Men and women involved in narcotrafficking explain how they were recruited in this compelling documentary
‘I was 11 when I started selling drugs. I thought it was candy.” A young man in Mexico City is talking about his initiation into a drugs gang and is one of a handful of young Mexicans interviewed in this documentary about gangs and gun violence. They tell their stories softly on voiceover, reflective and raw, without swagger or machismo. It’s a million miles from the cartel bad-guy stereotypes of Hollywood narco movies. And the more they talk, the thinner the line between victim and perpetrator becomes.
The film’s title is a bit confusing. Ernesto is a collective name given by director Everardo González to the men he interviews to protect their anonymity. They appear with faces hidden, filmed from behind using iPhones attached to their backs: the effect is like a first-person shooter game.
‘I was 11 when I started selling drugs. I thought it was candy.” A young man in Mexico City is talking about his initiation into a drugs gang and is one of a handful of young Mexicans interviewed in this documentary about gangs and gun violence. They tell their stories softly on voiceover, reflective and raw, without swagger or machismo. It’s a million miles from the cartel bad-guy stereotypes of Hollywood narco movies. And the more they talk, the thinner the line between victim and perpetrator becomes.
The film’s title is a bit confusing. Ernesto is a collective name given by director Everardo González to the men he interviews to protect their anonymity. They appear with faces hidden, filmed from behind using iPhones attached to their backs: the effect is like a first-person shooter game.
- 2/20/2024
- by Cath Clarke
- The Guardian - Film News
UK producer and distributor Sovereign is expanding into US distribution and has set its first title as Laurent Negre’s A Forgotten Man.
The company aims to release up to three titles a year in US cinemas and across VOD platforms. The first will be Swiss thriller A Forgotten Man, which Sovereign released in the UK and Ireland on November 10, following its premiere at Zurich Film Festival in 2022. It is now set to open in the US on April 12.
It marks a further expansion for the London-based company, which was founded by Andreas Roald in 2008 and launched Sovereign Film Distribution...
The company aims to release up to three titles a year in US cinemas and across VOD platforms. The first will be Swiss thriller A Forgotten Man, which Sovereign released in the UK and Ireland on November 10, following its premiere at Zurich Film Festival in 2022. It is now set to open in the US on April 12.
It marks a further expansion for the London-based company, which was founded by Andreas Roald in 2008 and launched Sovereign Film Distribution...
- 1/25/2024
- ScreenDaily
Wes Anderson’s “Asteroid City,” fresh from its triumphant world premiere at the Cannes fest, opens the 38th Guadalajara Film Festival (Ficg) which touts new sections this year, including a branded series showcase and midnight screenings of Italian fright maestro Dario Argento’s horror films.
Eva Longoria’s feature directorial debut, “Flamin’ Hot,” which had its West Coast premiere at the LA Latino Film Festival (Laliff) May 31, marks its Mexican debut at the fest.
The Series Showcase includes Patricia Martinez’s fact-based “La Narcosatánica,” which will stream on the rebranded Max, and Maite Alberdi’s “Libre de reir,” a Gato Grande production that centers on inmates in a Mexican prison who enroll in a stand-up comedy workshop. Alberdi’s Sundance-winning docu “The Eternal Memory” also vies for a prize in the festival’s documentary sidebar.
According to festival director Estrella Araiza, the festival has recovered its funding and will screen...
Eva Longoria’s feature directorial debut, “Flamin’ Hot,” which had its West Coast premiere at the LA Latino Film Festival (Laliff) May 31, marks its Mexican debut at the fest.
The Series Showcase includes Patricia Martinez’s fact-based “La Narcosatánica,” which will stream on the rebranded Max, and Maite Alberdi’s “Libre de reir,” a Gato Grande production that centers on inmates in a Mexican prison who enroll in a stand-up comedy workshop. Alberdi’s Sundance-winning docu “The Eternal Memory” also vies for a prize in the festival’s documentary sidebar.
According to festival director Estrella Araiza, the festival has recovered its funding and will screen...
- 6/1/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Danish filmmaker Christian Einshøj’s “The Mountains” has won Hot Docs’ Best International Feature Documentary Award and a Cnd. $10,000 cash prize, it was announced this morning in Toronto at the festival’s awards ceremony, held at the TIFF Bell Lightbox.
Produced by Made In Copenhagen, the film is an autobiographical family portrait using 30 years of home video, 75,000 photos, and a superhero road trip to explore the tragedy that led to the emotional distance between the men in the family. “The Mountains,” which premiered earlier this year at Cph:dox, now automatically qualifies for consideration in the Academy’s Best Documentary Feature category without the standard theatrical run, provided it complies with Academy rules. Cats and Docs is handling sales.
Einshøj also picked up the Emerging International Filmmaker Award, which includes a Cdn. $3,000 cash prize supported by the Donner Canadian Foundation. The jury said, “This unique, eloquent, and deeply honest look at...
Produced by Made In Copenhagen, the film is an autobiographical family portrait using 30 years of home video, 75,000 photos, and a superhero road trip to explore the tragedy that led to the emotional distance between the men in the family. “The Mountains,” which premiered earlier this year at Cph:dox, now automatically qualifies for consideration in the Academy’s Best Documentary Feature category without the standard theatrical run, provided it complies with Academy rules. Cats and Docs is handling sales.
Einshøj also picked up the Emerging International Filmmaker Award, which includes a Cdn. $3,000 cash prize supported by the Donner Canadian Foundation. The jury said, “This unique, eloquent, and deeply honest look at...
- 5/6/2023
- by Jennie Punter
- Variety Film + TV
Documentary world premiered this weekend at Hot Docs in Toronto.
Berlin-based Films Boutique has launched international sales on leading Mexican filmmaker Everardo González’s latest documentary A Wolfpack Called Ernesto, which world premiered at the weekend at Hot Docs in Toronto.
Films Boutique has also co-produced the doc, which is backed by TelevisaUnivision’s Spanish language streamer ViX and N+ Docs, the documentary division of the Mexican news content producer N+. The film is supported by the Berlinale’s World Cinema Fund.
A Wolfpack Called Ernesto focuses on the impact of gang violence on young people in Mexico City, with...
Berlin-based Films Boutique has launched international sales on leading Mexican filmmaker Everardo González’s latest documentary A Wolfpack Called Ernesto, which world premiered at the weekend at Hot Docs in Toronto.
Films Boutique has also co-produced the doc, which is backed by TelevisaUnivision’s Spanish language streamer ViX and N+ Docs, the documentary division of the Mexican news content producer N+. The film is supported by the Berlinale’s World Cinema Fund.
A Wolfpack Called Ernesto focuses on the impact of gang violence on young people in Mexico City, with...
- 5/2/2023
- by Tim Dams
- ScreenDaily
In its continued bid to ramp up its programming content, ViX Plus, the upcoming premium SVOD service from TelevisaUnivision, has formed a strategic alliance with Spain’s The Mediapro Studio, which will produce exclusive original content for the new Spanish-language streamer slated to launch in the second half of this year.
First out the gate are scripted series “Las Pelotaris” and the sports-themed docuseries, “La Sangre y la Gloria” (“The Blood and The Glory”).
Welcoming The Mediapro Studio as a crucial partner in its efforts to build “a service that will offer the best content in Spanish for our audience in the United States and Latin America,” Rodrigo Mazón, executive vice president and general manager of ViX Plus, said: “We are very excited to present the first original productions resulting from this strategic alliance and to be able to develop more stories together with the highest of production values.”
Commented Marta Ezpeleta,...
First out the gate are scripted series “Las Pelotaris” and the sports-themed docuseries, “La Sangre y la Gloria” (“The Blood and The Glory”).
Welcoming The Mediapro Studio as a crucial partner in its efforts to build “a service that will offer the best content in Spanish for our audience in the United States and Latin America,” Rodrigo Mazón, executive vice president and general manager of ViX Plus, said: “We are very excited to present the first original productions resulting from this strategic alliance and to be able to develop more stories together with the highest of production values.”
Commented Marta Ezpeleta,...
- 5/12/2022
- by Anna Marie de la Fuente
- Variety Film + TV
ViacomCBS International Studios (Vis) has unveiled a new slate of projects tapping talents as diverse as “Guilt” writer-creator Neil Forsyth, “The Great” writer Vanessa Alexander, “Wild District” originator Cristian Conti and “High School Musical” writer Peter Barsocchini.
Underscoring Vis’ ambitions to play in the big league of international local content producer-distributors, both in production volume and breadth of content, Vis also confirmed its drive into documentary production, of both doc features and series, and unveiled its first four titles.
This year will, moreover, see Vis bow development and production of its first made-for-streaming movies and first content for Vis Kids, created last year.
Launched in 2018, Vis has proved one of the fastest-growing production powers on the Latin American and Latinx scene, signing first-look deals with Argentina’s Juan José Campanella, writer-director of the Oscar winning “The Secret in Their Eyes,” and Ariel Winograd, director of remake phenomenon “Ten Days Without Mom.
Underscoring Vis’ ambitions to play in the big league of international local content producer-distributors, both in production volume and breadth of content, Vis also confirmed its drive into documentary production, of both doc features and series, and unveiled its first four titles.
This year will, moreover, see Vis bow development and production of its first made-for-streaming movies and first content for Vis Kids, created last year.
Launched in 2018, Vis has proved one of the fastest-growing production powers on the Latin American and Latinx scene, signing first-look deals with Argentina’s Juan José Campanella, writer-director of the Oscar winning “The Secret in Their Eyes,” and Ariel Winograd, director of remake phenomenon “Ten Days Without Mom.
- 1/21/2021
- by John Hopewell
- Variety Film + TV
Mexican Film Academy racing to safeguard ethos of auteur-driven Foprocine fund.
The Mexican film community fears support for the country’s rich tradition of storytelling could be set back years if crucial public funding mechanisms are removed under sweeping government cuts.
As a stricken economy buckles under the coronavirus pandemic, the Mexican Film Academy (Amacc) is working on a proposal to the government film agency Imcine to preserve the Foprocine public fund, which had been earmarked for elimination by president Andrés Manuel López Obrador.
Imcine is tasked with implementing Obrador’s austerity measures as they relate to the film industry...
The Mexican film community fears support for the country’s rich tradition of storytelling could be set back years if crucial public funding mechanisms are removed under sweeping government cuts.
