Oh, Canada debuting this week on the Croisette is high time to see lesser-seen Schrader on the Criterion Channel, who’ll debut an 11-title series including the likes of Touch, The Canyons, and Patty Hearst, while Old Boyfriends (written with his brother Leonard) and his own “Adventures in Moviegoing” are also programmed. Five films by Jean Grémillon, a rather underappreciated figure of French cinema, will be showing
Series-wise, there’s an appreciation of the synth soundtrack stretching all the way back to 1956’s Forbidden Planet while, naturally, finding its glut of titles in the ’70s and ’80s––Argento and Carpenter, obviously, but also Tarkovsky and Peter Weir. A Prince and restorations of films by Bob Odenkirk, Obayashi, John Greyson, and Jacques Rivette (whose Duelle is a masterpiece of the highest order) make streaming debuts. I Am Cuba, Girlfight, The Royal Tenenbaums, and Dazed and Confused are June’s Criterion Editions.
Series-wise, there’s an appreciation of the synth soundtrack stretching all the way back to 1956’s Forbidden Planet while, naturally, finding its glut of titles in the ’70s and ’80s––Argento and Carpenter, obviously, but also Tarkovsky and Peter Weir. A Prince and restorations of films by Bob Odenkirk, Obayashi, John Greyson, and Jacques Rivette (whose Duelle is a masterpiece of the highest order) make streaming debuts. I Am Cuba, Girlfight, The Royal Tenenbaums, and Dazed and Confused are June’s Criterion Editions.
- 5/14/2024
- by Nick Newman
- The Film Stage
Exclusive: UTA has signed acclaimed actor Rupert Friend for representation in all areas.
Up next, Friend will be seen in buzzy New Line thriller Companion opposite Sophie Thatcher, Jack Quaid, and Lukas Gage, as well as Michel Franco’s Dreams alongside Jessica Chastain and Lucio Castro, 2Am’s After This Death, and Pierre Morel’s Canary Black opposite Kate Beckinsale.
Most recently, he was seen at Sundance in The American Society of Magical Negroes, an acclaimed satire from writer-director Kobi Libii, which hits theaters via Focus Features on March 15.
Previously, Friend starred in the shorts The Swan and Ratcatcher, based on short stories by Roald Dahl, which Wes Anderson directed for Netflix. As a favorite of the filmmaker’s, Friend has also taken on prominent roles in his recent films Asteroid City and The French Dispatch.
Other notable film credits for the actor include The Death of Stalin, A Simple Favor,...
Up next, Friend will be seen in buzzy New Line thriller Companion opposite Sophie Thatcher, Jack Quaid, and Lukas Gage, as well as Michel Franco’s Dreams alongside Jessica Chastain and Lucio Castro, 2Am’s After This Death, and Pierre Morel’s Canary Black opposite Kate Beckinsale.
Most recently, he was seen at Sundance in The American Society of Magical Negroes, an acclaimed satire from writer-director Kobi Libii, which hits theaters via Focus Features on March 15.
Previously, Friend starred in the shorts The Swan and Ratcatcher, based on short stories by Roald Dahl, which Wes Anderson directed for Netflix. As a favorite of the filmmaker’s, Friend has also taken on prominent roles in his recent films Asteroid City and The French Dispatch.
Other notable film credits for the actor include The Death of Stalin, A Simple Favor,...
- 2/16/2024
- by Matt Grobar
- Deadline Film + TV
Cinemas are looking to bounce back from a week of bad news.
France, opening Wednesday September 23
UFO Distribution and Potemkine Films joined forces this week for a rare general release of a medium-length film to launch Gaspar Noé’s 51-minute work Lux Æterna on 47 prints. Co-starring Beatrice Dalle and Charlotte Gainsbourg as a director and actress locked in a hellish shoot, the work debuted Out of Competition in Cannes in 2019.
Noé’s cult status at home ensured plenty of press and according to France’s Cbo Box Office the picture came in fifth out of 15 new releases on its first day in cinemas,...
