Bradford Thomason and Brett Whitcomb’s feature documentary “Butterfly in the Sky,” about the beloved 1980’s PBS children’s series “Reading Rainbow” will be released in select AMC theaters and digitally through Fifth Season.
The film, which premiered at the Tribeca Film Festival in 2023, takes audiences behind the scenes of the children’s series and tells the story of the show’s creators, who believed the small screen could inspire a love of reading. The docu also spotlights the show’s host LeVar Burton and gives an inside look at the challenges he and the show’s creators faced in cultivating a love of reading through television.
The doc, produced by Xtr, will have a limited theatrical release beginning on March 17 in select AMC theaters followed by a full run in New York and additional cities. The film’s digital and international rights have been acquired by Fifth Season. The...
The film, which premiered at the Tribeca Film Festival in 2023, takes audiences behind the scenes of the children’s series and tells the story of the show’s creators, who believed the small screen could inspire a love of reading. The docu also spotlights the show’s host LeVar Burton and gives an inside look at the challenges he and the show’s creators faced in cultivating a love of reading through television.
The doc, produced by Xtr, will have a limited theatrical release beginning on March 17 in select AMC theaters followed by a full run in New York and additional cities. The film’s digital and international rights have been acquired by Fifth Season. The...
- 2/28/2024
- by Addie Morfoot
- Variety Film + TV
The winners for the 2020 American Cinema Editors Awards were announced Friday, January 17 at the Beverly Hilton Hotel in Los Angeles. These are the 70th annual edition of the Ace Eddie Awards, which honor the best in feature film and television editing for the 2019 calendar year. Four Oscar nominees for Best Film Editing contend for the guild’s drama prize with the fifth recognized over on the comedy side (“Jojo Rabbit”). Scroll down to see the complete list of Ace Eddie winners, which are marked in gold.
SEE2020 Ace Eddie Awards preview: Which Oscar nominee for Best Film Editing will win here first?
The Eddies have an excellent track record for predicting the ultimate Oscar winner for Best Film Editing, with 22 of the last 29 matching up including last year’s champion “Bohemian Rhapsody.” In addition, since the guild split their top award into two prizes in 2000, eight of their 20 winners went...
SEE2020 Ace Eddie Awards preview: Which Oscar nominee for Best Film Editing will win here first?
The Eddies have an excellent track record for predicting the ultimate Oscar winner for Best Film Editing, with 22 of the last 29 matching up including last year’s champion “Bohemian Rhapsody.” In addition, since the guild split their top award into two prizes in 2000, eight of their 20 winners went...
- 1/18/2020
- by Marcus James Dixon
- Gold Derby
The influential Ace Eddie Awards nominees for editing include the prestige dramas “Ford v Ferrari, ” “The Irishman,” “Joker,” “Marriage Story,” and “Parasite,” Left out was Sam Mendes’ late-breaking bold, single-cut “1917” from Oscar-winner Lee Smith (“Dunkirk”), which does not bode well for an Academy Award nomination. Best Picture contender “Once Upon a Time in Hollywood” made the cut as a comedy nominee along with “Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” and “Knives Out.”
This makes for a competitive Oscar race, with three-time Academy Award-winner Thelma Schoonmaker as the frontrunner for “The Irishman,” Martin Scorsese’s deeply personal, character-driven, non-linear ode to mob life, complicated by Ilm’s experimental VFX de-aging of Robert De Niro, Al Pacino, and Joe Pesci. “Once Upon a Time in Hollywood,” Quentin Tarantino’s complex love letter to Tinseltown, should earn a nomination for Fred Raskin; Todd Phillips’ bending of reality and fantasy around...
This makes for a competitive Oscar race, with three-time Academy Award-winner Thelma Schoonmaker as the frontrunner for “The Irishman,” Martin Scorsese’s deeply personal, character-driven, non-linear ode to mob life, complicated by Ilm’s experimental VFX de-aging of Robert De Niro, Al Pacino, and Joe Pesci. “Once Upon a Time in Hollywood,” Quentin Tarantino’s complex love letter to Tinseltown, should earn a nomination for Fred Raskin; Todd Phillips’ bending of reality and fantasy around...
- 12/11/2019
- by Bill Desowitz and Libby Hill
- Indiewire
The American Cinema Editors nominations for the Eddie Awards announced on Wednesday (December 11) include our Oscar frontrunner for Best Film Editing, “The Irishman,” along with three of the other four films we’re predicting to reap bids in that race: “Ford v Ferrari,” “Once Upon a Time in Hollywood” and “Parasite.” While the WWI epic “1917,” which is made to look like one continuous shot, was snubbed by the guild we expect it to be the fifth Academy Awards contender.
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals. “Ford v Ferrari,” “The Irishman” and “Parasite” contend here in the drama race, which is rounded out by “Joker” and “Marriage Story.” Facing off against “Once Upon a Time in Hollywood” on the comedy side are “Dolemite is My Name,” “The Farewell,” “Jojo Rabbit” and “Knives Out.”
In 1992, the Eddies went from three to five nominees...
The Ace Eddie Awards divide their prizes for editing between dramas and comedies/musicals. “Ford v Ferrari,” “The Irishman” and “Parasite” contend here in the drama race, which is rounded out by “Joker” and “Marriage Story.” Facing off against “Once Upon a Time in Hollywood” on the comedy side are “Dolemite is My Name,” “The Farewell,” “Jojo Rabbit” and “Knives Out.”
In 1992, the Eddies went from three to five nominees...
- 12/11/2019
- by Paul Sheehan
- Gold Derby
The American Cinema Editors has nominated “Ford v Ferrari,” “Joker,” “The Irishman,” “Marriage Story” and “Parasite” for its Ace Eddie top feature film drama award.
“Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time in Hollywood” received nominations in the feature comedy category. Nominated animated films include “Frozen 2,” “I Lost My Body” and “Toy Story 4.”
For the first time in Ace’s 70-year history, three foreign language films are among the nominees — “The Farewell,” which is partly in Mandarin, French animated film “I Lost My Body” and Korean-language “Parasite.”
On the television side, the spy thriller “Killing Eve” scored Ace nominations for Dan Crinnion for the “Desperate Times” episode and the “Smell Ya Later” episode for Al Morrow.
Winners will be revealed during Ace’s annual black-tie awards ceremony on Jan. 17 at the Beverly Hilton Hotel and will be presided over by Ace president Stephen Rivkin.
“Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time in Hollywood” received nominations in the feature comedy category. Nominated animated films include “Frozen 2,” “I Lost My Body” and “Toy Story 4.”
For the first time in Ace’s 70-year history, three foreign language films are among the nominees — “The Farewell,” which is partly in Mandarin, French animated film “I Lost My Body” and Korean-language “Parasite.”
On the television side, the spy thriller “Killing Eve” scored Ace nominations for Dan Crinnion for the “Desperate Times” episode and the “Smell Ya Later” episode for Al Morrow.
Winners will be revealed during Ace’s annual black-tie awards ceremony on Jan. 17 at the Beverly Hilton Hotel and will be presided over by Ace president Stephen Rivkin.
- 12/11/2019
- by Dave McNary
- Variety Film + TV
American Cinema Editors has spliced together its nominations for the 70th annual Ace Eddie Awards, which recognize outstanding editing in 11 categories of film, television and documentaries. The honorary society will dole out its hardware during the January 17 ceremony at the Beverly Hilton.
Final balloting opens December 16 and closes January 6. Check out the list below.
For the first time, three foreign-language films are among the Eddie Awards nominees — The Farewell, I Lost My Body and Parasite — despite there not being a specific category for films predominantly in a foreign language.
Last year’s big winner on the feature side was Bohemian Rhapsody, which went on to score the Oscar for John Ottman.
Here are the nominees for the 70th annual Ace Eddie Awards:
Best Edited Feature Film (Drama)
Ford v Ferrari
Michael McCusker, Ace & Andrew Buckland
The Irishman
Thelma Schoonmaker, Ace
Joker
Jeff Groth
Marriage Story
Jennifer Lame, Ace
Parasite
Jinmo Yang...
Final balloting opens December 16 and closes January 6. Check out the list below.
For the first time, three foreign-language films are among the Eddie Awards nominees — The Farewell, I Lost My Body and Parasite — despite there not being a specific category for films predominantly in a foreign language.
Last year’s big winner on the feature side was Bohemian Rhapsody, which went on to score the Oscar for John Ottman.
Here are the nominees for the 70th annual Ace Eddie Awards:
Best Edited Feature Film (Drama)
Ford v Ferrari
Michael McCusker, Ace & Andrew Buckland
The Irishman
Thelma Schoonmaker, Ace
Joker
Jeff Groth
Marriage Story
Jennifer Lame, Ace
Parasite
Jinmo Yang...
- 12/11/2019
- by Erik Pedersen
- Deadline Film + TV
“Ford v Ferrari,” “The Irishman,” “Joker,” “Marriage Story” and “Parasite” have been nominated in the dramatic-film category at the American Cinema Editors’ Ace Eddie Awards, which honor the best in film editing.
In the comedy category, the nominees were “Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time … in Hollywood.”
The most notable omission was “1917,” which contains dozens of cuts but was designed to look as if it was filmed in one continuous, unbroken shot.
