Chicago – Sam Pollard has established himself as a top director of documentaries, to add to his stellar career as a film editor … including for Spike Lee. His latest doc is a deep dive into the 20th Century curiosity of the Negro League. With interviews, archival photos/footage and comprehensive storytelling, the doc is entitled “The League.”
The Negro Leagues were born because of Major League Baseball’s segregation in the first half of the 20th Century, as the owners colluded to keep blacks off their teams. It took black entrepreneur Rube Foster to organize the rag-tag “negro” teams of the era into a collective in 1920. At the League’s peak they forged their own top players, introduced a more modern speed-oriented game and produced many future stars … including Jackie Robinson, Hank Aaron and Willie Mays. Barely surviving the Depression, the barnstorming league changed teams and areas of the country with impunity,...
The Negro Leagues were born because of Major League Baseball’s segregation in the first half of the 20th Century, as the owners colluded to keep blacks off their teams. It took black entrepreneur Rube Foster to organize the rag-tag “negro” teams of the era into a collective in 1920. At the League’s peak they forged their own top players, introduced a more modern speed-oriented game and produced many future stars … including Jackie Robinson, Hank Aaron and Willie Mays. Barely surviving the Depression, the barnstorming league changed teams and areas of the country with impunity,...
- 7/15/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
During the opening frames of Sam Pollard’s “The League,” a wistful and profound documentary about the rise and fall of the Negro Leagues, baseball hall-of-famers Hank Aaron and Monte Irvin share how they played the game as kids, even when they had nothing more than broomsticks.
As footage of Black kids playing on a sandlot rush by, what’s being discussed isn’t merely successful men reminiscing about their past hardships, they’re talking about how they overcame those obstacles through resourcefulness and guile. Pollard’s newest incisive documentary about one of the largest Black-owned businesses in America, the Negro Leagues, is filled with those gems of perseverance and adaptation.
And yet, Pollard doesn’t skirt from the deeply felt dangers that afflicted these athletes living under the cloud of systemic racism. He tells this history through his narration and chronologically. He begins by straightening a misconception: Though Jackie Robinson broke the color barrier,...
As footage of Black kids playing on a sandlot rush by, what’s being discussed isn’t merely successful men reminiscing about their past hardships, they’re talking about how they overcame those obstacles through resourcefulness and guile. Pollard’s newest incisive documentary about one of the largest Black-owned businesses in America, the Negro Leagues, is filled with those gems of perseverance and adaptation.
And yet, Pollard doesn’t skirt from the deeply felt dangers that afflicted these athletes living under the cloud of systemic racism. He tells this history through his narration and chronologically. He begins by straightening a misconception: Though Jackie Robinson broke the color barrier,...
- 7/7/2023
- by Robert Daniels
- Indiewire
The story of the Negro baseball leagues has the hallmarks of a feel-good story: determination, inventiveness, and relentless optimism in the face of unyielding hatred. But while Sam Pollard’s mostly straightforward and celebratory documentary The League doesn’t skimp on those elements, he also introduces knottier emotions that allow the film, which is executive produced by Ahmir “Questlove” Thompson, to escape two-dimensionality.
Unlike many other manifestations of American racial prejudice, baseball in its early years was at least somewhat integrated. The historians here describe how late-19th-century baseball featured largely white teams with occasional Black players. In the film’s telling, this relative openness started coming to an end after an 1883 game where star white player and manager Adrian Constantine Anson, nicknamed “Pop” and “Cap,” refused to play an integrated team. When the 1896 Plessy v. Ferguson “separate but equal” ruling provided legal justification for segregation, the practice became standardized across many American institutions,...
Unlike many other manifestations of American racial prejudice, baseball in its early years was at least somewhat integrated. The historians here describe how late-19th-century baseball featured largely white teams with occasional Black players. In the film’s telling, this relative openness started coming to an end after an 1883 game where star white player and manager Adrian Constantine Anson, nicknamed “Pop” and “Cap,” refused to play an integrated team. When the 1896 Plessy v. Ferguson “separate but equal” ruling provided legal justification for segregation, the practice became standardized across many American institutions,...
- 6/30/2023
- by Chris Barsanti
- Slant Magazine
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