The last two episodes of the new series about the iconic New York Yankee Derek Jeter is now available to stream online. “The Captain” arrived on ESPN+ last month with new episodes airing on a weekly basis.
The docuseries, directed by Randy Wilkins and executive produced by Spike Lee and Mike Tollin, features dozens of intimate interviews with Jeter, alongside those in the athlete’s inner circle, such as his parents Dorothy and Dr. Charles Jeter, his sister Sharlee Jeter and his wife Hannah Jeter. Alex Rodriguez, Daryl Strawberry, Jorge Posada, Mariano Rivera, manager Joe Torre and Dave Winfield also make appearances.
Through these conversations, viewers learn more about Jeter’s meteoric rise to success and the particular hurdles Jeter had to jump over as a biracial athlete. One revealing conversation with his family underscores how Jeter had to “work twice as hard” to reach his goals, even while journalists refused to acknowledge these setbacks,...
The docuseries, directed by Randy Wilkins and executive produced by Spike Lee and Mike Tollin, features dozens of intimate interviews with Jeter, alongside those in the athlete’s inner circle, such as his parents Dorothy and Dr. Charles Jeter, his sister Sharlee Jeter and his wife Hannah Jeter. Alex Rodriguez, Daryl Strawberry, Jorge Posada, Mariano Rivera, manager Joe Torre and Dave Winfield also make appearances.
Through these conversations, viewers learn more about Jeter’s meteoric rise to success and the particular hurdles Jeter had to jump over as a biracial athlete. One revealing conversation with his family underscores how Jeter had to “work twice as hard” to reach his goals, even while journalists refused to acknowledge these setbacks,...
- 8/11/2022
- by Anna Tingley
- Variety Film + TV
Click here to read the full article.
A thought experiment: I chant “Der-ek Je-ter!” You say?
If your answer is a Pavlovian series of five claps — “Clap Clap Clapclapclap,” if you will — then chances are good that you’re the target demographic for ESPN’s new seven-part documentary series The Captain.
If your response is a dead-eyed stare, “Yankees suck!” or perhaps something even more profane, The Captain is easily skippable.
Yankees legend Derek Jeter built a career on steady play on the field and inscrutable blandness off of it, and he mostly doesn’t stray from his established brand here. It takes absolutely nothing away from Jeter’s indisputable greatness on the diamond to say that he’s a borderline inert interview or at least to say that over the five hours sent to critics, whatever wall he put up to survive decades in the New York City media spotlight remains in place.
A thought experiment: I chant “Der-ek Je-ter!” You say?
If your answer is a Pavlovian series of five claps — “Clap Clap Clapclapclap,” if you will — then chances are good that you’re the target demographic for ESPN’s new seven-part documentary series The Captain.
If your response is a dead-eyed stare, “Yankees suck!” or perhaps something even more profane, The Captain is easily skippable.
Yankees legend Derek Jeter built a career on steady play on the field and inscrutable blandness off of it, and he mostly doesn’t stray from his established brand here. It takes absolutely nothing away from Jeter’s indisputable greatness on the diamond to say that he’s a borderline inert interview or at least to say that over the five hours sent to critics, whatever wall he put up to survive decades in the New York City media spotlight remains in place.
- 7/18/2022
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
The portraits of champions are painted with failure. From youth sports maxims of “it’s not about how you win, it’s how you lose” to professional athletes using naysayers as bulletin board material, there’s no amount of success that doesn’t also come paired with the opposite feeling. That’s one of the inherent draws of sports, that for every winner, there are an equal or greater number of rivals to overcome as hurdles to the prize.
It’s not accurate to say that Derek Jeter never lost, despite the reputation that he fashioned for himself early in his career. The opening part of “The Captain,” a new seven-part ESPN series on the career and times of the Hall of Fame New York Yankees shortstop, does go through the struggles of his early professional days. There are tiny nods to the “what if” paths his life would have...
It’s not accurate to say that Derek Jeter never lost, despite the reputation that he fashioned for himself early in his career. The opening part of “The Captain,” a new seven-part ESPN series on the career and times of the Hall of Fame New York Yankees shortstop, does go through the struggles of his early professional days. There are tiny nods to the “what if” paths his life would have...
