Amy Winehouse in AmyImage: A24
Amy Winehouse fans weren’t exactly delighted by the news that there would be a biopic of her life. Following the singer’s tragic death in 2011 at the age of 27, her devotees have grown used to witnessing all manner of tacky and exploitative cash grabs executed in her name,...
Amy Winehouse fans weren’t exactly delighted by the news that there would be a biopic of her life. Following the singer’s tragic death in 2011 at the age of 27, her devotees have grown used to witnessing all manner of tacky and exploitative cash grabs executed in her name,...
- 5/20/2024
- by Kayleigh Donaldson
- avclub.com
The first iteration of the Cannes Film Festival, planned for 1939, was scuppered when Germany invaded Poland to trigger the start of World War II. But when the festival finally got off the ground in 1946, Indian cinema came out swinging. Mounted shortly after the conclusion of the war, the first “real” Cannes Film Festival featured competition entries from Billy Wilder (The Lost Weekend), Roberto Rossellini (Open City), and David Lean (Brief Encounter). In the spirit of post-war peace and reconciliation, the competition jury, headed by French historian Georges Huisman, handed the top prize — then the Grand Prix — to films from 11 of the 18 countries represented that year.
This included India, with Chetan Anand’s social-realist drama Neecha Nagar, and, for a decade at least, the country was a regular fixture in Competition. After Anand came V. Shantaram with Amar Bhoopali (1952), then Raj Kapoor with Awaara (1953), and Bimal Roy with Do Bigha Zamin...
This included India, with Chetan Anand’s social-realist drama Neecha Nagar, and, for a decade at least, the country was a regular fixture in Competition. After Anand came V. Shantaram with Amar Bhoopali (1952), then Raj Kapoor with Awaara (1953), and Bimal Roy with Do Bigha Zamin...
- 5/18/2024
- by Zac Ntim
- Deadline Film + TV
(Photo Credit – IMDb)
The most prestigious film festival in the world has officially commenced at the French Riviera with 2024 being a significant year for Indian cinema. Seven Indian films have been chosen to be screened at the 77th Cannes Film Festival, with Payal Kapadia-directorial leading the line.
The Malayalam film “All We Imagine as Light” broke the jinx as it became the first Indian cinema in three decades to compete at the festival’s main segment, Palme d’Or. Shaji N. Karun’s 1994 film “Swaham” was the last film to compete in this category.
Though not the Palme d’Or, several other Indian productions have won big in these 30 years and brought glory to the Indian cinema.
Trending House Of The Dragon Season 2 Trailer Review: The Dance Of The Dragons Begins With Bloodbath, Desperation, Greed & A Final Play For The Iron Throne The Garfield Movie Review: The Adventures Of...
The most prestigious film festival in the world has officially commenced at the French Riviera with 2024 being a significant year for Indian cinema. Seven Indian films have been chosen to be screened at the 77th Cannes Film Festival, with Payal Kapadia-directorial leading the line.
The Malayalam film “All We Imagine as Light” broke the jinx as it became the first Indian cinema in three decades to compete at the festival’s main segment, Palme d’Or. Shaji N. Karun’s 1994 film “Swaham” was the last film to compete in this category.
Though not the Palme d’Or, several other Indian productions have won big in these 30 years and brought glory to the Indian cinema.
Trending House Of The Dragon Season 2 Trailer Review: The Dance Of The Dragons Begins With Bloodbath, Desperation, Greed & A Final Play For The Iron Throne The Garfield Movie Review: The Adventures Of...
- 5/17/2024
- by Koimoi.com Team
- KoiMoi
Plot: The life of singer Amy Winehouse (Marisa Abela), including her troubled relationship with her ex-husband Blake Fielder-Civil (Jack O’Connell) and father (Eddie Marsan) and her struggles with addiction.
Review: When making a biopic about a famously troubled yet brilliant artist, there’s a fine line to walk when it comes to juggling the story of their art with the depiction of their addictions. Movies like Rocket Man or Walk the Line did it well, but they told ultimately triumphant stories about people overcoming those addictions. When the person succumbs, it can be dicier. I remember the Whitney Houston biopic, I Wanna Dance With Somebody, tried to do both but spent way too much time with its star miming along to Houston songs. Bohemian Rhapsody turned Freddie Mercury’s life into a PG-13 cartoon.
Back to Black, Sam Taylor-Johnson’s Amy Winehouse movie struggles to find a solid middle ground,...
Review: When making a biopic about a famously troubled yet brilliant artist, there’s a fine line to walk when it comes to juggling the story of their art with the depiction of their addictions. Movies like Rocket Man or Walk the Line did it well, but they told ultimately triumphant stories about people overcoming those addictions. When the person succumbs, it can be dicier. I remember the Whitney Houston biopic, I Wanna Dance With Somebody, tried to do both but spent way too much time with its star miming along to Houston songs. Bohemian Rhapsody turned Freddie Mercury’s life into a PG-13 cartoon.
