It is fitting to find Fanny: The Right to Rock broadcast on PBS. The channel thrives on educational material, and director Bobbi Jo Hart’s documentary teaches many lessons. The film chronicles the career, and captures the reunion of Fanny, a group of musicians who changed the dynamics of rock in the 1970s. The lineup was unique, labels and management executives dubbed them the “female Beatles.” They made history as the first all-women rock band to release an LP with a major record label.
Originally called The Svelts and rebranded as Wild Honey, Fanny was formed in the mid-1960s in Sacramento, Calif., by three Filipina American musicians: sisters June and Jean Millington, on guitar and bass, and drummer Brie Darling. All three sang. When Darling had her daughter, Brandi, in 1968, Fanny added drummer Alice de Buhr, and roving keyboardist Nickey Barclay.
As was the fashion of the time, they lived in a band house.
Originally called The Svelts and rebranded as Wild Honey, Fanny was formed in the mid-1960s in Sacramento, Calif., by three Filipina American musicians: sisters June and Jean Millington, on guitar and bass, and drummer Brie Darling. All three sang. When Darling had her daughter, Brandi, in 1968, Fanny added drummer Alice de Buhr, and roving keyboardist Nickey Barclay.
As was the fashion of the time, they lived in a band house.
- 5/22/2023
- by Alec Bojalad
- Den of Geek
Helping to pave the way for women in the music industry, yet with much of their story lost to history, the rock band Fanny is now deservedly getting the spotlight in a new documentary. A world premiere at last year’s Hot Docs and now set for a release on May 27 at Quad Cinema, Bobbi Jo Hart’s Fanny: The Right to Rock examines the Sacramento-based band formed by a pair of Filipina-American sisters in their garage in the 1960s.
Featuring the band themselves, as well as Def Leppard’s Joe Elliott, Bonnie Raitt, The Go-Go’s Kathy Valentine, Todd Rundgren, The Runaways’ Cherie Currie, Lovin’ Spoonful’s John Sebastian, The B52’s Kate Pierson, Charles Neville, and David Bowie guitarist and bassist Earl Slick and Gail Ann Dorsey, the documentary explores their journey, being one of the very first all-women bands to sign with a major record label. With the band reforming 50 years later,...
Featuring the band themselves, as well as Def Leppard’s Joe Elliott, Bonnie Raitt, The Go-Go’s Kathy Valentine, Todd Rundgren, The Runaways’ Cherie Currie, Lovin’ Spoonful’s John Sebastian, The B52’s Kate Pierson, Charles Neville, and David Bowie guitarist and bassist Earl Slick and Gail Ann Dorsey, the documentary explores their journey, being one of the very first all-women bands to sign with a major record label. With the band reforming 50 years later,...
- 5/6/2022
- by Jordan Raup
- The Film Stage
Exclusive: Film Movement has acquired U.S. rights to the dramedy Queen of Glory, written, directed by and starring Nana Mensah, from Magnolia Pictures International, with plans to release it in theaters and on digital and VOD later this year.
In her debut feature, Mensah plays Sarah, a Ghanaian-American doctoral student at Columbia University who is weeks away from following her very married boyfriend to Ohio when her mother dies suddenly, leaving her as the owner of the small, Bronx-based Christian bookstore, King of Glory. Tasked with planning a culturally respectful funeral befitting the family matriarch, Sarah is forced to juggle the expectations of her loving, yet demanding family while also navigating the reappearance of her estranged father. Aided by an only-in-New York ensemble of Eastern European neighbors, feisty African aunties and a no-nonsense ex-con co-worker, she faces her new responsibilities while figuring out how to remain true to herself.
In her debut feature, Mensah plays Sarah, a Ghanaian-American doctoral student at Columbia University who is weeks away from following her very married boyfriend to Ohio when her mother dies suddenly, leaving her as the owner of the small, Bronx-based Christian bookstore, King of Glory. Tasked with planning a culturally respectful funeral befitting the family matriarch, Sarah is forced to juggle the expectations of her loving, yet demanding family while also navigating the reappearance of her estranged father. Aided by an only-in-New York ensemble of Eastern European neighbors, feisty African aunties and a no-nonsense ex-con co-worker, she faces her new responsibilities while figuring out how to remain true to herself.