As a stricken economy buckles under the coronavirus pandemic, the Mexican Film Academy (Amacc) is working on a proposal to the government film agency Imcine to preserve the Foprocine public fund, which had been earmarked for elimination by president Andrés Manuel López Obrador.
Imcine is tasked with implementing Obrador’s austerity measures as they relate to the film industry...
- 5/19/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Mexican Film Academy racing to safeguard ethos of auteur-driven Foprocine fund.
The Mexican film community fears support for the country’s rich tradition of storytelling could be set back years if crucial public funding mechanisms are removed under sweeping government cuts.
As a stricken economy buckles under the coronavirus pandemic, the Mexican Film Academy (Amacc) is working on a proposal to the government film agency Imcine to preserve the Foprocine public fund, which had been earmarked for elimination by president Andrés Manuel López Obrador.
Imcine is tasked with implementing Obrador’s austerity measures as they relate to the film industry...
The Mexican film community fears support for the country’s rich tradition of storytelling could be set back years if crucial public funding mechanisms are removed under sweeping government cuts.
As a stricken economy buckles under the coronavirus pandemic, the Mexican Film Academy (Amacc) is working on a proposal to the government film agency Imcine to preserve the Foprocine public fund, which had been earmarked for elimination by president Andrés Manuel López Obrador.
Imcine is tasked with implementing Obrador’s austerity measures as they relate to the film industry...
- 5/19/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
A region bustling with the winds of change throughout the 2010s — both progressive and retrograde — Latin America enjoyed a banner decade that witnessed the rise of films grappling with economic inequality, indigenous discrimination, and Lgbtq+ issues.
Mexico’s production continued to skyrocket (from Amat Escalante to Eugenio Derbez), Chile emerged as a powerhouse in both the arthouse and mainstream markets (with the Larraín brothers’ Fabula production company and the unofficial movement known as Chilewood), and countries like Panama (“Invasion”), the Dominican Republic (“Woodpeckers”), and Paraguay (“The Heiresses”) made strides towards a more consistent output of noteworthy offers. Although far from a definitive list, these 11 features give the world the opportunity to take a peek at the varied perspectives of Latin American creators, veterans and up-and-comers:
“Aquarius” (2016)
Vigorous and sensual, Sonia Braga commands director Kleber Mendonça Filho’s vital character study in her career-best work playing Doña Clara. The timeless Brazilian...
Mexico’s production continued to skyrocket (from Amat Escalante to Eugenio Derbez), Chile emerged as a powerhouse in both the arthouse and mainstream markets (with the Larraín brothers’ Fabula production company and the unofficial movement known as Chilewood), and countries like Panama (“Invasion”), the Dominican Republic (“Woodpeckers”), and Paraguay (“The Heiresses”) made strides towards a more consistent output of noteworthy offers. Although far from a definitive list, these 11 features give the world the opportunity to take a peek at the varied perspectives of Latin American creators, veterans and up-and-comers:
“Aquarius” (2016)
Vigorous and sensual, Sonia Braga commands director Kleber Mendonça Filho’s vital character study in her career-best work playing Doña Clara. The timeless Brazilian...
- 12/28/2019
- by Carlos Aguilar
- The Wrap
Los Cabos — Netflix is proving a boon to documentary creation in Mexico. That boon has not yet yielded a fully-fledged boom. The U.S. streaming giant has just released the first results of its documentary drive. The build in cinematic standard non-fiction works in, however, palpable, the biggest case in point to date, Diego Osorno’s milestone doc series “1994,” produced by Netflix and Vice Studios Latin America.
Osorno’s masterclass on “1994” proves one of the highlights of the 2019 Los Cabos Festival.
The rise of the documentary is also related to “superficiality” social media. Osorno said in his masterclass. “You go on Twitter” and massacre in Kenia, rebellion in Bolivia, slaughter in Chihuahua an you see 140 characters and think you’re keeping up to date with the new, but you don’t go into any event,” he said.
“People are seeking out non-fiction works and documentaries to understand what we thought...
Osorno’s masterclass on “1994” proves one of the highlights of the 2019 Los Cabos Festival.
The rise of the documentary is also related to “superficiality” social media. Osorno said in his masterclass. “You go on Twitter” and massacre in Kenia, rebellion in Bolivia, slaughter in Chihuahua an you see 140 characters and think you’re keeping up to date with the new, but you don’t go into any event,” he said.
“People are seeking out non-fiction works and documentaries to understand what we thought...
- 11/18/2019
- by John Hopewell and Emiliano Granada
- Variety Film + TV
Mexico’s Everardo González has established him as one of the country’s, and indeed world’s premier documentary filmmakers, but even more so, he has built a team around him that consistently produces high quality, groundbreaking cinema. That team will assemble once again on the upcoming feature “A Wolfpack Called Ernesto.”
At last month’s Morelia Intl. Film Festival, he screened a nearly-finished cut of “Wilderness,” an observation of the nomadic peoples of Namibia, Mexico, Australia, Pakistan, India, Mongolia, the Moroccan Sahara and the Navajo people of Arizona. That same week his U.S.-Mexico border documentary short “A 3 Minute Hug” premiered on Netflix, about an embankment of the Rio Bravo River where families separated by the U.S. immigration are allowed to reunite, if only for a few precious moments.
With “A Wolfpack Called Ernesto,” González will flirt with the line between documentary and fiction, combining true stories to create its titular character,...
At last month’s Morelia Intl. Film Festival, he screened a nearly-finished cut of “Wilderness,” an observation of the nomadic peoples of Namibia, Mexico, Australia, Pakistan, India, Mongolia, the Moroccan Sahara and the Navajo people of Arizona. That same week his U.S.-Mexico border documentary short “A 3 Minute Hug” premiered on Netflix, about an embankment of the Rio Bravo River where families separated by the U.S. immigration are allowed to reunite, if only for a few precious moments.
With “A Wolfpack Called Ernesto,” González will flirt with the line between documentary and fiction, combining true stories to create its titular character,...
- 11/15/2019
- by Jamie Lang
- Variety Film + TV
Mexico City — A crossroads for the film industries of Mexico, the U.S. and Canada, Los Cabos Intl. Film Festival opens its doors on Wednesday, Nov. 13 with a lineup which takes on board hot-button issues – gender, violence in Mexico, the impact of global platforms – as the Festival consolidates its status as a Mexican new talent platform. 10 Takes on the 2019 edition:
1.Robert De Niro, Gaston Pavlovich And ’The Irishman’
Robert De Niro will attend Los Cabos’ Film Festival’s Opening Ceremony on Wednesday for a gala screening of “The Irishman.” The movie’s presence at Los Cabos can be seen as part thanks to its cinematographer. Mexico’s Rodrigo Prieto, and above all to its Mexican producer, Gastón Pavlovich. Already producer of Martin Scorsese’s “Silence,” who stuck with “The Irishman,” through thick and thin as it turned from a Paramount/Stx movie to an Oscar-contending Netflix original.
2.Buzzy Projects
Of Mexican titles,...
1.Robert De Niro, Gaston Pavlovich And ’The Irishman’
Robert De Niro will attend Los Cabos’ Film Festival’s Opening Ceremony on Wednesday for a gala screening of “The Irishman.” The movie’s presence at Los Cabos can be seen as part thanks to its cinematographer. Mexico’s Rodrigo Prieto, and above all to its Mexican producer, Gastón Pavlovich. Already producer of Martin Scorsese’s “Silence,” who stuck with “The Irishman,” through thick and thin as it turned from a Paramount/Stx movie to an Oscar-contending Netflix original.
2.Buzzy Projects
Of Mexican titles,...
- 11/13/2019
- by John Hopewell
- Variety Film + TV
Since his debut feature “Pulque Song” won the Mexican Academy Ariel Award for best documentary feature in 2003, Everardo González has been among his country and the world’s most prolific and awarded documentary filmmakers.
This year, the filmmaker was in Morelia, where “Pulque Song” was once also awarded as the year’s best documentary feature, with his upcoming feature “Wilderness” in the Michoacán festival’s pix-in-post sidebar Impulso Morelia.
Shot among the nomadic peoples of Namibia, Mexico, Australia, Pakistan, India, Mongolia, the Moroccan Sahara and the Navajo of Arizona, the feature observes life as it’s been lived for millennia by indigenous communities.
In harsh conditions and often without the benefit of a shared language, González went into the communities with just his camera, and came out with a film that stands in stark contrast to his last feature, the highly praised yet devastating “Devil’s Freedom.”
González talked about the origins of “Wilderness,...
This year, the filmmaker was in Morelia, where “Pulque Song” was once also awarded as the year’s best documentary feature, with his upcoming feature “Wilderness” in the Michoacán festival’s pix-in-post sidebar Impulso Morelia.
Shot among the nomadic peoples of Namibia, Mexico, Australia, Pakistan, India, Mongolia, the Moroccan Sahara and the Navajo of Arizona, the feature observes life as it’s been lived for millennia by indigenous communities.
In harsh conditions and often without the benefit of a shared language, González went into the communities with just his camera, and came out with a film that stands in stark contrast to his last feature, the highly praised yet devastating “Devil’s Freedom.”
González talked about the origins of “Wilderness,...
- 10/25/2019
- by Jamie Lang
- Variety Film + TV
Morelia Film Festival’s (Ficm) Impulso sidebar for pix in progress will run Sunday through Tuesday this coming week, having become one of the territories most important launchpads for Latin American feature films in post-production.
Many of the participating films in recent editions have gone on to find festival success the world around.
Last year, Hari Sama’s “This is Not Berlin” was the talk of the day, and since being finished has made major impacts at Sundance, Tribeca and Malaga. From 2017, Andres Kaiser’s cabin in the woods thriller “Feral” went on to win awards at Los Cabos and participate in several major genre fests across Europe and North America. 2016 hosted Joshua Gil’s “Sanctorum” which closed Venice Critics’ Week this year.
Other standout participants include, but are not limited to: “The Chaotic Life of Nada Kadi’c” from Marta Hernaiz (Berlinale 2018); “Devil’s Freedom” from Everardo González (Berlinale...
Many of the participating films in recent editions have gone on to find festival success the world around.