Also Read: Golden Globes 2020: The Complete List of Nominees
In recent years, more than 90 percent of the Oscar nominees in the Best Film Editing category have first been recognized by the American Cinema Editors. The majority of Oscar nominees have come from the Ace Eddie dramatic category – though for the last two years, the Academy has taken three nominees from the Ace Eddies’ comedy category and only two from the drama category.
In the comedy category, the nominees were “Dolemite Is My Name,” “The Farewell,” “Jojo Rabbit,” “Knives Out” and “Once Upon a Time … in Hollywood.”
The most notable omission was “1917,” which contains dozens of cuts but was designed to look as if it was filmed in one continuous, unbroken shot.
Also Read: Golden Globes 2020: The Complete List of Nominees
In recent years, more than 90 percent of the Oscar nominees in the Best Film Editing category have first been recognized by the American Cinema Editors. The majority of Oscar nominees have come from the Ace Eddie dramatic category – though for the last two years, the Academy has taken three nominees from the Ace Eddies’ comedy category and only two from the drama category.
- 12/11/2019
- by Steve Pond
- The Wrap
Awards ceremony takes place in Los Angeles on January 17, 2020.
Parasite, The Farewell and I Lost My Body have earned nominations from the America Cinema Editors (Ace), marking the first time three foreign-language films have garnered nods in the group’s 70-year history.
Bong Joon Ho’s South Korean dark comedy Parasite is nominated in the best edited feature film (drama) category, while Us-Chinese The Farewell is in best edited feature film (comedy), and France’s I Lost My Body is in best edited animated feature film.
The Ace awards ceremony will take place in Los Angeles on January 17, 2020. Final ballots...
Parasite, The Farewell and I Lost My Body have earned nominations from the America Cinema Editors (Ace), marking the first time three foreign-language films have garnered nods in the group’s 70-year history.
Bong Joon Ho’s South Korean dark comedy Parasite is nominated in the best edited feature film (drama) category, while Us-Chinese The Farewell is in best edited feature film (comedy), and France’s I Lost My Body is in best edited animated feature film.
The Ace awards ceremony will take place in Los Angeles on January 17, 2020. Final ballots...
- 12/11/2019
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
The song “My Bathroom” from 1969 never made it onto the Billboard charts. But that doesn’t mean this ode to the commode—with lyrics like “My bathroom, my bathroom, is my very special room, where I primp and fuss and groom”—isn’t worthy of deeper appreciation.
That’s the guiding spirit of Bathtubs Over Broadway, the documentary directed by Dava Whisenant that explores the “golden age” of industrial musicals when companies great and small commissioned Broadway-style shows to celebrate their products and motivate sales staff.
“That kind of heyday of corporate musicals was between the ’50s and mid-’80s. Huge companies like Ford, McDonald’s, to very small companies that made cafeteria steam tables, all these companies were doing musicals,” Whisenant tells Deadline. “These weren’t commercials, they weren’t jingles, they were a full-blown book musical…with a storyline, making that salesman and his team feel better about the work they were doing.
That’s the guiding spirit of Bathtubs Over Broadway, the documentary directed by Dava Whisenant that explores the “golden age” of industrial musicals when companies great and small commissioned Broadway-style shows to celebrate their products and motivate sales staff.
“That kind of heyday of corporate musicals was between the ’50s and mid-’80s. Huge companies like Ford, McDonald’s, to very small companies that made cafeteria steam tables, all these companies were doing musicals,” Whisenant tells Deadline. “These weren’t commercials, they weren’t jingles, they were a full-blown book musical…with a storyline, making that salesman and his team feel better about the work they were doing.
- 6/21/2019
- by Matthew Carey
- Deadline Film + TV
Chicago – How does one man rediscover and revive an art form? This question is answered in the magnificent “Bathtubs Over Broadway,” a 2018 documentary about the quest of comedy writer Steve Young, as he saves the legacy of the “industrial musical,” a form of American corporate entertainment from the 1950s through the ‘70s. Patrick McDonald of HollywoodChicago.com will host a screening of the film on Monday, May 13th, 2019 (7:30pm), and facilitate a discussion afterward, at the Tivoli Theatre in Downers Grove, Ill. To purchase tickets, click here.
To experience “Bathtubs…” is to witness a miracle. What began as a minor comedy bit on “Late Night with David Letterman,” where Steve Young was a writer, morphed into a bit of an obsession for the low-keyed jokester. His delving into the industrial musical began with the souvenir records from these shows, done in very limited runs. Young then discovered that corporations like Alcoa,...
To experience “Bathtubs…” is to witness a miracle. What began as a minor comedy bit on “Late Night with David Letterman,” where Steve Young was a writer, morphed into a bit of an obsession for the low-keyed jokester. His delving into the industrial musical began with the souvenir records from these shows, done in very limited runs. Young then discovered that corporations like Alcoa,...
- 5/13/2019
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Bo Burnham’s debut feature won original screenplay.
The Writers Guild of America held its 2019 awards on Sunday February 17 in Beverly Hills, with Eighth Grade and Can You Ever Forgive Me? taking the major awards.
Bo Burnham picked up the original screenplay award for his directorial debut Eighth Grade, which premiered at Sundance 2018 and follows a 13-year-old girl as she navigates high school and the social media landscape.
Burnham took the award against competition from A Quiet Place, Green Book, Roma and Vice, the latter three of which are nominated at the Oscars (February 24).
Nicole Holofcener and Jeff Whitty received...
The Writers Guild of America held its 2019 awards on Sunday February 17 in Beverly Hills, with Eighth Grade and Can You Ever Forgive Me? taking the major awards.
Bo Burnham picked up the original screenplay award for his directorial debut Eighth Grade, which premiered at Sundance 2018 and follows a 13-year-old girl as she navigates high school and the social media landscape.
Burnham took the award against competition from A Quiet Place, Green Book, Roma and Vice, the latter three of which are nominated at the Oscars (February 24).
Nicole Holofcener and Jeff Whitty received...
- 2/18/2019
- by Ben Dalton
- ScreenDaily
Nicole Holofcener and Jeff Whitty’s “Can You Ever Forgive Me?” has been named the best adapted screenplay of 2018 by the Writers Guild of America, while Bo Burnham’s “Eighth Grade” was named the year’s best original screenplay in a surprising upset over Oscar Best Picture and screenplay nominees “Green Book,” “Roma” and “Vice.”
“Eighth Grade” is not even nominated for the original-screenplay Oscar, making it the first WGA screenplay winner not to be nominated for the Oscar since Michael Moore’s “Bowling for Columbine” in 2003.
While “Can You Ever Forgive Me?” is an Oscar screenplay nominee, it was not nominated for Best Picture and was competing against three films that had been nominated in that category — “Black Panther,” “BlacKkKlansman” and “A Star Is Born” — plus “If Beale Street Could Talk.”
Also Read: 11 Best Movies of 2018, From 'Paddington 2' to 'Eighth Grade' (Photos)
The results...
“Eighth Grade” is not even nominated for the original-screenplay Oscar, making it the first WGA screenplay winner not to be nominated for the Oscar since Michael Moore’s “Bowling for Columbine” in 2003.
While “Can You Ever Forgive Me?” is an Oscar screenplay nominee, it was not nominated for Best Picture and was competing against three films that had been nominated in that category — “Black Panther,” “BlacKkKlansman” and “A Star Is Born” — plus “If Beale Street Could Talk.”
Also Read: 11 Best Movies of 2018, From 'Paddington 2' to 'Eighth Grade' (Photos)
The results...
- 2/18/2019
- by Steve Pond
- The Wrap
The 71st annual Writers Guild Awards are underway at dual ceremonies at the Beverly Hilton Hotel in Beverly Hills, Calif. and at the Edison Ballroom in New York City. “The Marvelous Mrs. Maisel” won the comedy series award for Kate Fodor, Noah Gardenswartz, Jen Kirkman, Sheila Lawrence, Daniel Palladino and Amy Sherman Palladino. The series won the Emmy for best comedy series last year.
Bill Hader and Alec Berg won the episodic comedy award for the opening segment of HBO’s “Barry,” “Chapter One: Make Your Mark” (“Barry”).
Stephanie Gillis won the animated award for the “Bart’s Not Dead” episode and Alex Gansa took the episodic drama award for the “Paean To The People” segment of “Homeland.”
Chelsea Peretti hosted the West Coast ceremonies while Roy Wood Jr. was the emcee in New York
Original screenplay nominees are Alfonso Cuaron’s “Roma”; Adam McKay’s “Vice”; Bo Burnham’s “Eighth Grade”; Bryan Woods,...
Bill Hader and Alec Berg won the episodic comedy award for the opening segment of HBO’s “Barry,” “Chapter One: Make Your Mark” (“Barry”).
Stephanie Gillis won the animated award for the “Bart’s Not Dead” episode and Alex Gansa took the episodic drama award for the “Paean To The People” segment of “Homeland.”
Chelsea Peretti hosted the West Coast ceremonies while Roy Wood Jr. was the emcee in New York
Original screenplay nominees are Alfonso Cuaron’s “Roma”; Adam McKay’s “Vice”; Bo Burnham’s “Eighth Grade”; Bryan Woods,...