Back to Black, Sam Taylor-Johnson’s Amy Winehouse movie struggles to find a solid middle ground,...
- 5/15/2024
- by Chris Bumbray
- JoBlo.com
The 2024 Cannes Film Festival may be lighter on glitz and glamour than in years past, but that means arthouse and international fare from emerging and established filmmakers will get a chance to shine. Still, at least two American auteurs, Francis Ford Coppola (“Megalopolis”) and Paul Schrader, have films in the main competition for the first time in decades. David Cronenberg (“The Shrouds”) and Yorgos Lanthimos (“Kinds of Kindness”) are also back at the festival, with both making personal stories in their own way: Cronenberg, here, reckons with grief over the death of his wife seven years ago, while Lanthimos appears to retreat back into “Dogtooth” territory in a film that’s almost a rebuke of the global success he’s acquired with “Poor Things” and “The Favourite.”
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
- 5/14/2024
- by Ryan Lattanzio, David Ehrlich and Kate Erbland
- Indiewire
Zeenat Aman’s Heartfelt Tribute to Dimple Kapadia: Zeenat Aman, revered as one of Bollywood’s most beloved stars, recently took to Instagram to share a heartfelt tribute to fellow actress Dimple Kapadia. Known for her iconic roles in classics like “Satyam Shivam Sundaram” and “Don,” Aman’s Instagram feed has become a treasure trove for fans, offering glimpses into her illustrious career and personal life.
In her latest post, Aman reminisced about a candid moment captured during the filming of “Chhailla Babu,” featuring herself, Dimple Kapadia, and director Joy Mukherjee. Reflecting on the image, Aman mused about the significance of the encounter and its connection to their respective career milestones, particularly acknowledging the pivotal roles played by Raj Kapoor in shaping both actresses’ trajectories.
Expressing her admiration for Kapadia’s enduring support during challenging times, Aman expressed her hope that Kapadia’s daughter, Twinkle Khanna, would convey her appreciation.
In her latest post, Aman reminisced about a candid moment captured during the filming of “Chhailla Babu,” featuring herself, Dimple Kapadia, and director Joy Mukherjee. Reflecting on the image, Aman mused about the significance of the encounter and its connection to their respective career milestones, particularly acknowledging the pivotal roles played by Raj Kapoor in shaping both actresses’ trajectories.
Expressing her admiration for Kapadia’s enduring support during challenging times, Aman expressed her hope that Kapadia’s daughter, Twinkle Khanna, would convey her appreciation.
- 5/14/2024
- by Kaushal Pal
- ReferSMS
‘The Walking Dead: The Ones Who Live’ Joins Sky In Wide-Ranging AMC Pact
Sky has struck a deal with AMC Networks to bring the Walking Dead universe to the UK pay-tv service. The agreement includes the British debut of The Walking Dead: The Ones Who Live, which went out in the U.S. earlier this year, reuniting the departed Rick and Michonne characters from the main Walking Dead show. The spin-off series will launch on Sky and streaming service Now on May 31, while all eleven seasons of The Walking Dead launching on Sunday (May 19). Further franchise spin-offs The Walking Dead: Daryl Dixon and The Walking Dead: Dead City will join the platform later this year. The Walking Dead has had several homes in the UK, including on Fox and Channel 5. This marks the first time its available exclusively on Sky. The deal comes ahead of the LA Screenings next week.
Sky has struck a deal with AMC Networks to bring the Walking Dead universe to the UK pay-tv service. The agreement includes the British debut of The Walking Dead: The Ones Who Live, which went out in the U.S. earlier this year, reuniting the departed Rick and Michonne characters from the main Walking Dead show. The spin-off series will launch on Sky and streaming service Now on May 31, while all eleven seasons of The Walking Dead launching on Sunday (May 19). Further franchise spin-offs The Walking Dead: Daryl Dixon and The Walking Dead: Dead City will join the platform later this year. The Walking Dead has had several homes in the UK, including on Fox and Channel 5. This marks the first time its available exclusively on Sky. The deal comes ahead of the LA Screenings next week.
- 5/13/2024
- by Jesse Whittock
- Deadline Film + TV
Exclusive: The upcoming Abba feature, which will air on 14 broadcasters including the BBC and CW, is an attempt to give the global superstars the Asif Kapadia-style doc treatment for the first time while combatting “Anglo-American” snobbery, according to its director.
James Rogan said previous docs about Abba have been “lovely, full of joy and in the style of the arts programing of the late nineties and noughties,” while his team wanted to hand the show a modern narrative treatment, seen in the work of auteurs like Amy and Senna director Kapadia.