Last year, Hari Sama’s “This is Not Berlin” was the talk of the day, and since being finished has made major impacts at Sundance, Tribeca and Malaga. From 2017, Andres Kaiser’s cabin in the woods thriller “Feral” went on to win awards at Los Cabos and participate in several major genre fests across Europe and North America. 2016 hosted Joshua Gil’s “Sanctorum” which closed Venice Critics’ Week this year.
Other standout participants include, but are not limited to: “The Chaotic Life of Nada Kadi’c” from Marta Hernaiz (Berlinale 2018); “Devil’s Freedom” from Everardo González (Berlinale...
- 10/18/2019
- by Jamie Lang
- Variety Film + TV
Netflix has unveiled the powerful trailer for the streaming service’s short film A 3 Minute Hug, which documents the brief reunification of families separated by the U.S. and Mexican border.
“On May 12, 2018, the border between El Paso, Texas, and Ciudad Juarez, Mexico, was opened temporarily for a breathlessly awaited reunion. On a barren embankment along the Rio Bravo, family members who had been denied asylum, deported, or separated for more than 10 years were allowed to meet at the border for a precious few minutes,” Netflix said of the documentary.
“On May 12, 2018, the border between El Paso, Texas, and Ciudad Juarez, Mexico, was opened temporarily for a breathlessly awaited reunion. On a barren embankment along the Rio Bravo, family members who had been denied asylum, deported, or separated for more than 10 years were allowed to meet at the border for a precious few minutes,” Netflix said of the documentary.
- 10/11/2019
- by Daniel Kreps
- Rollingstone.com
As was widely anticipated, Alfonso Cuaron’s triple Oscar-winning “Roma” dominated the 6th Premios Platino nominations, unveiled Thursday at Hollywood’s legendary Roosevelt Hotel, the site of the very first Oscars. It snagged a total of nine nominations, including best film, director, art direction, cinematography, and acting for its two Oscar-nominated actresses, Yalitza Aparicio and Marina de Tavira.
“Roma,” which won Mexico’s first best foreign-language film Oscar, is up against pics that were also submitted for their respective countries in the Academy Awards’ foreign-language category: Colombia’s “Pajaros de Verano,” Uruguay’s “La Noche de 12 Años,” and Spain’s “Campeones.” The first two titles nabbed six Premios Platino noms each while “Campeones” took five. Paraguay’s Oscar submission “Las Herederas” took five nominations.
The ceremony streamed live on Facebook with Premios Platino ambassador and CNN Español journalist Juan Carlos Arciniegas hosting the event alongside actors Joaquin Cosio, Angie Cepeda,...
“Roma,” which won Mexico’s first best foreign-language film Oscar, is up against pics that were also submitted for their respective countries in the Academy Awards’ foreign-language category: Colombia’s “Pajaros de Verano,” Uruguay’s “La Noche de 12 Años,” and Spain’s “Campeones.” The first two titles nabbed six Premios Platino noms each while “Campeones” took five. Paraguay’s Oscar submission “Las Herederas” took five nominations.
The ceremony streamed live on Facebook with Premios Platino ambassador and CNN Español journalist Juan Carlos Arciniegas hosting the event alongside actors Joaquin Cosio, Angie Cepeda,...
- 3/21/2019
- by Anna Marie de la Fuente
- Variety Film + TV
In a much-anticipated move, giant streaming service Netflix has confirmed the launch of a Mexico City office this year. Netflix chief content officer Ted Sarandos was in Mexico City at a Netflix forum to also announce that the company had more than 50 projects in different stages of production in Mexico, some original content, others co-productions.
“The richness of talent in front of and behind the camera in Mexico was key in our decision to begin our local production strategy with ‘Club de Cuervos’ four years ago,” Sarandos said. “Since then, we have continued to expand our local investment and continue providing a platform for Mexican talent to be recognized around the world,” he added.
Four local films in the pipeline are destined for Netflix’s slate over the next two years. These include “Como Caído del Cielo,” a musical comedy inspired by the songs of Mexican legend Pedro Infante, starring...
“The richness of talent in front of and behind the camera in Mexico was key in our decision to begin our local production strategy with ‘Club de Cuervos’ four years ago,” Sarandos said. “Since then, we have continued to expand our local investment and continue providing a platform for Mexican talent to be recognized around the world,” he added.
Four local films in the pipeline are destined for Netflix’s slate over the next two years. These include “Como Caído del Cielo,” a musical comedy inspired by the songs of Mexican legend Pedro Infante, starring...
- 2/12/2019
- by Anna Marie de la Fuente
- Variety Film + TV
Everardo González, documentary filmmaker best known for Ladrones viejos and Drought (Cuates de Australia), is visibly enraged when he starts talking about the case of Javier Duarte, a Mexican politician who in early 2017 was detained for a huge corruption case. We all know the man is absolute dirt and yet the first hearing quickly reminded us that Mexico is the land of impunity. That’s why González is angry, though the very idea that Duarte might beat justice is hardly a surprise in the Narco-state that is our country. Everardo’s latest documentary, Devil’s Freedom (La libertad del diablo), tackles the consequences of the Mexican Drug War from the personal perspective of several individuals. There are testimonies of victims who lost their familiars or have been...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 7/22/2017
- Screen Anarchy
Wacth: Director also discusses Mexican cinema and the future of big budget TV.
Screen sat down with Mexican film and TV director Gerardo Naranjo at the Berlin Film Festival.
Naranjo’s work includes I’m Gonna Explode and Miss Bala, and TV series’ Narcos and Fear Of The Walking Dead.
He discussed why Donald Trump could end up being a friend to Mexico, and why Everardo González, at the Berlinale with La Libertad Del Diablo, is a filmmaker to watch. Watch the interview below.
Mexico is the Country in Focus at this year’s European Film Market (Efm) in Berlin. The video was produced in conjunction with the Mexican Film Institute (Imcine).
Mobile users can watch the video here.
Read more:
Berlin jury member Diego Luna talks Mexico, Trump and ‘Rogue One’ (video)...
Screen sat down with Mexican film and TV director Gerardo Naranjo at the Berlin Film Festival.
Naranjo’s work includes I’m Gonna Explode and Miss Bala, and TV series’ Narcos and Fear Of The Walking Dead.
He discussed why Donald Trump could end up being a friend to Mexico, and why Everardo González, at the Berlinale with La Libertad Del Diablo, is a filmmaker to watch. Watch the interview below.
Mexico is the Country in Focus at this year’s European Film Market (Efm) in Berlin. The video was produced in conjunction with the Mexican Film Institute (Imcine).
Mobile users can watch the video here.
Read more:
Berlin jury member Diego Luna talks Mexico, Trump and ‘Rogue One’ (video)...
- 2/15/2017
- ScreenDaily
Director also discusses Mexican cinema and the future of big budget TV.
Screen sat down with Mexican film and TV director Gerardo Naranjo at the Berlin Film Festival.
Naranjo’s work includes I’m Gonna Explode and Miss Bala, and TV series’ Narcos and Fear Of The Walking Dead.
He discussed why Donald Trump could end up being a friend to Mexico, and why Everardo González, at the Berlinale with La Libertad Del Diablo, is a filmmaker to watch.
Mexico is the Country in Focus at this year’s European Film Market (Efm) in Berlin. The video was produced in conjunction with the Mexican Film Institute (Imcine).
Mobile users can watch the video here.
Read more:
Berlin jury member Diego Luna talks Mexico, Trump and ‘Rogue One’ (video)...
Screen sat down with Mexican film and TV director Gerardo Naranjo at the Berlin Film Festival.
Naranjo’s work includes I’m Gonna Explode and Miss Bala, and TV series’ Narcos and Fear Of The Walking Dead.
He discussed why Donald Trump could end up being a friend to Mexico, and why Everardo González, at the Berlinale with La Libertad Del Diablo, is a filmmaker to watch.
Mexico is the Country in Focus at this year’s European Film Market (Efm) in Berlin. The video was produced in conjunction with the Mexican Film Institute (Imcine).
Mobile users can watch the video here.
Read more:
Berlin jury member Diego Luna talks Mexico, Trump and ‘Rogue One’ (video)...
- 2/15/2017
- ScreenDaily
Stanley Tucci, Catherine Deneuve dramas join competition; TV dramas and Oleg Sentsov doc set to get world premiere.
The Berlin International Film Festival has finalised its competition and Berlinale Special strands.
Joining the festival in Out Of Competition berths are Stanley Tucci-directed Final Portrait and Catherine Deneuve drama Sage Femme.
James Gray’s The Lost City Of Z will have its interntional premiere while documentary The Trial: The State of Russia vs Oleg Sentsov will have its world premiere.
Among TV world premieres are Amazon’s Patriot and BBC One’s SS-gb.
In total, 18 of the 24 films selected for Competitionwill be competing for the Golden and the Silver Bears. 22 of the films will have their world premieres at the festival.
For the third time, Berlinale Special Series will present a selection of TV series in the official programme. Six German and international productions will have their world premieres at the Haus der Berliner Festspiele this year...
The Berlin International Film Festival has finalised its competition and Berlinale Special strands.
Joining the festival in Out Of Competition berths are Stanley Tucci-directed Final Portrait and Catherine Deneuve drama Sage Femme.
James Gray’s The Lost City Of Z will have its interntional premiere while documentary The Trial: The State of Russia vs Oleg Sentsov will have its world premiere.
Among TV world premieres are Amazon’s Patriot and BBC One’s SS-gb.
In total, 18 of the 24 films selected for Competitionwill be competing for the Golden and the Silver Bears. 22 of the films will have their world premieres at the festival.
For the third time, Berlinale Special Series will present a selection of TV series in the official programme. Six German and international productions will have their world premieres at the Haus der Berliner Festspiele this year...
- 1/20/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Stanley Tucci, Catherine Deneuve dramas join competition; TV dramas and Oleg Sentsov doc set to get world premiere.
The Berlin International Film Festival has finalised its competition and Berlinale Special strands.
Joining the competition are
18 of the 24 films selected for Competition will be competing for the Golden and the Silver Bears. 22 of the films will have their world premieres at the festival.
The Berlinale Special will present recent works by contemporary filmmakers, documentaries, and extraordinary formats, as well as brand new series from around the world.
Berlinale Special Galas will be held at the Friedrichstadt-Palast and Zoo Palast. Other Special premieres will take place at the Kino International. Moderated discussions will follow the screenings at the Haus der Berliner Festspiele.
