Glenn Kendrick Ackermann will kick off worldwide sales in Cannes through his V International Media on the supernatural drama Can You Hear Me starring Peter Facinelli from The Twilight Saga.
Charlotte Radford, who starred alongside Daryl Hannah in The American Connection, also stars and wrote the screenplay.
The cast includes James Cosmo from Game Of Thrones, John Standing from The Crown, Matt Barber of Downton Abbey, and Jane Thorne from Night Train To Lisbon.
Simon Hunter, who helmed Mutant Chronicles, directs the story about the whirlwind romance and marriage between Annabel and Samuel, an American soldier who is severely wounded in the first World War.
Charlotte Radford, who starred alongside Daryl Hannah in The American Connection, also stars and wrote the screenplay.
The cast includes James Cosmo from Game Of Thrones, John Standing from The Crown, Matt Barber of Downton Abbey, and Jane Thorne from Night Train To Lisbon.
Simon Hunter, who helmed Mutant Chronicles, directs the story about the whirlwind romance and marriage between Annabel and Samuel, an American soldier who is severely wounded in the first World War.
- 4/22/2024
- ScreenDaily
Glenn Kendrick Ackermann will kick off worldwide sales in Cannes through his V International Media on the supernatural drama Can You Hear Me starring Peter Facinelli from The Twilight Saga.
Charlotte Radford, who starred alongside Daryl Hannah in The American Connection, also stars and wrote the screenplay.
The cast includes James Cosmo from Game Of Thrones, John Standing from The Crown, Matt Barber of Downton Abbey, and Jane Thorne from Night Train To Lisbon.
Simon Hunter, who helmed Mutant Chronicles, directs the story about the whirlwind romance and marriage between Annabel and Samuel, an American soldier who is severely wounded in the first World War.
Charlotte Radford, who starred alongside Daryl Hannah in The American Connection, also stars and wrote the screenplay.
The cast includes James Cosmo from Game Of Thrones, John Standing from The Crown, Matt Barber of Downton Abbey, and Jane Thorne from Night Train To Lisbon.
Simon Hunter, who helmed Mutant Chronicles, directs the story about the whirlwind romance and marriage between Annabel and Samuel, an American soldier who is severely wounded in the first World War.
- 4/22/2024
- ScreenDaily
The first look photos of Bill Skarsgård and FKA Twigs in the remake of The Crow have been revealed, giving a glimpse into the new take on James O’Barr’s original graphic novel. See photos below.
Directed by Rupert Sanders, the film, set for release on June 7, sees Skarsgård taking on the titular role.
“Soulmates Eric Draven (Skarsgård) and Shelly Webster (FKA twigs) are brutally murdered when the demons of her dark past catch up with them,” reads the official synopsis. “Given the chance to save his true love by sacrificing himself, Eric sets out to seek merciless revenge on their killers, traversing the worlds of the living and the dead to put the wrong things right.”
The cast of The Crow also includes Danny Huston, Isabella Wei, Laura Birn, Sami Bouajila and Jordan Bolger.
Zach Baylin and William Schneider wrote the screenplay. Producers are Victor Hadida, Molly Hassell, John Jencks...
Directed by Rupert Sanders, the film, set for release on June 7, sees Skarsgård taking on the titular role.
“Soulmates Eric Draven (Skarsgård) and Shelly Webster (FKA twigs) are brutally murdered when the demons of her dark past catch up with them,” reads the official synopsis. “Given the chance to save his true love by sacrificing himself, Eric sets out to seek merciless revenge on their killers, traversing the worlds of the living and the dead to put the wrong things right.”
The cast of The Crow also includes Danny Huston, Isabella Wei, Laura Birn, Sami Bouajila and Jordan Bolger.
Zach Baylin and William Schneider wrote the screenplay. Producers are Victor Hadida, Molly Hassell, John Jencks...
- 2/28/2024
- by Armando Tinoco
- Deadline Film + TV
In 2016, 25 years after the publication of his novel "American Psycho," author Bret Easton Ellis wrote an article for Town & Country magazine reflecting on a question he was frequently asked: what would Patrick Bateman be doing now? In the mid-to-late '90s, Ellis thought that Bateman "would have been the founder of a number of dotcoms." Or, had the book been written in the decade leading up to 2016, "Bateman would have been working in Silicon Valley [...] palling around with Zuckerberg and dining at the French Laundry [...] wearing a Yeezy hoodie and teasing girls on Tinder."