- 2/18/2019
- by Dave McNary
- Variety Film + TV
The Writers Guild of America announced the winners of their 71st annual awards on Sunday, February 17 in a ceremony held simultaneously in Los Angeles (Beverly Hilton Hotel) and New York City (Edison Ballroom). Each year these kudos recognize the best writing of the prior calendar year in a plethora of genres including movies and television. Scroll down to see the full list of film and TV winners for the 2019 WGA Awards, with winners designated in gold text.
Keep refreshing/reloading this page as we’ll be updating live.
Many awards pundits see the Writers Guild as a bellwether for the Oscars, though there’s a catch: oftentimes the Oscar nominees are not eligible at the guild because they aren’t written under its strict guidelines. Thus, Oscar nominee “The Favourite” was not eligible at WGA as this foreign production did not go through the lengthy process of proving its eligibility.
Keep refreshing/reloading this page as we’ll be updating live.
Many awards pundits see the Writers Guild as a bellwether for the Oscars, though there’s a catch: oftentimes the Oscar nominees are not eligible at the guild because they aren’t written under its strict guidelines. Thus, Oscar nominee “The Favourite” was not eligible at WGA as this foreign production did not go through the lengthy process of proving its eligibility.
- 2/17/2019
- by Marcus James Dixon
- Gold Derby
The 71st annual Writers Guild Awards are being handed out tonight in simultaneous ceremonies in Los Angeles and New York. Deadline will be updating the winners here as they are announced.
Here is the complete list of winners announced so far at the 2019 Writers Guild Awards, followed by the list of nominees:
News Script – Analysis, Feature, Or Commentary
“Wounds of War” (60 Minutes), Written by Scott Pelley, Katie Kerbstat, Nicole Young; CBS News
Documentary Screenplay
Bathtubs Over Broadway
Written by Ozzy Inguanzo & Dava Whisenant; Focus Features
Comedy Series
The Marvelous Mrs. Maisel, Written by Kate Fodor, Noah Gardenswartz, Jen Kirkman, Sheila Lawrence, Daniel Palladino, Amy Sherman Palladino; Prime Video
Children’S Episodic And Specials
“The Ersatz Elevator: Part One” (A Series of Unfortunate Events), Teleplay by Daniel Handler; Netflix
Short Form New Media Original
Class of Lies, Written by Tessa Leigh Williams; Snapchat
Quiz And Audience Participation
Who Wants To Be A Millionaire,...
Here is the complete list of winners announced so far at the 2019 Writers Guild Awards, followed by the list of nominees:
News Script – Analysis, Feature, Or Commentary
“Wounds of War” (60 Minutes), Written by Scott Pelley, Katie Kerbstat, Nicole Young; CBS News
Documentary Screenplay
Bathtubs Over Broadway
Written by Ozzy Inguanzo & Dava Whisenant; Focus Features
Comedy Series
The Marvelous Mrs. Maisel, Written by Kate Fodor, Noah Gardenswartz, Jen Kirkman, Sheila Lawrence, Daniel Palladino, Amy Sherman Palladino; Prime Video
Children’S Episodic And Specials
“The Ersatz Elevator: Part One” (A Series of Unfortunate Events), Teleplay by Daniel Handler; Netflix
Short Form New Media Original
Class of Lies, Written by Tessa Leigh Williams; Snapchat
Quiz And Audience Participation
Who Wants To Be A Millionaire,...
- 2/17/2019
- by Erik Pedersen and Dade Hayes
- Deadline Film + TV
Hirokazu Kore-eda’s Japanese flick “Shoplifters” took the Palm Springs International Film Festival’s Best Foreign Language Film of the Year prize, when the jury award winners were announced at a luncheon at the Riviera Palm Springs on Saturday.
Among the other honorees were Marcello Fonte (“Dogman”) and Joanna Kulig (“Cold War”), who both won Fipresci Prize for Best Actor and Actress in a Foreign Language Film, respectively; “Sofia” (France/Qatar), which received the New Voices New Visions Award; “Ghost Fleet” (USA) which won the John Schlesinger Award; “Carmen & Lola” (Spain) which took the CV Cine Award; “Dead Pigs” (China) which earned the Ricky Jay Magic of Cinema Award; and “Eldorado” (Switzerland) the winner of the GoE Bridging The Borders Award. The Youth Jury Award went to “What Will People Say” (Norway/Germany/Sweden).
The 30th annual festival, held from Jan. 3-14, 2019, screened 226 films from 78 countries.
Also Read: 'Shoplifters'...
Among the other honorees were Marcello Fonte (“Dogman”) and Joanna Kulig (“Cold War”), who both won Fipresci Prize for Best Actor and Actress in a Foreign Language Film, respectively; “Sofia” (France/Qatar), which received the New Voices New Visions Award; “Ghost Fleet” (USA) which won the John Schlesinger Award; “Carmen & Lola” (Spain) which took the CV Cine Award; “Dead Pigs” (China) which earned the Ricky Jay Magic of Cinema Award; and “Eldorado” (Switzerland) the winner of the GoE Bridging The Borders Award. The Youth Jury Award went to “What Will People Say” (Norway/Germany/Sweden).
The 30th annual festival, held from Jan. 3-14, 2019, screened 226 films from 78 countries.
Also Read: 'Shoplifters'...
- 1/14/2019
- by Jennifer Maas
- The Wrap
The 30th annual Palm Springs International Film Festival announced the winners of its juried prizes Saturday, with critical darling “Shoplifters” taking the award for best foreign language film of the year.
The festival, held from Jan. 3-14, 2019, screened 226 films from 78 countries.
Juried awards had five categories, including New Voices New Visions Award for unique viewpoints from first- and second-time directors; Schlesinger Documentary Award for first- or second-time documentary filmmakers; CV Cine Award for the best Ibero-American film; and the Fipresci Prize for films in the Foreign Language Oscar submissions program.
This year, the festival also had a new honor, the Ricky Jay Magic of Cinema Award, named for actor and magician Ricky Jay and in honor of a film made by a master filmmaker that exemplifies a pioneering spirit in furthering the language of storytelling and the magic of cinema. Finally, the GoE Bridging the Borders Award, presented by Cinema Without Borders,...
The festival, held from Jan. 3-14, 2019, screened 226 films from 78 countries.
Juried awards had five categories, including New Voices New Visions Award for unique viewpoints from first- and second-time directors; Schlesinger Documentary Award for first- or second-time documentary filmmakers; CV Cine Award for the best Ibero-American film; and the Fipresci Prize for films in the Foreign Language Oscar submissions program.
This year, the festival also had a new honor, the Ricky Jay Magic of Cinema Award, named for actor and magician Ricky Jay and in honor of a film made by a master filmmaker that exemplifies a pioneering spirit in furthering the language of storytelling and the magic of cinema. Finally, the GoE Bridging the Borders Award, presented by Cinema Without Borders,...
- 1/12/2019
- by Variety Staff
- Variety Film + TV
Japan’s Shoplifters, directed by Hirokazu Kore-eda, was named Best Foreign Language Film of the Year at the 30th Annual Palm Springs Film Festival today. Marcello Fonte, star of Italy’s Dogman and Joanna Kulig, of Poland’s Cold War, took top honors in the foreign language acting categories.
Juried award winners were announced at the Riviera Palm Springs today. Audience Awards for Best Narrative Feature and Best Documentary Feature will be announced tomorrow.
The awards for best foreign language film, actor and actress were chosen by a jury of international film critics reviewing 43 of the 87 official foreign language Oscar submissions screened at this year’s Festival.
In addition to the three above-mentioned Fipresci Prize winners, the festival’s New Voices New Visions Award went to Sofia (France/Qatar), directed by Meryem Benm’Barek; and the John Schlesinger Award for a debut feature documentary went to Ghost Fleet (USA), directed...
Juried award winners were announced at the Riviera Palm Springs today. Audience Awards for Best Narrative Feature and Best Documentary Feature will be announced tomorrow.
The awards for best foreign language film, actor and actress were chosen by a jury of international film critics reviewing 43 of the 87 official foreign language Oscar submissions screened at this year’s Festival.
In addition to the three above-mentioned Fipresci Prize winners, the festival’s New Voices New Visions Award went to Sofia (France/Qatar), directed by Meryem Benm’Barek; and the John Schlesinger Award for a debut feature documentary went to Ghost Fleet (USA), directed...
- 1/12/2019
- by Greg Evans
- Deadline Film + TV
The Palm Springs International Film Festival has announced its juried award-winners, with the Fipresci prizes going to “Shoplifters,” “Italy,” and “Cold War.” The three films — all of which premiered at Cannes and won major prizes there — have proven a mainstay of awards season, especially Hirokazu Kore-eda’s Palme d’Or winner. It and “Cold War” both made the Academy Awards shortlist for Best Foreign Language Film, while “Dogman” was left out.
The full list of winners:
Fipresci Prize for Best Foreign Language Film of the Year
“Shoplifters” (Japan)
Fipresci Prize for the Best Actor in a Foreign Language Film
Marcello Fonte, “Dogman” (Italy)
Fipresci Prize for Best Actress in a Foreign Language Film
Joanna Kulig, “Cold War” (Poland)
The Fipresci jury members were Thomas Abeltshauser, Elaine Guerini, and Marietta Steinhart.
New Voices New Visions Award
“Sofia” (France/Qatar), directed by Meryem Benm’Barek
Honorable Mention
“Saf” (Turkey), directed by Ali Vatansever.