For the third time, Berlinale Special Series will present a selection of TV series in the official programme. Six German and international productions will have their world premieres at the Haus der Berliner Festspiele this year. Audiences...
The Berlin International Film Festival has finalised its competition and Berlinale Special strands.
Joining the competition are
18 of the 24 films selected for Competition will be competing for the Golden and the Silver Bears. 22 of the films will have their world premieres at the festival.
The Berlinale Special will present recent works by contemporary filmmakers, documentaries, and extraordinary formats, as well as brand new series from around the world.
Berlinale Special Galas will be held at the Friedrichstadt-Palast and Zoo Palast. Other Special premieres will take place at the Kino International. Moderated discussions will follow the screenings at the Haus der Berliner Festspiele.
For the third time, Berlinale Special Series will present a selection of TV series in the official programme. Six German and international productions will have their world premieres at the Haus der Berliner Festspiele this year. Audiences...
- 1/20/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
In order to promote the cinema and filmmaking talent of Mexico and Ibero-America, the Guadalajara International Film Festival (Ficg), the University of Guadalajara and the University of Guadalajara Foundation in the U.S. present Ficg in La, a selection of the most outstanding films of 2013's Ficg. Ficg in La will be held at the Egyptian Theater in Hollywood November 1-3, 2013.Featuring outstanding and award-winning titles from FICG28, which ran from March 1-9, 2013, Ficg in La will offer the premiere of other titles that have emerged in the world of cinema throughout the year to great critical acclaim. The aim of the festival is increasing access and visibility of Mexican and Latin American cinema in the U.S., facilitating the exchange of ideas through stories and issues of cultural and social relevance, creating a space for collaboration between filmmakers and strengthening relationships between the film industry in Mexico and the U.S.
Ficg in La includes film screenings followed by Q&As with filmmakers and talent, as well as galas and special award recognitions to Latin American and U.S. Latino artists. "It is an honor and a great responsibility to direct Ficg in La and to join the mission of the Guadalajara International Film Festival (Ficg) –which is close to its 30th anniversary – whose main purpose is to promote Mexican and Latin American cinema, expand the audience for these films, contribute to the careers of new filmmakers, and to serve as liaison between Latin American cinema and the international film industry " said Hebe Tabachnik, Director and Producer of Ficg in La, who since 2011 has collaborated as the Guest Programmer for the Maguey Award section, which focuses on films about sexual diversity.
Part of the significance in increasing the presence of Ficg in La is that the state of California has a concentration of 14 million Latinos, of which about 12 million are Mexican or Mexican-American. Of the nearly 5 million residing in metropolitan Los Angeles and Long Beach area, nearly half originate from the State of Jalisco, revealing a strong cultural connection between its capital, Guadalajara, and the city of Los Angeles. "Ficg in La is a gateway to Latin American cinema in Hollywood and also for Latino filmmakers to forge a relationship with the Guadalajara International Film Festival and claim it as their home,” said Ivan Trujillo, Festival Director of Ficg. Among the celebrities that have accompanied us in previous editions include: Edward James Olmos, Sergio Arau, Diana Bracho, Alfonso Arau, Kate del Castillo, Martha Higareda, Beto Cuevas, Everardo González, Emilio Maille, Dulce Maria, Carmen Salinas and Jay Hernandez.
Ficg in La 2013 marks the beginning of a joint venture with Ambulante, the nonprofit organization founded by Gael García Bernal, Diego Luna and Pablo Cruz, dedicated to supporting documentary filmmaking as an important tool for cultural and social transformation. Ambulante will present the Los Angeles premiere of the Mexican documentary Quebranto (Disrupt), directed by Roberto Fiesco, who received a Special Jury Award in the Ibero-American Competition and was the winner of ther Maguey Award (FICG28), and more recently the Premio Sebastiane Latino Award at the San Sebastian International Film Festival. Ambulante will receive a special recognition for its outstanding contribution to promoting documentaries and documentary filmmakers since 2005.
Finally, in light of recent events in Mexico, our work this year wouldn’t be complete if we didn’t join the efforts to assist the communities severely affected by the tropical storms. Ficg in La has decided to donate all ticket sale proceeds to help rebuild these communities in need. Ficg in La is presented by the Guadalajara International Film Festival, the University of Guadalajara, University of Guadalajara Foundation in the United States, and is supported by the Consulate General of Mexico in Los Angeles. Ficg’s institutional sponsors include Conaculta, the Mexican Film Institute (Imcine), the Government of the State of Jalisco, Cultura Udg, Channel 44, as well as the municipalities of Guadalajara and Zapopan.
Ficg in L.A. Film Lineup 2013
Guadalajara International Film Festival In Los Angeles -- Ficg in La has announced the program for its third annual edition in Los Angeles. The festival will take place in Los Angeles from November 1-3, 2013 at the Egyptian Theater. The 3 day festival will showcase outstanding and award-winning titles from FICG28, which was held earlier this year in Guadalajara.
The entire program can be found at: www.ficginla.com
The Opening Night Presentation (November 1, 2013) will be the Us Premiere of Francisco Franco’s Tercera Llamada (Last Call) and it will be screened following the Ficg in La Awards Presentation to actor Fernando Luján for achievement in his career including his work in Tercera Llamada, to journalist, film critic, and television presenter, Juan Carlos Arciniegas for his contributions to the Latin entertainment community’s presence in the media. The additional award recipients for career achievement are cinematographer Gabriel Beristain and composer Emilio Kauderer. The final award will be presented to the non-profit organization, Ambulante for its work supporting and promoting documentary film as a tool for social and cultural transformation. A Gala reception in the courtyard of the Egyptian Theater will follow the film screening.
The Closing Night Presentation (November 3, 2013) Besos de Azucar (Sugar Kisses) is the West Coast Premiere of Carlos Cuaron’s film. Ficg in La will be the Us premiere for Levantamiertos, Soy Mucho Mejor Que Vos (I'm Better Than You), Puerto Padre (Port Father) and El Santos Vs La Tetona Mendoza (El Santos Vs The Busty Mendoza). Las Mariposas de Sadourni (Sadourni's Butterflies), Quebranto, and 7 Cajas (7 Boxes) will all have their Los Angeles premieres at Ficg in La.
This year’s Ficg in La films are as follows:
Features
7 Cajas (7 Boxes) -Juan Carlos Maneglia, Tana Schémbori
Paraguay, 100 min
Besos De Azucar (Sugar Kisses) – Carlos Cuarón
Mexico, 87 min
El Santos Vs La Tetona Mendoza
(El Santos Vs The Busty Mendoza) -Andrés Couturier, Alejandro Lozano
Mexico, 96 min
Las Mariposas De Sadourni (Sadourni's Butterflies ) -Dario Nardi
Argentina, 94 min
Levantamuertos - Miguel Nuñez
Mexico/USA, 82 min
Puerto Padre (Port Father) - Gustavo Fallas
Costa Rica/Mexico, 86 min
Purgatorio - Rodrigo Reyes
Mexico, 80 min
Quebranto (Disrupted) - Roberto Fiesco
Mexico, 92 min
Soy Mucho Mejor Que Vos - (I'm Better Than You) – Che Sandoval
Chile, 85 min
Tercera Llamada (Last Call) -Francisco Franco
Mexico, 92 min
Workers -José Luis Valle
Mexico, 120 min
Shorts
Rigo Mora Award Winning Shorts
Mexico, 73 min
Tickets Available At: https://ficginla.eventbrite.com
Ticket Price
Opening Night Gala, Recognition Awards Ceremony & Reception - $ 30
Closing Night Gala and Regular Screenings - $ 9
Please call 661-724-0807 if you have any questions about how to purchase your ticket to Ficg in La.
The proceeds from ticket sales will be donated to flood victims in Mexico.
About Ficg in La
Ficg in La is a window into the world of contemporary Mexican and Ibero-American cinema and it is an extension of the Guadalajara International Film Festival. This year′s Ficg in La will take place at Hollywood′s historic Egyptian Theatre, right in the heart of the worldwide film and entertainment industry. The festival is designed for people to come and explore the diverse regional narratives of Mexican and Ibero-America cinema, and to help critically acclaimed films from these regions reach a wider audience. Los Angeles provides an essential backdrop for the showcase to take place because of its strong cultural ties to Latin American communities all across the globe. The festival is presented by the University of Guadalajara, the University of Guadalajara Foundation in USA and the Guadalajara International Film Festival.
This year’s sponsors of Ficg in La include Cultura Udg, LeaLA Spanish Book Fair in Los Angeles, Udg TV, The National Council for Culture and The Arts, and the Mexican Consulate General. In addition, this year, Ficg in La is partnering with local organizations and consulates who embrace independent film and the goals of Ficg in La. Those partners include Film Independent, Project Involve, Outfest, The Argentinian Consulate General, The Chilean Consulate General, and the Asociación de Egresados del la Universidad de Guadalajara in Los Angeles.
www.ficginla.com
Expected to attend this year’s festival are:
The Cast of Tercera Llamada – Opening Night Film –
Audience Award and Best Actress - Female Ensemble - Ficg 28
Irene Azuela, Fernando Luján, Mariana Treviño
Francisco Franco Director,
Laura Imperiale Producer
Comic book artists Trino (José Trinidad Camacho Orozco) and Jis (José Ignacio Solórzano)
The artists behind The Santos vs.'s Busty Mendoza based on the famous comic strip characters of the same name.
Carlos Cuarón - The Director of Sugar Kisses - Besos de Azúcar - Closing Night Film
About Ficg
The Guadalajara International Film Festival was founded by Guillermo del Toro and other Mexican filmmakers in 1986, and will celebrate its 29th edition March 21-29, 2014. Ficg is the lead film festival in Latin America. It is a forum for the training, education, and creative exchange among industry professionals, film critics, and film students from all over Ibero-America.
About the University of Guadalajara – Mexico
The University of Guadalajara is a member of the University Network in the State of Jalisco, and it is the second oldest university in Mexico. The University of Guadalajara is committed to the betterment of society through higher education. It supports scientific and technological research that makes important contributions to a sustainable and inclusive society, respecting cultural diversity and honoring the principles of social justice, democracy, coexistence, and prosperity for all. The University is renowned in Mexico and abroad as a leader in the transformation of society through innovative means of social development and dissemination of knowledge.