- 2/28/2022
- by Matt Grobar
- Deadline Film + TV
The Woodstock Film Festival has announced the slate for its 22nd edition, with 11 world premieres among the 43 features on the bill.
The festival will take place September 29 to October 3 in three Hudson Valley communities about two hours north of New York City. In-person screenings and events will be featured throughout the fest’s five days, but online options will also enable attendees to connect amid the ongoing challenges of Covid-19.
Panels, concerts and comedy sets along with film screenings are planned in Woodstock, Kingston and Saugerties. Neon chief Tom Quinn is slated to receive the festival’s Honorary Trailblazer Award, an honor announced in 2020 but postponed due to the pandemic.
The festival will kick off with Fanny: The Right to Rock, a documentary about a pathbreaking Filipina-American garage band, with a performance by some of the band’s members following the screening. Music is an annual touchstone for Woodstock’s lineup,...
The festival will take place September 29 to October 3 in three Hudson Valley communities about two hours north of New York City. In-person screenings and events will be featured throughout the fest’s five days, but online options will also enable attendees to connect amid the ongoing challenges of Covid-19.
Panels, concerts and comedy sets along with film screenings are planned in Woodstock, Kingston and Saugerties. Neon chief Tom Quinn is slated to receive the festival’s Honorary Trailblazer Award, an honor announced in 2020 but postponed due to the pandemic.
The festival will kick off with Fanny: The Right to Rock, a documentary about a pathbreaking Filipina-American garage band, with a performance by some of the band’s members following the screening. Music is an annual touchstone for Woodstock’s lineup,...
- 9/1/2021
- by Dade Hayes
- Deadline Film + TV
Outfest has unveiled the dates, venues, and lineup for its 39th film festival, which is returning to in-person screenings more than a year and a half after the outbreak of the Covid-19 pandemic.
The Outfest Los Angeles LGBTQ Film Festival will be held this year between August 13-22.
The 2021 edition of the nation’s leading LGBTQ festival kicks off with an opening night screening of Jonathan Butterell’s Everybody’s Talking About Jamie. The screening, which is being put on in concert with Cinespia, will mark the fest’s first-ever outdoor gala, taking place at the Hollywood Forever Cemetery. Screening at the Orpheum Theatre on August 22, the closing night film is Fanny: The Right to Rock, a documentary about the female rock band of the same name, which was the first to release an album with a major label.
Nearly 200 films will screen at this year’s festival, including 50 international features...
The Outfest Los Angeles LGBTQ Film Festival will be held this year between August 13-22.
The 2021 edition of the nation’s leading LGBTQ festival kicks off with an opening night screening of Jonathan Butterell’s Everybody’s Talking About Jamie. The screening, which is being put on in concert with Cinespia, will mark the fest’s first-ever outdoor gala, taking place at the Hollywood Forever Cemetery. Screening at the Orpheum Theatre on August 22, the closing night film is Fanny: The Right to Rock, a documentary about the female rock band of the same name, which was the first to release an album with a major label.
Nearly 200 films will screen at this year’s festival, including 50 international features...
- 7/26/2021
- by Matt Grobar
- Deadline Film + TV
The Inside Out 2Slgbtq+ Film Festival on Monday unveiled winners for its just-wrapped 31st edition, bestowing its Audience Award for narrative feature on Ümit Ünal’s Love, Spells and All That and its best first feature honor on Marley Morrison’s Sweetheart.
A total of 143 films including 33 features and five episodic series unspooled during the Ontario-based virtual festival that ran May 27-June 6, with a total of 70% of this year’s selected films by women/trans/non-binary directors.
Love, Spells centers on the reunion 20 years later of two woman who were separated from their families after a love affair as teens; one believes they were reunited because she cast a love spell on the other. Sweetheart is a comedic coming-of-age story about a socially awkward girl (Nell Barlow) forced to go on a family vacation only to discover after a chance meeting with a local lifeguard that she has a chance...
A total of 143 films including 33 features and five episodic series unspooled during the Ontario-based virtual festival that ran May 27-June 6, with a total of 70% of this year’s selected films by women/trans/non-binary directors.