Produced by Rogan Productions, Abba: Against the Odds is a documentary first in that it has been funded by 14 broadcasters including the BBC, CW and Scandinavian networks to help take on the might of the streamers, organized under the auspices of the European Broadcasting Union (Ebu), which runs Eurovision. The 90-minuter will launch a week before the 50th...
James Rogan said previous docs about Abba have been “lovely, full of joy and in the style of the arts programing of the late nineties and noughties,” while his team wanted to hand the show a modern narrative treatment, seen in the work of auteurs like Amy and Senna director Kapadia.
Produced by Rogan Productions, Abba: Against the Odds is a documentary first in that it has been funded by 14 broadcasters including the BBC, CW and Scandinavian networks to help take on the might of the streamers, organized under the auspices of the European Broadcasting Union (Ebu), which runs Eurovision. The 90-minuter will launch a week before the 50th...
- 5/3/2024
- by Max Goldbart
- Deadline Film + TV
Mumbai, May 3 (Ians) As the crime drama series ‘Saas, Bahu Aur Flamingo’ has turned one, its creator, Homi Adajania, shared that it was unexpected the way it blew up and gained popularity.
Adajania said: “It’s been a year! Wow! I love the idea of presenting strong women whose existence holds the promise of chaos against the very system that has oppressed them. Vulnerable, complicated, but at the core, these characters are the warriors of ‘Saas, Bahu aur Flamingo’.”
The show features Dimple Kapadia, Radhikka Madan, Angira Dhar, Isha Talwar, and Deepak Dobriyal. It narrates the story of a family led by a fearless matriarch who operates the largest drug business in South Asia.
“Dimple (Kapadia) has been in all my projects, but I honestly believe that, as the matriarch Savitri, she showcased her best work till date! Surrounding her with a stellar, eclectic cast like Radhikka Madan, Angira Dhar,...
Adajania said: “It’s been a year! Wow! I love the idea of presenting strong women whose existence holds the promise of chaos against the very system that has oppressed them. Vulnerable, complicated, but at the core, these characters are the warriors of ‘Saas, Bahu aur Flamingo’.”
The show features Dimple Kapadia, Radhikka Madan, Angira Dhar, Isha Talwar, and Deepak Dobriyal. It narrates the story of a family led by a fearless matriarch who operates the largest drug business in South Asia.
“Dimple (Kapadia) has been in all my projects, but I honestly believe that, as the matriarch Savitri, she showcased her best work till date! Surrounding her with a stellar, eclectic cast like Radhikka Madan, Angira Dhar,...
- 5/3/2024
- by Agency News Desk
- GlamSham
Among the high-profile filmmakers selected for this year’s Cannes Film Festival is a wave of upcoming talent from Asia and the Middle East, including the first Indian feature chosen for Competition in 30 years and the first film from Saudi Arabia to ever make the Official Selection.
While Cannes has a reputation for bringing back familiar names year after year, the line-up for the 77th edition does feature several rising filmmakers and not just in the “discovery” strands of the selection.
Making her first appearance in Competition is Indian filmmaker Payal Kapadia with All We Imagine As Light. It marks...
While Cannes has a reputation for bringing back familiar names year after year, the line-up for the 77th edition does feature several rising filmmakers and not just in the “discovery” strands of the selection.
Making her first appearance in Competition is Indian filmmaker Payal Kapadia with All We Imagine As Light. It marks...
- 4/12/2024
- ScreenDaily
Paris-based sales house Luxbox has hopped on international sales for Payal Kapadia’s All We Imagine As Light ahead of its world premiere in Cannes next month as the first Indian film in Competition since 1994.
It is Kapadia’s debut fiction feature after winning l’Oeil d’Or (the Golden Eye) prize for best documentary at the festival in 2021 for her Directors’ Fortnight premiere A Night Of Knowing Nothing, about a student writing love letters to her estranged lover.
Set in Mumbai, the new film follows two nurses living together – one whose routine is disrupted when she receives an unexpected...
It is Kapadia’s debut fiction feature after winning l’Oeil d’Or (the Golden Eye) prize for best documentary at the festival in 2021 for her Directors’ Fortnight premiere A Night Of Knowing Nothing, about a student writing love letters to her estranged lover.
Set in Mumbai, the new film follows two nurses living together – one whose routine is disrupted when she receives an unexpected...
- 4/11/2024
- ScreenDaily
The Cannes Film Festival has just revealed (another) a dazzling lineup for its 77th edition.
Studio movies such as George Miller’s Furiosa and Kevin Costner’s Horizon: An American Saga mingle with new films from arthouse darlings such as Paolo Sorrentino, Yorgos Lanthimos, Jacques Audiard and Andrea Arnold. Discoveries will include first-time filmmaker Agathe Riedinger, who will play in Competition.
Question marks and anticipation abound after Thursday’s lineup reveal, not least in the shape of Francis Ford Coppola epic Megalopolis, which will play in Competition. Coppola is one of the rare two-time Palme d’Or winners.