About the Foundation of the University of Guadalajara in the U.S.
The University of Guadalajara Foundation in the United States of America (Udg Foundation-usa) is an extension of Fundación Universidad de Guadalajara, A.C., and is made up of a number of prominent academic and social leaders. The Foundation works to attain private support from individuals, foundations and corporations in order to fulfill the mission and vision of the University of Guadalajara in Los Angeles. U.S. Udg Foundation seeks to improve the quality of life and social integration of migrants and Hispanic nationals by increasing their access to education and enhancing their sense of belonging and identification with their environment by developing their skills and capabilities through educational services and relevant social research.
About Ambulante
Ambulante A.C., a nonprofit organization founded in 2005 by Gael García Bernal, Diego Luna and Pablo Cruz, is dedicated to supporting and promoting documentary film as a tool for social and cultural transformation. Ambulante travels to places where documentary films and training are limited with the purpose of creating engaged, critical and well-informed audiences. Each year, a documentary film festival travels with the support of Canana, Cinepolis, and the Morelia International Film Festival, covering several states in Mexico for 3 months, with an international showcase of over 100 documentaries, some 120 special guests, at over 150 venues.
For more information call 310.951.9797 or visit www.ficginla.com
Facebook:
https://www.facebook.com/pages/Ficg-in-la/1427478980805851
Twitter:
https://twitter.com/FICGinLA
Media Contact
Kc Mancebo
Clamorhouse
310-614-6036
kcm[At]clamorhouse.com
press[At]ficginla.com
Hebe Tabachnik
310-951-9797
hebe[At]ficginla.com...
Ficg in La includes film screenings followed by Q&As with filmmakers and talent, as well as galas and special award recognitions to Latin American and U.S. Latino artists. "It is an honor and a great responsibility to direct Ficg in La and to join the mission of the Guadalajara International Film Festival (Ficg) –which is close to its 30th anniversary – whose main purpose is to promote Mexican and Latin American cinema, expand the audience for these films, contribute to the careers of new filmmakers, and to serve as liaison between Latin American cinema and the international film industry " said Hebe Tabachnik, Director and Producer of Ficg in La, who since 2011 has collaborated as the Guest Programmer for the Maguey Award section, which focuses on films about sexual diversity.
Part of the significance in increasing the presence of Ficg in La is that the state of California has a concentration of 14 million Latinos, of which about 12 million are Mexican or Mexican-American. Of the nearly 5 million residing in metropolitan Los Angeles and Long Beach area, nearly half originate from the State of Jalisco, revealing a strong cultural connection between its capital, Guadalajara, and the city of Los Angeles. "Ficg in La is a gateway to Latin American cinema in Hollywood and also for Latino filmmakers to forge a relationship with the Guadalajara International Film Festival and claim it as their home,” said Ivan Trujillo, Festival Director of Ficg. Among the celebrities that have accompanied us in previous editions include: Edward James Olmos, Sergio Arau, Diana Bracho, Alfonso Arau, Kate del Castillo, Martha Higareda, Beto Cuevas, Everardo González, Emilio Maille, Dulce Maria, Carmen Salinas and Jay Hernandez.
Ficg in La 2013 marks the beginning of a joint venture with Ambulante, the nonprofit organization founded by Gael García Bernal, Diego Luna and Pablo Cruz, dedicated to supporting documentary filmmaking as an important tool for cultural and social transformation. Ambulante will present the Los Angeles premiere of the Mexican documentary Quebranto (Disrupt), directed by Roberto Fiesco, who received a Special Jury Award in the Ibero-American Competition and was the winner of ther Maguey Award (FICG28), and more recently the Premio Sebastiane Latino Award at the San Sebastian International Film Festival. Ambulante will receive a special recognition for its outstanding contribution to promoting documentaries and documentary filmmakers since 2005.
Finally, in light of recent events in Mexico, our work this year wouldn’t be complete if we didn’t join the efforts to assist the communities severely affected by the tropical storms. Ficg in La has decided to donate all ticket sale proceeds to help rebuild these communities in need. Ficg in La is presented by the Guadalajara International Film Festival, the University of Guadalajara, University of Guadalajara Foundation in the United States, and is supported by the Consulate General of Mexico in Los Angeles. Ficg’s institutional sponsors include Conaculta, the Mexican Film Institute (Imcine), the Government of the State of Jalisco, Cultura Udg, Channel 44, as well as the municipalities of Guadalajara and Zapopan.
Ficg in L.A. Film Lineup 2013
Guadalajara International Film Festival In Los Angeles -- Ficg in La has announced the program for its third annual edition in Los Angeles. The festival will take place in Los Angeles from November 1-3, 2013 at the Egyptian Theater. The 3 day festival will showcase outstanding and award-winning titles from FICG28, which was held earlier this year in Guadalajara.
The entire program can be found at: www.ficginla.com
The Opening Night Presentation (November 1, 2013) will be the Us Premiere of Francisco Franco’s Tercera Llamada (Last Call) and it will be screened following the Ficg in La Awards Presentation to actor Fernando Luján for achievement in his career including his work in Tercera Llamada, to journalist, film critic, and television presenter, Juan Carlos Arciniegas for his contributions to the Latin entertainment community’s presence in the media. The additional award recipients for career achievement are cinematographer Gabriel Beristain and composer Emilio Kauderer. The final award will be presented to the non-profit organization, Ambulante for its work supporting and promoting documentary film as a tool for social and cultural transformation. A Gala reception in the courtyard of the Egyptian Theater will follow the film screening.
The Closing Night Presentation (November 3, 2013) Besos de Azucar (Sugar Kisses) is the West Coast Premiere of Carlos Cuaron’s film. Ficg in La will be the Us premiere for Levantamiertos, Soy Mucho Mejor Que Vos (I'm Better Than You), Puerto Padre (Port Father) and El Santos Vs La Tetona Mendoza (El Santos Vs The Busty Mendoza). Las Mariposas de Sadourni (Sadourni's Butterflies), Quebranto, and 7 Cajas (7 Boxes) will all have their Los Angeles premieres at Ficg in La.
This year’s Ficg in La films are as follows:
Features
7 Cajas (7 Boxes) -Juan Carlos Maneglia, Tana Schémbori
Paraguay, 100 min
Besos De Azucar (Sugar Kisses) – Carlos Cuarón
Mexico, 87 min
El Santos Vs La Tetona Mendoza
(El Santos Vs The Busty Mendoza) -Andrés Couturier, Alejandro Lozano
Mexico, 96 min
Las Mariposas De Sadourni (Sadourni's Butterflies ) -Dario Nardi
Argentina, 94 min
Levantamuertos - Miguel Nuñez
Mexico/USA, 82 min
Puerto Padre (Port Father) - Gustavo Fallas
Costa Rica/Mexico, 86 min
Purgatorio - Rodrigo Reyes
Mexico, 80 min
Quebranto (Disrupted) - Roberto Fiesco
Mexico, 92 min
Soy Mucho Mejor Que Vos - (I'm Better Than You) – Che Sandoval
Chile, 85 min
Tercera Llamada (Last Call) -Francisco Franco
Mexico, 92 min
Workers -José Luis Valle
Mexico, 120 min
Shorts
Rigo Mora Award Winning Shorts
Mexico, 73 min
Tickets Available At: https://ficginla.eventbrite.com
Ticket Price
Opening Night Gala, Recognition Awards Ceremony & Reception - $ 30
Closing Night Gala and Regular Screenings - $ 9
Please call 661-724-0807 if you have any questions about how to purchase your ticket to Ficg in La.
The proceeds from ticket sales will be donated to flood victims in Mexico.
About Ficg in La
Ficg in La is a window into the world of contemporary Mexican and Ibero-American cinema and it is an extension of the Guadalajara International Film Festival. This year′s Ficg in La will take place at Hollywood′s historic Egyptian Theatre, right in the heart of the worldwide film and entertainment industry. The festival is designed for people to come and explore the diverse regional narratives of Mexican and Ibero-America cinema, and to help critically acclaimed films from these regions reach a wider audience. Los Angeles provides an essential backdrop for the showcase to take place because of its strong cultural ties to Latin American communities all across the globe. The festival is presented by the University of Guadalajara, the University of Guadalajara Foundation in USA and the Guadalajara International Film Festival.
This year’s sponsors of Ficg in La include Cultura Udg, LeaLA Spanish Book Fair in Los Angeles, Udg TV, The National Council for Culture and The Arts, and the Mexican Consulate General. In addition, this year, Ficg in La is partnering with local organizations and consulates who embrace independent film and the goals of Ficg in La. Those partners include Film Independent, Project Involve, Outfest, The Argentinian Consulate General, The Chilean Consulate General, and the Asociación de Egresados del la Universidad de Guadalajara in Los Angeles.
www.ficginla.com
Expected to attend this year’s festival are:
The Cast of Tercera Llamada – Opening Night Film –
Audience Award and Best Actress - Female Ensemble - Ficg 28
Irene Azuela, Fernando Luján, Mariana Treviño
Francisco Franco Director,
Laura Imperiale Producer
Comic book artists Trino (José Trinidad Camacho Orozco) and Jis (José Ignacio Solórzano)
The artists behind The Santos vs.'s Busty Mendoza based on the famous comic strip characters of the same name.
Carlos Cuarón - The Director of Sugar Kisses - Besos de Azúcar - Closing Night Film
About Ficg
The Guadalajara International Film Festival was founded by Guillermo del Toro and other Mexican filmmakers in 1986, and will celebrate its 29th edition March 21-29, 2014. Ficg is the lead film festival in Latin America. It is a forum for the training, education, and creative exchange among industry professionals, film critics, and film students from all over Ibero-America.
About the University of Guadalajara – Mexico
The University of Guadalajara is a member of the University Network in the State of Jalisco, and it is the second oldest university in Mexico. The University of Guadalajara is committed to the betterment of society through higher education. It supports scientific and technological research that makes important contributions to a sustainable and inclusive society, respecting cultural diversity and honoring the principles of social justice, democracy, coexistence, and prosperity for all. The University is renowned in Mexico and abroad as a leader in the transformation of society through innovative means of social development and dissemination of knowledge.
About the Foundation of the University of Guadalajara in the U.S.