France, opening Wednesday September 23
UFO Distribution and Potemkine Films joined forces this week for a rare general release of a medium-length film to launch Gaspar Noé’s 51-minute work Lux Æterna on 47 prints. Co-starring Beatrice Dalle and Charlotte Gainsbourg as a director and actress locked in a hellish shoot, the work debuted Out of Competition in Cannes in 2019.
Noé’s cult status at home ensured plenty of press and according to France’s Cbo Box Office the picture came in fifth out of 15 new releases on its first day in cinemas,...
- 9/25/2020
- by Ben Dalton¬Martin Blaney¬Melanie Goodfellow¬Gabriele Niola
- ScreenDaily
To mark the release of End of the Century, out now, we’ve been given 3 copies to give away on DVD.
When Ocho (Juan Barberini), an Argentine poet on holiday in Barcelona, spots Javi (Ramón Pujol) from the balcony of his apartment, it sparks fantasies of a holiday romance. After fruitlessly searching dating apps for him, the couple have a second missed connection, spotting each other across a Spanish beach. When Javi sees Ocho from his balcony a second time, he knows he can’t let him slip through his fingers again. A tentative “kiss” from the balcony leads to a lust-filled, passionate hook up.
What seems like a one-time encounter between two strangers becomes an epic, decades-spanning relationship, in which time and space refuse to play by the rules. Lucio Castro’s debut feature bends perception of time whilst exposing raw human connection, breaking the traditional rules of the love story.
When Ocho (Juan Barberini), an Argentine poet on holiday in Barcelona, spots Javi (Ramón Pujol) from the balcony of his apartment, it sparks fantasies of a holiday romance. After fruitlessly searching dating apps for him, the couple have a second missed connection, spotting each other across a Spanish beach. When Javi sees Ocho from his balcony a second time, he knows he can’t let him slip through his fingers again. A tentative “kiss” from the balcony leads to a lust-filled, passionate hook up.
What seems like a one-time encounter between two strangers becomes an epic, decades-spanning relationship, in which time and space refuse to play by the rules. Lucio Castro’s debut feature bends perception of time whilst exposing raw human connection, breaking the traditional rules of the love story.
- 4/1/2020
- by Competitions
- HeyUGuys.co.uk
Acquisition marks seventh time company and director will have worked together.
Cinema Guild has picked up Us rights to Hong Sangsoo’s female-led drama The Woman Who Ran fresh off its best director Berlin Silver Bear win at the weekend.
The deal means Cinema Guild will have released seven films by the director, whose latest follows a woman who has three encounters with friends while her husband is on a business trip.
One is a divorcée who likes gardening, another harbours romantic thoughts about her neighbour while a young poet pursues her, and the third works for a cinema. Kim Minhee,...
Cinema Guild has picked up Us rights to Hong Sangsoo’s female-led drama The Woman Who Ran fresh off its best director Berlin Silver Bear win at the weekend.
The deal means Cinema Guild will have released seven films by the director, whose latest follows a woman who has three encounters with friends while her husband is on a business trip.
One is a divorcée who likes gardening, another harbours romantic thoughts about her neighbour while a young poet pursues her, and the third works for a cinema. Kim Minhee,...
- 3/2/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Micheal Winterbottom’s Greed stars Steve Coogan as a vulgar super-rich British retail tycoon based loosely on Philip Green.
Michael Winterbottom’s Greed starring Steve Coogan opens in UK cinemas this weekend though Sony, with the director looking to set a new high benchmark for his films.
Greed stars Steve Coogan as Sir Richard ‘Greedy’ McCreadie, a vulgar super-rich British retail tycoon based loosely on Philip Green.
David Mitchell, Isla Fisher, Shirley Henderson and Asa Butterfield round out the main cast; the late TV presenter Caroline Flack makes a brief cameo.
Winterbottom has directed an impressive 29 features for theatrical and television release since his first,...
