Sally Potter doesn't buy the dictum about how all you need to make a film is a girl and a gun. In the opening song for her 1983 debut feature The Gold Diggers, singing in tones that recall those of Dagmar Krause, Potter sings of violence (particularly male-perpetrated violence) as manifested in both film and literature, and how it messes with her head, and pleads, "Please give me back my pleasure!"
In its resolutely non-narrative way, and even with its convoluted dialogues involving the nature of capital and alienated labor, The Gold Diggers is, on at least one level, all about a feminist re-claiming of pleasure. But pleasure doesn't have to be soft, or undemanding. Here it is most definitely found in the awe-inspiringly austere landscapes captured in fabulous black and white by Potter and Babette Mangold Mangolte—the ground through which the film's titular diggers relentlessly toil, seeking the element...
In its resolutely non-narrative way, and even with its convoluted dialogues involving the nature of capital and alienated labor, The Gold Diggers is, on at least one level, all about a feminist re-claiming of pleasure. But pleasure doesn't have to be soft, or undemanding. Here it is most definitely found in the awe-inspiringly austere landscapes captured in fabulous black and white by Potter and Babette Mangold Mangolte—the ground through which the film's titular diggers relentlessly toil, seeking the element...
- 3/9/2010
- MUBI
Sally Potter doesn't buy the dictum about how all you need to make a film is a girl and a gun. In the opening song for her 1983 debut feature The Gold Diggers, singing in tones that recall those of Dagmar Krause, Potter sings of violence (particularly male-perpetrated violence) as manifested in both film and literature, and how it messes with her head, and pleads, "Please give me back my pleasure!"
In its resolutely non-narrative way, and even with its convoluted dialogues involving the nature of capital and alienated labor, The Gold Diggers is, on at least one level, all about a feminist re-claiming of pleasure. But pleasure doesn't have to be soft, or undemanding. Here it is most definitely found in the awe-inspiringly austere landscapes captured in fabulous black and white by Potter and Babette Mangold Mangolte—the ground through which the film's titular diggers relentlessly toil, seeking the element...
In its resolutely non-narrative way, and even with its convoluted dialogues involving the nature of capital and alienated labor, The Gold Diggers is, on at least one level, all about a feminist re-claiming of pleasure. But pleasure doesn't have to be soft, or undemanding. Here it is most definitely found in the awe-inspiringly austere landscapes captured in fabulous black and white by Potter and Babette Mangold Mangolte—the ground through which the film's titular diggers relentlessly toil, seeking the element...
- 3/9/2010
- MUBI
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