Oscilloscope Laboratories has acquired North American rights to “Once Within a Time” from Godfrey Reggio, the experimental filmmaker behind the cult masterpiece “Koyaanisqatsi.”
The indie studio will release “Once Within a Time” theatrically in the fall of 2023, following its premiere as part of The Museum of Modern Art’s film series “Total Cinema of Sight and Sound: Godfrey Reggio and Philip Glass,” which runs Sept. 26 – Oct. 4.
The movie is co-directed by Jon Kane, with original music is composed by Philip Glass with additional music and vocals by Sussan Deyhim. Glass, a legendary experimental composer, first worked with Reggio on “Koyaanisqatsi,” which was “presented” by Francis Ford Coppola in 1982. Reggio and Glass have collaborated on seven films over the last four decades, including “Visitors,” “Evidence,” and “Anima Mundi.”
“Once Within a Time” is produced by Mara Campione, and executive produced by Steven Soderbergh, Alexander Rodnyansky, Lawrence Taub, Michael Fitzgerald and Dan Noyes.
The indie studio will release “Once Within a Time” theatrically in the fall of 2023, following its premiere as part of The Museum of Modern Art’s film series “Total Cinema of Sight and Sound: Godfrey Reggio and Philip Glass,” which runs Sept. 26 – Oct. 4.
The movie is co-directed by Jon Kane, with original music is composed by Philip Glass with additional music and vocals by Sussan Deyhim. Glass, a legendary experimental composer, first worked with Reggio on “Koyaanisqatsi,” which was “presented” by Francis Ford Coppola in 1982. Reggio and Glass have collaborated on seven films over the last four decades, including “Visitors,” “Evidence,” and “Anima Mundi.”
“Once Within a Time” is produced by Mara Campione, and executive produced by Steven Soderbergh, Alexander Rodnyansky, Lawrence Taub, Michael Fitzgerald and Dan Noyes.
- 7/12/2023
- by Brent Lang
- Variety Film + TV
Submarine Entertainment has licensed UK rights for Godfrey Reggio’s Toronto special presentation Visitors to Metrodome and struck an Italian deal with Feltrinelli Films.
Cinedigm previously acquired all North American rights and plans a fourth quarter 2014 release while Films We Like will distribute in Canada.
The Ire Production in association with Optic Nerve, Noyes Films and Phi Films isReggio’s first film in more than a decade and explores humanity’s relationship with technology.
Reggio’s previous outings include the feted Qatsi documentary trilogy of Koyaanisqatsi, Powaqqatsi and Naqoyqatsi.
Lawrence Taub, Reggio, Phoebe Greenberg, Penny Mancuso, Jon Kane and Mara Campione produced and Steven Soderbergh, Dan Noyes and Dean Chenoy served as executive producers.
David Koh and Dan Braun of Submarine and Taub negotiated the deals with Metrodome head of acquisitions Giles Edwards and Feltrinelli managing director Anastasia Plazzotta.
Cinedigm previously acquired all North American rights and plans a fourth quarter 2014 release while Films We Like will distribute in Canada.
The Ire Production in association with Optic Nerve, Noyes Films and Phi Films isReggio’s first film in more than a decade and explores humanity’s relationship with technology.
Reggio’s previous outings include the feted Qatsi documentary trilogy of Koyaanisqatsi, Powaqqatsi and Naqoyqatsi.
Lawrence Taub, Reggio, Phoebe Greenberg, Penny Mancuso, Jon Kane and Mara Campione produced and Steven Soderbergh, Dan Noyes and Dean Chenoy served as executive producers.
David Koh and Dan Braun of Submarine and Taub negotiated the deals with Metrodome head of acquisitions Giles Edwards and Feltrinelli managing director Anastasia Plazzotta.
- 9/16/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The last installment of the Soho Film Festival follows the winners of the special awards given out for their excellence in storytelling. The fourth year of the festival ran smoothly with a unique array of visual quality that was mastered in the art of storytelling, with films coming from all over the world. Of the 70 plus works featured at the festival, the following have won prizes for their works.
En Hemlighet (A Secret): A 9 minute short directed by Dennis Petersen, this Swedish short about love won the Best World Sort award.
El Presidente: Mark Meilly directed this Philippians 160 minute movie, about a general rising to power as American gained territory and power during the last days of the Spanish empire. This won the Best World Showcase award.
Running for Jim: Dan Noyes and Robin Hauser Reynolds directed this 78 minute film about a coach struggling to win. This film won the Best Documentary award.
En Hemlighet (A Secret): A 9 minute short directed by Dennis Petersen, this Swedish short about love won the Best World Sort award.
El Presidente: Mark Meilly directed this Philippians 160 minute movie, about a general rising to power as American gained territory and power during the last days of the Spanish empire. This won the Best World Showcase award.
Running for Jim: Dan Noyes and Robin Hauser Reynolds directed this 78 minute film about a coach struggling to win. This film won the Best Documentary award.
- 5/10/2013
- by Catherina Gioino
- Nerdly
PARK CITY -- "Banished", directed by veteran filmmaker Marco Williams, adds another compelling and necessary chapter to the literature of racism in this country. Although it is virtually unknown, more than a dozen counties in the U.S. violently expelled thousands of families in the years between the Civil War and the Great Depression. But these are not just historical facts. "Banished" explores the legacy of these events in the communities and for the descendants of the families. Enlightening and informative, the film should have a healthy life on cable outlets and in classrooms.
