Director Jun Robles Lana is a committed advocate of all queer aspects of life, which he has portrayed in his body of work with contrasting tones of voice, from the theatrical colorfulness of “Die Beautiful” to the dark realism of “Kalel, 15”. “Becky & Badette” sits without a doubt in the former group and, despite not being strictly (no pun intended) a gay story, is as camp as Christmas. A mix of classic comedy of errors and the familiar “high school reunion” genre, peppered with many innuendos and Filipino in-jokes, “Becky & Badette” is pure fun from start to end, and also one of those films you can imagine the cast and crew having a great time while shooting it.
Becky & Badette is screening at UdineFar East Film Festival 2024
Becky (Eugene Domingo) and Badette (Pokwang) are two women in their forties, working as janitors in an all-colourful-girl office and living...
Becky & Badette is screening at UdineFar East Film Festival 2024
Becky (Eugene Domingo) and Badette (Pokwang) are two women in their forties, working as janitors in an all-colourful-girl office and living...
- 4/30/2024
- by Adriana Rosati
- AsianMoviePulse
Warner Bros. is to handle the Southeast Asia theatrical release of Philippines-produced drama film “Under Parallel Skies.” The picture will have its world premiere this weekend as part of the Asian Film Awards in Hong Kong.
Directed by Sigrid Bernardo, “Under Parallel Skies” follows the story of a Thai bachelor, portrayed by major local star Win Metawin, who travels to Hong Kong in search of his missing mother. He encounters a Filipino hotelier named, played by Janella Salvador, who helps him navigate love, heartbreak, and healing in the foreign city amid their differences in culture and identity.
Hong Kong has a large population of workers from The Philippines, many employed as domestic helpers or in hospitality. The film was shot in Hong Kong from June to July 2023, with the support of Hong Kong Tourism Board, and takes in iconic local locations including Kowloon City and Tai O.
Warner will release...
Directed by Sigrid Bernardo, “Under Parallel Skies” follows the story of a Thai bachelor, portrayed by major local star Win Metawin, who travels to Hong Kong in search of his missing mother. He encounters a Filipino hotelier named, played by Janella Salvador, who helps him navigate love, heartbreak, and healing in the foreign city amid their differences in culture and identity.
Hong Kong has a large population of workers from The Philippines, many employed as domestic helpers or in hospitality. The film was shot in Hong Kong from June to July 2023, with the support of Hong Kong Tourism Board, and takes in iconic local locations including Kowloon City and Tai O.
Warner will release...
- 3/7/2024
- by Patrick Frater
- Variety Film + TV
by Tobiasz Dunin
“Elegy to the Visitor from the Revolution” is a drama written and directed by Lav Diaz. At first, it was supposed to be a one-minute segment of a video compilation honoring the late film critics Alexis Tioseco and Nika Bohinc. However, Diaz's creation grew beyond its initial intent, and became a full-length feature. The title alludes to the 1896 Philippine Revolution, a conflict where Filipino revolutionaries fought against Spanish colonial authorities, aiming to gain independence.
The plot is quite vague and tells a story about a woman (Hazel Orencio) from the late 19th century that travels to contemporary Philippines and witnesses intertwined narratives – about a sex worker, a musician, and a gang of lawbreakers. These segments are further divided into disparate plot lines – a sex worker (Sigrid Bernardo) awaits a client, a musician (Diaz) plays guitar by himself, and three criminals are figuring out a way to make some money.
“Elegy to the Visitor from the Revolution” is a drama written and directed by Lav Diaz. At first, it was supposed to be a one-minute segment of a video compilation honoring the late film critics Alexis Tioseco and Nika Bohinc. However, Diaz's creation grew beyond its initial intent, and became a full-length feature. The title alludes to the 1896 Philippine Revolution, a conflict where Filipino revolutionaries fought against Spanish colonial authorities, aiming to gain independence.
The plot is quite vague and tells a story about a woman (Hazel Orencio) from the late 19th century that travels to contemporary Philippines and witnesses intertwined narratives – about a sex worker, a musician, and a gang of lawbreakers. These segments are further divided into disparate plot lines – a sex worker (Sigrid Bernardo) awaits a client, a musician (Diaz) plays guitar by himself, and three criminals are figuring out a way to make some money.
- 12/23/2023
- by Guest Writer
- AsianMoviePulse
A selection of 26 titles from 15 different countries.
South Korea’s Busan International Film Festival (Biff) has confirmed a 26-title line-up for the 2021 Asian Project Market (Apm).
Projects at the Apm include Siren Vanishes, directed by Harumoto Yojiro, whose feature A Balance won the New Currents Award at Biff last year before going on to the Berlinale this year.
The 26 projects from 15 different countries also includes titles from House Of Hummingbird director Kim Bora, The Mirror Never Lies director Kamila Andini, and Twilight’s Kiss (Suk Suk) director Ray Yeung.
Organisers announced Apm received a record-breaking 429 film submissions this year, up approximately...
South Korea’s Busan International Film Festival (Biff) has confirmed a 26-title line-up for the 2021 Asian Project Market (Apm).
Projects at the Apm include Siren Vanishes, directed by Harumoto Yojiro, whose feature A Balance won the New Currents Award at Biff last year before going on to the Berlinale this year.
The 26 projects from 15 different countries also includes titles from House Of Hummingbird director Kim Bora, The Mirror Never Lies director Kamila Andini, and Twilight’s Kiss (Suk Suk) director Ray Yeung.