- 7/18/2022
- by Steve Greene
- Indiewire
Randy Wilkins connects with Derek Jeter, subject of his seven-part ESPN documentary series, The Captain, on a few levels.
For starters, Wilkins is a lifelong New York Yankees fan, and Jeter was the linchpin of five World Series championships captured by the team between 1996 and 2009. In his filmmaking career, Wilkins also can relate. While he wasn’t a teen-ager like Jeter when he got his big break, getting the chance to tell the story of his hero resulted from a surprise endorsement from Spike Lee, who is an executive producer of the series.
“In June 2020, he called me to check up on me,” Wilkins recalled in an interview. “He asked me who my favorite Yankee was, just out of the blue. I said, ‘Well, Derek Jeter.’ I was very confused as to why he was asking me that. And the next thing he said was, ‘Derek Jeter wants to do...
For starters, Wilkins is a lifelong New York Yankees fan, and Jeter was the linchpin of five World Series championships captured by the team between 1996 and 2009. In his filmmaking career, Wilkins also can relate. While he wasn’t a teen-ager like Jeter when he got his big break, getting the chance to tell the story of his hero resulted from a surprise endorsement from Spike Lee, who is an executive producer of the series.
“In June 2020, he called me to check up on me,” Wilkins recalled in an interview. “He asked me who my favorite Yankee was, just out of the blue. I said, ‘Well, Derek Jeter.’ I was very confused as to why he was asking me that. And the next thing he said was, ‘Derek Jeter wants to do...
- 7/17/2022
- by Dade Hayes
- Deadline Film + TV
Randy Wilkins, who directed the upcoming Derek Jeter ESPN Films documentary series “The Captain,” had one word to describe the topic he had to drag out of the stoic Hall-of-Fame shortstop: “Alex.”
New York Yankees fans in attendance at the June 12 Tribeca Festival Q&a following the first episode’s premiere got a kick out of that one. Jeter, who sat calmly on the Bmcc Tribeca Performing Arts Center stage beside Wilkins, perhaps did not. Wilkins, of course, was referring to Alex Rodriguez, an all-time-great Major League Baseball infielder in his own right. Jeter and A-Rod famously did not get along after the Yankees signed Seattle Mariners and Texas Rangers star Rodriguez (whom many baseball pundits believed to be the superior shortstop).
Jeter held his literal ground on the left side of the infield: A-Rod switched positions to third base, and what had been an easy friendship forged at All-Star Games was never the same.
New York Yankees fans in attendance at the June 12 Tribeca Festival Q&a following the first episode’s premiere got a kick out of that one. Jeter, who sat calmly on the Bmcc Tribeca Performing Arts Center stage beside Wilkins, perhaps did not. Wilkins, of course, was referring to Alex Rodriguez, an all-time-great Major League Baseball infielder in his own right. Jeter and A-Rod famously did not get along after the Yankees signed Seattle Mariners and Texas Rangers star Rodriguez (whom many baseball pundits believed to be the superior shortstop).
Jeter held his literal ground on the left side of the infield: A-Rod switched positions to third base, and what had been an easy friendship forged at All-Star Games was never the same.
- 6/13/2022
- by Tony Maglio
- Indiewire
CAA has signed three-time Emmy Award-winning writer, director, editor and producer, Randy Wilkins, best known for his work on ESPN Films’ “30 for 30.”
Up next, Wilkins will direct “The Captain,” a multi-episode docuseries for ESPN Films focused on New York Yankees icon Derek Jeter. The series is set to debut in 2022 and will tell the story of Jeter’s professional and personal triumphs and challenges, using the athlete’s journey to tell a larger cultural story that explores race, family, community, rivalries and more.
Wilkins notably directed the ESPN Films’ “30 for 30” documentary “86-32,” which chronicles the controversial decision between boxers Roy Jones Jr. and Park Si-Hun in the light middle-weight gold medal match at the 1988 Summer Olympics. The filmmaker also directed and executive produced two seasons of the web series “Docket 32357.”
He helmed the premiere episode of Apple TV Plus’ documentary series “Dear…” for which he interviewed his mentor Spike Lee.
Up next, Wilkins will direct “The Captain,” a multi-episode docuseries for ESPN Films focused on New York Yankees icon Derek Jeter. The series is set to debut in 2022 and will tell the story of Jeter’s professional and personal triumphs and challenges, using the athlete’s journey to tell a larger cultural story that explores race, family, community, rivalries and more.