Michael Winterbottom’s Greed starring Steve Coogan opens in UK cinemas this weekend though Sony, with the director looking to set a new high benchmark for his films.
Greed stars Steve Coogan as Sir Richard ‘Greedy’ McCreadie, a vulgar super-rich British retail tycoon based loosely on Philip Green.
David Mitchell, Isla Fisher, Shirley Henderson and Asa Butterfield round out the main cast; the late TV presenter Caroline Flack makes a brief cameo.
Winterbottom has directed an impressive 29 features for theatrical and television release since his first,...
- 2/21/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Lucio Castro’s first film is an explicit romance in which the lovers look the same across two decades. It’s not The Irishman, he says, and he prefers it that way
All Lucio Castro had in mind when he sat down to write a screenplay was an elegiac title – End of the Century – and a starting point: a figure arrives in a new city, in this case Barcelona. “I followed him around for a while as I wrote,” Castro says. “I thought, he’s new to the place and maybe he’s horny and he meets someone and they have sex and go for a drink and that’s when they realise they’ve met before.”
So begins a plangent gay love story with hints of Andrew Haigh’s Weekend and Richard Linklater’s Before trilogy. The dominant mood, however, is elliptical and disorienting: a kind of Last Shag at Marienbad.
All Lucio Castro had in mind when he sat down to write a screenplay was an elegiac title – End of the Century – and a starting point: a figure arrives in a new city, in this case Barcelona. “I followed him around for a while as I wrote,” Castro says. “I thought, he’s new to the place and maybe he’s horny and he meets someone and they have sex and go for a drink and that’s when they realise they’ve met before.”
So begins a plangent gay love story with hints of Andrew Haigh’s Weekend and Richard Linklater’s Before trilogy. The dominant mood, however, is elliptical and disorienting: a kind of Last Shag at Marienbad.
- 2/20/2020
- by Ryan Gilbey
- The Guardian - Film News
Two men who meet in Barcelona have an unsettling feeling of deja vu in this elegant romantic drama
End of the Century, from first-time director Lucio Castro, is a post-coital reverie of a movie, a musingly light meditation on sex, love, monogamy and freedom, pondering the empty fridge of singledom and the full fridge of marriage. It balances what is with what might have been and what could still be, and, although the result is maybe a bit less substantial than Castro intended, there is a certain literary elegance in the way he sketches it out.
Juan Barberini plays Ocho, an Argentinian man in Barcelona on holiday on his own. After checking into his Airbnb, he wanders around town, goes down to the beach and notices an attractive man, Javi (Ramon Pujol). Later, while looking out from his balcony in the evening, he notices this same man strolling on the...
End of the Century, from first-time director Lucio Castro, is a post-coital reverie of a movie, a musingly light meditation on sex, love, monogamy and freedom, pondering the empty fridge of singledom and the full fridge of marriage. It balances what is with what might have been and what could still be, and, although the result is maybe a bit less substantial than Castro intended, there is a certain literary elegance in the way he sketches it out.
Juan Barberini plays Ocho, an Argentinian man in Barcelona on holiday on his own. After checking into his Airbnb, he wanders around town, goes down to the beach and notices an attractive man, Javi (Ramon Pujol). Later, while looking out from his balcony in the evening, he notices this same man strolling on the...
- 2/20/2020
- by Peter Bradshaw
- The Guardian - Film News
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Buffaloed (Tanya Wexler)
Set in the rough and tumble world of South Buffalo–the streets that raised tough guys like the crude former New York State gubernatorial candidate Carl Paladino–Buffaloed is a surprisingly fun comedy about the rise and fall of an up-and-coming hustler, gleefully played with a thick (and accurate) Western New York accent by Zoey Deutch. Deutch’s Peg Dahl aspires to not be another house-wife raising her kids on five-cent wings and starts running minor cons in high school until selling bootleg Buffalo Bills tickets lands her in prison. – John F. (full review)
Where to Stream: Amazon, iTunes, Google
End of the Century...