Below, we run down five key talking points from the lineup announcement this morning.
Why so many English-language movies in Competition?
There are a whopping 10 English-language movies in Competition. That’s more than half the Competition.
Studio movies such as George Miller’s Furiosa and Kevin Costner’s Horizon: An American Saga mingle with new films from arthouse darlings such as Paolo Sorrentino, Yorgos Lanthimos, Jacques Audiard and Andrea Arnold. Discoveries will include first-time filmmaker Agathe Riedinger, who will play in Competition.
Question marks and anticipation abound after Thursday’s lineup reveal, not least in the shape of Francis Ford Coppola epic Megalopolis, which will play in Competition. Coppola is one of the rare two-time Palme d’Or winners.
Below, we run down five key talking points from the lineup announcement this morning.
Why so many English-language movies in Competition?
There are a whopping 10 English-language movies in Competition. That’s more than half the Competition.
- 4/11/2024
- by Andreas Wiseman
- Deadline Film + TV
Mumbai, April 11 (Ians) Filmmaker Payal Kapadia’s first feature film ‘All We Imagine As Light’ has been selected for the sompetition section of the 77th edition of the Cannes Film Festival, which will open in May this year.
The Cannes 2024 official section was unveiled on Thursday. The competition will be held from May 14 to May 25.
In 2021, Kapadia had won the Golden Eye for Best Documentary for ‘The Night of Knowing Nothing’.
Filmmaker Anurag Kashyap, whose movie ‘Kennedy’ had its world premiere at Cannes last year, took to Instagram Stories and shared the announcement regarding ‘All We Imagine As Light’. He wrote: “Indian film in Competition at @festivaldecannes Congratulations Payal Kapadia”.
Some of the other films on the competition list are: ‘The Apprentice’ by Ali Abbasi, ‘Motel Destino’ by Karim Ainouz, ‘Bird’ by Andrea Arnold, ‘Emilia Perez’ by Jacques Audiard, ‘Anora’ by Sean Baker and ‘The Shrouds’ by David Cronenberg.
Kapadia...
The Cannes 2024 official section was unveiled on Thursday. The competition will be held from May 14 to May 25.
In 2021, Kapadia had won the Golden Eye for Best Documentary for ‘The Night of Knowing Nothing’.
Filmmaker Anurag Kashyap, whose movie ‘Kennedy’ had its world premiere at Cannes last year, took to Instagram Stories and shared the announcement regarding ‘All We Imagine As Light’. He wrote: “Indian film in Competition at @festivaldecannes Congratulations Payal Kapadia”.
Some of the other films on the competition list are: ‘The Apprentice’ by Ali Abbasi, ‘Motel Destino’ by Karim Ainouz, ‘Bird’ by Andrea Arnold, ‘Emilia Perez’ by Jacques Audiard, ‘Anora’ by Sean Baker and ‘The Shrouds’ by David Cronenberg.
Kapadia...
- 4/11/2024
- by Agency News Desk
- GlamSham
Fans regularly make film biopics about famous musicians successful, but they also love to nitpick the results. Or to misquote Ian Curtis, the lead singer of Joy Division and the subject of a rather good musical biopic (Control), love will tear apart any work of fan service if it screws up the story, paints the subject in too unflattering a light or, worst of all, mangles the music with impersonations that barely rise above the level of karaoke. (Consider, if you dare, Kevin Spacey as Bobby Darin in Beyond the Sea.)
On the other hand, there’s also something irksome about biopics that have actors lip sync to the original songs, like Naomi Ackie did for I Wanna Dance With Somebody or, much less successfully, Dennis Quaid in Great Balls of Fire! Especially if that means access to the original recordings or even rights to the songs in the first...
On the other hand, there’s also something irksome about biopics that have actors lip sync to the original songs, like Naomi Ackie did for I Wanna Dance With Somebody or, much less successfully, Dennis Quaid in Great Balls of Fire! Especially if that means access to the original recordings or even rights to the songs in the first...
- 4/9/2024
- by Leslie Felperin
- The Hollywood Reporter - Movie News
Despite a resurgent 2023 for Bollywood both at home and overseas, the industry’s international box office performance is likely to be weaker in 2024, a leading U.K. distributor has said.
London-based Pranab Kapadia, a seasoned Bollywood media executive with stints at studios Eros and Zee, now runs U.K. distribution company Moviegoers Entertainment, whose distribution roster includes hits “Rocky Aur Rani Kii Prem Kahaani” (2023) and 2022’s “The Legend of Maula Jatt,” “Bhool Bhulaiyaa 2” and “Jugjugg Jeeyo.” Kapadia also serves as a producer with Hope Productions (“Chup”).
Accurate box office numbers for Indian films are notoriously difficult to come by and fragmented. Moviegoers painstakingly compiles box office numbers from a variety of reliable sources.
