The Oscar-frontrunning “Maestro” was the big winner at the 11th annual Make-Up Artists & Hair Stylists Guild Awards (held February 18 at the Beverly Hilton Hotel). Bradley Cooper’s Leonard Bernstein opus took period/character makeup and special makeup effects. This puts “Maestro” in the Oscar driver’s seat (led by two-time winner Kazu Hiro) against “Poor Things,” “Oppenheimer,” “Golda,” and “Society of the Snow.”
Two non-Oscar competitors, “Saltburn”and “Barbie,” split the other wins: Emerald Fennell’s psychological thriller grabbed both contemporary makeup and hairstyling, while Greta Gerwig’s billion-dollar blockbuster snagged period/character hairstyling.
TV winners, meanwhile, were divided among “The Idol” (contemporary makeup), “The Crown” (period/character makeup), “The Last of Us” (special makeup effects), “The Morning Show” (contemporary hairstyling), and “Queen Charlotte: A Bridgerton Story” (period/character hairstyling).
As previously announced, Annette Bening (Best Actress nominee for “Nyad”) received the Distinguished Artisan Award, and Oscar- and Emmy-winning make-up...
Two non-Oscar competitors, “Saltburn”and “Barbie,” split the other wins: Emerald Fennell’s psychological thriller grabbed both contemporary makeup and hairstyling, while Greta Gerwig’s billion-dollar blockbuster snagged period/character hairstyling.
TV winners, meanwhile, were divided among “The Idol” (contemporary makeup), “The Crown” (period/character makeup), “The Last of Us” (special makeup effects), “The Morning Show” (contemporary hairstyling), and “Queen Charlotte: A Bridgerton Story” (period/character hairstyling).
As previously announced, Annette Bening (Best Actress nominee for “Nyad”) received the Distinguished Artisan Award, and Oscar- and Emmy-winning make-up...
- 2/19/2024
- by Bill Desowitz
- Indiewire
The 2024 Make-Up Artists and Hair Stylists Guild Awards have officially unveiled their nominees.
The ceremony, taking place February 18, marks the annual awards show for the IATSE Local 706 union, honoring achievements in make-up and hair styling artistry across motion pictures, television, commercials, music videos, and live theater in 23 nomination categories. Julie Socash, IATSE Local 706 president, announced the 2024 nominees, which include “Guardians of the Galaxy Vol. 3,” “Saltburn,” “Barbie,” “Maestro,” “Poor Things,” and “Nyad.”
Notably shut out was “Priscilla,” Sofia Coppola’s film that IndieWire’s Bill Desowitz predicted would be a frontrunner for the 2024 Oscars.
On the TV side, “The Idol,” “Ahsoka,” “The Last of Us,” “The Crown,” and “Star Trek: Picard” are among the nominees. A tie in the Best Special Make-Up Effects TV category makes for six nominees as opposed to the typical five.
As previously announced, Oscar and Emmy-winning make-up artist Michael Westmore will receive the esteemed Vanguard Award during the ceremony.
The ceremony, taking place February 18, marks the annual awards show for the IATSE Local 706 union, honoring achievements in make-up and hair styling artistry across motion pictures, television, commercials, music videos, and live theater in 23 nomination categories. Julie Socash, IATSE Local 706 president, announced the 2024 nominees, which include “Guardians of the Galaxy Vol. 3,” “Saltburn,” “Barbie,” “Maestro,” “Poor Things,” and “Nyad.”
Notably shut out was “Priscilla,” Sofia Coppola’s film that IndieWire’s Bill Desowitz predicted would be a frontrunner for the 2024 Oscars.
On the TV side, “The Idol,” “Ahsoka,” “The Last of Us,” “The Crown,” and “Star Trek: Picard” are among the nominees. A tie in the Best Special Make-Up Effects TV category makes for six nominees as opposed to the typical five.
As previously announced, Oscar and Emmy-winning make-up artist Michael Westmore will receive the esteemed Vanguard Award during the ceremony.
- 1/2/2024
- by Samantha Bergeson
- Indiewire
The 71st Emmy Awards kicked off Saturday and Sunday with the Creative Arts Emmy Awards ceremony at the Microsoft Theater in downtown Los Angeles. As a cascade of Emmys were handed out in technical and acting categories, and there were plenty of expected wins and some surprises.