Buffaloed (Tanya Wexler)
Set in the rough and tumble world of South Buffalo–the streets that raised tough guys like the crude former New York State gubernatorial candidate Carl Paladino–Buffaloed is a surprisingly fun comedy about the rise and fall of an up-and-coming hustler, gleefully played with a thick (and accurate) Western New York accent by Zoey Deutch. Deutch’s Peg Dahl aspires to not be another house-wife raising her kids on five-cent wings and starts running minor cons in high school until selling bootleg Buffalo Bills tickets lands her in prison. – John F. (full review)
Where to Stream: Amazon, iTunes, Google
End of the Century...
- 2/14/2020
- by Jordan Raup
- The Film Stage
Over the course of the last four years, there has been at least one queer film in the Oscar race each year. “Carol” in 2016, “Moonlight” in 2017, “Call Me by Your Name” and “A Fantastic Woman” in 2018, “The Favourite” and “Bohemian Rhapsody” in 2019. Alas, barring any big surprises, the streak may be broken at next year’s ceremony. That’s not a reflection of the many excellent Lgbtq films released this year, of which there are a variety. Celine Sciamma’s stunning masterpiece “Portrait of a Lady on Fire” was passed over as France’s Oscar submission in favor of Ladj Ly’s “Les Miserables,” and Levan Akin’s powerful coming-of-age story “And Then We Danced” was recently left off the short list for Best International Feature.
Oscars or not, there is still so much to celebrate in queer cinema. More and more filmmakers are not only embracing queer characters and storylines,...
Oscars or not, there is still so much to celebrate in queer cinema. More and more filmmakers are not only embracing queer characters and storylines,...
- 12/20/2019
- by Jude Dry
- Indiewire
While we aim to discuss a wide breadth of films each year, few things give us more pleasure than the arrival of bold, new voices. It’s why we venture to festivals and pore over a variety of different features that might bring to light some emerging talent. This year was an especially notable time for new directors making their stamp, and we’re highlighting the handful of 2019 debuts that most impressed us.
Below, one can check out a list spanning a variety of different genres and many are available to stream here. In years to come, take note as these helmers (hopefully) ascend.
Aniara (Pella Kågerman & Hugo Lilja)
The title shares its name with a city-size spacecraft ferrying humans from Earth to Mars in barely three weeks. It’s a routine trip that’s never run into problems with many passengers already having family on the red planet to greet them upon arrival.
Below, one can check out a list spanning a variety of different genres and many are available to stream here. In years to come, take note as these helmers (hopefully) ascend.
Aniara (Pella Kågerman & Hugo Lilja)
The title shares its name with a city-size spacecraft ferrying humans from Earth to Mars in barely three weeks. It’s a routine trip that’s never run into problems with many passengers already having family on the red planet to greet them upon arrival.
- 12/10/2019
- by The Film Stage
- The Film Stage
One of the most daring films on the festival circuit this year has found a home. We’re pleased to exclusively reveal that Cinema Guild has acquired the U.S. distribution rights for Albert Serra’s Liberté, which won a Special Jury Prize when it premiered at the Cannes Film Festival in May. It’s an official election of both the Toronto International Film Festival and the New York Film Festival. Cinema Guild will open the film in theaters in 2020. See the official synopsis and new international trailer below.
Just before the French Revolution, in a forest outside Berlin, a band of libertines expelled from the court of Louis XVI rendezvous with the legendary German seducer and freethinker, the Duc de Walchen (Helmut Berger), to convince him to join in their mission: the rejection of authority and all moral boundaries. What begins as an evening of strategizing on the proliferation of libertinage,...
Just before the French Revolution, in a forest outside Berlin, a band of libertines expelled from the court of Louis XVI rendezvous with the legendary German seducer and freethinker, the Duc de Walchen (Helmut Berger), to convince him to join in their mission: the rejection of authority and all moral boundaries. What begins as an evening of strategizing on the proliferation of libertinage,...