Wilkins notably directed the ESPN Films’ “30 for 30” documentary “86-32,” which chronicles the controversial decision between boxers Roy Jones Jr. and Park Si-Hun in the light middle-weight gold medal match at the 1988 Summer Olympics. The filmmaker also directed and executive produced two seasons of the web series “Docket 32357.”
He helmed the premiere episode of Apple TV Plus’ documentary series “Dear…” for which he interviewed his mentor Spike Lee.
- 7/12/2021
- by Angelique Jackson
- Variety Film + TV
“I think a really telling detail is that on almost all of these shoots, the icon would say to us, ‘Oh my God, can I take these letters home?’ ” Dear… executive producer Jane Cha Cutler said of the new Apple TV+ docuseries.
“Lin [Manuel] Miranda talks about everything you create is like throwing a pebble in to a pond, and the ripples are the impact of your creation, your work, of your deeds and the way it can change the world,” adds fellow EP Rj Cutler of some of the impetus behind the project. “And you see that in the letters that people we feature in the series write to those whose work has changed their lives.”
Joined by Dear… director Randy Wilkins, the Cutlers were speaking during Deadline’s Contenders Television: Documentary + Unscripted virtual event.
Profiling icons from Hamilton creator Miranda and Oscar winner Spike Lee to the legendary Stevie Wonder,...
“Lin [Manuel] Miranda talks about everything you create is like throwing a pebble in to a pond, and the ripples are the impact of your creation, your work, of your deeds and the way it can change the world,” adds fellow EP Rj Cutler of some of the impetus behind the project. “And you see that in the letters that people we feature in the series write to those whose work has changed their lives.”
Joined by Dear… director Randy Wilkins, the Cutlers were speaking during Deadline’s Contenders Television: Documentary + Unscripted virtual event.
Profiling icons from Hamilton creator Miranda and Oscar winner Spike Lee to the legendary Stevie Wonder,...
- 5/1/2021
- by Dominic Patten
- Deadline Film + TV
*This article was first featured on Indiewire's Shadow and Act's blog on Oct 5th, 2015
Randy Wilkins is a product of the Bronx which has been evident in the short film he wrote and directed called "Osvaldo's" which was about a single Puerto Rican father of two trying to keep the pieces of his family together as he courts a new woman. The film boasted an impressive cast that featured Gina Rodriguez ("Jane The Virgin") and Lemon Andersen ("Lemon") in the role of the patriarch of the family. Since then Randy has edited projects for Spike Lee as he continued to expand on his filmmaking.
"Docket 32357" was his foray into making a web series. Season 2 introduces new characters which features a large number of Latino actors and a story line that takes the conflict closer to the victims and how it affects their families. “What attracted me the most was it's authenticity, the writing was real, personal, as well as powerful given the circumstances of each character. I look for those moments that are genuine and show an individual's humanity.” says Alexis Suarez. Actor Pedro De Leon says he was drawn to the character of 'Alex', “I guess I understand where Alex is coming from.
He feels the need to be the best there is at what he does to break the standard society has pre-disposed for him. I think he is also very defensive when it comes to his background, so he tries to cover it up by trying to blend in his color, and that makes him a little hypocritical in fact. I think everyone who's not from here [New York] has felt like that at least once.”
Expanding of the importance and truth in Wilkin's work, Jeff Lima, who had also worked on "Osvaldo's," noted that “Relationships among diverse people who share similar profound sentiments toward universal circumstances is a vision which I believe film-maker Randy Wilkins wishes and continues to successfully expound.” On the subject of the roles she usually goes in for, Cynthia Bastidas welcomed a role that she “wasn't asked to put on a Spanish accent.” As he gears up to shoot season 2, he breaks down the journey of concept, fundraising and completion.
Randy Wilkins: “In 2011, Eljon Wardally and I released a short film entitled “Docket 32357,” which is the story of two lonely women who are brought together by a shared tragedy in a courtroom hallway. We were proud of our work and especially proud that we were able to complete it for only $3,500. Our biggest concern prior to sending the film out into the world was, would people engage with a film that features two women confiding in one another on a courthouse bench?