Bollywood had total box office collections of $1.5 billion in 2023, of which $350 million came from the international market, according to numbers compiled by Moviegoers. This was 30% higher than pandemic-affected 2022, but 20% lower than pre-pandemic 2019. Kapadia attributes the lower...
London-based Pranab Kapadia, a seasoned Bollywood media executive with stints at studios Eros and Zee, now runs U.K. distribution company Moviegoers Entertainment, whose distribution roster includes hits “Rocky Aur Rani Kii Prem Kahaani” (2023) and 2022’s “The Legend of Maula Jatt,” “Bhool Bhulaiyaa 2” and “Jugjugg Jeeyo.” Kapadia also serves as a producer with Hope Productions (“Chup”).
Accurate box office numbers for Indian films are notoriously difficult to come by and fragmented. Moviegoers painstakingly compiles box office numbers from a variety of reliable sources.
Bollywood had total box office collections of $1.5 billion in 2023, of which $350 million came from the international market, according to numbers compiled by Moviegoers. This was 30% higher than pandemic-affected 2022, but 20% lower than pre-pandemic 2019. Kapadia attributes the lower...
- 1/19/2024
- by Naman Ramachandran
- Variety Film + TV
Mumbai, May 17 (Ians) Filmmaker Homi Adajania talks about an incident, where veteran star Dimple Kapadia left the shoot of ‘Saas, Bahu aur Flamingo’.
Talking about his working relationship with Dimple Kapadia, Homi Adajania said, “Every time we do a project, Dimple decides to quit a week before we start shoot. She’ll call me up because she gets anxious and acts like a child who’s acting in her first world.”
“And we went through this on Saas, Bahu aur Flamingo as well, just like we’ve gone through this on all our projects. But this time, she took it one step further.”
He added: “We were shooting the dinner table scene where she announces that she’s going to declare a vaaris on the day after Janmashtami. I remember she did her take but she was not happy with it. However, there was a lot of shoot left to...
Talking about his working relationship with Dimple Kapadia, Homi Adajania said, “Every time we do a project, Dimple decides to quit a week before we start shoot. She’ll call me up because she gets anxious and acts like a child who’s acting in her first world.”
“And we went through this on Saas, Bahu aur Flamingo as well, just like we’ve gone through this on all our projects. But this time, she took it one step further.”
He added: “We were shooting the dinner table scene where she announces that she’s going to declare a vaaris on the day after Janmashtami. I remember she did her take but she was not happy with it. However, there was a lot of shoot left to...
- 5/17/2023
- by Agency News Desk
- GlamSham
All That Breathes.When Rintu Thomas and Sushmit Ghosh decided to mount an Oscar campaign in October 2021 for their film Writing with Fire, they were attempting a historic first. Until then, no Indian documentary feature had ever been on the radar for the Academy Awards. The general assumption has always been that India had only one category to gun for: Best International Feature Film. Every year since 1957, the Film Federation of India (Ffi), an apex body comprising Indian film producers, exhibitors, distributors, and studio owners, has appointed a committee to select the country’s official submission from the year’s releases. These selections have often proved to be arbitrary decisions, rarely standing a chance at even making the shortlist, primarily due to a vague selection process that lacks credibility. In the last six decades, only three Indian submissions—Mother India (1957), Salaam Bombay (1988), and Lagaan (2001)—actually ended up with a nomination.
- 4/10/2023
- MUBI
With the New Year upon us, it’s time for our annual tradition of looking at the cinematic horizon. Having highlighted 30 films we guarantee are worth seeing this year and films we hope get U.S. distribution, we now venture into the unknown. We dug deep to chart the 100 films we’re most looking forward to, from debuts to documentaries to the return of some of our most-beloved auteurs, along with a small batch of studio films worth giving attention.
Though the majority lack a set release—let alone confirmed festival premiere—most have wrapped production and will likely debut at some point in 2023. Be sure to check back for updates over the next twelve months (and beyond).
100. El Conde (Pablo Larraín)
Politicians are vampires in El Conde, from Jackie and Spencer director Pablo Larraín. While the plot, in which Chilean dictator Augusto Pinochet is revealed as a literal bloodsucker,...
Though the majority lack a set release—let alone confirmed festival premiere—most have wrapped production and will likely debut at some point in 2023. Be sure to check back for updates over the next twelve months (and beyond).
100. El Conde (Pablo Larraín)
Politicians are vampires in El Conde, from Jackie and Spencer director Pablo Larraín. While the plot, in which Chilean dictator Augusto Pinochet is revealed as a literal bloodsucker,...
- 1/6/2023
- by The Film Stage
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The Kingdom I (Lars von Trier)
Before his latest opus, The Kingdom Exodus, arrives on Mubi, Lars von Trier has restored never-before-seen director’s cuts of the first two parts of his 1990s series The Kingdom. Set in the neurosurgical ward of the Danish hospital of Rigshospitalet, we’ve been itching to catch up on the series and now thankfully Mubi has afforded the opportunity with the first part, comprised of four episodes, now available the rest coming soon.
