Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSEverything Everywhere All at Once. Everything Everywhere All at Once swept the 95th Academy Awards this weekend, winning Best Picture, Director, Original Screenplay, Editing, and three of the four acting prizes. Read the full list of winners here, and keep your eyes peeled for commentary from our end soon.According to The Hollywood Reporter, Quentin Tarantino is preparing to shoot what could be his final film, The Movie Critic, this autumn. It's set in mid-1970s Los Angeles and will center on a female lead; many are speculating the film could be about Pauline Kael. (Recently on Notebook: read Carlos Valladeres on Tarantino's forays into the written word.)Finally, Jacobin reports on VFX-iatse’s efforts to organize visual effects workers, citing...
- 3/14/2023
- MUBI
Crafted as a love letter to underground comics and the pursuit of art-making, Owen Kline’s Funny Pages is a fantastically fucked-up coming-of-age story about Robert, a young cartoonist who will go to any lengths to reach success. Ever the dark comedy, Funny Pages was produced by Josh and Benny Safdie, esteemed masters of gonzo discomfort. It should be noted, however, that for all of the laugh-out-loud shocks the film delivers, Kline has created a story that still manages to be genuinely touching and earnest at its core. Infusing central New Jersey with Robert Crumb’s strange overtones, Funny Pages is ultimately about finding one’s artistic voice—and what it takes to be true to that voice. While this is his debut feature, Owen Kline is no stranger to show business. The son of actors Kevin Kline and Phoebe Cates, he broke out as the younger brother in Noah Baumbach...
- 9/1/2022
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSEl Conde (Pablo Larraín).Natalie Portman will star opposite Julianne Moore in Todd Haynes's next film, May December, which begins filming later this year. In the film, an actress (Portman) meets with the woman she is due to portray (Moore) in a film that dramatizes her tabloid scandal.After Spencer, Pablo Larraín's next project with Netflix will be El Conde, a pitch-black comedy that will portray Chilean dictator Augusto Pinochet as a 250-year-old vampire.Pedro Almodóvar has announced a new 30-minute Western, Strange Way of Life, which he will shoot in August. The short stars Ethan Hawke and Pedro Pascal as two gunslingers, long separated, who must cross the Spanish desert to reunite. Almodóvar's next feature—an adaptation of Lucia Berlin's A Manual for Cleaning Women led by Cate Blanchett—begins filming early next year.
- 6/30/2022
- MUBI
Celluloid film prints will now soon be coming back to a theater near you.
The Film Exhibition Fund, a new grants-giving 501(c)(3) nonprofit organization dedicated to supporting the continued screening of celluloid film prints, has officially announced the first two recipients of grants. IndieWire can exclusively share that New York’s Anthology Film Archives and Microscope Gallery are the inaugural grantees.
The Anthology Film Archives are using the 2,500 grant for upcoming screenings of Andy Warhol’s “Sleep” (1963), “Empire” (1964), and “Chelsea Girls” (1966). The first two films run over five and eight hours long, respectively, while “Chelsea Girls” involves over three hours of dual-screen projection. The series is set to screen in August.
“Preserving the experience of theatrical projection — and especially the projection of 35mm, 16mm, and 8mm film prints — is at the core of Anthology’s mission,” Anthology Film Archives Film Programmer Jed Rapfogel said. “We’re motivated by the conviction...
The Film Exhibition Fund, a new grants-giving 501(c)(3) nonprofit organization dedicated to supporting the continued screening of celluloid film prints, has officially announced the first two recipients of grants. IndieWire can exclusively share that New York’s Anthology Film Archives and Microscope Gallery are the inaugural grantees.
The Anthology Film Archives are using the 2,500 grant for upcoming screenings of Andy Warhol’s “Sleep” (1963), “Empire” (1964), and “Chelsea Girls” (1966). The first two films run over five and eight hours long, respectively, while “Chelsea Girls” involves over three hours of dual-screen projection. The series is set to screen in August.
“Preserving the experience of theatrical projection — and especially the projection of 35mm, 16mm, and 8mm film prints — is at the core of Anthology’s mission,” Anthology Film Archives Film Programmer Jed Rapfogel said. “We’re motivated by the conviction...
- 6/27/2022
- by Samantha Bergeson
- Indiewire
Mubi is exclusively playing Tyler Hubby's Tony Conrad: Completely in the Present (2016) from April 8 - May 8, 2017 in the United Kingdom and United States.This month Mubi is screening Tyler Hubby’s documentary Tony Conrad: Completely in the Present, which focuses on the life of the musician, filmmaker and teacher who died in April 2016. The release coincides with a series of special memorial events to be held across the U.S., including musical performances. Tyler Hubby spoke to me by Skype about making the film and the many facets of Conrad’s innovative media and community activities, many of which are still being uncovered.Notebook: I was in contact with you last when I wrote a piece for the Notebook, just after Tony Conrad passed away. You helped out with an image for it, which was fantastic.Hubby: Oh good. Yeah, that was a really strange time. I just reread...