Love, Spells centers on the reunion 20 years later of two woman who were separated from their families after a love affair as teens; one believes they were reunited because she cast a love spell on the other. Sweetheart is a comedic coming-of-age story about a socially awkward girl (Nell Barlow) forced to go on a family vacation only to discover after a chance meeting with a local lifeguard that she has a chance...
- 6/7/2021
- by Patrick Hipes
- Deadline Film + TV
Kimmapiiyipitssini: The Meaning Of Empathy among Rogers Audience Award winners.
Hot Docs 2021 top brass on Monday (May 10) announced audience and competition winners as well as prize recipients in Hot Docs Forum, where Cécile Embleton and Alys Tomlinson were among those selected for their UK project Mother Vera.
In the Rogers Audience Award, five Canadian filmmakers each received a cash prize of $10,000 Cad. They are: Fanny: The Right To Rock (dir. Bobbi Jo Hart ); Kimmapiiyipitssini: The Meaning Of Empathy; Someone Like Me: Still Max (dir. Katherine Knight); and Hell Or Clean Water (dir. Cody Westman).
In the first look pitch prizes at Hot Docs Forum,...
Hot Docs 2021 top brass on Monday (May 10) announced audience and competition winners as well as prize recipients in Hot Docs Forum, where Cécile Embleton and Alys Tomlinson were among those selected for their UK project Mother Vera.
In the Rogers Audience Award, five Canadian filmmakers each received a cash prize of $10,000 Cad. They are: Fanny: The Right To Rock (dir. Bobbi Jo Hart ); Kimmapiiyipitssini: The Meaning Of Empathy; Someone Like Me: Still Max (dir. Katherine Knight); and Hell Or Clean Water (dir. Cody Westman).
In the first look pitch prizes at Hot Docs Forum,...
- 5/10/2021
- by Jeremy Kay
- ScreenDaily
Canadian documentary cinema takes center stage at Hot Docs, with films screening across programming strands, and pitch events—such as Forum and Deal Maker—connecting the global doc marketplace to the Canadian industry on its home turf.
The 2021 slate includes 17 Canadian-produced features, most world premiering in the competitive Canadian Spectrum program, and seven international feature co-productions, most also world premieres.
For this year’s virtual edition, Toronto’s famously doc-savvy local audience—which enjoys the big-screen doc experience year round at Hot Docs’ cinema (now via its streaming platform)—is joined by viewers from across Canada.
As of Wednesday, world premiering Spectrum titles “One of Ours” (CBC), “Kímmapiiyipitssini: The Meaning of Empathy” (Nfb), “Hell or Clean Water” (CBC), and “Still Max” were among the top 10 audience faves. Social-media chatter—which follows every shift in position on the Top 20 list, refreshed daily on the Hot Docs website—is more crucial than ever to festival buzz.
The 2021 slate includes 17 Canadian-produced features, most world premiering in the competitive Canadian Spectrum program, and seven international feature co-productions, most also world premieres.
For this year’s virtual edition, Toronto’s famously doc-savvy local audience—which enjoys the big-screen doc experience year round at Hot Docs’ cinema (now via its streaming platform)—is joined by viewers from across Canada.
As of Wednesday, world premiering Spectrum titles “One of Ours” (CBC), “Kímmapiiyipitssini: The Meaning of Empathy” (Nfb), “Hell or Clean Water” (CBC), and “Still Max” were among the top 10 audience faves. Social-media chatter—which follows every shift in position on the Top 20 list, refreshed daily on the Hot Docs website—is more crucial than ever to festival buzz.
- 5/6/2021
- by Jennie Punter
- Variety Film + TV
Fanny should have entered the history books immediately. They were, as longtime supporter Bonnie Raitt puts it, “the first all-woman rock band that could really play, and really get some credibility in the musician community.” They also released several major-label albums, toured extensively and were a principally Filipina American act in the primarily white-male landscape of early 1970s rock. Yet somehow they went from also-rans to a footnote, then a reclamation project that even champions of pioneering women in music tended to overlook.
Fortunately, the original members are still alive and more or less kicking 50 years later, making Canadian documentarian Bobbi Jo Hart’s “Fanny: The Right to Rock” an overdue appreciation that its subjects clearly relish. They’ve since become mentors to young female musicians, and this tribute should have considerable appeal to latter-day artists and fans who value such trailblazing role models — but believed there weren’t any,...