The book is both very much of its time and also eerily prescient. It's easy to imagine Patrick Bateman as an influencer within TikTok's 'Hustle Culture,' working himself into a rage over other guys having more followers than him. As Ellis himself wrote:
"All the themes of the book still hold sway three decades later.
The book is both very much of its time and also eerily prescient. It's easy to imagine Patrick Bateman as an influencer within TikTok's 'Hustle Culture,' working himself into a rage over other guys having more followers than him. As Ellis himself wrote:
"All the themes of the book still hold sway three decades later.
- 2/25/2024
- by Hannah Shaw-Williams
- Slash Film
Largely rejected upon its release back in 1987, the live-action film adaptation of Masters of the Universe (watch it Here) has gathered a cult following over the decades, and elements of the film have even been worked into the recent animated Netflix shows Masters of the Universe: Revelation and Masters of the Universe: Revolution. On April 17th, Umbrella Home Entertainment in Australia will be giving the film a collector’s edition Blu-ray release – and copies are available for pre-order Here! (Just make sure you have the ability to play Region B Blu-rays before ordering one.)
Directed by Gary Goddard from a screenplay by David Odell, Masters of the Universe has the following synopsis: When the evil Skeletor finds a mysterious power called the Cosmic Key, he becomes nearly invincible. However, courageous warrior He-Man locates inventor Gwildor, who created the Key and has another version of it. During a battle, one of...
Directed by Gary Goddard from a screenplay by David Odell, Masters of the Universe has the following synopsis: When the evil Skeletor finds a mysterious power called the Cosmic Key, he becomes nearly invincible. However, courageous warrior He-Man locates inventor Gwildor, who created the Key and has another version of it. During a battle, one of...
- 1/29/2024
- by Cody Hamman
- JoBlo.com
What happens to film, art and ultimately to our lives when AI, algorithm takes control? This burning question and main theme of the upcoming Göteborg Film Festival, is also at the core of Danish pic “About a Hero,” by versatile artist and helmer Piotr Winiewicz (“Reflector”).
Variety has secured in exclusivity the first still from the movie, due to serve as a case study during Göteborg’s industry confab Nordic Film Market (Jan. 31-Feb. 2). The pic is being produced by Denmark’s Tambo Film and Kaspar, with German co-producers Cineteam, in association with leading U.S. indie prodco Pressman Film.
“Corsage” star Vicky Krieps has just boarded the project, to be sold internationally by Dr Sales.
Broadcasters attached so far include pubcasters Dr in Denmark, Ndr in Germany and European network Arte. Producer Rikke Tambo Andersen said she will negotiate U.S. rights separately, in close coordination with U.S.
Variety has secured in exclusivity the first still from the movie, due to serve as a case study during Göteborg’s industry confab Nordic Film Market (Jan. 31-Feb. 2). The pic is being produced by Denmark’s Tambo Film and Kaspar, with German co-producers Cineteam, in association with leading U.S. indie prodco Pressman Film.
“Corsage” star Vicky Krieps has just boarded the project, to be sold internationally by Dr Sales.
Broadcasters attached so far include pubcasters Dr in Denmark, Ndr in Germany and European network Arte. Producer Rikke Tambo Andersen said she will negotiate U.S. rights separately, in close coordination with U.S.
- 1/16/2024
- by Annika Pham
- Variety Film + TV
Speakers at panel on AI put forward positive use cases for the technology.
A plea for creators to adopt a more positive view of artificial intelligence was one of the key take-aways from a panel discussion on the technology at the 2023 Geneva Digital Market (Gdm).
Named ‘Dreams and Chimeras of Artificial Intelligence,’ the panel ran as part of the Machine Learning x Audiovisuel talks programme Monday (Nov. 6).
The use of AI in the creative industries has been a hot topic in recent months, with the writers’ and actors’ strikes in the US both in part concerning the implementation of AI technologies.
A plea for creators to adopt a more positive view of artificial intelligence was one of the key take-aways from a panel discussion on the technology at the 2023 Geneva Digital Market (Gdm).
Named ‘Dreams and Chimeras of Artificial Intelligence,’ the panel ran as part of the Machine Learning x Audiovisuel talks programme Monday (Nov. 6).
