When Oscar-winning producer Jonathan Sanger was first pitched “Cabrini,” the story of the first American saint, he wasn’t quite sure he was right for the project.
“I said, ‘I think it’s a great idea. I think you should make the movie. I don’t really think I’m the right guy to produce this,’” Sanger recalls of his early conversation with executive producer J. Eustace Wolfington. “I tend to like to make stories about real people, that most people who watch these stories can relate to. And I don’t know how to relate to a saint.”
Wolfington wouldn’t take no for an answer, telling Sanger he was missing the point: Francesca Cabrini may have become a saint, but her powerful story of overcoming adversity as both a woman and an Italian immigrant takes place far before her posthumous canonization in 1946.
“The more I learned about her,...
“I said, ‘I think it’s a great idea. I think you should make the movie. I don’t really think I’m the right guy to produce this,’” Sanger recalls of his early conversation with executive producer J. Eustace Wolfington. “I tend to like to make stories about real people, that most people who watch these stories can relate to. And I don’t know how to relate to a saint.”
Wolfington wouldn’t take no for an answer, telling Sanger he was missing the point: Francesca Cabrini may have become a saint, but her powerful story of overcoming adversity as both a woman and an Italian immigrant takes place far before her posthumous canonization in 1946.
“The more I learned about her,...
- 3/11/2024
- by Katcy Stephan
- Variety Film + TV
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