The University of Guadalajara Foundation in the United States of America (Udg Foundation-usa) is an extension of Fundación Universidad de Guadalajara, A.C., and is made up of a number of prominent academic and social leaders. The Foundation works to attain private support from individuals, foundations and corporations in order to fulfill the mission and vision of the University of Guadalajara in Los Angeles. U.S. Udg Foundation seeks to improve the quality of life and social integration of migrants and Hispanic nationals by increasing their access to education and enhancing their sense of belonging and identification with their environment by developing their skills and capabilities through educational services and relevant social research.
About Ambulante
Ambulante A.C., a nonprofit organization founded in 2005 by Gael García Bernal, Diego Luna and Pablo Cruz, is dedicated to supporting and promoting documentary film as a tool for social and cultural transformation. Ambulante travels to places where documentary films and training are limited with the purpose of creating engaged, critical and well-informed audiences. Each year, a documentary film festival travels with the support of Canana, Cinepolis, and the Morelia International Film Festival, covering several states in Mexico for 3 months, with an international showcase of over 100 documentaries, some 120 special guests, at over 150 venues.
For more information call 310.951.9797 or visit www.ficginla.com
Facebook:
https://www.facebook.com/pages/Ficg-in-la/1427478980805851
Twitter:
https://twitter.com/FICGinLA
Media Contact
Kc Mancebo
Clamorhouse
310-614-6036
kcm[At]clamorhouse.com
press[At]ficginla.com
Hebe Tabachnik
310-951-9797
hebe[At]ficginla.com...
- 10/28/2013
- by Peter Belsito
- Sydney's Buzz
The Guadalajara International Film Festival (Ficg) is taking part in the year’s first celebration of the seventh art—the Palm Springs International Film Festival—where it is slated to present the Cine Latino Award to the best Iberoamerican film screened at the 24th edition of the California festival, which will run from January 3rd to 14th, 2013.
The award is accompanied by a cash prize of Us$5,000 contributed by the Guadalajara International Film Festival and the University of Guadalajara Foundation/USA located in Los Angeles, California.
The Cine Latino Award highlights the enormous creativity of new talents in the world of Iberoamerican cinema, at the same time underlining the commitment of the Ficg and the University of Guadalajara Foundation/USA to the consolidation of culture and the arts in the region and to the wider interchange of ideas within a global context.
I will have the pleasure of being on the jury along with Juan Carlos Arciniegas (Ccn en Español), a journalist with an established career in the area of motion picture and entertainment criticism and analysis—and Iván Trujillo Bolio, director of the Guadalajara International Film Festival.
Listed below are the 22 films eligible for the award. They include some of the productions from Iberoamerican countries nominated by the Academy of Motion Picture Arts and Sciences in the Foreign Language Film category of the 85th Academy Awards, to be held on February 24th, 2013.
7 Boxes (Paraguay), (Isa:Shoreline Entertainment)
Director: Juan Carlos Maneglia, Tana Schémbori
After Lucia (Mexico), (Isa: Bac Films)
Director: Michel Franco
Beauty (Argentina), (Isa: Campo Cine)
Director: Daniela Seggiaro
Blancanieves (Spain/France) (Dreamcatchers)
Director: Pablo Berger
Checkmate (Dominican Republic)
Director: José María Cabral
Clandestine Childhood (Argentina/Brazil/Spain)
Director: Benjamín Ávil
The Cleaner (Peru) (Isa: Flamingo Films)
Director: Adrian Saba
The Clown (Brazil)
Director: Selton Mellobr
The Dead Man and Being Happy (Spain) (Isa: Udi)
Director: Javier Rebollo
Drought (Mexico) (Isa:imcine)
Director: Everardo González
The Girl (USA/Mexico) (Isa: Goldcrest Fims)
Director: David Riker
Here and There (Spain/USA/Mexico) (Isa: Alpha Violet)
Director: Antonio Méndez Esparza
La Playa D.C. (Colombia/Brazil/France) (Isa: Cineplex)
Director: Juan Andrés Arango García
Multiple Visions (The Crazy Machine) (Mexico/France/Spain)
Director: Emilio Maillé
The Passion of Michelangelo (Chile/France)
Director: Esteban Larraín
Sadourni’s Butterflies (Argentina)
Director: Darío Nardi
The Sleeping Voice (Spain) (Isa: The Match Factory)
Director: Benito Zambrano
The Snitch Cartel (Colombia)
Director: Carlos Moreno
Tabu (Portugal/Brazil/France/Germany)
Director: Miguel Gomes
The End (Spain)
Director: Jorge Torregrossa
Una Noche (Cuba/UK/USA)
Director: Lucy Mulloy
White Elephant (Argentina/Spain/France)
Director: Pablo Trapero
Festival Internacional de Cine en Guadalajara.
Nebulosa 2916, Jardines del Bosque C.P. 44520 Guadalajara, Jal., México
Teléfonos: +52 (33) 3121-7461, 3122-7827, 3121-6860
Fax: 3121 7426
www.ficg.mx
Todos los derechos reservados ® Pficg | Patronato del Festival Internacional de Cine en Guadalajara.
The award is accompanied by a cash prize of Us$5,000 contributed by the Guadalajara International Film Festival and the University of Guadalajara Foundation/USA located in Los Angeles, California.
The Cine Latino Award highlights the enormous creativity of new talents in the world of Iberoamerican cinema, at the same time underlining the commitment of the Ficg and the University of Guadalajara Foundation/USA to the consolidation of culture and the arts in the region and to the wider interchange of ideas within a global context.
I will have the pleasure of being on the jury along with Juan Carlos Arciniegas (Ccn en Español), a journalist with an established career in the area of motion picture and entertainment criticism and analysis—and Iván Trujillo Bolio, director of the Guadalajara International Film Festival.
Listed below are the 22 films eligible for the award. They include some of the productions from Iberoamerican countries nominated by the Academy of Motion Picture Arts and Sciences in the Foreign Language Film category of the 85th Academy Awards, to be held on February 24th, 2013.
7 Boxes (Paraguay), (Isa:Shoreline Entertainment)
Director: Juan Carlos Maneglia, Tana Schémbori
After Lucia (Mexico), (Isa: Bac Films)
Director: Michel Franco
Beauty (Argentina), (Isa: Campo Cine)
Director: Daniela Seggiaro
Blancanieves (Spain/France) (Dreamcatchers)
Director: Pablo Berger
Checkmate (Dominican Republic)
Director: José María Cabral
Clandestine Childhood (Argentina/Brazil/Spain)
Director: Benjamín Ávil
The Cleaner (Peru) (Isa: Flamingo Films)
Director: Adrian Saba
The Clown (Brazil)
Director: Selton Mellobr
The Dead Man and Being Happy (Spain) (Isa: Udi)
Director: Javier Rebollo
Drought (Mexico) (Isa:imcine)
Director: Everardo González
The Girl (USA/Mexico) (Isa: Goldcrest Fims)
Director: David Riker
Here and There (Spain/USA/Mexico) (Isa: Alpha Violet)
Director: Antonio Méndez Esparza
La Playa D.C. (Colombia/Brazil/France) (Isa: Cineplex)
Director: Juan Andrés Arango García
Multiple Visions (The Crazy Machine) (Mexico/France/Spain)
Director: Emilio Maillé
The Passion of Michelangelo (Chile/France)
Director: Esteban Larraín
Sadourni’s Butterflies (Argentina)
Director: Darío Nardi
The Sleeping Voice (Spain) (Isa: The Match Factory)
Director: Benito Zambrano
The Snitch Cartel (Colombia)
Director: Carlos Moreno
Tabu (Portugal/Brazil/France/Germany)
Director: Miguel Gomes
The End (Spain)
Director: Jorge Torregrossa
Una Noche (Cuba/UK/USA)
Director: Lucy Mulloy
White Elephant (Argentina/Spain/France)
Director: Pablo Trapero
Festival Internacional de Cine en Guadalajara.
Nebulosa 2916, Jardines del Bosque C.P. 44520 Guadalajara, Jal., México
Teléfonos: +52 (33) 3121-7461, 3122-7827, 3121-6860
Fax: 3121 7426
www.ficg.mx
Todos los derechos reservados ® Pficg | Patronato del Festival Internacional de Cine en Guadalajara.
- 1/9/2013
- by Sydney Levine
- Sydney's Buzz
In Everardo González’s Drought, the residents of a barely-there area in northern Mexico called Cuates de Australia (a strange names whose origins even they aren’t sure of) search for water and travel about during the annual drought. The toll it takes on the land, people, and animals is sometimes deadly. A sort of documentary answer to Spring, Summer, Fall, Winter…and Spring, the film won the nonfiction prize at this year’s L.A. Film Festival and will play at the IFC Center in New York and Laemmle’s NoHo 7 starting this Friday as part of DocuWeeks. Filmmaker spoke to González about the project’s origins, participants, and most unsettling moments. (Note: González responded in Spanish and the film’s publicist, Carlos A. Gutiérrez, translated.)
Filmmaker: What initially drew you to the project?
González: I always wanted to work closely with the muleteers. My father is a veterinarian,...
Filmmaker: What initially drew you to the project?
González: I always wanted to work closely with the muleteers. My father is a veterinarian,...
- 8/9/2012
- by Michael Nordine
- Filmmaker Magazine - Blog
The last movie to be screened at this year's La film festival was Magic Mike: cue The Full Monty lite, Miami-style
This being Hollywood, there's no fat lady; just Channing Tatum stripping down to the buff in the premiere of Magic Mike, the last movie to be screened at this year's La film festival. Director Steven Soderbergh summed up succinctly in his affable introduction, "We're happy to be the closing night film. If you've been here for 10 days, you deserve some R and R, and this film is definitely that." While Tatum showed his best moves, this was The Full Monty lite, Miami-style. Matthew McConaughey's shirt ripping, leather-thonged performance was certainly what the enthusiastic festival crowd needed at the end of this ambitious programme, which boasted more than 200 selections. And even if they didn't, it's what they got.
Earlier in the day, assisted by actors Jon Heder and Ari Graynor,...
