world, one knows it’s a great honor to be invited for a special screening at the Venice Film Festival,” Hill said. “With my new film ‘Dead For A Dollar,’ this is the fourth time that I’ve been so fortunate, and now this award makes me yet more grateful. My thanks to Alberto Barbera, Giulia D’Agnolo Vallan and Arnaud Carrez from Cartier and the entire film community that has given me so much support and encouragement over the years. Thank you all, you’ve made an old man happy.”
“Dead For a Dollar” stars Christoph Waltz, Willem Dafoe,...
“In the film world, one knows it’s a great honor to be invited for a special screening at the Venice Film Festival,” Hill said. “With my new film ‘Dead For A Dollar,’ this is the fourth time that I’ve been so fortunate, and now this award makes me yet more grateful. My thanks to Alberto Barbera, Giulia D’Agnolo Vallan and Arnaud Carrez from Cartier and the entire film community that has given me so much support and encouragement over the years. Thank you all, you’ve made an old man happy.”
“Dead For a Dollar” stars Christoph Waltz, Willem Dafoe,...
- 8/12/2022
- by Carson Burton
- Variety Film + TV
Manchester City Soccer Superstar Erling Haaland Strikes Viaplay Deal
Manchester City’s new star signing Erling Haaland has struck a long-term partnership with Nordic streamer Viaplay and will feature in an exclusive documentary. Haaland – The Big Decision is the first show to emerge from the partnership, which will also see the Norwegian become a Viaplay ambassador in nine European countries, coming a few months after Viaplay signed a similar deal with Formula 1 champion Max Verstappen. The doc follows Haaland – one of European football’s most talented players – as he decided last Spring whether to join Manchester City, the club he made his Premier League debut for last weekend with two goals. His father Alfie Haaland, who played in the Premier League for eight years, will join Viaplay’s Premier League broadcasts as an expert analyst, as the Nordic group pushes further into the sports rights game, most recently acquiring Premier Sports.
Manchester City’s new star signing Erling Haaland has struck a long-term partnership with Nordic streamer Viaplay and will feature in an exclusive documentary. Haaland – The Big Decision is the first show to emerge from the partnership, which will also see the Norwegian become a Viaplay ambassador in nine European countries, coming a few months after Viaplay signed a similar deal with Formula 1 champion Max Verstappen. The doc follows Haaland – one of European football’s most talented players – as he decided last Spring whether to join Manchester City, the club he made his Premier League debut for last weekend with two goals. His father Alfie Haaland, who played in the Premier League for eight years, will join Viaplay’s Premier League broadcasts as an expert analyst, as the Nordic group pushes further into the sports rights game, most recently acquiring Premier Sports.
- 8/12/2022
- by Max Goldbart and Zac Ntim
- Deadline Film + TV
A panel composed of representatives from A-list festivals got together on Sunday for an online talk staged by documentary film festival Visions du Réel to discuss the place of documentary films at their events.
The speakers were Giulia D’Agnolo Vallan, U.S. programmer and selection committee member of the Venice Film Festival, Cristina Nord, head of the Berlinale Forum, Eva Sangiorgi, director of the Viennale, and Frédéric Boyer, artistic director of the Tribeca Film Festival.
Asked to outline their selection criteria, most panelists agreed theirs was a director-driven approach based on individual submissions.
“It’s first and foremost about inviting films that are truly inspiring and ground-breaking: it’s always interesting when you discover something that you haven’t seen before,” said Nord, adding that documentaries hold a significant place in the Berlinale’s independently curated, experimental Forum section, where they represent roughly half of the films selected.
“Our objective...
The speakers were Giulia D’Agnolo Vallan, U.S. programmer and selection committee member of the Venice Film Festival, Cristina Nord, head of the Berlinale Forum, Eva Sangiorgi, director of the Viennale, and Frédéric Boyer, artistic director of the Tribeca Film Festival.
Asked to outline their selection criteria, most panelists agreed theirs was a director-driven approach based on individual submissions.
“It’s first and foremost about inviting films that are truly inspiring and ground-breaking: it’s always interesting when you discover something that you haven’t seen before,” said Nord, adding that documentaries hold a significant place in the Berlinale’s independently curated, experimental Forum section, where they represent roughly half of the films selected.
“Our objective...