Williams visits three communities and examines the lasting effect the expulsions have had on their vitality. The first stop is one of the whitest counties in the South, Forsyth County, Ga., where 1,000 blacks were banished in 1912 and, according to the 1980 census, only one black person was living there then. To give the story context, we see footage from a 1987 Brotherhood march in which demonstrators are met by townsfolk and Klansmen waving Confederate flags and throwing stones. Says one demonstrator, "We had reached an abyss where we weren't supposed to be."
And so Forsyth County remains to this day. But back in 1912, Morgan Strickland and his clan were respected landowners in the town. The film follows his descendants' efforts to find out what happened to this land. In one moving scene, the family returns to discover an overgrown and neglected ancestral graveyard. They clear the land, place flowers and pray, but there is no reparation.
Charles and James Cobb had no idea of their family history in Pierce City, Mo., until they stumbled upon a newspaper story and recognized their kin in an old photograph. Their efforts at reparation center on the disinterment of their great-grandfather so they can move him to friendly ground next to his son. The Cobbs' dialogue with the town, particularly the sympathetic but limited county coroner, reveals the ambiguity of the issue. The Cobbs ask the town to foot the bill, claiming that it "will go long way to saying that Pierce City has changed." But there is no reparation.
Williams' last stop is Harrison, Ark., where, in two episodes of mob violence in 1905 and 1909, all black citizens were expelled from the town. After a newspaper article revealed this history, a voluntary task force was formed to find ways to make amends. But in visits to the leader of the Ku Klux Klan who lives nearby, and other elderly people in the town, it becomes clear that Harrison has become a haven for people who want to live a life where there are no blacks. An attempt to place a grave marker for the town's last black woman is denied.
As "Banished" points out, these are by no means isolated communities but representative of the institutionalized racism that was prevalent then and continues today. Newspaper stories often are the catalyst for awareness, and Williams interviews several journalists, all white, who have written often unpopular stories on the subject. And sometimes, as the only black man in these town, Williams is forced to interject his presence as a way to seek the truth.
More than a history lesson, "Banished" seeks an answer for both sides to the questions of how we can come to terms with what happened and what we can do now to heal the wounds.
BANISHED
Center for Investigative Reporting, Two-Tone Prods. and ITVS in association with the National Black Programming Consortium
Credits:
Director: Marco Williams
Producers: Marco Williams, Shukree Tilghman, Van Dora Williams
Executive producers: Burt Glass, Dan Noyes, Whitney Dow
Director of photography: Steve McCarthy
Editors: Kathryn Barnier, Sandra Christie
Running time -- 89 minutes
No MPAA rating...
Williams visits three communities and examines the lasting effect the expulsions have had on their vitality. The first stop is one of the whitest counties in the South, Forsyth County, Ga., where 1,000 blacks were banished in 1912 and, according to the 1980 census, only one black person was living there then. To give the story context, we see footage from a 1987 Brotherhood march in which demonstrators are met by townsfolk and Klansmen waving Confederate flags and throwing stones. Says one demonstrator, "We had reached an abyss where we weren't supposed to be."
And so Forsyth County remains to this day. But back in 1912, Morgan Strickland and his clan were respected landowners in the town. The film follows his descendants' efforts to find out what happened to this land. In one moving scene, the family returns to discover an overgrown and neglected ancestral graveyard. They clear the land, place flowers and pray, but there is no reparation.
Charles and James Cobb had no idea of their family history in Pierce City, Mo., until they stumbled upon a newspaper story and recognized their kin in an old photograph. Their efforts at reparation center on the disinterment of their great-grandfather so they can move him to friendly ground next to his son. The Cobbs' dialogue with the town, particularly the sympathetic but limited county coroner, reveals the ambiguity of the issue. The Cobbs ask the town to foot the bill, claiming that it "will go long way to saying that Pierce City has changed." But there is no reparation.
Williams' last stop is Harrison, Ark., where, in two episodes of mob violence in 1905 and 1909, all black citizens were expelled from the town. After a newspaper article revealed this history, a voluntary task force was formed to find ways to make amends. But in visits to the leader of the Ku Klux Klan who lives nearby, and other elderly people in the town, it becomes clear that Harrison has become a haven for people who want to live a life where there are no blacks. An attempt to place a grave marker for the town's last black woman is denied.
As "Banished" points out, these are by no means isolated communities but representative of the institutionalized racism that was prevalent then and continues today. Newspaper stories often are the catalyst for awareness, and Williams interviews several journalists, all white, who have written often unpopular stories on the subject. And sometimes, as the only black man in these town, Williams is forced to interject his presence as a way to seek the truth.
More than a history lesson, "Banished" seeks an answer for both sides to the questions of how we can come to terms with what happened and what we can do now to heal the wounds.
BANISHED
Center for Investigative Reporting, Two-Tone Prods. and ITVS in association with the National Black Programming Consortium
Credits:
Director: Marco Williams
Producers: Marco Williams, Shukree Tilghman, Van Dora Williams
Executive producers: Burt Glass, Dan Noyes, Whitney Dow
Director of photography: Steve McCarthy
Editors: Kathryn Barnier, Sandra Christie
Running time -- 89 minutes
No MPAA rating...
- 1/29/2007
- The Hollywood Reporter - Movie News
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