That concern was laid to rest almost immediately when we began submitting to festivals. We were fortunate to have the film play in over 30 festivals and win multiple awards across the globe including the Huffington Post’s Black Voices Breakthrough Theater Series Short Film Award. While we were traveling with the film, our growing audience and community always asked one question: “what happens after the end of the short?” As "Docket" was an adaptation of a feature length play that Eljon wrote, we knew the answer to that question, so we decided to pursue a seven episode web series.
We chose the web series route because it was the most immediate way to deliver the content to our growing and excited audience. We launched a successful crowdfunding campaign through the incredibly dope Seed & Spark, and were able to raise over $12,000 to create the first season. We received a great deal of positive feedback and satisfaction from our core audience. This inspired us to create a second season and reach even higher.
There are a few things about the second season of "Docket" that have me incredibly excited that I want to share. The first is the diversity both in front of and behind the camera. The second season features Black actors, Latino actors, Asian actors and Moroccan actors. In following the footsteps of the first season, our women characters are multidimensional and strong. The talent behind the camera is just as diverse. Our writer is a woman of Grenadian descent. Our producers are a Black woman, A Jewish woman and a Trini man. The "Docket" team reflects the diversity of our audience.
The second thing that has me excited about Docket is that, unlike many crime dramas, our focus is on the impact crimes have on the family and victims. Their voices often go unheard in dramatic entertainment and we feel like "Docket" fills that void. We explore the emotional depth that accompanies tragedy and represent it through multiple perspectives. I am proud of that.
The biggest thing that I’m excited about is our "Docket" community. We like to call them our jurors. It is a fact when I say "Docket" wouldn’t be where it is without our incredible audience. We made the web series because of them and I am asking all of you to join us.
We are currently raising money for the second season of "Docket 32357" on Seed and Spark. Our goal is $30,000 to cover all production costs. We have some great incentives including beauty advice from our on screen stylist character, Cece, a legal consultation call from our main characters Alex Batista and Pete Larchmont, tickets to our premiere, and on screen walk on roles. In addition, all contributions are tax deductible through our fiscal sponsorship with Cinefemme Films. I am also proud to announce that "Docket 32357" is a recipient of the Big Vision Empty Wallet’s Kickstart Diversity program. This will help us build relationships on the production and distribution side to make "Docket 32357" Season Two as successful as it can be.
You can check out the entire first season of "Docket 32357" at www.docket32357.com.
Below you will find the original award-winning short film that launched the web series, as well as the teaser for the second season.
Then visit the campaign page set up for season 2 at http://www.seedandspark.com/studio/docket32357#wishlist . We sincerely hope you consider joining our growing community of Docket 32357 jurors. The jury is in!”
Also check out http://pamsson.com/ for more on Randy's work!
Written by Juan Caceres. LatinoBuzz is a feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices.
Randy Wilkins is a product of the Bronx which has been evident in the short film he wrote and directed called "Osvaldo's" which was about a single Puerto Rican father of two trying to keep the pieces of his family together as he courts a new woman. The film boasted an impressive cast that featured Gina Rodriguez ("Jane The Virgin") and Lemon Andersen ("Lemon") in the role of the patriarch of the family. Since then Randy has edited projects for Spike Lee as he continued to expand on his filmmaking.
"Docket 32357" was his foray into making a web series. Season 2 introduces new characters which features a large number of Latino actors and a story line that takes the conflict closer to the victims and how it affects their families. “What attracted me the most was it's authenticity, the writing was real, personal, as well as powerful given the circumstances of each character. I look for those moments that are genuine and show an individual's humanity.” says Alexis Suarez. Actor Pedro De Leon says he was drawn to the character of 'Alex', “I guess I understand where Alex is coming from.
He feels the need to be the best there is at what he does to break the standard society has pre-disposed for him. I think he is also very defensive when it comes to his background, so he tries to cover it up by trying to blend in his color, and that makes him a little hypocritical in fact. I think everyone who's not from here [New York] has felt like that at least once.”
Expanding of the importance and truth in Wilkin's work, Jeff Lima, who had also worked on "Osvaldo's," noted that “Relationships among diverse people who share similar profound sentiments toward universal circumstances is a vision which I believe film-maker Randy Wilkins wishes and continues to successfully expound.” On the subject of the roles she usually goes in for, Cynthia Bastidas welcomed a role that she “wasn't asked to put on a Spanish accent.” As he gears up to shoot season 2, he breaks down the journey of concept, fundraising and completion.
