Societal threats are already heavy for medical student Mariam when bereavement leaves her undefended and the story untethers from realism
Pakistan’s patriarchal society is a too credible source of horror in this promising feature debut from Canadian-Pakistani writer/director Zarrar Khan, whose gallery of violent, predatory and swindling menfolk represent a living nightmare for its disempowered women. The story firmly grounds itself in everyday Karachi life before drifting into more supernatural realms, which makes it a revealing slice of social realism as much as a horror film.
Things are oppressive from the outset for 25-year-old medical student Mariam (Ramesha Nawal); a male stranger throws a brick through her car window, apparently for the offence of being female while driving. But as a result she befriends a relatively decent man: Asad, a student from liberal Canada. Their early romance progresses quickly and chastely (an official admonishes them for sitting too...
Pakistan’s patriarchal society is a too credible source of horror in this promising feature debut from Canadian-Pakistani writer/director Zarrar Khan, whose gallery of violent, predatory and swindling menfolk represent a living nightmare for its disempowered women. The story firmly grounds itself in everyday Karachi life before drifting into more supernatural realms, which makes it a revealing slice of social realism as much as a horror film.
Things are oppressive from the outset for 25-year-old medical student Mariam (Ramesha Nawal); a male stranger throws a brick through her car window, apparently for the offence of being female while driving. But as a result she befriends a relatively decent man: Asad, a student from liberal Canada. Their early romance progresses quickly and chastely (an official admonishes them for sitting too...
- 5/22/2024
- by Steve Rose
- The Guardian - Film News
Editor’s Note: This review originally published during the 2023 Cannes Film Festival. Game Theory Films will release “In Flames” on April 12, 2024.
“No one gives something for nothing.”
All of the evils that emerge over the course of “In Flames” — and there are quite a few of them — stem from that prescient warning that Mariam (Ramesha Nawal) relays to her mother. The 25-year-old medical student is alarmed by the resurfacing of her sleazy Uncle Nasir (Adnan Shah), who has conveniently offered to pay all of their family’s debts after a lifetime of neglecting her and her brother. The family’s financial struggles cause her concerns to fall on deaf ears, but a lot of agony could have been avoided if her mother had just learned the film’s key lesson: some gift horses should be looked in the mouth.
Zarrar Kahn’s genre-bending horror movie — which has the well-deserved honor...
“No one gives something for nothing.”
All of the evils that emerge over the course of “In Flames” — and there are quite a few of them — stem from that prescient warning that Mariam (Ramesha Nawal) relays to her mother. The 25-year-old medical student is alarmed by the resurfacing of her sleazy Uncle Nasir (Adnan Shah), who has conveniently offered to pay all of their family’s debts after a lifetime of neglecting her and her brother. The family’s financial struggles cause her concerns to fall on deaf ears, but a lot of agony could have been avoided if her mother had just learned the film’s key lesson: some gift horses should be looked in the mouth.
Zarrar Kahn’s genre-bending horror movie — which has the well-deserved honor...
- 5/19/2023
- by Christian Zilko
- Indiewire
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