- 9/24/2019
- by Jordan Raup
- The Film Stage
Most discussions about movies that examine time and space are reserved for those doing it on a grand scale–2001: A Space Odyssey or Interstellar, films known more for their visual exploration of these ideas. Lucio Castro’s feature debut End of the Century, following lovers Ocho (Juan Barberini) and Javi (Ramone Pujol) over twenty years, shows the nimble yet affecting inventiveness at which these ideas can be explored. Time shifts at a moment’s notice without much in the way of visual cues. We know time changed by Ocho’s reaction and quick adaptation to every new scenario. He is the connective tissue between hook up, forgotten rendezvous, and childbirth. These are tactical moments in the course of a twenty-year relationship so clearly delineated the actors don’t need make-up to show the passage of time.
We spoke with director Lucio Castro during Outfest in Los Angeles to discuss...
We spoke with director Lucio Castro during Outfest in Los Angeles to discuss...
- 8/27/2019
- by The Film Stage
- The Film Stage
Santiago, Chile – In the run-up to the upcoming 76th Venice Int’l Film Festival, Paris-based Stray Dogs has closed international sales rights on Chilean drama “Blanco en Blanco,” which holds its world premiere in the festival’s Horizons sidebar.
Filmed last year in the frigid tundra of Chile’s Tierra de Fuego and Spain’s tropical Canary Islands, the anticipated second feature by helmer-scribe Theo Court (“Ocaso”) features Chile’s Alfredo Castro, who starred in 72nd Venice Golden Lion winner “Desde Alla” (“From Afar”) by Lorenzo Vigas. Castro leads an international cast that includes Germany’s Lars Rudolph and Spanish thesp, Lola Rubio.
Set in the early 20th century, the drama centers on a photographer, played by Castro, who heads to Tierra de Fuego where he has been commissioned by a wealthy landowner to cover his wedding.
The photographer discovers that the bride is a mere child and begins to obsessively photograph her in secret.
Filmed last year in the frigid tundra of Chile’s Tierra de Fuego and Spain’s tropical Canary Islands, the anticipated second feature by helmer-scribe Theo Court (“Ocaso”) features Chile’s Alfredo Castro, who starred in 72nd Venice Golden Lion winner “Desde Alla” (“From Afar”) by Lorenzo Vigas. Castro leads an international cast that includes Germany’s Lars Rudolph and Spanish thesp, Lola Rubio.
Set in the early 20th century, the drama centers on a photographer, played by Castro, who heads to Tierra de Fuego where he has been commissioned by a wealthy landowner to cover his wedding.
The photographer discovers that the bride is a mere child and begins to obsessively photograph her in secret.
- 8/21/2019
- by Anna Marie de la Fuente
- Variety Film + TV
Few films have captured the dual fleeting and enduring nature of intimate connection as poignantly as “End of the Century.” The film, an elegant three-hander that mostly revolves around two men who meet-cute on a Barcelona balcony, leaves a lingering impression on the heart. Like a great poem, “End of the Century” gives voice to a seemingly indescribable feeling, one anyone who’s ever fallen in love will recognize from deep in their soul — as if bumping into an old friend you forgot how much you liked. Written and directed by Argentinian filmmaker Lucio Castro in his feature debut, “End of the Century” is the natural descendant of lush romances like “Weekend” and “Call Me By Your Name,” and will certainly endure as one of the most evocative gay films of the decade.
Though no one speaks for the first 12 minutes of the film, the engaging opening relies solely on...
Though no one speaks for the first 12 minutes of the film, the engaging opening relies solely on...
- 8/16/2019
- by Jude Dry
- Indiewire
Evocative purple skies bear witness to a tantalizing and determining fling in Lucio Castro’s structurally audacious debut “End of the Century,” the gay equivalent of Richard Linklater’s “Before” trilogy, distilled into a single film that’s constructed of buoyant encounters separated by two decades, conversational walks through a European city, and the illusion of a married-with-children future.