- 4/12/2022
- by Lise Pedersen
- Variety Film + TV
Swiss documentary film festival Visions du Réel has opened in Nyon with a homage to Lithuanian director Mantas Kvedaravicius, who was killed while filming in Ukraine last week.
The 45 year old, best known for his conflict-zone documentary “Mariupolis,” which was screened at the 2016 edition of the fest and has been added to this year’s lineup, was a festival regular.
Ukraine will be the focus of a round table at the festival’s online Industry Talks on April 14 entitled “Filming in Resistance,” where Ukrainian filmmakers and producers will join the debate live from Ukraine to discuss the act of resistance through images.
The programming of doc films in A-list festival lineups will also be at the heart of Industry Talks on April 10 with an A-list panel, including Frédéric Boyer, artistic director of the Tribeca Film Festival, Giulia D’Agnolo Vallan, U.S. programmer and selection committee member of the Venice Film Festival,...
The 45 year old, best known for his conflict-zone documentary “Mariupolis,” which was screened at the 2016 edition of the fest and has been added to this year’s lineup, was a festival regular.
Ukraine will be the focus of a round table at the festival’s online Industry Talks on April 14 entitled “Filming in Resistance,” where Ukrainian filmmakers and producers will join the debate live from Ukraine to discuss the act of resistance through images.
The programming of doc films in A-list festival lineups will also be at the heart of Industry Talks on April 10 with an A-list panel, including Frédéric Boyer, artistic director of the Tribeca Film Festival, Giulia D’Agnolo Vallan, U.S. programmer and selection committee member of the Venice Film Festival,...
- 4/7/2022
- by Leo Barraclough
- Variety Film + TV
In 2016 a fire nearly destroyed the only arthouse cinema on the East End of Long Island. Five years and $18 million dollars later, the iconic, century-old Sag Harbor Cinema is once again open for business.
A former whaling village, Sag Harbor, NY, located between Southampton and East Hampton, was at one point a thriving working-class community full of artists like John Steinbeck. In recent years, deep pocketed homeowners flooded the sleepy enclave, creating more traffic and fancier village haunts. But despite the influx of affluence, Sag Harbor has managed to uphold its small-town, subdued, artistic vibe.
The village’s Main Street is home to Sag Harbor Cinema. Built to host vaudeville and burlesque shows in the 1890s, the venue become a silent movie house that evolved to show talkies. In 1978 Gerald Mallow bought the single-screen theater, which he owned until selling for $8 million in 2017.
When Sag Harbor Cinema— beloved for not...
A former whaling village, Sag Harbor, NY, located between Southampton and East Hampton, was at one point a thriving working-class community full of artists like John Steinbeck. In recent years, deep pocketed homeowners flooded the sleepy enclave, creating more traffic and fancier village haunts. But despite the influx of affluence, Sag Harbor has managed to uphold its small-town, subdued, artistic vibe.
The village’s Main Street is home to Sag Harbor Cinema. Built to host vaudeville and burlesque shows in the 1890s, the venue become a silent movie house that evolved to show talkies. In 1978 Gerald Mallow bought the single-screen theater, which he owned until selling for $8 million in 2017.
When Sag Harbor Cinema— beloved for not...
- 7/1/2021
- by Carole Horst
- Variety Film + TV
The Venice Film Festival has moved to permanently replace its Sconfini program, which first launched in 2018 to highlight arthouse and genre films in and out of competition capacity.
The segment did not run last year as the fest scaled down its program for its pandemic-impacted 2020 edition, and it will now not return, with the void being filled by Orizzonti Extra (Horizons Extra), an offshoot of the competitive Orizzonti program that the fest said would “maintain some of the primary characteristics” of Sconfini.
The new strand will “offer a selection of works no limits of genre, duration and destination, as long as they last more than 60 minutes… each film must be accompanied and followed by encounters with the auteurs and cultural figures.” An audience jury will award a prize to the best film in the section.
Submissions open today for the 78th edition of the fest, which is due to take...
The segment did not run last year as the fest scaled down its program for its pandemic-impacted 2020 edition, and it will now not return, with the void being filled by Orizzonti Extra (Horizons Extra), an offshoot of the competitive Orizzonti program that the fest said would “maintain some of the primary characteristics” of Sconfini.