The full list of winners:
Fipresci Prize for Best Foreign Language Film of the Year
“Shoplifters” (Japan)
Fipresci Prize for the Best Actor in a Foreign Language Film
Marcello Fonte, “Dogman” (Italy)
Fipresci Prize for Best Actress in a Foreign Language Film
Joanna Kulig, “Cold War” (Poland)
The Fipresci jury members were Thomas Abeltshauser, Elaine Guerini, and Marietta Steinhart.
New Voices New Visions Award
“Sofia” (France/Qatar), directed by Meryem Benm’Barek
Honorable Mention
“Saf” (Turkey), directed by Ali Vatansever.
- 1/12/2019
- by Michael Nordine
- Indiewire
Chicago – There are cultural heroes, and then there is comedy writer Steve Young. Through sheer happenstance, he began a journey that ended up with a rediscovery of an art form that without Young’s intervention would have died. The U.S. corporation Broadway-style “industrial musical,” which highlighted products or sales meetings in a song and dance presentation, were at its peak popularity from the 1950s through the ‘70s. “Bathtubs Over Broadway” is Young’s documentary of appreciation for those shows and and his intervention to revive them.
Rating: 4.5/5.0
To experience “Bathtubs…” is to witness a miracle. What began as a minor comedy bit on “Late Night with David Letterman,” where Steve Young was a writer, morphed into a bit of an obsession for the low-keyed jokester. His delving into the corporate show culture began with the souvenir records from these shows, done in very limited runs. After seeing the names associated with these shows…...
Rating: 4.5/5.0
To experience “Bathtubs…” is to witness a miracle. What began as a minor comedy bit on “Late Night with David Letterman,” where Steve Young was a writer, morphed into a bit of an obsession for the low-keyed jokester. His delving into the corporate show culture began with the souvenir records from these shows, done in very limited runs. After seeing the names associated with these shows…...
- 1/8/2019
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
The Writers Guild has announced its 2019 Writers Guild Awards nominations, and the top contenders all made the cut: “BlacKkKlansman,” “Black Panther,” “Can You Ever Forgive Me?,” “Eighth Grade,” “Green Book,” “If Beale Street Could Talk,” “Roma,” “A Star Is Born” and “Vice.” Additionally, “”A Quiet Place” is showing strength with the Guilds, winding up with PGA, SAG and WGA nominations.
WGA omissions include “Bohemian Rhapsody,” which won two Golden Globes Sunday, and Paul Schrader’s acclaimed “First Reformed,” which was nominated for Best Screenplay at the Critics’ Choice and Indie Spirit awards.
Titles not eligible because they don’t conform to the WGA Minimum Basic Agreement include Fox Searchlight’s “The Favourite,” Bleecker’s “Leave No Trace,” Annapurna’s “Sorry to Bother You,” BAFTA nominee “The Death of Stalin” and CBS Films’ “At Eternity’s Gate,” as well as foreign films “Capernaum,” “Cold War” and “Shoplifters.” Animated features are not eligible,...
WGA omissions include “Bohemian Rhapsody,” which won two Golden Globes Sunday, and Paul Schrader’s acclaimed “First Reformed,” which was nominated for Best Screenplay at the Critics’ Choice and Indie Spirit awards.
Titles not eligible because they don’t conform to the WGA Minimum Basic Agreement include Fox Searchlight’s “The Favourite,” Bleecker’s “Leave No Trace,” Annapurna’s “Sorry to Bother You,” BAFTA nominee “The Death of Stalin” and CBS Films’ “At Eternity’s Gate,” as well as foreign films “Capernaum,” “Cold War” and “Shoplifters.” Animated features are not eligible,...
- 1/7/2019
- by Anne Thompson
- Thompson on Hollywood
The Writers Guild has announced its 2019 Writers Guild Awards nominations, and the top contenders all made the cut: “BlacKkKlansman,” “Black Panther,” “Can You Ever Forgive Me?,” “Eighth Grade,” “Green Book,” “If Beale Street Could Talk,” “Roma,” “A Star Is Born” and “Vice.” Additionally, “”A Quiet Place” is showing strength with the Guilds, winding up with PGA, SAG and WGA nominations.
WGA omissions include “Bohemian Rhapsody,” which won two Golden Globes Sunday, and Paul Schrader’s acclaimed “First Reformed,” which was nominated for Best Screenplay at the Critics’ Choice and Indie Spirit awards.
Titles not eligible because they don’t conform to the WGA Minimum Basic Agreement include Fox Searchlight’s “The Favourite,” Bleecker’s “Leave No Trace,” Annapurna’s “Sorry to Bother You,” BAFTA nominee “The Death of Stalin” and CBS Films’ “At Eternity’s Gate,” as well as foreign films “Capernaum,” “Cold War” and “Shoplifters.” Animated features are not eligible,...
WGA omissions include “Bohemian Rhapsody,” which won two Golden Globes Sunday, and Paul Schrader’s acclaimed “First Reformed,” which was nominated for Best Screenplay at the Critics’ Choice and Indie Spirit awards.
Titles not eligible because they don’t conform to the WGA Minimum Basic Agreement include Fox Searchlight’s “The Favourite,” Bleecker’s “Leave No Trace,” Annapurna’s “Sorry to Bother You,” BAFTA nominee “The Death of Stalin” and CBS Films’ “At Eternity’s Gate,” as well as foreign films “Capernaum,” “Cold War” and “Shoplifters.” Animated features are not eligible,...
- 1/7/2019
- by Anne Thompson
- Indiewire
Left to right: Noah Jupe plays Marcus Abbott and John Krasinski plays Lee Abbott in A Quiet Place, from Paramount Pictures.
The Writers Guild of America West (Wgaw) and the Writers Guild of America, East (Wgae) have announced nominations for outstanding achievement in screenwriting and videogame writing during 2018. Winners will be honored at the 2019 Writers Guild Awards on Sunday, February 17, at concurrent ceremonies in Los Angeles and New York City.
Original Screenplay
Eighth Grade, Written by Bo Burnham; A24
Green Book, Written by Nick Vallelonga & Brian Currie & Peter Farrelly; Universal Pictures
A Quiet Place, Screenplay by Bryan Woods & Scott Beck and John Krasinski, Story by Bryan Woods & Scott Beck; Paramount Pictures
Roma, Written by Alfonso Cuarón; Netflix
Vice, Written by Adam McKay; Annapurna Pictures
Adapted Screenplay
Blackkklansman, Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee, Based on the book by Ron Stallworth; Focus Features
Black Panther, Written...
The Writers Guild of America West (Wgaw) and the Writers Guild of America, East (Wgae) have announced nominations for outstanding achievement in screenwriting and videogame writing during 2018. Winners will be honored at the 2019 Writers Guild Awards on Sunday, February 17, at concurrent ceremonies in Los Angeles and New York City.
Original Screenplay
Eighth Grade, Written by Bo Burnham; A24
Green Book, Written by Nick Vallelonga & Brian Currie & Peter Farrelly; Universal Pictures
A Quiet Place, Screenplay by Bryan Woods & Scott Beck and John Krasinski, Story by Bryan Woods & Scott Beck; Paramount Pictures
Roma, Written by Alfonso Cuarón; Netflix
Vice, Written by Adam McKay; Annapurna Pictures
Adapted Screenplay
Blackkklansman, Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee, Based on the book by Ron Stallworth; Focus Features
Black Panther, Written...
- 1/7/2019
- by Michelle Hannett
- WeAreMovieGeeks.com
Adapted screenplay nominees include BlacKkKlansman, A Star Is Born.
The Writers Guild Of America West and East on Monday (7) announced their theatrical screenplay nominees with Golden Globe winner Green Book among the original screenplay contenders.
The original screenplay category includes Eighth Grade, A Quiet Place, Roma, and Vice. Adapted screenplay nominees are BlacKkKlansman, Black Panther, Can You Ever Forgive Me?, If Beale Street Could Talk, and A Star Is Born.
The documentary screenplay contenders are Bathtubs Over Broadway, Fahrenheit 11/9, Generation Wealth, and In Search Of Greatness.
Winners will be honoured at the 2019 Writers Guild Awards on February 17 at concurrent...
The Writers Guild Of America West and East on Monday (7) announced their theatrical screenplay nominees with Golden Globe winner Green Book among the original screenplay contenders.
The original screenplay category includes Eighth Grade, A Quiet Place, Roma, and Vice. Adapted screenplay nominees are BlacKkKlansman, Black Panther, Can You Ever Forgive Me?, If Beale Street Could Talk, and A Star Is Born.
The documentary screenplay contenders are Bathtubs Over Broadway, Fahrenheit 11/9, Generation Wealth, and In Search Of Greatness.
Winners will be honoured at the 2019 Writers Guild Awards on February 17 at concurrent...
- 1/7/2019
- by Jeremy Kay
- ScreenDaily
The Writers Guild of America revealed nominations on Monday (Jan. 7) for the 71st annual edition of its awards, which will be held simultaneously in La and Gotham on Feb. 17. The original screenplay nominees are: “Eighth Grade,” “Green Book,” “A Quiet Place,” “Roma” and “Vice.” The adapted screenplay contenders are: “BlacKkKlansman,” “Black Panther,” “Can You Ever Forgive Me?,” “If Beale Street Could Talk” and “A Star Is Born.”