- 4/8/2017
- MUBI
In today's roundup on cinema-related books, we preview Peter Labuza's Approaching the End: Imagining Apocalypse in American Film, Jason Bailey's The Ultimate Woody Allen Companion, Frederic Lombardi’s Allan Dwan and the Rise and Decline of the Hollywood Studios, The George Kuchar Reader (edited by Andrew Lampert), Be Sand, Not Oil. The Life and Work of Amos Vogel (with a forward by Werner Herzog), David Cronenberg's Consumed, Cary Elwes's As You Wish: Inconceivable Tales from the Making of The Princess Bride and Russell Brand's Revolution. » - David Hudson...
- 10/16/2014
- Fandor: Keyframe
In today's roundup on cinema-related books, we preview Peter Labuza's Approaching the End: Imagining Apocalypse in American Film, Jason Bailey's The Ultimate Woody Allen Companion, Frederic Lombardi’s Allan Dwan and the Rise and Decline of the Hollywood Studios, The George Kuchar Reader (edited by Andrew Lampert), Be Sand, Not Oil. The Life and Work of Amos Vogel (with a forward by Werner Herzog), David Cronenberg's Consumed, Cary Elwes's As You Wish: Inconceivable Tales from the Making of The Princess Bride and Russell Brand's Revolution. » - David Hudson...
- 10/16/2014
- Keyframe
The Academy of Motion Picture Arts and Sciences and the New York University Orphan Film Symposium will present this year’s installment of “The Real Indies: A Close Look At Orphan Films,” a two-day screening series on Friday, October 31, and Saturday, November 1, at the Academy Theater in New York City.
The series serves as an opportunity to re-discover and re-appreciate orphan films – rarely seen, previously neglected cinematic works deserving preservation and revival. This eclectic showcase will open on Friday at 7:30 p.m. with the New York premiere of the newly restored 35mm print of the cult horror-comedy classic Spider Baby, written and directed by Jack Hill. Filmmaker William Lustig, known for his low-budget indie horror films, will introduce Hill and Spider Baby, as well moderate a conversation with Hill afterwards.
Filmed in 1964 but not released theatrically until 1968, Spider Baby marked director Hill’s solo debut. Cheekily subtitled “The Maddest Story Ever Told,...
The series serves as an opportunity to re-discover and re-appreciate orphan films – rarely seen, previously neglected cinematic works deserving preservation and revival. This eclectic showcase will open on Friday at 7:30 p.m. with the New York premiere of the newly restored 35mm print of the cult horror-comedy classic Spider Baby, written and directed by Jack Hill. Filmmaker William Lustig, known for his low-budget indie horror films, will introduce Hill and Spider Baby, as well moderate a conversation with Hill afterwards.
Filmed in 1964 but not released theatrically until 1968, Spider Baby marked director Hill’s solo debut. Cheekily subtitled “The Maddest Story Ever Told,...
- 10/10/2014
- by Michelle McCue
- WeAreMovieGeeks.com
August 19
7:30 p.m.
Light Industry
155 Freeman Street
Brooklyn, NY 11222
Hosted by: Light Industry
Legendary underground filmmaker George Kuchar held an intense fascination with the paranormal that informed many of his films. Secrets of the Shadow World is his magnum opus, a two-plus hour ride into the world of all things paranormal, much of it presented through the presence of noted UFOlogist John A. Keel.
This screening is being presented in preparation for the publication of the highly anticipated George Kuchar Reader, which is edited by film preservationist and expert in all things Kuchar, Andrew Lampert; and published by Primary Information. The George Kuchar Reader will be available on September 30, 2014; but can be pre-ordered now on Amazon.
Official description of Secrets of the Shadow World written by George Kuchar for the Electronic Arts Intermix catalog:
With a new millennium almost upon us, images of space aliens invading the marketplace and sleeping habits of consumers worldwide,...
7:30 p.m.
Light Industry
155 Freeman Street
Brooklyn, NY 11222
Hosted by: Light Industry
Legendary underground filmmaker George Kuchar held an intense fascination with the paranormal that informed many of his films. Secrets of the Shadow World is his magnum opus, a two-plus hour ride into the world of all things paranormal, much of it presented through the presence of noted UFOlogist John A. Keel.
This screening is being presented in preparation for the publication of the highly anticipated George Kuchar Reader, which is edited by film preservationist and expert in all things Kuchar, Andrew Lampert; and published by Primary Information. The George Kuchar Reader will be available on September 30, 2014; but can be pre-ordered now on Amazon.