Randy Wilkins: “In 2011, Eljon Wardally and I released a short film entitled “Docket 32357,” which is the story of two lonely women who are brought together by a shared tragedy in a courtroom hallway. We were proud of our work and especially proud that we were able to complete it for only $3,500. Our biggest concern prior to sending the film out into the world was, would people engage with a film that features two women confiding in one another on a courthouse bench?
That concern was laid to rest almost immediately when we began submitting to festivals. We were fortunate to have the film play in over 30 festivals and win multiple awards across the globe including the Huffington Post’s Black Voices Breakthrough Theater Series Short Film Award. While we were traveling with the film, our growing audience and community always asked one question: “what happens after the end of the short?” As "Docket" was an adaptation of a feature length play that Eljon wrote, we knew the answer to that question, so we decided to pursue a seven episode web series.
We chose the web series route because it was the most immediate way to deliver the content to our growing and excited audience. We launched a successful crowdfunding campaign through the incredibly dope Seed & Spark, and were able to raise over $12,000 to create the first season. We received a great deal of positive feedback and satisfaction from our core audience. This inspired us to create a second season and reach even higher.
There are a few things about the second season of "Docket" that have me incredibly excited that I want to share. The first is the diversity both in front of and behind the camera. The second season features Black actors, Latino actors, Asian actors and Moroccan actors. In following the footsteps of the first season, our women characters are multidimensional and strong. The talent behind the camera is just as diverse. Our writer is a woman of Grenadian descent. Our producers are a Black woman, A Jewish woman and a Trini man. The "Docket" team reflects the diversity of our audience.
The second thing that has me excited about Docket is that, unlike many crime dramas, our focus is on the impact crimes have on the family and victims. Their voices often go unheard in dramatic entertainment and we feel like "Docket" fills that void. We explore the emotional depth that accompanies tragedy and represent it through multiple perspectives. I am proud of that.
The biggest thing that I’m excited about is our "Docket" community. We like to call them our jurors. It is a fact when I say "Docket" wouldn’t be where it is without our incredible audience. We made the web series because of them and I am asking all of you to join us.
We are currently raising money for the second season of "Docket 32357" on Seed and Spark. Our goal is $30,000 to cover all production costs. We have some great incentives including beauty advice from our on screen stylist character, Cece, a legal consultation call from our main characters Alex Batista and Pete Larchmont, tickets to our premiere, and on screen walk on roles. In addition, all contributions are tax deductible through our fiscal sponsorship with Cinefemme Films. I am also proud to announce that "Docket 32357" is a recipient of the Big Vision Empty Wallet’s Kickstart Diversity program. This will help us build relationships on the production and distribution side to make "Docket 32357" Season Two as successful as it can be.
You can check out the entire first season of "Docket 32357" at www.docket32357.com.
Below you will find the original award-winning short film that launched the web series, as well as the teaser for the second season.
Then visit the campaign page set up for season 2 at http://www.seedandspark.com/studio/docket32357#wishlist . We sincerely hope you consider joining our growing community of Docket 32357 jurors. The jury is in!”
Also check out http://pamsson.com/ for more on Randy's work!
Written by Juan Caceres. LatinoBuzz is a feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices.
- 10/26/2015
- by Juan Caceres
- Sydney's Buzz
After a theatrical run in February Da Sweet Blood of Jesus, directed by Spike Lee, will be released on Blu-ray and DVD on May 26th, 2015. Also in this round-up: release details on a Fright Rags shirt for The Texas Chain Saw Massacre and a trailer for The Man in the Shadows.
Da Sweet Blood of Jesus: Press Release -- "Anchor Bay Entertainment and Gravitas Ventures will release the Spike Lee thriller Da Sweet Blood Of Jesus on Blu-ray™ and DVD on May 26, 2015. The film previously hit theaters on February 13th after a successful Kickstarter campaign to fund the production. It’s a reinterpretation of Bill Gunn’s horror cult film “Ganja & Hess”, which played as a Critics Choice at the 1973 Cannes Film Festival; Spike Lee’s stylized thriller features an Original Score by Bruce Hornsby.
