Rod Steiger is primarily remembered for his tough guys in such films as “Al Capone,” “The Big Knife” and his Oscar-winning performance in “In the Heat of the Night.” But his performances include such diverse characters as a meek Holocaust survivor in “The Pawnbroker” and a fey embalmer in the satire “The Loved One.”
In addition to his performance in “In the Heat of the Night,” for which Steiger also won a Golden Globe as well, he was Oscar-nominated for “The Pawnbroker” and for his iconic performance as the brother of Terry Malloy (Marlon Brando) in the back seat of that car in Elia Kazan‘s “On the Waterfront.”
So let’s raise a glass to the late great man and honor him by counting down his 12 greatest screen performances, ranked from worst to best.
In addition to his performance in “In the Heat of the Night,” for which Steiger also won a Golden Globe as well, he was Oscar-nominated for “The Pawnbroker” and for his iconic performance as the brother of Terry Malloy (Marlon Brando) in the back seat of that car in Elia Kazan‘s “On the Waterfront.”
So let’s raise a glass to the late great man and honor him by counting down his 12 greatest screen performances, ranked from worst to best.
- 4/6/2024
- by Tom O'Brien, Misty Holland and Chris Beachum
- Gold Derby
Rereleased for its 70th anniversary, Elia Kazan’s classic exploration of corruption and whether or not to squeal is made all the more viscerally powerful by his own Huac testimony
‘The Romans found out what a handful could do, if it’s the right handful,” says Karl Malden’s priest Father Pete Barry to the crowd of sullen, nervous New Jersey longshoremen he’s persuaded to come to his church, like the early Christians hiding in caves; they are wondering whether to stand up to the crooked union mob boss Johnny Friendly, played by Lee J Cobb. Meanwhile, ex-boxer Terry Malloy, played by Marlon Brando, sits at the back of the church, smirking and eavesdropping; midway between Judas and Jesus, he is the washed-up fighter who gets cushy dockworker jobs from Johnny in return for shameful dirty work, his stevedore’s hook hitched over his shoulder. It’s same kind...
‘The Romans found out what a handful could do, if it’s the right handful,” says Karl Malden’s priest Father Pete Barry to the crowd of sullen, nervous New Jersey longshoremen he’s persuaded to come to his church, like the early Christians hiding in caves; they are wondering whether to stand up to the crooked union mob boss Johnny Friendly, played by Lee J Cobb. Meanwhile, ex-boxer Terry Malloy, played by Marlon Brando, sits at the back of the church, smirking and eavesdropping; midway between Judas and Jesus, he is the washed-up fighter who gets cushy dockworker jobs from Johnny in return for shameful dirty work, his stevedore’s hook hitched over his shoulder. It’s same kind...
- 4/3/2024
- by Peter Bradshaw
- The Guardian - Film News
Marlon Brando – the man whom Time magazine crowned the greatest actor of the 20th century back in 1998 – would be celebrating his 100th birthday today had he not died 20 years ago. Born on April 3, 1924, Brando was a fascinating if divisive character, a perpetually enigmatic figure whose impact not only on the acting profession but on American popular culture itself can’t be overstated. He starred in numerous iconic roles, from Stanley Kowalski in “A Streetcar Named Desire” to Terry Malloy in “On the Waterfront” to Julius Caesar in “Julius Caesar” to Vito Corleone in “The Godfather.”
While he wound up nominated for eight Academy Awards and six Golden Globes and won two of each, it was the one honor Brando rejected, of course, that came to define his awards legacy: his Best Actor win for “The Godfather” in 1973 in which he sent actress and purported Native American representative Sacheen Littlefeather (a.
While he wound up nominated for eight Academy Awards and six Golden Globes and won two of each, it was the one honor Brando rejected, of course, that came to define his awards legacy: his Best Actor win for “The Godfather” in 1973 in which he sent actress and purported Native American representative Sacheen Littlefeather (a.
- 4/3/2024
- by Ray Richmond
- Gold Derby
“Do I have regrets?” asks Sylvester Stallone at the beginning of “Sly,” the Thom Zimny documentary about him that served as the closing-night film at the 2023 Toronto International Film Festival on Saturday. “Hell yeah, I have regrets.”
Putting that quote up front is a smart way to introduce a film about the man whose career sometimes seems to have resulted in equal parts iconography and mockery. The actor, screenwriter and director created the classic characters Rocky Balboa and John Rambo, but struggled to find respect and made more than his share of terrible films.
Another smart move: New conversations with Stallone run throughout the film, but these are not the usual talking-head interviews in which the subject sits in a chair and runs through his life. Instead, Stallone almost always talks to the camera while standing up and moving around.
Zimny’s camera stays on the go, bobbing and weaving...
Putting that quote up front is a smart way to introduce a film about the man whose career sometimes seems to have resulted in equal parts iconography and mockery. The actor, screenwriter and director created the classic characters Rocky Balboa and John Rambo, but struggled to find respect and made more than his share of terrible films.
Another smart move: New conversations with Stallone run throughout the film, but these are not the usual talking-head interviews in which the subject sits in a chair and runs through his life. Instead, Stallone almost always talks to the camera while standing up and moving around.
Zimny’s camera stays on the go, bobbing and weaving...
- 9/17/2023
- by Steve Pond
- The Wrap
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