The use of AI in the creative industries has been a hot topic in recent months, with the writers’ and actors’ strikes in the US both in part concerning the implementation of AI technologies.
- 11/8/2023
- by Stuart Kemp
- ScreenDaily
Speakers at panel on AI put forward positive use cases for the technology.
A plea for creators to adopt a more positive view of artificial intelligence was one of the key take-aways from a panel discussion on the technology at the 2023 Geneva Digital Market (Gdm).
Named ‘Dreams and Chimeras of Artificial Intelligence,’ the panel ran as part of the Machine Learning x Audiovisuel talks programme Monday (Nov. 6).
The use of AI in the creative industries has been a hot topic in recent months, with the writers’ and actors’ strikes in the US both in part concerning the implementation of AI technologies.
A plea for creators to adopt a more positive view of artificial intelligence was one of the key take-aways from a panel discussion on the technology at the 2023 Geneva Digital Market (Gdm).
Named ‘Dreams and Chimeras of Artificial Intelligence,’ the panel ran as part of the Machine Learning x Audiovisuel talks programme Monday (Nov. 6).
The use of AI in the creative industries has been a hot topic in recent months, with the writers’ and actors’ strikes in the US both in part concerning the implementation of AI technologies.
- 11/8/2023
- by Stuart Kemp
- ScreenDaily
Speakers at panel on AI put forward positive use cases for the technology.
A plea for creators to adopt a more positive view of artificial intelligence was one of the key take-aways from a panel discussion on the technology at the 2023 Geneva Digital Market (Gdm).
Named ‘Dreams and Chimeras of Artificial Intelligence,’ the panel ran as part of the Machine Learning x Audiovisuel talks programme Monday (Nov. 6).
The use of AI in the creative industries has been a hot topic in recent months, with the writers’ and actors’ strikes in the US both in part concerning the implementation of AI technologies.
A plea for creators to adopt a more positive view of artificial intelligence was one of the key take-aways from a panel discussion on the technology at the 2023 Geneva Digital Market (Gdm).
Named ‘Dreams and Chimeras of Artificial Intelligence,’ the panel ran as part of the Machine Learning x Audiovisuel talks programme Monday (Nov. 6).
The use of AI in the creative industries has been a hot topic in recent months, with the writers’ and actors’ strikes in the US both in part concerning the implementation of AI technologies.
- 11/8/2023
- by Stuart Kemp
- ScreenDaily
Pressman Film is a production company that was founded by Ed Pressman, a prolific producer of over 90 films, including the likes of Wall Street, American Psycho, and The Crow. Sadly, Pressman passed away earlier this year at the age of 79. Now his son Sam Pressman is the CEO of Pressman Film, which recently rebooted The Crow – and landed an eight-figure domestic distribution deal for the film with Lionsgate. Moving forward, the company is working with Antoine Fuqua on a project called The Street, which was written by Goodfellas‘ Nicholas Pileggi, and planning an adaptation of the 1975 Edward Abbey novel The Monkey Wrench Gang, which will be directed by Catfish‘s Henry Joost and Ariel Schulman. They’re also trying to figure out how they can exploit titles in the Pressman Film library… and in a recent article, Deadline mentions that endeavor might involve remakes of the 1980 holiday horror film Christmas Evil...
- 9/25/2023
- by Cody Hamman
- JoBlo.com
Deadline recently caught up with producer Sam Pressman, the son of legendary indie Hollywood producer Ed Pressman. Their production company, Pressman Film, has over 90 major films listed on its resume. The list includes such renowned movies as Wall Street, American Psycho and the original 1994 hit, The Crow. Sam Pressman now takes up the reins with the reboot of the famed James O’Barr graphic novel. This time, with It and John Wick: Chapter 4 star Bill Skarsgård as Eric Draven and Rupert Sanders in the director’s chair, Pressman is enthused with the film and what it will be for his independent studio.
Pressman tells Deadline, “The Crow has been a very central and integral part of our company and I’m really proud of the progress and the work that has been done. I think the movie is just going to blow people away. Our partners want to approach it in a very 360 way,...
Pressman tells Deadline, “The Crow has been a very central and integral part of our company and I’m really proud of the progress and the work that has been done. I think the movie is just going to blow people away. Our partners want to approach it in a very 360 way,...
- 9/11/2023
- by EJ Tangonan
- JoBlo.com
Growing up as the only son of Ed Pressman, the prolific Hollywood independent producer behind more than 90 major productions including Wall Street, American Psycho and The Crow, it’s fair to say that the film business has always been in Sam Pressman’s blood.