Only scripts written under the guild’s guidelines or those of several international partners are allowed to vie for these awards. Among those ineligible for consideration this year are some of the leading Oscar contenders, including the original screenplays for “The Favourite” and “Hereditary.” Both films ran afoul of the requirement that foreign production companies prove their eligibility via a cumbersome process.
“The Favourite” scripters Tony McNamara and Deborah Davis are all but certain to contend at the Oscars. They’ve already won...
Only scripts written under the guild’s guidelines or those of several international partners are allowed to vie for these awards. Among those ineligible for consideration this year are some of the leading Oscar contenders, including the original screenplays for “The Favourite” and “Hereditary.” Both films ran afoul of the requirement that foreign production companies prove their eligibility via a cumbersome process.
“The Favourite” scripters Tony McNamara and Deborah Davis are all but certain to contend at the Oscars. They’ve already won...
- 1/7/2019
- by Paul Sheehan
- Gold Derby
Alfonso Cuaron’s “Roma” has landed a Writers Guild of America nomination for original screenplay, along with Adam McKay’s “Vice,” Bo Burnham’s “Eighth Grade,” Bryan Woods, Scott Beck, and John Krasinski’s “A Quiet Place,” and Peter Farrelly, Nick Vallelonga, and Brian Currie’s “Green Book.”
Adapted screenplay noms went to Ryan Coogler and Joe Robert Cole’s “Black Panther,” Barry Jenkins’ “If Beale Street Could Talk,” Nicole Holofcener and Josh Whitty’s “Can You Ever Forgive Me?,” Bradley Cooper, Eric Roth, and Will Fetters’ “A Star Is Born,” and Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Spike Lee’s “BlacKkKlansman.”
The winners will be announced on Feb. 17 in joint ceremonies at the Edison Ballroom in New York and the Beverly Hilton Hotel in Beverly Hills, Calif.
WGA members voted on 63 eligible original screenplays and 60 adapted scripts. The scripts for “The Favourite,” “Sorry to Bother You,” “Isle of Dogs,...
Adapted screenplay noms went to Ryan Coogler and Joe Robert Cole’s “Black Panther,” Barry Jenkins’ “If Beale Street Could Talk,” Nicole Holofcener and Josh Whitty’s “Can You Ever Forgive Me?,” Bradley Cooper, Eric Roth, and Will Fetters’ “A Star Is Born,” and Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Spike Lee’s “BlacKkKlansman.”
The winners will be announced on Feb. 17 in joint ceremonies at the Edison Ballroom in New York and the Beverly Hilton Hotel in Beverly Hills, Calif.
WGA members voted on 63 eligible original screenplays and 60 adapted scripts. The scripts for “The Favourite,” “Sorry to Bother You,” “Isle of Dogs,...
- 1/7/2019
- by Dave McNary
- Variety Film + TV
Big commercial hits and a number of awards-season regulars made the cut as the WGA announced its 2019 Writers Guild Awards nominees for outstanding achievement in screenwriting writing during 2018. Check out the full list below, which also includes video games.
The Original Screenplay category covers comedy, drama and horror as the scribes behind Eighth Grade, Green Book, A Quiet Place, Roma and Vice will vie for the hardware. The Adapted Screenplay race is among BlackKklansman, Black Panther, If Beale Street Could Talk, A Star is Born and Can You Ever Forgive Me?
In a banner year for documentaries, the writers of Bathtubs Over Broadway, Fahrenheit 11/9, Generation Wealth and In Search of Greatness will battle it out for the WGA trophy.
Winners will be announced Sunday, February 17, at dual ceremonies in Los Angeles and New York City.
Original Screenplay
Eighth Grade
Written by Bo Burnham; A24
Green Book
Written by Nick Vallelonga...
The Original Screenplay category covers comedy, drama and horror as the scribes behind Eighth Grade, Green Book, A Quiet Place, Roma and Vice will vie for the hardware. The Adapted Screenplay race is among BlackKklansman, Black Panther, If Beale Street Could Talk, A Star is Born and Can You Ever Forgive Me?
In a banner year for documentaries, the writers of Bathtubs Over Broadway, Fahrenheit 11/9, Generation Wealth and In Search of Greatness will battle it out for the WGA trophy.
Winners will be announced Sunday, February 17, at dual ceremonies in Los Angeles and New York City.
Original Screenplay
Eighth Grade
Written by Bo Burnham; A24
Green Book
Written by Nick Vallelonga...
- 1/7/2019
- by Erik Pedersen
- Deadline Film + TV
The original screenplays for “Green Book,” “A Quiet Place,” “Roma,” “Vice” and “Eighth Grade” have been nominated by the Writers Guild of America, which announced its nominations on Monday morning.
In the adapted-screenplay category, the nominees were “BlacKkKlansman,” “If Beale Street Could Talk,” “A Star Is Born,” “Black Panther” and “Can You Ever Forgive Me?”
Among the most notable eligible screenplays not to be nominated are Paul Schrader’s “First Reformed” and Josh Singer’s “First Man.”
The nominations were made by members of the Writers Guild of America, West and the Writers Guild of America, East, separate but affiliated guilds that will stage simultaneous awards ceremonies in Los Angeles and New York on Feb. 17.
Also Read: Stars Were Born at the Golden Globes - But They Sure Weren't the Ones We Expected
In the documentary category, WGA voters went with docs that so far have not been receiving substantial...
In the adapted-screenplay category, the nominees were “BlacKkKlansman,” “If Beale Street Could Talk,” “A Star Is Born,” “Black Panther” and “Can You Ever Forgive Me?”
Among the most notable eligible screenplays not to be nominated are Paul Schrader’s “First Reformed” and Josh Singer’s “First Man.”
The nominations were made by members of the Writers Guild of America, West and the Writers Guild of America, East, separate but affiliated guilds that will stage simultaneous awards ceremonies in Los Angeles and New York on Feb. 17.
Also Read: Stars Were Born at the Golden Globes - But They Sure Weren't the Ones We Expected
In the documentary category, WGA voters went with docs that so far have not been receiving substantial...
- 1/7/2019
- by Steve Pond
- The Wrap
"This stuff is bizarre and hilarious." Focus Features has debuted a new official trailer for Bathtubs Over Broadway, a fascinating, fun musical theater documentary that is already playing in select theaters now. Comedy writer Steve Young's assignment to scour bargain-bin vinyl for a "Late Show with David Letterman" segment becomes an unexpected, decades-spanning obsession when he stumbles upon the strange, hilarious world of industrial musicals in this comedic music documentary. Young discovers bizarre cast recordings - marked "internal use only" - of full-on, Broadway-style musical shows about some of America's most iconic corporations: General Electric, McDonald's, Ford, DuPont, and Xerox. This doc features a score by Anthony Dilorenzo; plus interviews with David Letterman, Chita Rivera, Martin Short, Florence Henderson, Susan Stroman, Jello Biafra and more. I'm glad these funny musicals are finally getting some time in the spotlight. Here's the first trailer (+ poster) for Dava Whisenant's doc Bathtubs Over Broadway,...
- 12/19/2018
- by Alex Billington
- firstshowing.net
Anyone who loves musical theater owes it to themselves to see “Bathtubs Over Broadway,” a delightful deep-dive documentary into one man’s obsession with the obscure world of industrial musicals — corporate-sponsored song-and-dance revues from the golden age of American capitalism. Think of it as “big-brand music,” commissioned for company retreats where they would be performed just once and then forgotten. Well, almost forgotten, since a handful of collectors have developed a kind of ironic affection for these loony tunes, which makes for an outrageous but never-less-than-reverent tour down the back alleys of Broadway.
Turns out a clever cleffer (vintage Variety slanguage for a professional songwriter) can fashion a witty ditty about pretty much anything, from the profitability of Purina Dog Chow to the joys of Surg-o-Pak sterile hospital sheets. Don’t believe me? Witness “It’ll Change Your Life,” one of two original musical numbers Steve Young — a comedy writer...
Turns out a clever cleffer (vintage Variety slanguage for a professional songwriter) can fashion a witty ditty about pretty much anything, from the profitability of Purina Dog Chow to the joys of Surg-o-Pak sterile hospital sheets. Don’t believe me? Witness “It’ll Change Your Life,” one of two original musical numbers Steve Young — a comedy writer...
- 11/30/2018
- by Peter Debruge
- Variety Film + TV
One Man’s Quest to Spotlight the Unsung Stars of Industrial Musicals
Comedy writer Steve Young’s fascination with a peculiar oddity takes him on a personally meaningful and rewarding journey. What started as a segment on The Late Show with David Letterman making fun of goofy record covers, led Young down a rabbit hole of kitschy capitalism. In Bathtubs over Broadway, director Dava Whisenant follows the collector on his quest to track down rare vinyl records of Industrial Musicals, and the composers and performers who brought them to life. Young and Whisenant show the lengths these corporations would go to build company loyalty and instill pride in their employees.…...
Comedy writer Steve Young’s fascination with a peculiar oddity takes him on a personally meaningful and rewarding journey. What started as a segment on The Late Show with David Letterman making fun of goofy record covers, led Young down a rabbit hole of kitschy capitalism. In Bathtubs over Broadway, director Dava Whisenant follows the collector on his quest to track down rare vinyl records of Industrial Musicals, and the composers and performers who brought them to life. Young and Whisenant show the lengths these corporations would go to build company loyalty and instill pride in their employees.…...