Where to Stream: Mubi (free 30 days)
Moonage Daydream (Brett Morgen)
Brett Morgen—venerated documentarian behind Cobain: Montage of Heck and Jane—is the first filmmaker to land a project sanctioned by the Bowie estate. He did not take this for granted. Moonage Daydream is a radiant,...
The Kingdom I (Lars von Trier)
Before his latest opus, The Kingdom Exodus, arrives on Mubi, Lars von Trier has restored never-before-seen director’s cuts of the first two parts of his 1990s series The Kingdom. Set in the neurosurgical ward of the Danish hospital of Rigshospitalet, we’ve been itching to catch up on the series and now thankfully Mubi has afforded the opportunity with the first part, comprised of four episodes, now available the rest coming soon.
Where to Stream: Mubi (free 30 days)
Moonage Daydream (Brett Morgen)
Brett Morgen—venerated documentarian behind Cobain: Montage of Heck and Jane—is the first filmmaker to land a project sanctioned by the Bowie estate. He did not take this for granted. Moonage Daydream is a radiant,...
- 11/18/2022
- by Jordan Raup
- The Film Stage
The Cinema Eye Honors (Ceh) nominations announced on November 10 raise the profile of some of this year’s hottest contenders in the Oscar race for Best Documentary Feature. Sara Dosa’s “Fire of Love” and Alex Pritz’ “The Territory” reaped a leading seven bids apiece, tying the record for most Cinema Eye nominations in a single year.
“The Territory” is up for the top prize, Best Nonfiction Feature, plus Debut, Production, Cinematography, Original Score, Sound Design, and the Audience Choice Prize. Dosa is one of the five women nominated for Direction this year. Her film “Fire of Love” is also nominated in the top category, Editing, Original Score, Sound Design, Visual Design, and the Audience Choice Prize.
The other four films nominated for Best Nonfiction Feature are “All That Breathes” by Shaunak Sen, “All the Beauty and the Bloodshed” by Laura Poitras, “Navalny” by Daniel Roher, and “A Night of Knowing Nothing” by Payal Kapadia.
“The Territory” is up for the top prize, Best Nonfiction Feature, plus Debut, Production, Cinematography, Original Score, Sound Design, and the Audience Choice Prize. Dosa is one of the five women nominated for Direction this year. Her film “Fire of Love” is also nominated in the top category, Editing, Original Score, Sound Design, Visual Design, and the Audience Choice Prize.
The other four films nominated for Best Nonfiction Feature are “All That Breathes” by Shaunak Sen, “All the Beauty and the Bloodshed” by Laura Poitras, “Navalny” by Daniel Roher, and “A Night of Knowing Nothing” by Payal Kapadia.
- 11/11/2022
- by John Benutty
- Gold Derby
“Fire of Love” and “The Territory” led all films in nominations for the 16th annual Cinema Eye Honors, awards that were established in 2007 to honor all aspects of nonfiction filmmaking.
“Fire of Love” is a documentary from Sara Dosa about scientists Katia and Maurice Krafft, set against the volcanoes they spent much of their lives studying; “The Territory” is director Alex Pritz’s look at an indigenous Brazilian tribe threatened by deforestation. Both films received seven nominations, tying the record for the most Cinema Eye noms in a single year.
Shaunak Sen’s “All That Breathes” received six nominations, while Laura Poitras’ “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” each received four.
In the Outstanding Nonfiction Feature category, those five films were joined by Daniel Roher’s “Navalny.”
Also Read:
‘Fire of Love,’ ‘Good Night Oppy’ Lead Critics Choice Documentary Awards Nominations...
“Fire of Love” is a documentary from Sara Dosa about scientists Katia and Maurice Krafft, set against the volcanoes they spent much of their lives studying; “The Territory” is director Alex Pritz’s look at an indigenous Brazilian tribe threatened by deforestation. Both films received seven nominations, tying the record for the most Cinema Eye noms in a single year.
Shaunak Sen’s “All That Breathes” received six nominations, while Laura Poitras’ “All the Beauty and the Bloodshed” and Payal Kapadia’s “A Night of Knowing Nothing” each received four.
In the Outstanding Nonfiction Feature category, those five films were joined by Daniel Roher’s “Navalny.”
Also Read:
‘Fire of Love,’ ‘Good Night Oppy’ Lead Critics Choice Documentary Awards Nominations...
- 11/10/2022
- by Steve Pond
- The Wrap
The event is entitled ‘when dance meets film’.
Filmmaker Asif Kapadia and choreographer Akram Khan will lead the conversation of this year’s Lff Connects talk at the BFI London Film Festival on October 7.