Fortunately, the original members are still alive and more or less kicking 50 years later, making Canadian documentarian Bobbi Jo Hart’s “Fanny: The Right to Rock” an overdue appreciation that its subjects clearly relish. They’ve since become mentors to young female musicians, and this tribute should have considerable appeal to latter-day artists and fans who value such trailblazing role models — but believed there weren’t any,...
- 5/5/2021
- by Dennis Harvey
- Variety Film + TV
Programmers selected 219 films from 2,300 submissions.
Women directors account for nearly half of the selections at the online 2021 Hot Docs Canadian International Documentary Festival, which will run from April 29-May 9 and is available to viewers across Canada.
Programmers selected 219 films from 66 countries across from 12 sections from 2,300 submissions.
Special Presentations sponsored by Crave features world premieres of Yung Chang’s Covid-19 film Wuhan Wuhan; Dirty Tricks, about a scandal within the world of competitive bridge playing; and Come Back Anytime about self-taught Japanese ramen master Masamoto Ueda.
The Persister strand comprising female-directed films about women speaking up and being heard includes world...
Women directors account for nearly half of the selections at the online 2021 Hot Docs Canadian International Documentary Festival, which will run from April 29-May 9 and is available to viewers across Canada.
Programmers selected 219 films from 66 countries across from 12 sections from 2,300 submissions.
Special Presentations sponsored by Crave features world premieres of Yung Chang’s Covid-19 film Wuhan Wuhan; Dirty Tricks, about a scandal within the world of competitive bridge playing; and Come Back Anytime about self-taught Japanese ramen master Masamoto Ueda.
The Persister strand comprising female-directed films about women speaking up and being heard includes world...
- 3/23/2021
- by Jeremy Kay
- ScreenDaily
More than 50 years after their formation, Fanny is getting a documentary: The Right to Rock, out later this year.
Directed by Bobbi Jo Hart, the trailer features Joe Elliott, Bonnie Raitt, Cherie Currie, and more discussing the pioneering all-woman band’s impact and legacy. A David Bowie quote flashes across the screen that reads: “One of the most important bands have been buried.”
“Fanny was the first all-women rock band that could really play and really get some credibility within the music industry,” Raitt says in the clip. Adds Kathy Valentine...
Directed by Bobbi Jo Hart, the trailer features Joe Elliott, Bonnie Raitt, Cherie Currie, and more discussing the pioneering all-woman band’s impact and legacy. A David Bowie quote flashes across the screen that reads: “One of the most important bands have been buried.”
“Fanny was the first all-women rock band that could really play and really get some credibility within the music industry,” Raitt says in the clip. Adds Kathy Valentine...
- 3/23/2021
- by Angie Martoccio
- Rollingstone.com
Focusing on the artistry and camaraderie of a dance troupe many would be inclined to dismiss as a long-running gag, Bobbi Jo Hart's Rebels on Pointe introduces New York's Les Ballets Trockadero de Monte Carlo, an all-male ballet company whose performers usually dance in drag. Less performance-centric than it might have been, the straightforward documentary consists largely of talking-head testimonials and interviews with current Trockadero members about how they spend their too-brief time offstage. Friendly but less colorful than one would expect, the film will play best with the group's most devoted fans, mostly on small screens.
The doc's first...
The doc's first...
- 11/15/2017
- by John DeFore
- The Hollywood Reporter - Movie News
Bill Cunningham's last interview is in Antonio Lopez 1970: Sex Fashion & Disco Photo: Anne-Katrin Titze
Greg Barker's The Final Year (documenting members of Barack Obama's administration, including Ambassador to the United Nations Samantha Power, Secretary of State John Kerry and speechwriter Ben Rhodes in 2016) opened Doc NYC last night. Tiffany Bartok's Larger Than Life: The Kevyn Aucoin Story (with Paulina Porizkova, Kate Moss, Brooke Shields, Cher, Isabella Rossellini, Naomi Campbell, Isaac Mizrahi, Tori Amos, Christy Turlington, Linda Evangelista, Linda Wells); James Crump's Antonio Lopez 1970: Sex Fashion & Disco (Jessica Lange, Grace Jones, Jerry Hall, Juan Ramos, Yves Saint Laurent, Donna Jordan, Karl Lagerfeld, Grace Coddington, Bob Colacello, Bill Cunningham); Bobbi Jo Hart's Rebels on Pointe, and Samuel D Pollard's Sammy Davis, Jr.: I've Gotta Be Me are four more of this year's Doc NYC highlights.