The new strand will “offer a selection of works no limits of genre, duration and destination, as long as they last more than 60 minutes… each film must be accompanied and followed by encounters with the auteurs and cultural figures.” An audience jury will award a prize to the best film in the section.
Submissions open today for the 78th edition of the fest, which is due to take...
- 1/18/2021
- by Tom Grater
- Deadline Film + TV
New strand will include a prize for best film.
The Venice Film Festival is to introduce a new strand at its 78th edition in September, replacing its Sconfini section with a new Horizons strand.
Horizons Extra will be an extension of the competitive Horizons strand, focusing on new trends in world cinema. The section will comprise a selection of titles “less constrained by standards of length and format”, as long as they last more than 60 minutes. A jury comprising audience members will award a prize to the best film in the section, with further details of how this will work currently in discussion.
The Venice Film Festival is to introduce a new strand at its 78th edition in September, replacing its Sconfini section with a new Horizons strand.
Horizons Extra will be an extension of the competitive Horizons strand, focusing on new trends in world cinema. The section will comprise a selection of titles “less constrained by standards of length and format”, as long as they last more than 60 minutes. A jury comprising audience members will award a prize to the best film in the section, with further details of how this will work currently in discussion.
- 1/18/2021
- by Michael Rosser
- ScreenDaily
The Venice Film Festival is tweaking its sections as it gears up for its upcoming 78th edition in September.
After announcing that “Parasite” director Bong Joon Ho will preside over the main jury, the Lido on Monday opened up for film submissions and said in a statement that the fest’s Sconfini section — which had been scrapped last year to free up more space for the socially-distanced screenings — is being replaced by a new section called Horizons Extra.
Horizons Extra will be an extension of Venice’s competitive Horizons (Orrizonti) section that focuses on new trends in world cinema, but will be “less constrained by standards of length and format,” the Venice statement said. The new sidebar is for “works with no limits of genre, duration and destination, as long as they last more than 60 minutes,” it added. Prizes will be decided by a jury of audience members “following criteria and procedures to be announced.
After announcing that “Parasite” director Bong Joon Ho will preside over the main jury, the Lido on Monday opened up for film submissions and said in a statement that the fest’s Sconfini section — which had been scrapped last year to free up more space for the socially-distanced screenings — is being replaced by a new section called Horizons Extra.
Horizons Extra will be an extension of Venice’s competitive Horizons (Orrizonti) section that focuses on new trends in world cinema, but will be “less constrained by standards of length and format,” the Venice statement said. The new sidebar is for “works with no limits of genre, duration and destination, as long as they last more than 60 minutes,” it added. Prizes will be decided by a jury of audience members “following criteria and procedures to be announced.
- 1/18/2021
- by Nick Vivarelli
- Variety Film + TV
You wait the best part of 30 years for one and then two come along at once…Orson Welles movies.
Pieced together from the 1,083 reels of footage for The Other Side Of The Wind (which debuted in 2018), Hopper/Welles is the latest ‘new’ feature from the industry titan, who died in 1985.
Ahead of its world premiere at the Venice Film Festival, we spoke to producer Filip Jan Rymsza about the backstory behind the movie, on which he re-teamed with The Other Side Of The Wind editor Bob Murawski (The Hurt Locker).
The intimate and revelatory documentary captures a 1970 meeting between the Citizen Kane director and the then-rising star Dennis Hopper, who had just made Easy Rider. The encounter came about when Hopper agreed to a cameo role in Welles’ troubled The Other Side Of The Wind. Welles flew Hopper from New Mexico to Los Angeles, where he cooked him a pasta...
Pieced together from the 1,083 reels of footage for The Other Side Of The Wind (which debuted in 2018), Hopper/Welles is the latest ‘new’ feature from the industry titan, who died in 1985.
Ahead of its world premiere at the Venice Film Festival, we spoke to producer Filip Jan Rymsza about the backstory behind the movie, on which he re-teamed with The Other Side Of The Wind editor Bob Murawski (The Hurt Locker).
The intimate and revelatory documentary captures a 1970 meeting between the Citizen Kane director and the then-rising star Dennis Hopper, who had just made Easy Rider. The encounter came about when Hopper agreed to a cameo role in Welles’ troubled The Other Side Of The Wind. Welles flew Hopper from New Mexico to Los Angeles, where he cooked him a pasta...
- 9/4/2020
- by Andreas Wiseman
- Deadline Film + TV
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