“Kiss!” yells Ocho (Juan Barberini), an Argentine poet visiting Barcelona in 2019, from a balcony in reference to a T-shirt that Javi (Ramón Pujol), an ex-local now residing in Berlin who is in town to see family, wears as he walks by Ocho’s Airbnb-rented apartment. It’s the first word of dialogue spoken following a day of mute courting that culminates in intense intercourse. The garment itself is later unmasked as a keepsake charged with relevance beyond being trite rock-group merchandise.
Instinctually animalistic, the impromptu sexual rendezvous acts as Castro...
“Kiss!” yells Ocho (Juan Barberini), an Argentine poet visiting Barcelona in 2019, from a balcony in reference to a T-shirt that Javi (Ramón Pujol), an ex-local now residing in Berlin who is in town to see family, wears as he walks by Ocho’s Airbnb-rented apartment. It’s the first word of dialogue spoken following a day of mute courting that culminates in intense intercourse. The garment itself is later unmasked as a keepsake charged with relevance beyond being trite rock-group merchandise.
Instinctually animalistic, the impromptu sexual rendezvous acts as Castro...
- 8/15/2019
- by Carlos Aguilar
- The Wrap
What place does romance have in the age of online dating and casual hook-up culture? The next one-night stand could be the love of your life, or you could never see them again. When you can order the next pretty thing to your door, is it possible to make a real connection? In Argentinian filmmaker Lucio Castro’s stunning feature filmmaking debut, “End of the Century” (the Spanish title is “Fin de Siglo”), two men meet-cute from a balcony and soon discover a mysterious familiarity.
The first official trailer for the film gives a hint at the fluid way Castro plays with time, luxuriating in the luscious bonds of new connection — one so deep it may as well be centuries old.
Per the official synopsis: “In his alluring debut feature, Lucio Castro offers both a sun-soaked European travelogue and an epic, decades-spanning romance. When Ocho (Juan Barberini), a 30-something Argentine poet on vacation in Barcelona,...
The first official trailer for the film gives a hint at the fluid way Castro plays with time, luxuriating in the luscious bonds of new connection — one so deep it may as well be centuries old.
Per the official synopsis: “In his alluring debut feature, Lucio Castro offers both a sun-soaked European travelogue and an epic, decades-spanning romance. When Ocho (Juan Barberini), a 30-something Argentine poet on vacation in Barcelona,...
- 7/17/2019
- by Jude Dry
- Indiewire
"Have you ever had a long-term relationship?" The Cinema Guild has debuted an official Us trailer for an indie drama titled End of the Century, made by Argentinian filmmaker Lucio Castro. This first premiered at the New Directors / New Films festival in NYC earlier this year, where they highlight the first films from some of the finest up-and-coming filmmakers. End of the Century is about an Argentinian man from New York and a Spanish man from Berlin who meet in Barcelona and, after spending a day together, they realize that they have already met twenty years ago. It's described as a film that turns "a love story into a cosmic voyage." Starring Juan Barberini and Ramon Pujol, with Mía Maestro. This looks like an exceptional debut, an exhilarating and gripping film about romance and relationships and life itself. That title card at the end is gorgeous, too. I will definitely...
- 7/17/2019
- by Alex Billington
- firstshowing.net
One of the most heartfelt, intimately ambitious directorial debuts I’ve seen this year is Lucio Castro’s End of the Century, which made its world premiere at New Directors/New Films earlier this year. Also awarded Best Argentine Film Award at Bafici and Best First Feature Award at San Francisco’s Lgbtq, the film was picked up by Cinema Guild and will arrive in theaters starting next month. Today, we’re pleased to exclusively debut the beautiful first trailer.
Starring Juan Barberini, Ramón Pujol, and Mía Maestro, the film follows a seemingly random connection between two men that is then revealed to have a deeper meaning. With touches of the Before trilogy in both the way it plays with time as well as provide an intimate lens on a relationship, it’s essential viewing.
Jason Ooi said in our review, “Each layer added to the story—a second act...