- 11/30/2018
- by Matt Delman
- IONCINEMA.com
If Dava Whisenant’s joyous documentary “Bathtubs Over Broadway” served only to spotlight the occluded corner of American musical history known as the “industrial musical,” it would be perfectly entertaining in its own right. But in its portrayal of one man’s unusual journey, the film has much to say about turning ironic amusement into unalloyed appreciation.
And if you don’t know what an “industrial musical” is, relax — we were never meant to see them in the first place. Starting in the 1950s, these shows were crafted to entertain and inspire the sales reps from companies like Xerox and General Electric. Expensive and elaborate, they were often performed only a few times, at conventions or sales meetings, and they mostly exist now on souvenir soundtrack recordings (of shows with names like “Diesel Dazzle” or “The Bathrooms Are Coming!”) that weren’t intended to be shared with the general public.
And if you don’t know what an “industrial musical” is, relax — we were never meant to see them in the first place. Starting in the 1950s, these shows were crafted to entertain and inspire the sales reps from companies like Xerox and General Electric. Expensive and elaborate, they were often performed only a few times, at conventions or sales meetings, and they mostly exist now on souvenir soundtrack recordings (of shows with names like “Diesel Dazzle” or “The Bathrooms Are Coming!”) that weren’t intended to be shared with the general public.
- 11/29/2018
- by Alonso Duralde
- The Wrap
“Free Solo,” “Quincy,” “Minding the Gap,” “Rbg,” “Three identical Strangers” and “Won’t You Be My Neighbor?” are among the films nominated for the Audience Choice Prize at the 2018 Cinema Eye Honors, an awards show devoted to all facts of nonfiction filmmaking.
“Bathtubs Over Broadway,” “Matangi/Maya/M.I.A.,” “On Her Shoulders” and “Shirkers” were also nominated in the Audience Choice category, which can be voted on by members of the public at the Cinema Eye website.
The bulk of the Cinema Eye Honors nominees will be announced on Thursday, Nov. 8, and the winners will be announced on Thursday, Jan. 10 at the Museum of the Moving Image in New York City.
Also Read: 'Free Solo,' 'Minding the Gap,' 'Won't You Be My Neighbor?' Land Ida Documentary Nominations
In the Broadcast Film category, the nominees were four docs from HBO – “Baltimore Rising,” “Believer,” “The Final Year” and...
“Bathtubs Over Broadway,” “Matangi/Maya/M.I.A.,” “On Her Shoulders” and “Shirkers” were also nominated in the Audience Choice category, which can be voted on by members of the public at the Cinema Eye website.
The bulk of the Cinema Eye Honors nominees will be announced on Thursday, Nov. 8, and the winners will be announced on Thursday, Jan. 10 at the Museum of the Moving Image in New York City.
Also Read: 'Free Solo,' 'Minding the Gap,' 'Won't You Be My Neighbor?' Land Ida Documentary Nominations
In the Broadcast Film category, the nominees were four docs from HBO – “Baltimore Rising,” “Believer,” “The Final Year” and...
- 10/25/2018
- by Steve Pond
- The Wrap
At their inaugural Fall Lunch in held in Los Angeles on Thursday, Cinema Eye Honors unveiled their first round of awards, including their annual list of significant nonfiction film subjects and a list of the year’s ten top Nonfiction Short Films. They also released nominees in four categories: Broadcast Film; a new award for Broadcast Series; the Heterodox Award, which recognizes fiction films that blur the line between fiction and documentary; and the annual Audience Choice Prize, voted on by documentary lovers around the world.
Netflix, Focus Features, and Hulu hosted the event at Casita Hollywood with many of the year’s top filmmakers on hand, including Kirby Dick, Morgan Neville, Matt Tyrnauer, Jimmy Chin, Rj Cutler, Lauren Greenfield, Alan Hicks, Laura Nix, and Brett Morgen. The full list of nonfiction film and craft nominees, including the five nominees for Outstanding Nonfiction Short Film, will be revealed on Thursday,...
Netflix, Focus Features, and Hulu hosted the event at Casita Hollywood with many of the year’s top filmmakers on hand, including Kirby Dick, Morgan Neville, Matt Tyrnauer, Jimmy Chin, Rj Cutler, Lauren Greenfield, Alan Hicks, Laura Nix, and Brett Morgen. The full list of nonfiction film and craft nominees, including the five nominees for Outstanding Nonfiction Short Film, will be revealed on Thursday,...
- 10/25/2018
- by Anne Thompson and Kate Erbland
- Indiewire
Two of the season’s most reliable groups when it comes to forecasting the eventual Academy Awards nominees for Documentary Feature have now announced the shortlists for their own programs. The International Documentary Association (Ida) and Doc NYC, one of the largest documentary film festivals in the country, both boast great track records with either nominating, awarding and/or screening major contenders for the Oscars in recent years.
Doc NYC, who announced a short list of 15 titles for their 2018 festival which runs from November 8th to 15th, has overlapped their own short list with the academy’s short list with 9 to 10 titles in each of the last five years. In addition, they’ve included 4 to 5 titles that went on to be Oscar-nominated and in the last seven years they’ve screened the documentary that won the Academy Award.
Ida is comparably prescient, having matched their award nominees with the eventual...
Doc NYC, who announced a short list of 15 titles for their 2018 festival which runs from November 8th to 15th, has overlapped their own short list with the academy’s short list with 9 to 10 titles in each of the last five years. In addition, they’ve included 4 to 5 titles that went on to be Oscar-nominated and in the last seven years they’ve screened the documentary that won the Academy Award.
Ida is comparably prescient, having matched their award nominees with the eventual...
- 10/15/2018
- by John Benutty
- Gold Derby
The Vancouver International Film Festival on Friday night unveiled its top audience awards, with Hirokazu Kore-eda's Cannes winner Shoplifters (Manbiki Kazoku) picking up the most popular international feature award.
The story of a dysfunctional family of petty criminals, Shoplifters earlier earned the top Palme d'Or trophy at Cannes.
Dava Whisenant's Bathtubs Over Broadway, which received the new documentary director award at Tribeca, took home Vancouver's most popular international documentary prize, while Kat Jayme's documentary Finding Big Country, which debuted at Viff, picked up the People's Choice award.
Another local film, Edge of the Knife, by Gwaai Edenshaw and ...
The story of a dysfunctional family of petty criminals, Shoplifters earlier earned the top Palme d'Or trophy at Cannes.
Dava Whisenant's Bathtubs Over Broadway, which received the new documentary director award at Tribeca, took home Vancouver's most popular international documentary prize, while Kat Jayme's documentary Finding Big Country, which debuted at Viff, picked up the People's Choice award.
Another local film, Edge of the Knife, by Gwaai Edenshaw and ...
- 10/13/2018
- The Hollywood Reporter - Movie News
The Vancouver International Film Festival on Friday night unveiled its top audience awards, with Hirokazu Kore-eda's Cannes winner Shoplifters (Manbiki Kazoku) picking up the most popular international feature award.
The story of a dysfunctional family of petty criminals, Shoplifters earlier earned the top Palme d'Or trophy at Cannes.
Dava Whisenant's Bathtubs Over Broadway, which received the new documentary director award at Tribeca, took home Vancouver's most popular international documentary prize, while Kat Jayme's documentary Finding Big Country, which debuted at Viff, picked up the People's Choice award.
Another local film, Edge of the Knife, by Gwaai Edenshaw and ...
The story of a dysfunctional family of petty criminals, Shoplifters earlier earned the top Palme d'Or trophy at Cannes.
Dava Whisenant's Bathtubs Over Broadway, which received the new documentary director award at Tribeca, took home Vancouver's most popular international documentary prize, while Kat Jayme's documentary Finding Big Country, which debuted at Viff, picked up the People's Choice award.
Another local film, Edge of the Knife, by Gwaai Edenshaw and ...
- 10/13/2018
- The Hollywood Reporter - Film + TV
Documentary hits “Won’t You Be My Neighbor?” and “Three Identical Strangers” are two of the 31 shortlisted films for the International Documentary Association’s award for top feature of 2018.
Michael Moore’s “Fahrenheit 11/9,” Netflix’s “Shirkers,” and Hulu’s “Minding the Gap” were among the other high-profile titles unveiled on Tuesday.
Morgan Neville’s Fred Rogers story “Won’t You Be My Neighbor?” has grossed $22.6 million domestically since its release in June, making it the 12th-highest-grossing doc of all time. Tim Wardle’s “Three Identical Strangers” has also performed well with $12.3 million and is 26th on the list. “Fahrenheit 11/9” has reeled in $6 million since its Sept. 20 launch — far below the record $119 million grossed by Moore’s “Fahrenheit 9/11” in 2004.
It’s the first time the Ida has unveiled the shortlists in the shorts and features categories. The 34th annual awards will take place on Dec. 8 at Los Angeles’ Paramount Theatre. Nominees...
Michael Moore’s “Fahrenheit 11/9,” Netflix’s “Shirkers,” and Hulu’s “Minding the Gap” were among the other high-profile titles unveiled on Tuesday.