Official description of Secrets of the Shadow World written by George Kuchar for the Electronic Arts Intermix catalog:
With a new millennium almost upon us, images of space aliens invading the marketplace and sleeping habits of consumers worldwide,...
- 8/15/2014
- by Mike Everleth
- Underground Film Journal
Big changes are in store for the 5th annual Migrating Forms experimental media festival, which is set to run December 11-17.
Well, that’s the first change: Moving from its traditional spot in March to December. More importantly, though, the fest is moving physical locations. Instead of it’s usual home of the Anthology Film Archives in Manhattan, this year’s Migrating Forms will be screening at the BAMcinématek in Brooklyn.
The festivities will begin on Dec. 11 with the U.S. premiere of four new short films by media artist Ryan Trecartin. Each film involves a unique cast of characters, including Trecartin’s actual high school classmates and a group of reality TV show hopefuls, navigating their complex social strata.
The rest of the fest will screen challenging feature-length material, such as Drew Tobia’s outrageous See You Next Tuesday; the family drama The Unity of Things by Daniel Schmidt...
Well, that’s the first change: Moving from its traditional spot in March to December. More importantly, though, the fest is moving physical locations. Instead of it’s usual home of the Anthology Film Archives in Manhattan, this year’s Migrating Forms will be screening at the BAMcinématek in Brooklyn.
The festivities will begin on Dec. 11 with the U.S. premiere of four new short films by media artist Ryan Trecartin. Each film involves a unique cast of characters, including Trecartin’s actual high school classmates and a group of reality TV show hopefuls, navigating their complex social strata.
The rest of the fest will screen challenging feature-length material, such as Drew Tobia’s outrageous See You Next Tuesday; the family drama The Unity of Things by Daniel Schmidt...
- 12/9/2013
- by Mike Everleth
- Underground Film Journal
Nb: Films by Robert Beavers, Peter Hutton, and Luther Price were unavailable for preview. However, I said some very nice things about these men and their work in general over at The Dissolve.
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
- 9/9/2013
- by Michael Sicinski
- MUBI
Last year, the New Zealand Film Archive and the National Film Preservation Foundation announced that they'd discovered a tinted print of The White Shadow (1924), "an atmospheric melodrama starring Betty Compson, in a dual role as twin sisters — one angelic and the other 'without a soul.' With mysterious disappearances, mistaken identity, steamy cabarets, romance, chance meetings, madness, and even the transmigration of souls, the wild plot crams a lot into six reels." As David Sterritt noted in that announcement, though he was only 24 at the time, "Alfred Hitchcock wrote the film's scenario, designed the sets, edited the footage, and served as assistant director to Graham Cutts, whose professional jealousy toward the gifted upstart made the job all the more challenging."
Today, Farran Nehme, Marilyn Ferdinand and Roderick Heath have announced that their third For the Love Film blogathon, running from May 13 through 18, will be a fund-raising drive to rouse up...
Today, Farran Nehme, Marilyn Ferdinand and Roderick Heath have announced that their third For the Love Film blogathon, running from May 13 through 18, will be a fund-raising drive to rouse up...
- 2/1/2012
- MUBI
Feb. 2
7:00 p.m.
Oddball Films
275 Capp Street
San Francisco, CA 94110
Hosted by: Oddball Films
It’s East Coast vs. West Coast when Andrew Lampert, of the Anthology Film Archives, goes head to head with Jeff Lambert, of the National Film Preservation Foundation, in a blind curatorial smackdown of epic proportions.
These two mega forces in the world of film preservation will enter the cinematic ring essentially blindfolded. They will be handed a specific theme and a specific running time in which to curate the best, most unique, and, yes, the most oddball screening program that the world has ever seen.
In addition to producing his own films and videos, Lampert has years of experience of film curating, such as the Unessential Cinema series constructed out of lost and orphaned films buried deep in the Anthology archives.
While Lambert has less public curating experience, as the Assistant Director of the...
7:00 p.m.
Oddball Films
275 Capp Street
San Francisco, CA 94110
Hosted by: Oddball Films
It’s East Coast vs. West Coast when Andrew Lampert, of the Anthology Film Archives, goes head to head with Jeff Lambert, of the National Film Preservation Foundation, in a blind curatorial smackdown of epic proportions.
These two mega forces in the world of film preservation will enter the cinematic ring essentially blindfolded. They will be handed a specific theme and a specific running time in which to curate the best, most unique, and, yes, the most oddball screening program that the world has ever seen.
In addition to producing his own films and videos, Lampert has years of experience of film curating, such as the Unessential Cinema series constructed out of lost and orphaned films buried deep in the Anthology archives.
While Lambert has less public curating experience, as the Assistant Director of the...
