When talking to the creators behind Netflix’s The Sandman series, there is one recurring pattern. They are all huge fans of the original comics, and when you ask how they came across those comics, the story is almost always the same.
“I think I was in a comic shop in Preston and I think I was buying Swamp Thing or Hellblazer, one of the two. At that point, all the covers were being done by very similar artists, so they were all kept in the same place in the comic shop. So I bought issue one. I bought it on a whim and that was it really,” says Adam Coglan, Previs Supervisor on The Sandman and Senior Visualization Supervisor of Proof Inc.
It’s a familiar story. Talk to that generation of Sandman fans and you will find yourself talking to someone who discovered the series, not through marketing or pre-release hype,...
“I think I was in a comic shop in Preston and I think I was buying Swamp Thing or Hellblazer, one of the two. At that point, all the covers were being done by very similar artists, so they were all kept in the same place in the comic shop. So I bought issue one. I bought it on a whim and that was it really,” says Adam Coglan, Previs Supervisor on The Sandman and Senior Visualization Supervisor of Proof Inc.
It’s a familiar story. Talk to that generation of Sandman fans and you will find yourself talking to someone who discovered the series, not through marketing or pre-release hype,...
- 9/27/2022
- by John Saavedra
- Den of Geek
A strange thing happened to “The Blacklist”: the pandemic cut Season 7 short — from 22 to 19 episodes — including work on the momentous finale, “The Kazanjian Brothers,” after only four days of shooting. The episode will premiere at 8 p.m. Pst/Est tonight on NBC after the drastic decision to complete the finale as a unique hybrid with 20 minutes of graphic novel-style animation. What’s more, the work was performed, not by an animation studio, but by a previs company, Proof.
But it was a good stylistic choice, given the fact that the pulpy American crime thriller (starring James Spader as master criminal-turned FBI collaborator Red Reddington) had already spawned a series of Titan comic books a few years ago. “The comics really were the springboard thinking about this and it felt very organic to our show because ‘The Blacklist’ is in many ways sort of a graphic novel,” said co-showrunner John Eisendrath.
But it was a good stylistic choice, given the fact that the pulpy American crime thriller (starring James Spader as master criminal-turned FBI collaborator Red Reddington) had already spawned a series of Titan comic books a few years ago. “The comics really were the springboard thinking about this and it felt very organic to our show because ‘The Blacklist’ is in many ways sort of a graphic novel,” said co-showrunner John Eisendrath.
- 5/15/2020
- by Bill Desowitz
- Indiewire
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