The biggest winner of the two nights combined was HBO’s Game of Thrones, which garnered 10 Emmys on Sunday, while HBO’s Chernobyl earned seven. Amazon’s The Marvelous Mrs. Maisel won six including acting accolades for Jane Lynch and Luke Kirby, while The Handmaid’s Tale surprisingly swooped in and took guest acting trophies for Bradley Whitford and Cherry Jones.
On Saturday, big winners included RuPaul’s Drag Race which won for Outstanding Hairstyling, Outstanding Costumes, and RuPaul Charles for Outstanding Host. It was the fourth win in a row for Charles, tying the Emmys record with Survivor’s Jeff Probst for...
The biggest winner of the two nights combined was HBO’s Game of Thrones, which garnered 10 Emmys on Sunday, while HBO’s Chernobyl earned seven. Amazon’s The Marvelous Mrs. Maisel won six including acting accolades for Jane Lynch and Luke Kirby, while The Handmaid’s Tale surprisingly swooped in and took guest acting trophies for Bradley Whitford and Cherry Jones.
On Saturday, big winners included RuPaul’s Drag Race which won for Outstanding Hairstyling, Outstanding Costumes, and RuPaul Charles for Outstanding Host. It was the fourth win in a row for Charles, tying the Emmys record with Survivor’s Jeff Probst for...
- 9/16/2019
- by Dino-Ray Ramos
- Deadline Film + TV
“Games of Thrones” raked in 10 trophies on Sunday to dominate the second night of the Creative Arts Emmy Awards, held at the Microsoft Theater in downtown Los Angeles.
“Thrones” cleaned up in craft and technical categories, from visual effects to single-camera, non-prosthetic makeup to main title design to drama series casting. The show is the most nominated program in the 2019 Emmy race, with a total of 32 noms and up for 18 kudos on Sunday. As expected, “Thrones” is heading into the Sept. 22 Primetime Emmy Awards with strong momentum to triumph once again at the ceremony, which will be telecast live on Fox.
On Sunday, HBO’s “Chernobyl” grabbed seven wins, followed by Amazon Prime Video’s “The Marvelous Mrs. Maisel” with six. The heft from “Thrones” and “Chernobyl” put HBO over the top in the network race coming out of the two-night Creative Arts ceremony, with HBO collecting 25 statuettes to Netflix...
“Thrones” cleaned up in craft and technical categories, from visual effects to single-camera, non-prosthetic makeup to main title design to drama series casting. The show is the most nominated program in the 2019 Emmy race, with a total of 32 noms and up for 18 kudos on Sunday. As expected, “Thrones” is heading into the Sept. 22 Primetime Emmy Awards with strong momentum to triumph once again at the ceremony, which will be telecast live on Fox.
On Sunday, HBO’s “Chernobyl” grabbed seven wins, followed by Amazon Prime Video’s “The Marvelous Mrs. Maisel” with six. The heft from “Thrones” and “Chernobyl” put HBO over the top in the network race coming out of the two-night Creative Arts ceremony, with HBO collecting 25 statuettes to Netflix...
- 9/15/2019
- by Cynthia Littleton
- Variety Film + TV
Featuring one of the most disturbing death scenes in recent memory, a desolate desert setting, and a strong cast bolstered by Kurt Russell and Richard Jenkins, Bone Tomahawk is easily my favorite film of the year. With the cannibal Western hitting Blu-ray and DVD today from Rlj Entertainment, Daily Dead recently had the pleasure of catching up with Bone Tomahawk writer/director S. Craig Zahler, who discussed working with the legendary Russell, his approach to the movie's most violent scene, and much more.
Over the years, you've written and sold many screenplays that never made it to the big screen. What was it like to get behind the camera and ensure that this story made it to the finish line?
S. Craig Zahler: The experience was very satisfying. I must point out that it took a long time to get there. This piece was engineered for me to direct it at a low budget.
Over the years, you've written and sold many screenplays that never made it to the big screen. What was it like to get behind the camera and ensure that this story made it to the finish line?
S. Craig Zahler: The experience was very satisfying. I must point out that it took a long time to get there. This piece was engineered for me to direct it at a low budget.
- 12/29/2015
- by Derek Anderson
- DailyDead
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