Southland, “Chaos”
Written by Zack Whedon
Directed by Christopher Chulack
Aired April 10th, 2013 on TNT
Forget Hannibal. Forget American Horror Story. Forget “The Rains of Castamere.” You want harrowing? You want soul-crushing blackness with a side of trauma? You want pure, unforgiving narrative nihilism? Try on the penultimate episode of sadly-departed cop drama Southland. Whereas the typical episode hones in on a few plotlines between seven or eight characters, “Chaos” revolves mostly around a single, nightmare-inducing act: the kidnapping of two of our principal characters by a pair of deranged meth-heads. On paper, it sounds like your average “Very Special Episode” of… really, any cop show ever. The “team member(s) get nabbed and have to be rescued by the rest of the team” setup is well-worn territory. “Chaos”, however, is a different beast entirely. Based loosely on a real incident, “Chaos” earns its title honestly, unfolding seemingly without rhyme or reason,...
Written by Zack Whedon
Directed by Christopher Chulack
Aired April 10th, 2013 on TNT
Forget Hannibal. Forget American Horror Story. Forget “The Rains of Castamere.” You want harrowing? You want soul-crushing blackness with a side of trauma? You want pure, unforgiving narrative nihilism? Try on the penultimate episode of sadly-departed cop drama Southland. Whereas the typical episode hones in on a few plotlines between seven or eight characters, “Chaos” revolves mostly around a single, nightmare-inducing act: the kidnapping of two of our principal characters by a pair of deranged meth-heads. On paper, it sounds like your average “Very Special Episode” of… really, any cop show ever. The “team member(s) get nabbed and have to be rescued by the rest of the team” setup is well-worn territory. “Chaos”, however, is a different beast entirely. Based loosely on a real incident, “Chaos” earns its title honestly, unfolding seemingly without rhyme or reason,...
- 12/22/2013
- by Kate Kulzick
- SoundOnSight
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