Starring Juan Barberini, Ramón Pujol, and Mía Maestro, the film follows a seemingly random connection between two men that is then revealed to have a deeper meaning. With touches of the Before trilogy in both the way it plays with time as well as provide an intimate lens on a relationship, it’s essential viewing.
Jason Ooi said in our review, “Each layer added to the story—a second act...
- 7/17/2019
- by Jordan Raup
- The Film Stage
After 37 years as the nation’s premier Lgbtq film festival, Outfest shows no signs of slowing down. The 2019 festival, scheduled to take place in Los Angeles from July 18-28, has just announced its full schedule. The lineup features a combination of festival favorites and rarely-seen foreign films, placing Lgbtq cinema in a truly global context.
The festival opens on July 18 with “Circus of Books,” the Tribeca hit about a daughter’s learning about her parents’ groundbreaking gay porn shop. It closes out with Sundance breakout “Before You Know It,” and will feature 28 world premieres during its run.
From features and documentaries to shorts and episodic content, this is truly an all-inclusive launching pad for Lgbtq filmmakers. The festival continues to push the boundaries of progress, with a majority of this year’s films directed by filmmakers from groups underrepresented in queer film.
“As my tenure comes to an end I...
The festival opens on July 18 with “Circus of Books,” the Tribeca hit about a daughter’s learning about her parents’ groundbreaking gay porn shop. It closes out with Sundance breakout “Before You Know It,” and will feature 28 world premieres during its run.
From features and documentaries to shorts and episodic content, this is truly an all-inclusive launching pad for Lgbtq filmmakers. The festival continues to push the boundaries of progress, with a majority of this year’s films directed by filmmakers from groups underrepresented in queer film.
“As my tenure comes to an end I...
- 6/12/2019
- by Christian Zilko
- Indiewire
Now in its 37th year, Outfest serves up an inclusive and intersectional slate of programming, two-thirds of which includes content directed by women, people of color and trans filmmakers. The fest, which will be held July 18-28 in Los Angeles, will open with Rachel Mason’s documentary Circus of Books which spotlights L.A.’s iconic brick-and-mortar gay erotica emporium and bookstore. Sundance favorite Before You Know It directed, co-written and starring Hannah Pearl Utt, as well as Judith Light, Alec Baldwin and Mandy Patinkin, will serve as the festival’s closing night film.
The fest will have films from 33 countries and in 26 languages and will include appearances from Kathy Griffin, RuPaul’s Drag Race All Stars winner Trixie Mattel, Pose actress Angelica Ross, horror icon Robert Englund, musician and actor Sam Harris and others.
“As my tenure comes to an end I am most proud of Outfest’s increased...
The fest will have films from 33 countries and in 26 languages and will include appearances from Kathy Griffin, RuPaul’s Drag Race All Stars winner Trixie Mattel, Pose actress Angelica Ross, horror icon Robert Englund, musician and actor Sam Harris and others.
“As my tenure comes to an end I am most proud of Outfest’s increased...
- 6/12/2019
- by Dino-Ray Ramos
- Deadline Film + TV
Cinema Guild on Thursday announced the acquisition of all U.S. distribution rights to Lucio Castro's End of the Century.
The Argentine film made its world premiere at the Film Society of Lincoln Center and MoMA’s New Directors/New Films and won the best Argentine film award at the Buenos Aires Film Festival last month.
Described in Keith Uhlich's review as both a "space-age love song" and "an erotic, time-jumping feature debut," Castro's film follows Ocho (Juan Barberini), a thirty-something Argentine poet on vacation in Barcelona, and Javi (Ramón Pujol), a Spaniard from Berlin. After a ...
The Argentine film made its world premiere at the Film Society of Lincoln Center and MoMA’s New Directors/New Films and won the best Argentine film award at the Buenos Aires Film Festival last month.
Described in Keith Uhlich's review as both a "space-age love song" and "an erotic, time-jumping feature debut," Castro's film follows Ocho (Juan Barberini), a thirty-something Argentine poet on vacation in Barcelona, and Javi (Ramón Pujol), a Spaniard from Berlin. After a ...