This being Hollywood, there's no fat lady; just Channing Tatum stripping down to the buff in the premiere of Magic Mike, the last movie to be screened at this year's La film festival. Director Steven Soderbergh summed up succinctly in his affable introduction, "We're happy to be the closing night film. If you've been here for 10 days, you deserve some R and R, and this film is definitely that." While Tatum showed his best moves, this was The Full Monty lite, Miami-style. Matthew McConaughey's shirt ripping, leather-thonged performance was certainly what the enthusiastic festival crowd needed at the end of this ambitious programme, which boasted more than 200 selections. And even if they didn't, it's what they got.
Earlier in the day, assisted by actors Jon Heder and Ari Graynor,...
- 6/25/2012
- by Lisa Marks
- The Guardian - Film News
Los Angeles (June 24, 2012) – Film Independent, the non-profit arts organization that produces the Los Angeles Film Festival and the Spirit Awards, announced the jury and audience award winners for the 2012 Festival The La Film Fest ran from Thursday, June 14 to Sunday, June 24 in downtown Los Angeles. The two top juried awards are the Narrative Award and Documentary Award, each carrying an unrestricted $15,000 cash prize funded by Film Independent, for the winning film’s director. The Narrative Award recognizes the finest narrative film in competition at the Festival and went to Pocas Pascoal for the North American Premiere of All is Well, with an Honorable Mention going to Dominga Sotomayor’s Thursday Till Sunday. The Documentary Award recognizes the finest documentary film in competition at the Festival and went to Everardo González for the U.S. Premiere of Drought. The award for Best Performance in the Narrative Competition went to Wendell Pierce,...
- 6/24/2012
- by NIKKI FINKE
- Deadline Hollywood
The Los Angeles Film Festival juries honored Pocas Pascoal's "All is Well" and Everardo Gonzalez's "Drought" with their top prizes on Sunday. Pascoal's drama about two women from Angola who fled to Lisbon to escape civil war won the Narrative Award, securing a $15,000 cash prize for the director. The narrative jury, comprised of actress Rachael Harris, Robert Townsend and film critic Sheri Linden, described it as "a work of striking visual eloquence and emotional honesty." The jury rewarded Dominga Sotomayor's "Thursday Til Sunday," a Chilean road movie, with the honorable mention...
- 6/24/2012
- by Lucas Shaw
- The Wrap
Virgin America Is Premier Sponsor Of 2012 Los Angeles Film Festival, Presented By Film Independent
Kodak, Stella Artois, Melrose Mac, Regal Cinemas L.A. Live Stadium 14, Jameson® Irish Whiskey, Deluxe Entertainment Services Group and Efilm, HBO®, Volkswagen of America, Canon U.S.A., Nokia and Dolby Laboratories, Inc. are Platinum Sponsors
Los Angeles (June 13, 2012) . Today the Los Angeles Film Festival, presented by Film Independent and Host Venue Regal Cinemas L.A. Live Stadium 14 announced its sponsors for the 2012 Festival. The Los Angeles Film Festival will run from Thursday, June 14 to Sunday, June 24 in downtown Los Angeles. The Presenting Media Sponsor is the Los Angeles Times, Premier and Opening Night Sponsor Virgin America and Platinum sponsors Kodak, Stella Artois, Melrose Mac, Regal Cinemas L.A. Live Stadium 14, Jameson® Irish Whiskey, Deluxe Entertainment Services Group and Efilm, HBO, Volkswagen of America, Canon U.S.A., Nokia and Dolby Laboratories, Inc. Special support is...
Kodak, Stella Artois, Melrose Mac, Regal Cinemas L.A. Live Stadium 14, Jameson® Irish Whiskey, Deluxe Entertainment Services Group and Efilm, HBO®, Volkswagen of America, Canon U.S.A., Nokia and Dolby Laboratories, Inc. are Platinum Sponsors
Los Angeles (June 13, 2012) . Today the Los Angeles Film Festival, presented by Film Independent and Host Venue Regal Cinemas L.A. Live Stadium 14 announced its sponsors for the 2012 Festival. The Los Angeles Film Festival will run from Thursday, June 14 to Sunday, June 24 in downtown Los Angeles. The Presenting Media Sponsor is the Los Angeles Times, Premier and Opening Night Sponsor Virgin America and Platinum sponsors Kodak, Stella Artois, Melrose Mac, Regal Cinemas L.A. Live Stadium 14, Jameson® Irish Whiskey, Deluxe Entertainment Services Group and Efilm, HBO, Volkswagen of America, Canon U.S.A., Nokia and Dolby Laboratories, Inc. Special support is...
- 6/13/2012
- by Melissa Howland
- WeAreMovieGeeks.com
HollywoodNews.com: Several new events at the 2012 Los Angeles Film Festival were announced this morning including this year’s Festival Keynote Speaker, Chris McGurk, Chariman and CEO of Cinedigm Entertainment group. On June 16, McGurk will speak on the art and business of independent film by addressing the Renaissance of Indie Film. The keynote speech will also open a full day of panels at the Afci Locations Show. Also announced is a new event on June 19 featuring comedian Marc Maron hosting his Wtf podcast live with a to-be-announced guest in front of an intimate Festival audience. Past Wtf podcast guests include Judd Apatow, Louis Ck, Jon Hamm, Patton Oswalt and Amy Poehler.
The Festival’s popular Coffee Talks will take place on June 17 featuring actors Jason Isaacs and Melanie Lynskey, directors Lawrence Kasdan and Catherine Hardwicke, screenwriters John August and Zak Penn, composers Rolfe Kent, Cliff Martinez, and Michael Penn, plus more to be announced.
The Festival’s popular Coffee Talks will take place on June 17 featuring actors Jason Isaacs and Melanie Lynskey, directors Lawrence Kasdan and Catherine Hardwicke, screenwriters John August and Zak Penn, composers Rolfe Kent, Cliff Martinez, and Michael Penn, plus more to be announced.
- 5/29/2012
- by Josh Abraham
- Hollywoodnews.com
Guadalajara Wraps and a New Fest Begins
Ficg (pronounced FeeSeeg and standing for the Festival International de Cine in Guadalajara), displayed a new vibrancy. Besides some great films, great attendance and great organization, several Latin American countries are entering the international film business for the first time (Peru and Ecuador) with subsidies from their government pointing to an optimism for film production as an economic factor in their country's growth. I blogged about the Dominican Republic but not about the new Law 226 in Mexico which encourages businesses to invest up to 20 million pesos (U.S.$2 million) or 10% of the taxes they owed the previous year (whichever is higher) into Mexican film production, or Brazilian access to subsidies.
In addition, Guadalajara is becoming known as the Silicon Valley of Mexico as its economy is based especially on information technology with a large number of international firms having facilities there. It is also considered to be the home of Mariachi music. The city is named after the Spanish city of Guadalajara with the name originating from the Arabic word meaning "Valley of Stones". It is the highest ranking major Mexican city and has the second strongest economic potential of any major North American city. Only Chicago scores more highly for sheer economic potential (Per a 2007 report in fDi magazine, an English-language news and foreign direct investment publication owned by The Financial Times Ltd and edited in London). The same research calls Guadalajara the "city of the future" due to its youthful population, low unemployment and large number of recent foreign investment deals. It was also ranked the third most business friendly city in North America.
A new digital film studio is going up. The University is an important center of culture and learning.
And sadly, violence over drugs is not far away. This past Friday, Narco gangs appropriated 25 vehicles in 16 separate incidents – 11 of them in the Guadalajara metropolitan zone where they set fire to them in retaliation for action taken against them in a military action to capture two Mexican drug cartel members. At the Centro Magno festival venue, festival transport staff stopped filmgoers leaving a screening of Andres Wood's Violeta Went to Heaven as they sought to return to the festival's central Expo Center venue, acknowledging concerns for safety. A truck was set on fire not far (but not too close either: at Calzada Lázaro Cárdenas and Mezquite, at la Colonia de El Fresno) from the Expo where the festival was still being held, but there was no disruption of the festival.
Our friend, Hebe Tabachnik, Iberoamerican programmer for the Palm Springs Film Festival is on the jury and writes from there:
Dear friends, in spite of the disruptive and unfortunately deadly incidents in Guadalajara today, all the attendees to the Ficg Guadalajara are Ok. We are sorry this beautiful city and specially its amazing people have to experience this kind of criminal acts. The festival is going ahead with its schedule events, as it should be. Celebrating the arts and show no fear is the best way to manifest against the non sense violence. Viva Guadalajara. Viva Mexico!!!!
The activities of the industry, with meetings about Iberoamerican coproductions with its well presented professional projects, the film market itself with films available to watch up to 2 weeks after the closing, the Cannes Marche Producers Network, Works in Progress, Berlinale's Talent Campus and Doculab, and of course, the festival itself with galas every night, a Focus on U.K. and Mike Leigh, Homages, Mexican and Iberoamerican Competition, Sounds of Cinema, Children's Cinema, Lgbt prizes, Open Air Screenings - all defy easy decision making on how best to spend one's time there.
The prize winners:
PalmarÉS FICG27
Premio Maguey
Mención Especial
“Todo el mundo tiene alguien menos yo” (México) Dir. Raúl Fuentes
Premio Maguey
“Mía“ (Argentina) Dir. Javier van de Couter
Premio del Público Milenio
“Espacio Interior“ (México) Dir. Kai Parlange
Premio Mezcal
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Premio Cinecolor
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Mejor Cortometraje de Animación - Premio Rigo Mora
“Un ojo” (México) Dir. Lorenza Manrique
Mejor Cortometraje Iberoamericano
“Minuto 200” (Colombia) Dir. Frank Benítez
Mejor Cortometraje Mexicano
“Lucy vs. los límites de la voz” (México) Dir. Mónica Herrera
Largometraje Iberoamericano Documental
Mención Especial
“El salvavidas“ (Chile) Dir. Maite Alberdi
Mejor Documental Iberoamericano
“ ¡Vivan las antípodas! “(Argentina - Chile - Alemania - Holanda) Dir. Víctor Kossakovsky
Largometraje Mexicano Documental
Mención Especial
“Carrière, 250 metros” Dir. Juan Carlos Rulfo y Natalia Gil
Mención Especial
“El paciente interno” Dir. Alejandro Solar
Mejor Documental Mexicano
“Cuates de Australia” Everardo González
Largometraje de Ficción Iberoamericana
Mejor Guion
Jaime Osorio por “El páramo” (Colombia)
Mejor Fotografía
Mauro Pinheiro Jr. por “Sudoeste” (Brasil)
Mejor Actriz
Francisca Gavilán por “Violeta se fue a los cielos” (Chile)
Mejor Actor
Andrés Crespo por “Pescador” (Ecuador)
Premio Especial del Jurado
“Los pasos dobles” (España - Suiza) Dir. Isaki Lacuesta
Mejor Opera Prima
“Transeunte” (Brasil) Dir. Eryk Rocha
Mejor Director
Sebastián Cordero por “Pescador” (Ecuador)
Mejor Película Iberoamericana
"Abrir puertas y ventanas" (Argentina) "Dir. Milagros Mumenthaler
Largometraje de Ficción Mexicana
Mención Especial
Música Original de "Días de gracia"
Mejor Guion
Miguel Bonilla por “Diente por diente”
Mejor Fotografía
Jerónimo Rodríguez por “Todo el mundo tiene a alguien menos yo”
Mejor Actriz
Martha Higareda por “Mariachi Gringo”
Mejor Actor
Kuno Becker por “Espacio Interior”
Mejor Opera Prima
"El fantástico mundo de Juan Orol" Dir. Sebastián del Amo
Mejor Director
Everardo Gout por “Días de gracia”.