Morgan Neville’s Fred Rogers story “Won’t You Be My Neighbor?” has grossed $22.6 million domestically since its release in June, making it the 12th-highest-grossing doc of all time. Tim Wardle’s “Three Identical Strangers” has also performed well with $12.3 million and is 26th on the list. “Fahrenheit 11/9” has reeled in $6 million since its Sept. 20 launch — far below the record $119 million grossed by Moore’s “Fahrenheit 9/11” in 2004.
It’s the first time the Ida has unveiled the shortlists in the shorts and features categories. The 34th annual awards will take place on Dec. 8 at Los Angeles’ Paramount Theatre. Nominees...
- 10/9/2018
- by Dave McNary
- Variety Film + TV
Won’t You Be My Neighbor? is among features in the running for documantary association honours.
Major award contenders Won’t You Be My Neighbor?, Three Identical Strangers and Free Solo are among the thirty-one films on the shortlist for this year’s International Documentary Association (Ida) feature award.
The Ida has unveiled the shortlists for its feature and short categories for the first time this year. Up to ten nominees in each category will be selected from the shortlists and nominees will be announced – along with nominees for the Association’s Special Awards and Creative Recognition Awards - on...
Major award contenders Won’t You Be My Neighbor?, Three Identical Strangers and Free Solo are among the thirty-one films on the shortlist for this year’s International Documentary Association (Ida) feature award.
The Ida has unveiled the shortlists for its feature and short categories for the first time this year. Up to ten nominees in each category will be selected from the shortlists and nominees will be announced – along with nominees for the Association’s Special Awards and Creative Recognition Awards - on...
- 10/9/2018
- by John Hazelton
- ScreenDaily
Yorgos Lanthimos’ The Favourite and Marielle Heller’s Melissa McCarthy-starrer Can You Ever Forgive Me? will get Centerpiece slots at next month’s Hamptons Film Festival.
The fest released its full line-up today, adding Steve McQueen’s Widows and the East Coast premiere of Felix Van Groeningen’s Beautiful Boy to the previously announced slate.
Lanthimos’ The Favourite stars Emma Stone, Rachel Weisz and Olivia Colman in the tale of two cousins fighting to be the court favorite of Queen Anne. The film will be the fest’s Friday Centerpiece, while Heller’s Can You Ever Forgive Me? takes the Sunday Centerpiece slot.
The Hamptons fest runs Oct. 4-8.
In addition to the previously announced films, the Narrative Competition films will include the New York Premiere of Yen Tan’s 1985, the U.S. Premiere of Eva Trobisch’s All Good, Ali Abbasi’s Border, the U.S. Premiere of Zsófia Szilágyi’s One Day,...
The fest released its full line-up today, adding Steve McQueen’s Widows and the East Coast premiere of Felix Van Groeningen’s Beautiful Boy to the previously announced slate.
Lanthimos’ The Favourite stars Emma Stone, Rachel Weisz and Olivia Colman in the tale of two cousins fighting to be the court favorite of Queen Anne. The film will be the fest’s Friday Centerpiece, while Heller’s Can You Ever Forgive Me? takes the Sunday Centerpiece slot.
The Hamptons fest runs Oct. 4-8.
In addition to the previously announced films, the Narrative Competition films will include the New York Premiere of Yen Tan’s 1985, the U.S. Premiere of Eva Trobisch’s All Good, Ali Abbasi’s Border, the U.S. Premiere of Zsófia Szilágyi’s One Day,...
- 9/17/2018
- by Greg Evans
- Deadline Film + TV
The Traverse City Film Festival is celebrating its 14th year in 2018 by bringing together some of the year’s best indies and documentaries, plus classics from Jonathan Demme, Hal Ashby, and more. The Michigan-set festival, backed by Michael Moore, is being run in 2018 by directors Susan Fisher and Meg Weichman, who have worked on the festival for nearly a decade and have been at the helm since December.
Tickets for this year’s edition will go on sale to the public on Saturday, July 21 (click here for the official festival website). Friends of the Film Festival will be able to get early access to tickets with advance sales starting Sunday, July 15.
The full lineup for the 2018 Traverse City Film Festival is below.
Opening Night: “Rbg”
Centerpiece: “Hearts Beat Loud”
Closing Night: “Burden”
Open Space
“Stop Making Sense,” Jonathan Demme
“Jumanji: Welcome to the Jungle,” Jake Kasdan
“Coco,” Lee Unkrich
“Black Panther,...
Tickets for this year’s edition will go on sale to the public on Saturday, July 21 (click here for the official festival website). Friends of the Film Festival will be able to get early access to tickets with advance sales starting Sunday, July 15.
The full lineup for the 2018 Traverse City Film Festival is below.
Opening Night: “Rbg”
Centerpiece: “Hearts Beat Loud”
Closing Night: “Burden”
Open Space
“Stop Making Sense,” Jonathan Demme
“Jumanji: Welcome to the Jungle,” Jake Kasdan
“Coco,” Lee Unkrich
“Black Panther,...
- 6/29/2018
- by Zack Sharf
- Indiewire
Nantucket, Mass. — Andrew Heckler’s “Burden” and the documentary “Bathtubs Over Broadway” took top film honors at the 23rd annual Nantucket Film Festival.
“Burden,” the story of a man’s attempt to break from the Kkk, won for narrative feature. “Juliet, Naked,” Jesse Peretz’s sweet-natured romantic comedy starring Rose Byrne, Chris O’Dowd, and Ethan Hawke, was runner up for narrative feature. Rudy Valdez’s “The Sentence,” the story of a woman’s “Orange Is the New Black”-esque odyssey through the criminal justice system, was runner up in the documentary field.
“Bathtubs,” directed by Dava Whisenant, tells the story of “Late Show With David Letterman” writer Steve Young whose life is changed when he stumbles into the “hidden world” of corporate musicals, or Broadway-style musical recordings commissioned to burnish corporate images and promote their products.
The short film nod went to “Homeless: The Soundtrack” from Irene Taylor Brodsky.
“Burden,” the story of a man’s attempt to break from the Kkk, won for narrative feature. “Juliet, Naked,” Jesse Peretz’s sweet-natured romantic comedy starring Rose Byrne, Chris O’Dowd, and Ethan Hawke, was runner up for narrative feature. Rudy Valdez’s “The Sentence,” the story of a woman’s “Orange Is the New Black”-esque odyssey through the criminal justice system, was runner up in the documentary field.
“Bathtubs,” directed by Dava Whisenant, tells the story of “Late Show With David Letterman” writer Steve Young whose life is changed when he stumbles into the “hidden world” of corporate musicals, or Broadway-style musical recordings commissioned to burnish corporate images and promote their products.
The short film nod went to “Homeless: The Soundtrack” from Irene Taylor Brodsky.
- 6/25/2018
- by Cynthia Littleton
- Variety Film + TV
Andrew Heckler's Burden won the audience award for best narrative feature at the 23rd annual Nantucket Film Festival. The awards, unveiled today as the five-day festival wrapped, saw Jesse Peretz's Juliet, Naked, written by Evgenia Peretz, Jim Taylor and Tamara Jenkins, take home the runner-up prize.
Dava Whisenant's Bathtubs Over Broadway won the best documentary feature award, while Rudy Valdez’s The Sentence was named the runner-up. Irene Taylor Brodsky’s Homeless: The Soundtrack was awarded best short film, and Randall Christopher’s The Driver Is Red is the runner-up.
In addition, Nff revealed its Best of Fest selections, special repeat screenings determined ...
Dava Whisenant's Bathtubs Over Broadway won the best documentary feature award, while Rudy Valdez’s The Sentence was named the runner-up. Irene Taylor Brodsky’s Homeless: The Soundtrack was awarded best short film, and Randall Christopher’s The Driver Is Red is the runner-up.
In addition, Nff revealed its Best of Fest selections, special repeat screenings determined ...
- 6/25/2018
- The Hollywood Reporter - Movie News
Andrew Heckler's Burden won the audience award for best narrative feature at the 23rd annual Nantucket Film Festival. The awards, unveiled today as the five-day festival wrapped, saw Jesse Peretz's Juliet, Naked, written by Evgenia Peretz, Jim Taylor and Tamara Jenkins, take home the runner-up prize.
Dava Whisenant's Bathtubs Over Broadway won the best documentary feature award, while Rudy Valdez’s The Sentence was named the runner-up. Irene Taylor Brodsky’s Homeless: The Soundtrack was awarded best short film, and Randall Christopher’s The Driver Is Red is the runner-up.
In addition, Nff revealed its Best of Fest selections, special repeat screenings determined ...
Dava Whisenant's Bathtubs Over Broadway won the best documentary feature award, while Rudy Valdez’s The Sentence was named the runner-up. Irene Taylor Brodsky’s Homeless: The Soundtrack was awarded best short film, and Randall Christopher’s The Driver Is Red is the runner-up.
In addition, Nff revealed its Best of Fest selections, special repeat screenings determined ...
- 6/25/2018
- The Hollywood Reporter - Film + TV
New York City – The 17th Tribeca Film Festival wrapped a couple weeks ago and the award winning films of the festival have been named. Patrick McDonald of HollywoodChicago.com was there for the first week of Tribeca, and files his personal best of the films that he experienced.