Larger Than Life: The Kevyn Aucoin Story
Larger Than Life: The Kevyn Aucoin Story...
Greg Barker's The Final Year (documenting members of Barack Obama's administration, including Ambassador to the United Nations Samantha Power, Secretary of State John Kerry and speechwriter Ben Rhodes in 2016) opened Doc NYC last night. Tiffany Bartok's Larger Than Life: The Kevyn Aucoin Story (with Paulina Porizkova, Kate Moss, Brooke Shields, Cher, Isabella Rossellini, Naomi Campbell, Isaac Mizrahi, Tori Amos, Christy Turlington, Linda Evangelista, Linda Wells); James Crump's Antonio Lopez 1970: Sex Fashion & Disco (Jessica Lange, Grace Jones, Jerry Hall, Juan Ramos, Yves Saint Laurent, Donna Jordan, Karl Lagerfeld, Grace Coddington, Bob Colacello, Bill Cunningham); Bobbi Jo Hart's Rebels on Pointe, and Samuel D Pollard's Sammy Davis, Jr.: I've Gotta Be Me are four more of this year's Doc NYC highlights.
Larger Than Life: The Kevyn Aucoin Story
Larger Than Life: The Kevyn Aucoin Story...
- 11/10/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
AFI Fest
This Canadian documentary goes behind the scenes of the women's tennis tour, offering an insider's view of the most lucrative sport for female athletes. Helmers Bobbi Jo Krals and Abbey Jack Neidik wisely focus on Sonya Jeyaseelan, an articulate 25-year-old who's struggling through a difficult tour, but their film also offers testimony from such superstars as Martina Hingis and Jennifer Capriati as well as the insights of former champ Billie Jean King. The picture that emerges is that of an insular and grueling traveling circus of highly competitive athletes and the media who follow them.
"She Got Game" is a perceptive, if hardly earth-shattering, commentary on such themes as celebrity, competition and identity. It's a sure fit for sports- and docu-themed cable channels, and DVD potential is strong given the 100-plus hours of footage the filmmakers gathered for their 78-minute film. Editor Howard Goldberg has done a stellar job of interweaving the dozens of interviews and other material.
Ranked 47th in the world when the film begins, Jeyaseelan has devoted her life to tennis, as is the case with most of the girls on the tour. Childhood is an abstraction for athletes who start training as young as 4, and few of them graduate high school. As numerous sports journalists, coaches and players note, for those who don't make it into the high-stakes elite, there's little glamour in the 30 weeks a year spent on the road, battling injuries and mental fatigue and never quite experiencing life outside the bubble. When Jeyaseelan finally takes time off, her revelation of life without tennis is like that of someone letting herself out of prison.
The docu examines the celebrity status of such players as The Williams Sisters and Anna Kournikova and the showbiz edge that corporate sponsorships bring to the game, just as they do for men's professional sports. That such star packaging is often more about sex than athletic accomplishment will come as no surprise to anyone, but without being heavy-handed, the film makes its points regarding the role models these players are to countless young girls.
This Canadian documentary goes behind the scenes of the women's tennis tour, offering an insider's view of the most lucrative sport for female athletes. Helmers Bobbi Jo Krals and Abbey Jack Neidik wisely focus on Sonya Jeyaseelan, an articulate 25-year-old who's struggling through a difficult tour, but their film also offers testimony from such superstars as Martina Hingis and Jennifer Capriati as well as the insights of former champ Billie Jean King. The picture that emerges is that of an insular and grueling traveling circus of highly competitive athletes and the media who follow them.
"She Got Game" is a perceptive, if hardly earth-shattering, commentary on such themes as celebrity, competition and identity. It's a sure fit for sports- and docu-themed cable channels, and DVD potential is strong given the 100-plus hours of footage the filmmakers gathered for their 78-minute film. Editor Howard Goldberg has done a stellar job of interweaving the dozens of interviews and other material.
