Parodying one’s self on “Curb Your Enthusiasm” is a celebrity rite of passage, with everyone from Martin Scorsese and Bruce Springsteen to Salman Rushdie and Lt. Colonel Alexander Vindman stopping by Larry David’s HBO sitcom to celebrate their own neuroses over the past quarter century. But now that the show has finally wrapped after a 12-season run, the cast can admit that some cameos tower above the competition in the pantheon of “Curb Your Enthusiasm” history.
During a panel discussion about the show’s 12th season moderated by Judd Apatow at PaleyFest LA 2024, longtime series regular J.B. Smoove reflected on his favorite celebrity appearances on the show. He singled out Michael J. Fox’s two episodes in Seasons 8 and 9 (which aired six years apart due to the show’s hiatus), as a high point in the series.
“Oh man, I think, I think one of the greatest people...
During a panel discussion about the show’s 12th season moderated by Judd Apatow at PaleyFest LA 2024, longtime series regular J.B. Smoove reflected on his favorite celebrity appearances on the show. He singled out Michael J. Fox’s two episodes in Seasons 8 and 9 (which aired six years apart due to the show’s hiatus), as a high point in the series.
“Oh man, I think, I think one of the greatest people...
- 4/19/2024
- by Christian Zilko
- Indiewire
One of the biggest talking points of Oscar night was “The Zone of Interest” director Jonathan Glazer’s powerful yet controversial acceptance speech about the Holocaust “being hijacked by an occupation” in reference to the October 7 attack by Hamas and the ongoing conflict in Gaza.
Not long after “The Zone of Interest” won Best International Feature Film and Glazer’s speech aired live, some onlookers online wondered why the Academy had uploaded video clips throughout the evening of other acceptance speeches, but not one of the key ones that many were talking about. Many online began speculating about the Oscars’ potential censorship of the speech in an attempt to hide Glazer’s comments about the conflict.
But the reason Glazer’s speech is not (currently) available on the Oscars’ official YouTube page is not a nefarious one, but a technical one. An ABC source tells IndieWire that, as part of...
Not long after “The Zone of Interest” won Best International Feature Film and Glazer’s speech aired live, some onlookers online wondered why the Academy had uploaded video clips throughout the evening of other acceptance speeches, but not one of the key ones that many were talking about. Many online began speculating about the Oscars’ potential censorship of the speech in an attempt to hide Glazer’s comments about the conflict.
But the reason Glazer’s speech is not (currently) available on the Oscars’ official YouTube page is not a nefarious one, but a technical one. An ABC source tells IndieWire that, as part of...
- 3/11/2024
- by Brian Welk
- Indiewire
There’s something uniquely cinematic about romantic comedies — something that makes them a natural fit for the movies and vice-versa. There’s an intoxicating alchemy that allows us to believe in the magic of meet-cutes, happily-ever-afters, and all the agonizing contrivances that tend to pop up between the two. Love it seems gives storytellers permission to transpose the stuff of operas and fables into the fabric of real (or at least overly glossed but still recognizable) life.
On paper, a film like “Pretty Woman” might be a retrograde fairy tale about a sex worker with a heart of gold and the rich businessman who can afford it, but the chemistry between Julia Roberts and Richard Gere is so explosive that you surrender to the sentiment of it all. Literally nothing in Richard Curtis’ “Love Actually” makes sense if you stop and think about it for even a few seconds. The...
On paper, a film like “Pretty Woman” might be a retrograde fairy tale about a sex worker with a heart of gold and the rich businessman who can afford it, but the chemistry between Julia Roberts and Richard Gere is so explosive that you surrender to the sentiment of it all. Literally nothing in Richard Curtis’ “Love Actually” makes sense if you stop and think about it for even a few seconds. The...
- 2/14/2024
- by Alison Foreman
- Indiewire
That’s almost a wrap, folks, as this year’s Sundance Film Festival concludes its eleven-day run tomorrow. While Team IndieWire has already decamped back to their various home bases (eleven is a lot of days), we’re all still enjoying what this year’s festival has to offer through both its virtual screening platform and our already-fond memories of the best films we saw at this year’s festival.
And what films are those, you might ask? We’re all too happy to share, care of the following list of 17 standout features from this year’s festival, hereby termed the best of the fest. The following list includes over a dozen films one IndieWire staffer really wanted to highlight. Narratives and documentaries, first-time filmmakers and old favorites, comedies, dramas, horror films, and so much more, this list also captures the breadth of filmmaking prowess put on display at this year’s festival.
And what films are those, you might ask? We’re all too happy to share, care of the following list of 17 standout features from this year’s festival, hereby termed the best of the fest. The following list includes over a dozen films one IndieWire staffer really wanted to highlight. Narratives and documentaries, first-time filmmakers and old favorites, comedies, dramas, horror films, and so much more, this list also captures the breadth of filmmaking prowess put on display at this year’s festival.