“As a little kid, I got to be on set a lot and feel that beautiful sense of live shoots,” says Pressman, now CEO of Pressman Film, which was established by his late father in 1969. “Movies are deep inside of me, but I didn’t always believe that I would go into film. I really loved it more as an art. I remember taking a silent film class in my freshman year of college where we watched the really tough silent documentary Man With a Movie Camera and we studied it as a cultural phenomenon – it was fascinating.”
But his father’s love of the independent...
“As a little kid, I got to be on set a lot and feel that beautiful sense of live shoots,” says Pressman, now CEO of Pressman Film, which was established by his late father in 1969. “Movies are deep inside of me, but I didn’t always believe that I would go into film. I really loved it more as an art. I remember taking a silent film class in my freshman year of college where we watched the really tough silent documentary Man With a Movie Camera and we studied it as a cultural phenomenon – it was fascinating.”
But his father’s love of the independent...
- 9/11/2023
- by Diana Lodderhose
- Deadline Film + TV
With “I Shot Andy Warhol” in 1996, Mary Harron launched her filmmaking career by depicting an artist with a complicated legacy, and that fixation never left her. Her latest effort, “Dalíland,” follows that trajectory with a trenchant look at the later years of Salvador Dalí. While the legacies of many legendary creators have been reevaluated in modern times, Harron’s own fixations haven’t kept from appreciating her troubled subjects.
“There are a lot of artists’ work that I do not want people to cut themselves off from,” the director told IndieWire in a recent interview. “I love reading Dostoyevsky, who was anti-Semitic and had crazy political ideas. I was very influenced as a young person by Polanski, who did terrible things and really should’ve been in prison for them. But that doesn’t mean his films didn’t continue to inspire.”
As for Dalí: The Surrealist may have been...
“There are a lot of artists’ work that I do not want people to cut themselves off from,” the director told IndieWire in a recent interview. “I love reading Dostoyevsky, who was anti-Semitic and had crazy political ideas. I was very influenced as a young person by Polanski, who did terrible things and really should’ve been in prison for them. But that doesn’t mean his films didn’t continue to inspire.”
As for Dalí: The Surrealist may have been...
- 6/16/2023
- by Eric Kohn
- Indiewire
“The only way to really understand what it is is to play with it.”
Pressman Film CEO Sam Pressman is diving into artificial intelligence (AI) to explore the technology’s use in storytelling.
Pressman’s (Daliland) short film In Search Of Time co-created by Pierre Zandrowicz and Mathew Tierney premiered in Tribeca Festival on June 8 and is, they claim, the first AI-generated film to play at a major film festival.
It combines imagery from an iPhone with open source AI platform Stable Diffusion to create a meditation on memory and loss in honour of Pressman’s father Ed Pressman, the...
Pressman Film CEO Sam Pressman is diving into artificial intelligence (AI) to explore the technology’s use in storytelling.
Pressman’s (Daliland) short film In Search Of Time co-created by Pierre Zandrowicz and Mathew Tierney premiered in Tribeca Festival on June 8 and is, they claim, the first AI-generated film to play at a major film festival.
It combines imagery from an iPhone with open source AI platform Stable Diffusion to create a meditation on memory and loss in honour of Pressman’s father Ed Pressman, the...
- 6/10/2023
- by Jeremy Kay
- ScreenDaily
“The only way to really understand what it is is to play with it.”
Pressman Film CEO Sam Pressman is diving into artificial intelligence (AI) to explore the technology’s use in storytelling.
Pressman’s (Daliland) short film In Search Of Time co-created by Pierre Zandrowicz and Mathew Tierney premiered in Tribeca Festival on June 8 and is the first AI-generated film to play at a major film festival.
It combines imagery from an iPhone with open source AI platform Stable Diffusion to create a meditation on memory and loss in honour of Pressman’s father Ed Pressman, the pioneering independent...
Pressman Film CEO Sam Pressman is diving into artificial intelligence (AI) to explore the technology’s use in storytelling.
Pressman’s (Daliland) short film In Search Of Time co-created by Pierre Zandrowicz and Mathew Tierney premiered in Tribeca Festival on June 8 and is the first AI-generated film to play at a major film festival.