A Spike Lee Joint, Da Sweet Blood Of Jesus is directed by Spike Lee,...
Da Sweet Blood of Jesus: Press Release -- "Anchor Bay Entertainment and Gravitas Ventures will release the Spike Lee thriller Da Sweet Blood Of Jesus on Blu-ray™ and DVD on May 26, 2015. The film previously hit theaters on February 13th after a successful Kickstarter campaign to fund the production. It’s a reinterpretation of Bill Gunn’s horror cult film “Ganja & Hess”, which played as a Critics Choice at the 1973 Cannes Film Festival; Spike Lee’s stylized thriller features an Original Score by Bruce Hornsby.
A Spike Lee Joint, Da Sweet Blood Of Jesus is directed by Spike Lee,...
- 5/22/2015
- by Tamika Jones
- DailyDead
Gravitas Ventures has acquired North American rights to Spike Lee’s Da Sweet Blood Of Jesus starring Zaraah Abrahams and Stephen Tyrone Williams.
The film, which is a reinterpretation of Bill Gunn’s 1973 cult horror classic “Ganja & Hess,” previously made its debut earlier this year at the American Black Film Festival after a successful Kickstarter campaign to fund the production.
Gravitas will release the film theatrically and on video on demand on February 13, 2015.
“Making Da Sweet Blood Of Jesus is one of my most gratifying experiences in my body of work,” said Spike Lee. “The support and love we got raising the money through Kickstarter is a true blessing. I thank everyone who brought this New Spike Lee Joint to life.”
“We are thrilled to collaborate with Spike Lee to release Da Sweet Blood Of Jesus in theatres and on demand across North America,” said Nolan Gallagher, Gravitas Ventures’ Founder and CEO.
The film, which is a reinterpretation of Bill Gunn’s 1973 cult horror classic “Ganja & Hess,” previously made its debut earlier this year at the American Black Film Festival after a successful Kickstarter campaign to fund the production.
Gravitas will release the film theatrically and on video on demand on February 13, 2015.
“Making Da Sweet Blood Of Jesus is one of my most gratifying experiences in my body of work,” said Spike Lee. “The support and love we got raising the money through Kickstarter is a true blessing. I thank everyone who brought this New Spike Lee Joint to life.”
“We are thrilled to collaborate with Spike Lee to release Da Sweet Blood Of Jesus in theatres and on demand across North America,” said Nolan Gallagher, Gravitas Ventures’ Founder and CEO.
- 11/19/2014
- by Michelle McCue
- WeAreMovieGeeks.com
Kerry Washington has been named as the festival ambassador of the 14th Annual Urbanworld Film Festival. Bet Networks also announced that Magnolia Pictures' "Night Catches Us" will be the Opening Night film.
Urbanworld will be screening 71 films this year, including 22 world premieres, and will present the work of five Urbanworld Screenplay Competition finalists in live readings. Bet Networks, the sponsor of the screenplay competition, will host the private event.
Finalists include "Bag Ladies" by Tai Nelson, "Gracey" by Julian Breece, "Jean of the Joneses" by Alison Meghie, "Knife to a Gunfight" by Gemal Woods, and "Osvaldo's" by Randy Wilkins.
Founder Stacy Spikes said, "This year's program is rooted in our original mission: to shine a light on films and filmmakers whose artistic excellence is too often overlooked elsewhere. Through our partnership with Bet, we are thrilled to introduce more than 20 world premieres in a true celebration of bright, bold multicultural filmmaking.
Urbanworld will be screening 71 films this year, including 22 world premieres, and will present the work of five Urbanworld Screenplay Competition finalists in live readings. Bet Networks, the sponsor of the screenplay competition, will host the private event.
Finalists include "Bag Ladies" by Tai Nelson, "Gracey" by Julian Breece, "Jean of the Joneses" by Alison Meghie, "Knife to a Gunfight" by Gemal Woods, and "Osvaldo's" by Randy Wilkins.
Founder Stacy Spikes said, "This year's program is rooted in our original mission: to shine a light on films and filmmakers whose artistic excellence is too often overlooked elsewhere. Through our partnership with Bet, we are thrilled to introduce more than 20 world premieres in a true celebration of bright, bold multicultural filmmaking.
- 8/26/2010
- icelebz.com
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