Ranked 47th in the world when the film begins, Jeyaseelan has devoted her life to tennis, as is the case with most of the girls on the tour. Childhood is an abstraction for athletes who start training as young as 4, and few of them graduate high school. As numerous sports journalists, coaches and players note, for those who don't make it into the high-stakes elite, there's little glamour in the 30 weeks a year spent on the road, battling injuries and mental fatigue and never quite experiencing life outside the bubble. When Jeyaseelan finally takes time off, her revelation of life without tennis is like that of someone letting herself out of prison.
The docu examines the celebrity status of such players as The Williams Sisters and Anna Kournikova and the showbiz edge that corporate sponsorships bring to the game, just as they do for men's professional sports. That such star packaging is often more about sex than athletic accomplishment will come as no surprise to anyone, but without being heavy-handed, the film makes its points regarding the role models these players are to countless young girls.
AFI Fest
This Canadian documentary goes behind the scenes of the women's tennis tour, offering an insider's view of the most lucrative sport for female athletes. Helmers Bobbi Jo Krals and Abbey Jack Neidik wisely focus on Sonya Jeyaseelan, an articulate 25-year-old who's struggling through a difficult tour, but their film also offers testimony from such superstars as Martina Hingis and Jennifer Capriati as well as the insights of former champ Billie Jean King. The picture that emerges is that of an insular and grueling traveling circus of highly competitive athletes and the media who follow them.
"She Got Game" is a perceptive, if hardly earth-shattering, commentary on such themes as celebrity, competition and identity. It's a sure fit for sports- and docu-themed cable channels, and DVD potential is strong given the 100-plus hours of footage the filmmakers gathered for their 78-minute film. Editor Howard Goldberg has done a stellar job of interweaving the dozens of interviews and other material.
Ranked 47th in the world when the film begins, Jeyaseelan has devoted her life to tennis, as is the case with most of the girls on the tour. Childhood is an abstraction for athletes who start training as young as 4, and few of them graduate high school. As numerous sports journalists, coaches and players note, for those who don't make it into the high-stakes elite, there's little glamour in the 30 weeks a year spent on the road, battling injuries and mental fatigue and never quite experiencing life outside the bubble. When Jeyaseelan finally takes time off, her revelation of life without tennis is like that of someone letting herself out of prison.
The docu examines the celebrity status of such players as The Williams Sisters and Anna Kournikova and the showbiz edge that corporate sponsorships bring to the game, just as they do for men's professional sports. That such star packaging is often more about sex than athletic accomplishment will come as no surprise to anyone, but without being heavy-handed, the film makes its points regarding the role models these players are to countless young girls.
This Canadian documentary goes behind the scenes of the women's tennis tour, offering an insider's view of the most lucrative sport for female athletes. Helmers Bobbi Jo Krals and Abbey Jack Neidik wisely focus on Sonya Jeyaseelan, an articulate 25-year-old who's struggling through a difficult tour, but their film also offers testimony from such superstars as Martina Hingis and Jennifer Capriati as well as the insights of former champ Billie Jean King. The picture that emerges is that of an insular and grueling traveling circus of highly competitive athletes and the media who follow them.
"She Got Game" is a perceptive, if hardly earth-shattering, commentary on such themes as celebrity, competition and identity. It's a sure fit for sports- and docu-themed cable channels, and DVD potential is strong given the 100-plus hours of footage the filmmakers gathered for their 78-minute film. Editor Howard Goldberg has done a stellar job of interweaving the dozens of interviews and other material.
Ranked 47th in the world when the film begins, Jeyaseelan has devoted her life to tennis, as is the case with most of the girls on the tour. Childhood is an abstraction for athletes who start training as young as 4, and few of them graduate high school. As numerous sports journalists, coaches and players note, for those who don't make it into the high-stakes elite, there's little glamour in the 30 weeks a year spent on the road, battling injuries and mental fatigue and never quite experiencing life outside the bubble. When Jeyaseelan finally takes time off, her revelation of life without tennis is like that of someone letting herself out of prison.
The docu examines the celebrity status of such players as The Williams Sisters and Anna Kournikova and the showbiz edge that corporate sponsorships bring to the game, just as they do for men's professional sports. That such star packaging is often more about sex than athletic accomplishment will come as no surprise to anyone, but without being heavy-handed, the film makes its points regarding the role models these players are to countless young girls.
- 11/11/2003
- The Hollywood Reporter - Movie News
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