- 1/27/2024
- by Kate Erbland, David Ehrlich and Ryan Lattanzio
- Indiewire
Art rises to a challenge, and 2023 saw plenty of documentaries do exactly that. Amid a swarm of vanity projects and puff pieces, brand extensions and overstretched stories, the best documentaries of the year stood out for their scrutiny and decisiveness; their unique perspectives and razor-sharp editing. Rather than be dragged down by industry forces, be it the lingering effects of streaming or resurgent demand for star vehicles masked as docs, these 20 nonfiction works rose above — and, as audience members, we thank them for it.
There were some heavy hitters working in 2023. Matthew Heineman, Maite Alberdi, Steve James, and Errol Morris all delivered impressive new pieces. Breakthroughs came screaming to the forefront as well, many aided by festival or critical support (or both). Films like “Kokomo City,” “Beyond Utopia,” and “A Still Small Voice” managed to crack the zeitgeist and pique cinephiles’ interest. While over in television, genre hybrids like “Paul T. Goldman...
There were some heavy hitters working in 2023. Matthew Heineman, Maite Alberdi, Steve James, and Errol Morris all delivered impressive new pieces. Breakthroughs came screaming to the forefront as well, many aided by festival or critical support (or both). Films like “Kokomo City,” “Beyond Utopia,” and “A Still Small Voice” managed to crack the zeitgeist and pique cinephiles’ interest. While over in television, genre hybrids like “Paul T. Goldman...
- 12/12/2023
- by Ben Travers and Anne Thompson
- Indiewire
While much of 2023 in Hollywood was dominated by labor strikes and negotiations, the film and TV industry are finally heading into a full-fledged awards season. November marked the return of the Gotham Film Awards, and 2024 will herald the return of the delayed Primetime Emmys, Oscars, and and more.
First up are the Golden Globe Awards, which will take place on January 7, 2024 at the Beverly Hilton Hotel in Los Angeles. The 81st Golden Globes will air live on CBS and award both film and television selected by 310 international journalists after the Hollywood Foreign Press Association dissolved and redistributed its assets. The 2024 ceremony will introduce two new awards: Cinematic and Box Office Achievement in Motion Pictures, and Best Performance in Stand-Up Comedy on Television. Glenn Weiss and Ricky Kirshner of White Cherry Entertainment (Wce) will serve as executive-producing showrunners for the 81st Annual Golden Globe Awards, with Weiss directing.
Cedric “The Entertainer...
First up are the Golden Globe Awards, which will take place on January 7, 2024 at the Beverly Hilton Hotel in Los Angeles. The 81st Golden Globes will air live on CBS and award both film and television selected by 310 international journalists after the Hollywood Foreign Press Association dissolved and redistributed its assets. The 2024 ceremony will introduce two new awards: Cinematic and Box Office Achievement in Motion Pictures, and Best Performance in Stand-Up Comedy on Television. Glenn Weiss and Ricky Kirshner of White Cherry Entertainment (Wce) will serve as executive-producing showrunners for the 81st Annual Golden Globe Awards, with Weiss directing.
Cedric “The Entertainer...
- 12/11/2023
- by Proma Khosla
- Indiewire
Updated with details about the next and final screening, which is “Stamped from the Beginning” on November 20. Learn more here.
This Monday, November 20, the next and concluding screening in our Art of the Doc series will be of Roger Ross Williams’ acclaimed “Stamped from the Beginning” at the Landmark Westwood. Doors open at 6:30pm with a pre-reception featuring beer, wine, and conversations with other documentary fans. Then at 7:30, the screening will begin, after which there will be a Q&a moderated by IndieWire’s Marcus Jones with director Roger Ross Williams himself. The film, based on the book by Ibram X. Kendi about how racist tropes permeate American culture, debuted to extraordinary acclaim at TIFF in September, and IndieWire’s Anne Thompson considers it a frontrunner in the Best Documentary Feature race at the Oscars.
New to our Art of the Doc series? Well, IndieWire has celebrated the...
This Monday, November 20, the next and concluding screening in our Art of the Doc series will be of Roger Ross Williams’ acclaimed “Stamped from the Beginning” at the Landmark Westwood. Doors open at 6:30pm with a pre-reception featuring beer, wine, and conversations with other documentary fans. Then at 7:30, the screening will begin, after which there will be a Q&a moderated by IndieWire’s Marcus Jones with director Roger Ross Williams himself. The film, based on the book by Ibram X. Kendi about how racist tropes permeate American culture, debuted to extraordinary acclaim at TIFF in September, and IndieWire’s Anne Thompson considers it a frontrunner in the Best Documentary Feature race at the Oscars.
New to our Art of the Doc series? Well, IndieWire has celebrated the...
- 11/17/2023
- by Wilson Chapman
- Indiewire
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