- 2/1/2012
- by Mike Everleth
- Underground Film Journal
The 3rd annual Migrating Forms is set to run on May 20-29 at the Anthology Film Archives with yet another stunning lineup of current and classic experimental and avant-garde films and videos.
New work includes the U.S. premiere of Melanie Gilligan’s experimental sci-fi feature Popular Unrest for the fest’s Opening Night event. Then, throughout the fest, will be Jacqueline Goss‘ meteorology meditation The Observers, Liu Jiayin’s two-part family drama Oxhide and Oxhide II, Madison Brookshire’s light processing experimentation Color Series, Oliver Laxe’s meta-documentary You Are All Captains for the Closing Night event, and more.
New short works in the group programs include films and videos by Adele Horne, Andrew Lampert, Kevin Jerome Everson, Shana Moulton, Fern Silva, Olga Chernysheva, Dani Leventhal and more.
Classic retrospectives include Brazilian films by Glauber Rocha and French films written by Georges Perec. Electric Arts Intermix presents little-seen personal videos by L.
New work includes the U.S. premiere of Melanie Gilligan’s experimental sci-fi feature Popular Unrest for the fest’s Opening Night event. Then, throughout the fest, will be Jacqueline Goss‘ meteorology meditation The Observers, Liu Jiayin’s two-part family drama Oxhide and Oxhide II, Madison Brookshire’s light processing experimentation Color Series, Oliver Laxe’s meta-documentary You Are All Captains for the Closing Night event, and more.
New short works in the group programs include films and videos by Adele Horne, Andrew Lampert, Kevin Jerome Everson, Shana Moulton, Fern Silva, Olga Chernysheva, Dani Leventhal and more.
Classic retrospectives include Brazilian films by Glauber Rocha and French films written by Georges Perec. Electric Arts Intermix presents little-seen personal videos by L.
- 5/10/2011
- by Mike Everleth
- Underground Film Journal
Migrating Forms has just revealed the full program for its third edition, running May 20 through 29 at Anthology Film Archives in New York. And it's pretty impressive, so we're going to go the quickest route here and reproduce the release below the jump.
Special Events
Georges Perec Double Bill
Serie Noire Dir Alain Corneau (1979)
Georges Perec wrote dialogue made up almost entirely of cliches and aphorisms for this adaptation of Jim Thompson's A Hell of a Woman. "The only Thompson adaptation to truly express the author's deeply personal darkness." - Moving Image Source
Un homme qui dort (The Man Who Slept) Dir. Georges Perec and Bernard Queysanne (1974)
Adapted from Georges Perec's novel of the same name. Structured as a filmic sestina, Perec and Queysanne reimagine the framework of the novel while maintaining much of the original narration (read by Shelly Duvall in the English version!).
The Art of the...
Special Events
Georges Perec Double Bill
Serie Noire Dir Alain Corneau (1979)
Georges Perec wrote dialogue made up almost entirely of cliches and aphorisms for this adaptation of Jim Thompson's A Hell of a Woman. "The only Thompson adaptation to truly express the author's deeply personal darkness." - Moving Image Source
Un homme qui dort (The Man Who Slept) Dir. Georges Perec and Bernard Queysanne (1974)
Adapted from Georges Perec's novel of the same name. Structured as a filmic sestina, Perec and Queysanne reimagine the framework of the novel while maintaining much of the original narration (read by Shelly Duvall in the English version!).
The Art of the...
- 5/9/2011
- MUBI
The second annual Migrating Forms experimental media festival will descend on the Anthology Film Archives in NYC on May 14-23 featuring the world’s greatest experimental videos, cultural documentaries, some that are a little of both; plus, several filmmaker retrospectives, some classic films and the endearingly popular Tube Time! video tournament.
Migrating Forms is such an entirely different beast than its predecessor, the New York Underground Film Festival, that we don’t have to keep saying this new event arose from the Nyuff’s ashes, do we? Ok, we’ll just say that one more time. Next year we won’t mention it because, even in it’s first year, Migrating Forms proved itself to be a completely unique arena in the field of experimental media making.
A couple of highlights from the lineup below: The new feature film by cultural explorer Kevin Jerome Everson, Erie, which captures life in...
Migrating Forms is such an entirely different beast than its predecessor, the New York Underground Film Festival, that we don’t have to keep saying this new event arose from the Nyuff’s ashes, do we? Ok, we’ll just say that one more time. Next year we won’t mention it because, even in it’s first year, Migrating Forms proved itself to be a completely unique arena in the field of experimental media making.
A couple of highlights from the lineup below: The new feature film by cultural explorer Kevin Jerome Everson, Erie, which captures life in...
- 5/6/2010
- by Mike Everleth
- Underground Film Journal
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