Titled ‘when dance meets film’. the event will explore the pair’s collaboration on Creature, directed by Kapadia and based on the English National Ballet 2021 stage production by Khan. It is making its world premiere at the Lff.
The film’s cinematographer Daniel Landin and editor Sylvie Landra will join the conversation to be moderated by Bafta’s head of programming, Mariayah Kaderbhai.
Previously announced speakers...
Filmmaker Asif Kapadia and choreographer Akram Khan will lead the conversation of this year’s Lff Connects talk at the BFI London Film Festival on October 7.
Titled ‘when dance meets film’. the event will explore the pair’s collaboration on Creature, directed by Kapadia and based on the English National Ballet 2021 stage production by Khan. It is making its world premiere at the Lff.
The film’s cinematographer Daniel Landin and editor Sylvie Landra will join the conversation to be moderated by Bafta’s head of programming, Mariayah Kaderbhai.
Previously announced speakers...
- 10/4/2022
- by Ellie Calnan
- ScreenDaily
Asif Kapadia, the Oscar-winning director of “Amy” and “Senna,” is set to direct a new documentary film called “2073” that will look to the future and the challenges that will face the world 50 years from now.
Inspired by “La Jetée,” the classic, experimental science fiction film from 1962 directed by Chris Marker, Kapadia’s movie is a thriller looking at a dystopian future set in 2073. “La Jetée” was about a time traveler who tries to change history after an apocalyptic and nuclear World War III. The film was constructed entirely of black and white still photos and served as much of the premise for Terry Gilliam’s sci-fi “12 Monkeys.”
“I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we are facing as a species and hopefully find solutions, before it’s too late,...
Inspired by “La Jetée,” the classic, experimental science fiction film from 1962 directed by Chris Marker, Kapadia’s movie is a thriller looking at a dystopian future set in 2073. “La Jetée” was about a time traveler who tries to change history after an apocalyptic and nuclear World War III. The film was constructed entirely of black and white still photos and served as much of the premise for Terry Gilliam’s sci-fi “12 Monkeys.”
“I want to make an epic about the state of the world, using elements of science fiction as a lens through which to examine the huge questions we are facing as a species and hopefully find solutions, before it’s too late,...
- 9/12/2022
- by Brian Welk
- The Wrap
Concordia Studio and Ahmed’s Left Handed Films on board genre-bending thriller set in dystopian future.
Neon, Double Agent and Film4 are partnering with Asif Kapaida on the upcoming documentary 2073.
The film is described as a “genre-bending thriller set in a dystopian future” that will tackle some of the biggest challenges threatening our future. It is inspired by Chris Marker’s 1962 featurette La Jetée, about a time traveller who risks his life to change the course of history and save the future of humanity.
Double Agent – the joint venture from Black Bear Pictures and New Regency – Neon and Film4 will...
Neon, Double Agent and Film4 are partnering with Asif Kapaida on the upcoming documentary 2073.
The film is described as a “genre-bending thriller set in a dystopian future” that will tackle some of the biggest challenges threatening our future. It is inspired by Chris Marker’s 1962 featurette La Jetée, about a time traveller who risks his life to change the course of history and save the future of humanity.
Double Agent – the joint venture from Black Bear Pictures and New Regency – Neon and Film4 will...
- 9/12/2022
- by Jeremy Kay
- ScreenDaily
Cannes Best Doc Laureate Payal Kapadia Next Racks Up Production Partners for Petit Chaos (Exclusive)
One year after she dazzled at the Cannes Festival, winning its Golden Eye for best documentary for “A Night of Knowing Nothing,” Payal Kapadia’s fiction debut “All We Imagine as Light,” has attracted the most potent production partner support of any project introduced at this year’s Locarno Match Me!
“Night’s” producers. Petit Chaos’ Thomas Hakim, Julien Graff in France and Ranabir Das (also Dp and editor on “Night”) at India’s Another Birth will produce “Light.”
Also on board, confirmed early July, is Oliver Pere at Arte France Cinéma. Further co-producers take in Zico Maitra and Aastha Singh, Frank Hoeve, Gilles Chanial.
A potential sign of a project positively courted by producers, the multilateral backing is hardly surprising. “All We Imagine as Light” is highly awaited after “A Night of Knowing Nothing,” a film in which “a palimpsest of dusky imagery, reflective narration and evocative score create...
“Night’s” producers. Petit Chaos’ Thomas Hakim, Julien Graff in France and Ranabir Das (also Dp and editor on “Night”) at India’s Another Birth will produce “Light.”
Also on board, confirmed early July, is Oliver Pere at Arte France Cinéma. Further co-producers take in Zico Maitra and Aastha Singh, Frank Hoeve, Gilles Chanial.
A potential sign of a project positively courted by producers, the multilateral backing is hardly surprising. “All We Imagine as Light” is highly awaited after “A Night of Knowing Nothing,” a film in which “a palimpsest of dusky imagery, reflective narration and evocative score create...