Mejor Película
“Mariachi Gringo” Dir. Tom Gustafson
alt=premios-paralelos>
Premio de los Niños
“El secreto del medallón de jade” (México) Dir. Rodolfo Guzmán y Leopoldo Aguilar
Premio Feisal
Mención Especial
“No hay lugar lejano” (México) Dir. Michelle Ibaven
Mención Especial
“Oro Colombiano: 400 años de música del alma” (Colombia) Dir. Sanjay Agarwal e Iván Higa
Premio Feisal
“75 habitantes, 20 casas, 300 vacas” (Argentina) Dir. Fernando Domínguez
Premio Fipresci
“Violeta se fue a los cielos” (Chile) Dir. Andrés Wood
Guerrero de la Prensa
Mejor largometraje de ficción “Días de gracia” (México) Dir. Everardo Gout Mejor largometraje documental “El paciente interno” (México) Dir. Alejandro Solar
Academia Jalisciense de Cinematografía
Mejor cortometraje jalisciense “La noria” Dir. Karla Castañeda Mejor largometraje jalisciense “Fecha de caducidad” Dir. Kenya Márquez
No sooner does this festival and market wrap when a new Mexican festival, the Riviera Maya Film Festival, begins March 20 - 25 which will play in Cancun, Playa del Carmen, Tulum, Cozumel and Holbox. The industry component Rivieralab, a coproduction event will take place in Quintana Roo March 22-25 and will host 158 projects from Latin America and Europe. 10 projects will be showcased to financiers, fund representatives, producers and sales agents, 3 will receive 200,000 pesos or approximately Us$15,500. 8 international works in progress at post-production stage from a pool of 40 will be selected to receive support.
Ficg (pronounced FeeSeeg and standing for the Festival International de Cine in Guadalajara), displayed a new vibrancy. Besides some great films, great attendance and great organization, several Latin American countries are entering the international film business for the first time (Peru and Ecuador) with subsidies from their government pointing to an optimism for film production as an economic factor in their country's growth. I blogged about the Dominican Republic but not about the new Law 226 in Mexico which encourages businesses to invest up to 20 million pesos (U.S.$2 million) or 10% of the taxes they owed the previous year (whichever is higher) into Mexican film production, or Brazilian access to subsidies.
In addition, Guadalajara is becoming known as the Silicon Valley of Mexico as its economy is based especially on information technology with a large number of international firms having facilities there. It is also considered to be the home of Mariachi music. The city is named after the Spanish city of Guadalajara with the name originating from the Arabic word meaning "Valley of Stones". It is the highest ranking major Mexican city and has the second strongest economic potential of any major North American city. Only Chicago scores more highly for sheer economic potential (Per a 2007 report in fDi magazine, an English-language news and foreign direct investment publication owned by The Financial Times Ltd and edited in London). The same research calls Guadalajara the "city of the future" due to its youthful population, low unemployment and large number of recent foreign investment deals. It was also ranked the third most business friendly city in North America.
A new digital film studio is going up. The University is an important center of culture and learning.
And sadly, violence over drugs is not far away. This past Friday, Narco gangs appropriated 25 vehicles in 16 separate incidents – 11 of them in the Guadalajara metropolitan zone where they set fire to them in retaliation for action taken against them in a military action to capture two Mexican drug cartel members. At the Centro Magno festival venue, festival transport staff stopped filmgoers leaving a screening of Andres Wood's Violeta Went to Heaven as they sought to return to the festival's central Expo Center venue, acknowledging concerns for safety. A truck was set on fire not far (but not too close either: at Calzada Lázaro Cárdenas and Mezquite, at la Colonia de El Fresno) from the Expo where the festival was still being held, but there was no disruption of the festival.
Our friend, Hebe Tabachnik, Iberoamerican programmer for the Palm Springs Film Festival is on the jury and writes from there:
Dear friends, in spite of the disruptive and unfortunately deadly incidents in Guadalajara today, all the attendees to the Ficg Guadalajara are Ok. We are sorry this beautiful city and specially its amazing people have to experience this kind of criminal acts. The festival is going ahead with its schedule events, as it should be. Celebrating the arts and show no fear is the best way to manifest against the non sense violence. Viva Guadalajara. Viva Mexico!!!!
The activities of the industry, with meetings about Iberoamerican coproductions with its well presented professional projects, the film market itself with films available to watch up to 2 weeks after the closing, the Cannes Marche Producers Network, Works in Progress, Berlinale's Talent Campus and Doculab, and of course, the festival itself with galas every night, a Focus on U.K. and Mike Leigh, Homages, Mexican and Iberoamerican Competition, Sounds of Cinema, Children's Cinema, Lgbt prizes, Open Air Screenings - all defy easy decision making on how best to spend one's time there.
The prize winners:
PalmarÉS FICG27
Premio Maguey
Mención Especial
“Todo el mundo tiene alguien menos yo” (México) Dir. Raúl Fuentes
Premio Maguey
“Mía“ (Argentina) Dir. Javier van de Couter
Premio del Público Milenio
“Espacio Interior“ (México) Dir. Kai Parlange
Premio Mezcal
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Premio Cinecolor
“Un mundo secreto“ (México) Dir. Gabriel Mariño
Mejor Cortometraje de Animación - Premio Rigo Mora
“Un ojo” (México) Dir. Lorenza Manrique
Mejor Cortometraje Iberoamericano
“Minuto 200” (Colombia) Dir. Frank Benítez
Mejor Cortometraje Mexicano
“Lucy vs. los límites de la voz” (México) Dir. Mónica Herrera
Largometraje Iberoamericano Documental
Mención Especial
“El salvavidas“ (Chile) Dir. Maite Alberdi
Mejor Documental Iberoamericano
“ ¡Vivan las antípodas! “(Argentina - Chile - Alemania - Holanda) Dir. Víctor Kossakovsky
Largometraje Mexicano Documental
Mención Especial
“Carrière, 250 metros” Dir. Juan Carlos Rulfo y Natalia Gil
Mención Especial
“El paciente interno” Dir. Alejandro Solar
Mejor Documental Mexicano
“Cuates de Australia” Everardo González
Largometraje de Ficción Iberoamericana
Mejor Guion
Jaime Osorio por “El páramo” (Colombia)
Mejor Fotografía
Mauro Pinheiro Jr. por “Sudoeste” (Brasil)
Mejor Actriz
Francisca Gavilán por “Violeta se fue a los cielos” (Chile)
Mejor Actor
Andrés Crespo por “Pescador” (Ecuador)
Premio Especial del Jurado
“Los pasos dobles” (España - Suiza) Dir. Isaki Lacuesta
Mejor Opera Prima
“Transeunte” (Brasil) Dir. Eryk Rocha
Mejor Director
Sebastián Cordero por “Pescador” (Ecuador)
Mejor Película Iberoamericana
"Abrir puertas y ventanas" (Argentina) "Dir. Milagros Mumenthaler
Largometraje de Ficción Mexicana
Mención Especial
Música Original de "Días de gracia"
Mejor Guion
Miguel Bonilla por “Diente por diente”
Mejor Fotografía
Jerónimo Rodríguez por “Todo el mundo tiene a alguien menos yo”
Mejor Actriz
Martha Higareda por “Mariachi Gringo”
Mejor Actor
Kuno Becker por “Espacio Interior”
Mejor Opera Prima
"El fantástico mundo de Juan Orol" Dir. Sebastián del Amo
Mejor Director
Everardo Gout por “Días de gracia”.
Mejor Película
“Mariachi Gringo” Dir. Tom Gustafson
alt=premios-paralelos>
Premio de los Niños
“El secreto del medallón de jade” (México) Dir. Rodolfo Guzmán y Leopoldo Aguilar
Premio Feisal
Mención Especial
“No hay lugar lejano” (México) Dir. Michelle Ibaven
Mención Especial
“Oro Colombiano: 400 años de música del alma” (Colombia) Dir. Sanjay Agarwal e Iván Higa
Premio Feisal
“75 habitantes, 20 casas, 300 vacas” (Argentina) Dir. Fernando Domínguez
Premio Fipresci
“Violeta se fue a los cielos” (Chile) Dir. Andrés Wood
Guerrero de la Prensa
Mejor largometraje de ficción “Días de gracia” (México) Dir. Everardo Gout Mejor largometraje documental “El paciente interno” (México) Dir. Alejandro Solar
Academia Jalisciense de Cinematografía
Mejor cortometraje jalisciense “La noria” Dir. Karla Castañeda Mejor largometraje jalisciense “Fecha de caducidad” Dir. Kenya Márquez
No sooner does this festival and market wrap when a new Mexican festival, the Riviera Maya Film Festival, begins March 20 - 25 which will play in Cancun, Playa del Carmen, Tulum, Cozumel and Holbox. The industry component Rivieralab, a coproduction event will take place in Quintana Roo March 22-25 and will host 158 projects from Latin America and Europe. 10 projects will be showcased to financiers, fund representatives, producers and sales agents, 3 will receive 200,000 pesos or approximately Us$15,500. 8 international works in progress at post-production stage from a pool of 40 will be selected to receive support.
- 3/12/2012
- by Sydney Levine
- Sydney's Buzz
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