It combines imagery from an iPhone with open source AI platform Stable Diffusion to create a meditation on memory and loss in honour of Pressman’s father Ed Pressman, the pioneering independent...
- 6/10/2023
- by Jeremy Kay
- ScreenDaily
This post is part of a series, Girlblogging. Read the introduction here. Also, in New York, American Psycho screens tonight at the Paris Theater with director Mary Harron present in a tribute to producer Ed Pressman. The orchestral sting slices through the opening credits; perfect drops of blood rain down like vinyl balloons or the forms in a photorealistic painting: taut and shiny, artificially self-contained. When they splatter, the punch line lands. It was a joke all along—not blood, not really, just a false appearance—an emulsion drizzled across bone china; the screen expands to reveal a chef’s knife descending upon […]
The post Girlblogging: American Psycho first appeared on Filmmaker Magazine.
The post Girlblogging: American Psycho first appeared on Filmmaker Magazine.
- 6/5/2023
- by Matilda Lin Berke
- Filmmaker Magazine-Director Interviews
This post is part of a series, Girlblogging. Read the introduction here. Also, in New York, American Psycho screens tonight at the Paris Theater with director Mary Harron present in a tribute to producer Ed Pressman. The orchestral sting slices through the opening credits; perfect drops of blood rain down like vinyl balloons or the forms in a photorealistic painting: taut and shiny, artificially self-contained. When they splatter, the punch line lands. It was a joke all along—not blood, not really, just a false appearance—an emulsion drizzled across bone china; the screen expands to reveal a chef’s knife descending upon […]
The post Girlblogging: American Psycho first appeared on Filmmaker Magazine.
The post Girlblogging: American Psycho first appeared on Filmmaker Magazine.
- 6/5/2023
- by Matilda Lin Berke
- Filmmaker Magazine - Blog
James Toback's "Black and White" is an interesting film without being a very good film. Diving into a range of complex topics including hip-hop culture, race, sex and celebrityhood from a semi-documentary point of view, it lays out a series of snapshots of certain aspects of American culture at the end of the millennium.
Indeed, "Black and White" might be viewed with more fascination 50 years hence than it is today. But the film is so all over the place with no real sense of where it wants to end up that its process is more intriguing than the film.
With a highly charged sexual energy and generous use of hip-hop and rap music, the film has a sure-fire audience among young people. The only trouble is that it has R rating, which will hamper its exposure to that target audience.
Toback is one of our most idiosyncratic directors, whose obsessions take in a range of addictive behavior including gambling, drugs, sex (including interracial sex) and music. Themes going back to his brilliant screenplay "The Gambler" and his first feature, the underrated "Fingers", find their way into this exploration of hip-hop. The feverishness of Toback's filmmaking style, coupled here with mostly improvisational work by a bunch of professional and nonprofessional actors, is highly mesmerizing.
The cast ranges from amusing turns by Robert Downey Jr. and Ben Stiller to Power and Raekwon of popular hip-hop group Wu-Tang Clan. It almost feels as if whoever showed up on the set won a role for a day or two, with people such as Marla Maples, Mike Tyson and "Rush Hour" director Brett Ratner popping up in odd situations. (The oddest comes when Tyson bitch-slaps Downey for making a pass at him.)
Several stories are told all at once, with the central focus being on a group of Upper East Side white kids whose fascination with black culture causes them to hang out with rappers and gangsters.
Several conventional plot lines take the viewer through the chaotic scenes. A seedy white gambler (Stiller) tries to bribe a college basketball star (Allan Houston) into throwing a game. A documentary filmmaker (Brooke Shields) and her gay husband (Downey) hang around the periphery while making a film about the white kids' fascination with black culture. And a rap producer-cum-gangster (Power) struggles to protect his turf while dealing with betrayal by his childhood buddy.
Like the professor he once was, Toback wants to deconstruct hip-hop while delivering pithy observations about this social and musical phenomenon. But no truly new observations emerge from any of this and, often, the film all-too-proudly states the obvious.
Toback has brought too many characters in front of his camera -- none of whom gets explored in any depth -- for the viewer to understand why these people behave as they do. The most puzzling of all is Claudia Schiffer's bitch goddess who messes with every man she meets.
But Toback seems content to let his actors take control and tell him what the movie he's making is about. Cinematographer David Ferrara deserves special praise for maintaining a stylistic unity and letting his fluid camera catch the hectic action.