- 8/7/2022
- by John Hopewell
- Variety Film + TV
Anyone wanting signs that film production is alive and kicking in some parts of the world – and not only the most obvious – need go no further than Locarno’s Match Me!
A networking event, expanded this year from 24 to 32 producers and fortified by the first-time presence of France, Match Me! focuses on emerging producers.
Featuring new projects from tracked auteurs – Lithuania’s Ignas Jonynas, India’s Payal Kapadia and Mexico’s Francisco Vargas – and winners at Cannes, San Sebastian and other major meets, many producers look only a title or two from full emergence.
If the fulsome slates of some producers are anything to go by – Dr’s Leticia Brea, Estonia’s Tallifornia and Kask Films, for instance – production is a going concern in countries outside traditional production centers..
Out of necessity or ambition, producers are scaling up, pushing ever more into genre and reaching out to production partners and talent from around the world.
A networking event, expanded this year from 24 to 32 producers and fortified by the first-time presence of France, Match Me! focuses on emerging producers.
Featuring new projects from tracked auteurs – Lithuania’s Ignas Jonynas, India’s Payal Kapadia and Mexico’s Francisco Vargas – and winners at Cannes, San Sebastian and other major meets, many producers look only a title or two from full emergence.
If the fulsome slates of some producers are anything to go by – Dr’s Leticia Brea, Estonia’s Tallifornia and Kask Films, for instance – production is a going concern in countries outside traditional production centers..
Out of necessity or ambition, producers are scaling up, pushing ever more into genre and reaching out to production partners and talent from around the world.
- 8/5/2022
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
There’s a new giant in town, or at least at Locarno’s Match Me!, one of the festival’s biggest industry initiatives.
For years, by a large head, France has had more titles at the Locarno Festival’s two biggest sections, the Piazza Grande showcase and main International Competition than any other country in the world. 2022 is no exception.
Unifrance also hosts the Festival’s biggest industry bash, a first Friday night sit-down dinner or party which used to take place at Locarno’s hillside Belvedere Hotel and has now moved to the near Maggiore Lake-side Blu Restaurant.
Now, however, Unifrance, Europe’s biggest national film-tv promotion board, has put its weight behind Match Me!, a networking initiative this year bringing together 32 emerging producers from over the world.
“It’s a perfect fit,” said Locarno Pro head Markus Duffner. Unifrance’s first-time presence at Match Me! also says much...
For years, by a large head, France has had more titles at the Locarno Festival’s two biggest sections, the Piazza Grande showcase and main International Competition than any other country in the world. 2022 is no exception.
Unifrance also hosts the Festival’s biggest industry bash, a first Friday night sit-down dinner or party which used to take place at Locarno’s hillside Belvedere Hotel and has now moved to the near Maggiore Lake-side Blu Restaurant.
Now, however, Unifrance, Europe’s biggest national film-tv promotion board, has put its weight behind Match Me!, a networking initiative this year bringing together 32 emerging producers from over the world.
“It’s a perfect fit,” said Locarno Pro head Markus Duffner. Unifrance’s first-time presence at Match Me! also says much...
- 8/5/2022
- by John Hopewell
- Variety Film + TV
The award-winning documentarian talks about the films that make him cry, being caught up in the Champions League chaos in Paris – and a ‘mad’ new project
The British film-maker Asif Kapadia grew up in north London and established himself with his 2001 debut The Warrior. In 2010 he made the documentary Senna, about F1 racing driver Ayrton Senna. It was followed by the Oscar-winning Amy Winehouse portrait Amy (2015) and Diego Maradona (2019). Kapadia’s television work includes documentary series The Me You Can’t See, 1971: The Year That Music Changed Everything and crime drama Mindhunter. This month he is guest curator at Sheffield DocFest.
These days you’re best known as a documentarist, but documentary wasn’t your first love…
I grew up watching drama and I studied directing fiction. Whenever I make a film, my references are always movies. So when I made Senna I was thinking: “This is Sunset Boulevard...
The British film-maker Asif Kapadia grew up in north London and established himself with his 2001 debut The Warrior. In 2010 he made the documentary Senna, about F1 racing driver Ayrton Senna. It was followed by the Oscar-winning Amy Winehouse portrait Amy (2015) and Diego Maradona (2019). Kapadia’s television work includes documentary series The Me You Can’t See, 1971: The Year That Music Changed Everything and crime drama Mindhunter. This month he is guest curator at Sheffield DocFest.
These days you’re best known as a documentarist, but documentary wasn’t your first love…
I grew up watching drama and I studied directing fiction. Whenever I make a film, my references are always movies. So when I made Senna I was thinking: “This is Sunset Boulevard...
- 6/12/2022
- by Jonathan Romney
- The Guardian - Film News
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