Cinema Guild on Thursday announced the acquisition of all U.S. distribution rights to Lucio Castro's End of the Century.
The Argentine film made its world premiere at the Film Society of Lincoln Center and MoMA’s New Directors/New Films and won the best Argentine film award at the Buenos Aires Film Festival last month.
Described in Keith Uhlich's review as both a "space-age love song" and "an erotic, time-jumping feature debut," Castro's film follows Ocho (Juan Barberini), a thirty-something Argentine poet on vacation in Barcelona, and Javi (Ramón Pujol), a Spaniard from Berlin. After a ...
The Argentine film made its world premiere at the Film Society of Lincoln Center and MoMA’s New Directors/New Films and won the best Argentine film award at the Buenos Aires Film Festival last month.
Described in Keith Uhlich's review as both a "space-age love song" and "an erotic, time-jumping feature debut," Castro's film follows Ocho (Juan Barberini), a thirty-something Argentine poet on vacation in Barcelona, and Javi (Ramón Pujol), a Spaniard from Berlin. After a ...
The only world premiere in the annual New Directors/New Films series — a joint festival between New York City's Museum of Modern Art and the Film Society of Lincoln Center — Lucio Castro's feature debut End of the Century is an erotic, emotional imagining of a Grindr hookup as memory palace. The film opens in the present as Ocho (Juan Barberini), a poet from New York, cruises the streets and beaches while on vacation in Barcelona. One day, from the balcony of his Airbnb, Ocho sees Javi (Ramon Pujol), a fetching, brawny specimen, his biceps bulging out the ...
- 3/30/2019
- The Hollywood Reporter - Movie News
The only world premiere in the annual New Directors/New Films series — a joint festival between New York City's Museum of Modern Art and the Film Society of Lincoln Center — Lucio Castro's feature debut End of the Century is an erotic, emotional imagining of a Grindr hookup as memory palace. The film opens in the present as Ocho (Juan Barberini), a poet from New York, cruises the streets and beaches while on vacation in Barcelona. One day, from the balcony of his Airbnb, Ocho sees Javi (Ramon Pujol), a fetching, brawny specimen, his biceps bulging out the ...
- 3/30/2019
- The Hollywood Reporter - Film + TV
Two travelers—Ocho, an aspiring poet from New York, and Javi, a Spanish director from Germany—spend a single day together in Barcelona in the opening act of Lucio Castro’s debut feature End of the Century. Though they converse as if they had just met and hook up with the awkward nervousness of first-time lovers, it is clear that there is nothing casual or chance about their encounter. Their chemistry gives it away. Each layer added to the story—a second act prologue of their first meeting and a third act finale of their future—provides no answers and further complicates things, expanding the boundaries and limitations of time and space in order to properly represent their enigmatic relationship to one another. End of the Century is a love story drenched in a nostalgic magical realism that constantly shifts its own logic, as if recognizing the futility of containing its uncontainable romance.
- 3/26/2019
- by Jason Ooi
- The Film Stage
"Our stuff was so entangled, that I ended up not knowing what was mine and what was his." The first official trailer has arrived for an indie drama titled End of the Century, made by Argentinian filmmaker Lucio Castro. This is premiering at the prestigious New Directors / New Films festival in NYC later this month, where they highlight the first films from some of the finest up-and-coming filmmakers. End of the Century is about an Argentinian man from New York and a Spanish man from Berlin who meet in Barcelona and, after spending a day together, they realize that they have already met twenty years ago. Described as a film that turns "a love story into a cosmic voyage." Starring Juan Barberini and Ramon Pujol, with Mía Maestro. This looks like a compelling, thought-provoking film marking the debut of a talented filmmaker. Here's the first official trailer (+ poster) for Lucio Castro's End of the Century,...
- 3/25/2019
- by Alex Billington
- firstshowing.net
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