BLACK AND WHITE
Screen Gems
Palm Pictures
Producers: Michael Mailer, Daniel Bigel, Ron Rotholz
Writer-director: James Toback
Executive producers: Ed Pressman, Mark Burg, Oren Koules, Hooman Majd
Director of photography: David Ferrara
Production designer: Anne Ross
Music: Wu-Tang Clan
Costume designer: Jacki Roach
Editor: Myron Kerstein
Color/stereo
Cast:
Terry: Robert Downey Jr.
Casey: Jared Leto
Charlie: Bijou Phillips
Rich: Power
Cigar: Raekwon
Greta: Claudia Schiffer
Sam: Brooke Shields
Mark: Ben Stiller
Himself: Mike Tyson
Wren: Elijah Wood
Muffy: Marla Maples
Sheila: Stacy Edwards
Raven: Gaby Hoffmann
Scotty: Scott Caan
Dean: Allan Houston
Running time -- 100 minutes
MPAA rating: R...
Indeed, "Black and White" might be viewed with more fascination 50 years hence than it is today. But the film is so all over the place with no real sense of where it wants to end up that its process is more intriguing than the film.
With a highly charged sexual energy and generous use of hip-hop and rap music, the film has a sure-fire audience among young people. The only trouble is that it has R rating, which will hamper its exposure to that target audience.
Toback is one of our most idiosyncratic directors, whose obsessions take in a range of addictive behavior including gambling, drugs, sex (including interracial sex) and music. Themes going back to his brilliant screenplay "The Gambler" and his first feature, the underrated "Fingers", find their way into this exploration of hip-hop. The feverishness of Toback's filmmaking style, coupled here with mostly improvisational work by a bunch of professional and nonprofessional actors, is highly mesmerizing.
The cast ranges from amusing turns by Robert Downey Jr. and Ben Stiller to Power and Raekwon of popular hip-hop group Wu-Tang Clan. It almost feels as if whoever showed up on the set won a role for a day or two, with people such as Marla Maples, Mike Tyson and "Rush Hour" director Brett Ratner popping up in odd situations. (The oddest comes when Tyson bitch-slaps Downey for making a pass at him.)
Several stories are told all at once, with the central focus being on a group of Upper East Side white kids whose fascination with black culture causes them to hang out with rappers and gangsters.
Several conventional plot lines take the viewer through the chaotic scenes. A seedy white gambler (Stiller) tries to bribe a college basketball star (Allan Houston) into throwing a game. A documentary filmmaker (Brooke Shields) and her gay husband (Downey) hang around the periphery while making a film about the white kids' fascination with black culture. And a rap producer-cum-gangster (Power) struggles to protect his turf while dealing with betrayal by his childhood buddy.
Like the professor he once was, Toback wants to deconstruct hip-hop while delivering pithy observations about this social and musical phenomenon. But no truly new observations emerge from any of this and, often, the film all-too-proudly states the obvious.
Toback has brought too many characters in front of his camera -- none of whom gets explored in any depth -- for the viewer to understand why these people behave as they do. The most puzzling of all is Claudia Schiffer's bitch goddess who messes with every man she meets.
But Toback seems content to let his actors take control and tell him what the movie he's making is about. Cinematographer David Ferrara deserves special praise for maintaining a stylistic unity and letting his fluid camera catch the hectic action.
BLACK AND WHITE
Screen Gems
Palm Pictures
Producers: Michael Mailer, Daniel Bigel, Ron Rotholz
Writer-director: James Toback
Executive producers: Ed Pressman, Mark Burg, Oren Koules, Hooman Majd
Director of photography: David Ferrara
Production designer: Anne Ross
Music: Wu-Tang Clan
Costume designer: Jacki Roach
Editor: Myron Kerstein
Color/stereo
Cast:
Terry: Robert Downey Jr.
Casey: Jared Leto
Charlie: Bijou Phillips
Rich: Power
Cigar: Raekwon
Greta: Claudia Schiffer
Sam: Brooke Shields
Mark: Ben Stiller
Himself: Mike Tyson
Wren: Elijah Wood
Muffy: Marla Maples
Sheila: Stacy Edwards
Raven: Gaby Hoffmann
Scotty: Scott Caan
Dean: Allan Houston
Running time -- 100 minutes
MPAA rating: R...
- 9/22/1999
- The Hollywood Reporter - Movie News
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