The films are either in release or are still looking for distributors, but many of them are already scheduled for 2018 theatrical runs. The Tribeca Film Festival screenings occur mostly in the Chelsea neighborhood, steps from the famed Hotel Chelsea (now under renovation).
The following are the prime 11 of the 2018 Tribeca Film Festival…
Bathtubs Over Broadway
’Bathtubs Over Broadway,’ Directed by Dava Whisenant
Photo credit: Tribeca Film Festival
When is the last time you really saw a miracle take place? The story of “Bathtubs Over Broadway” is one such happenstance, as a disaffected comedy writer named Steve Young unwittingly stumbled upon a lost piece of 1950s/’60s art…...
The films are either in release or are still looking for distributors, but many of them are already scheduled for 2018 theatrical runs. The Tribeca Film Festival screenings occur mostly in the Chelsea neighborhood, steps from the famed Hotel Chelsea (now under renovation).
The following are the prime 11 of the 2018 Tribeca Film Festival…
Bathtubs Over Broadway
’Bathtubs Over Broadway,’ Directed by Dava Whisenant
Photo credit: Tribeca Film Festival
When is the last time you really saw a miracle take place? The story of “Bathtubs Over Broadway” is one such happenstance, as a disaffected comedy writer named Steve Young unwittingly stumbled upon a lost piece of 1950s/’60s art…...
- 5/13/2018
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
If there’s a common theme weaved throughout the 2018 Nashville Film Festival, it’s a strong sense of diversity. With submissions from more than 135 countries and female filmmakers making up more than 40% of the film bracket, in addition to several films led by African-Americans and those who defy gender norms, filmmakers from wide-ranging backgrounds are turning to the Nashville Film Festival as an outlet to share their voices.
“The storytelling has gotten deeper,” artistic director Brian Owens says of the 2018 festival, which runs May 10-19 at Regal Hollywood Stadium 27. “These films really address the now, all the way through the program. There really seems to be an urgency that wasn’t there before. It’s a reflection of the times.”
This sense of urgency is mirrored in the festival’s numerous documentaries, a category in which the presence of women is prominent across a variety of socially conscious films. “Dark Money” is one example,...
“The storytelling has gotten deeper,” artistic director Brian Owens says of the 2018 festival, which runs May 10-19 at Regal Hollywood Stadium 27. “These films really address the now, all the way through the program. There really seems to be an urgency that wasn’t there before. It’s a reflection of the times.”
This sense of urgency is mirrored in the festival’s numerous documentaries, a category in which the presence of women is prominent across a variety of socially conscious films. “Dark Money” is one example,...
- 5/10/2018
- by Cillea Houghton
- Variety Film + TV
The winners of the jury awards at the 17th annual Tribeca Film Festival were announced on 26th April. Here’s a list of the highlights.
Best Actress in a U.S. Narrative Feature Film – Alia Shawkat in Duck Butter
Best Actor in a U.S. Narrative Feature Film – Jeffrey Wright in O.G.
Founders Award for Best Narrative Feature – Diane written and directed by Kent Jones
Best Documentary Feature – Island of the Hungry Ghosts, directed by Gabrielle Brady
The Nora Ephron Award – Nia DaCosta, director of Little Woods
Best New Narrative filmmaker – Shawn Snyder of To Dust
Albert Maysles Award for Best New Documentary Director to Dava Whisenant for Bathtubs Over Broadway
Storyscapes Award – Hero created by Navid Khonsari, Vassiliki Khonsari and Brooks Brown
Student Visionary Award – Life of Esteban by Ines Eshun
Tribeca X Award – For Every Kind of Dream series for Square, directed by Mohammad Gorjestani
28th April...
Best Actress in a U.S. Narrative Feature Film – Alia Shawkat in Duck Butter
Best Actor in a U.S. Narrative Feature Film – Jeffrey Wright in O.G.
Founders Award for Best Narrative Feature – Diane written and directed by Kent Jones
Best Documentary Feature – Island of the Hungry Ghosts, directed by Gabrielle Brady
The Nora Ephron Award – Nia DaCosta, director of Little Woods
Best New Narrative filmmaker – Shawn Snyder of To Dust
Albert Maysles Award for Best New Documentary Director to Dava Whisenant for Bathtubs Over Broadway
Storyscapes Award – Hero created by Navid Khonsari, Vassiliki Khonsari and Brooks Brown
Student Visionary Award – Life of Esteban by Ines Eshun
Tribeca X Award – For Every Kind of Dream series for Square, directed by Mohammad Gorjestani
28th April...
- 4/30/2018
- by James Kleinmann
- HeyUGuys.co.uk
New York City – The 17th Edition of the Tribeca Film Festival continues through April 29th, 2018, but the main jury awards were announced on April 26th at Awards Night ceremonies. “DIane,” directed by Kent Jones, was awarded Best U.S. Narrative Feature. “Smuggling Hendrix” took the honors for Best International Narrative Feature, and “Island of Hungry Ghosts” was Best Documentary Feature.
Awards were distributed in the following feature film competition categories – U.S. Narrative, International Narrative, Documentary, New Narrative Director, The Albert Maysles New Documentary Director, and the Nora Ephron Prize, honoring a woman writer or director. Awards were also given in the short film categories – Narrative, Documentary, Student Visionary and Animation. For the sixth year, Tribeca awarded innovation in storytelling through its Storyscapes Award for immersive (Vr) storytelling.
Jury Awards for the 17th Tribeca Film Festival Took Place on April 26th, 2018
Photo credit: Tribeca Film Festival
“It is rewarding to honor...
Awards were distributed in the following feature film competition categories – U.S. Narrative, International Narrative, Documentary, New Narrative Director, The Albert Maysles New Documentary Director, and the Nora Ephron Prize, honoring a woman writer or director. Awards were also given in the short film categories – Narrative, Documentary, Student Visionary and Animation. For the sixth year, Tribeca awarded innovation in storytelling through its Storyscapes Award for immersive (Vr) storytelling.
Jury Awards for the 17th Tribeca Film Festival Took Place on April 26th, 2018
Photo credit: Tribeca Film Festival
“It is rewarding to honor...
- 4/28/2018
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
“Diane,” writer-director Kent Jones’ drama starring Mary Kay Place, and actors Jeffrey Wright and Alia Shawkat were among the winners of the 2018 Tribeca Film Festival’s slate of juried awards.
“Diane,” the first narrative feature from New York Film Festival director Jones, centers on a 70-something woman (Place) and the relationships and memories she’d rather not confront, and won awards for narrative feature, cinematography and for screenplay (U.S. narrative). Wright (“Westworld”) scored a trophy for “O.G.,” in which he plays a maximum-security prison inmate, and Shawkat (“Arrested Development”) earned her award for her turn in “Duck Butter,” about a romantic experiment between two women.
Also on the list of Tribeca award recipients were international narrative feature winner “Smuggling Hendrix,” Marios’ Piperides movie about a washed-up musician trying to rescue his dog, and “Island of the Hungry Ghosts,” Gabrielle Brady’s winning documentary feature about a detention center on Christmas Island.
“Diane,” the first narrative feature from New York Film Festival director Jones, centers on a 70-something woman (Place) and the relationships and memories she’d rather not confront, and won awards for narrative feature, cinematography and for screenplay (U.S. narrative). Wright (“Westworld”) scored a trophy for “O.G.,” in which he plays a maximum-security prison inmate, and Shawkat (“Arrested Development”) earned her award for her turn in “Duck Butter,” about a romantic experiment between two women.
Also on the list of Tribeca award recipients were international narrative feature winner “Smuggling Hendrix,” Marios’ Piperides movie about a washed-up musician trying to rescue his dog, and “Island of the Hungry Ghosts,” Gabrielle Brady’s winning documentary feature about a detention center on Christmas Island.
- 4/26/2018
- by Gordon Cox
- Variety Film + TV
In late April, theater lovers devote most of their attention to the clutch of Broadway shows rushing to open before the eligibility cutoff for Tony nominations. But this year fans should be keeping an eye on things downtown too: New projects by or about Broadway talent aren’t onstage. They’re at a film festival — the Tribeca Film Festival (running April 18-29), where Terrence McNally, Howard Ashman, Michael Mayer and Stephen Karam are all in the mix.
Every Act of Life (pictured top)
Jeff Kaufman and Marcia Ross’ documentary, making its world premiere at the festival, chronicles the life of McNally, the veteran, out-and-proud playwright and four-time Tony winner behind “Kiss of the Spider Woman,” “Ragtime,” “Love! Valour! Compassion!” and more. The biopic — which counts Audra McDonald, Christine Baranski, Angela Lansbury, Meryl Streep and Bryan Cranston among those involved — touches on everything from McNally’s romance with Edward Albee to...
Every Act of Life (pictured top)
Jeff Kaufman and Marcia Ross’ documentary, making its world premiere at the festival, chronicles the life of McNally, the veteran, out-and-proud playwright and four-time Tony winner behind “Kiss of the Spider Woman,” “Ragtime,” “Love! Valour! Compassion!” and more. The biopic — which counts Audra McDonald, Christine Baranski, Angela Lansbury, Meryl Streep and Bryan Cranston among those involved — touches on everything from McNally’s romance with Edward Albee to...
- 4/10/2018
- by Gordon Cox
- Variety Film + TV
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