Organisers announced Apm received a record-breaking 429 film submissions this year, up approximately...
- 8/10/2021
- by Jean Noh
- ScreenDaily
After a rocky few years, cinema from the Philippines is once again bristling with energy and innovation. International interest is rising, and the Tokyo International Film Festival’s 2019 selection reflects some of that. The recent launch of two incentive schemes by the Philippines government may help the country’s production become more international.
The Tokyo festival this year includes a total of eight films and TV episodes from the Philippines across its different sections: “Mananita” in the main competition section; Brillante Mendoza’s “Mindanao” and Erik Matti’s erotic drama “Food Lore Series—Island of Dreams,” in the World Focus section; and Bradley Liew’s “Motel Acacia” in the Asian Focus category.
Philippines films also dominate Tokyo’s Crosscut Asia sidebar, which this year focuses on Southeast Asian fantasy and genre titles: Lav Diaz’ “The Halt,” Antoinette Jadaone’s “Six Degrees of Separation from Lilia Cuntapay,” Matti’s “The Entity...
The Tokyo festival this year includes a total of eight films and TV episodes from the Philippines across its different sections: “Mananita” in the main competition section; Brillante Mendoza’s “Mindanao” and Erik Matti’s erotic drama “Food Lore Series—Island of Dreams,” in the World Focus section; and Bradley Liew’s “Motel Acacia” in the Asian Focus category.
Philippines films also dominate Tokyo’s Crosscut Asia sidebar, which this year focuses on Southeast Asian fantasy and genre titles: Lav Diaz’ “The Halt,” Antoinette Jadaone’s “Six Degrees of Separation from Lilia Cuntapay,” Matti’s “The Entity...
- 10/28/2019
- by Patrick Frater
- Variety Film + TV
New section sees three up-and-coming Filipino directors competing with five indie filmmakers from Southeast Asia.
The Philippines’ QCinema International Film Festival is launching a new competition section, Asian Next Wave, that will focus on emerging filmmakers from the Southeast Asian region.
The new section sees three up-and-coming Filipino directors, who received production funding from the festival, competing with five indie filmmakers from other countries in Southeast Asia.
The three local films in competition are Rae Red’s Babae At Baril, Arnel Barbarona’s Kaaway Sa Sulod and The Cleaners from Glenn Barit, while Southeast Asian titles include Mattie Do’s The Long Walk,...
The Philippines’ QCinema International Film Festival is launching a new competition section, Asian Next Wave, that will focus on emerging filmmakers from the Southeast Asian region.
The new section sees three up-and-coming Filipino directors, who received production funding from the festival, competing with five indie filmmakers from other countries in Southeast Asia.
The three local films in competition are Rae Red’s Babae At Baril, Arnel Barbarona’s Kaaway Sa Sulod and The Cleaners from Glenn Barit, while Southeast Asian titles include Mattie Do’s The Long Walk,...
- 10/7/2019
- by 89¦Liz Shackleton¦0¦
- ScreenDaily
This year’s event features an unprecedented increase in women directors and a new work-in-progress lab.
The Hong Kong-Asia Film Financing Forum (Mar 13-15), which has its 15th edition this year, has revealed its lineup of 25 projects.
Unprecedentedly, nearly half of the projects are from female directors, about a third are by first-time directors and two rarely seen genres at Haf are included - science fiction and gothic thriller.
As with previous editions, Hong Kong has a strong presence with five projects, including Derek Chiu’s No.1 Chung Ying Street, a drama about the 1967 riots in Hong Kong; Sobel Chan’s The Goddess, a tribute to classic 1930s Chinese films; new director Sunny Chan’s Man On The Dragon, a comedy-drama about five middle-aged men who take part in a dragon boat competition; new director Tom Chung-sing’s Impossible Split, about a bowling athlete who becomes a world champion despite a fatal disease, produced by She...
The Hong Kong-Asia Film Financing Forum (Mar 13-15), which has its 15th edition this year, has revealed its lineup of 25 projects.
Unprecedentedly, nearly half of the projects are from female directors, about a third are by first-time directors and two rarely seen genres at Haf are included - science fiction and gothic thriller.
As with previous editions, Hong Kong has a strong presence with five projects, including Derek Chiu’s No.1 Chung Ying Street, a drama about the 1967 riots in Hong Kong; Sobel Chan’s The Goddess, a tribute to classic 1930s Chinese films; new director Sunny Chan’s Man On The Dragon, a comedy-drama about five middle-aged men who take part in a dragon boat competition; new director Tom Chung-sing’s Impossible Split, about a bowling athlete who becomes a world champion despite a fatal disease, produced by She...
- 1/18/2017
- by screenasia@yahoo.com (Silvia Wong)
- ScreenDaily
Close-Up is a column that spotlights films now playing on Mubi. Lav Diaz's Elegy to the Visitor from the Revolution (2011) is playing January 12 - February 10, 2017. Lav Diaz’s Elegy to the Visitor from the Revolution is a unique example of how texts inform each other. In the film, elements of the past inform and comprise those of the present, while exposition ultimately informs images of the present. As a viewer, one can reasonably make a case that this was Diaz’s intention given the film’s story and structure: While its premise is relatively simple—a mysterious woman appears in various places in a 20th century city—Diaz tells it primarily with wordless storytelling, mostly images and extended takes. While the viewer gathers that the woman is the titular ‘visitor from the revolution,’ implying that she is from the late 1890s (the Philippine Revolution), it is only late...
- 1/15/2017
- MUBI
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