Get on the phone with Ron Bernstein and he’ll happily share his views on who’s up and down at the studios — and inevitably, he’ll talk about his latest deals. On a recent call, he hyped the Redstone family power saga by James Stewart and Rachel Abrams, “Unscripted: The Epic Battle for a Hollywood Media Empire”; sure enough, within weeks it sold to producer Steven Paul, who’s developing the juicy Shakespearean drama for television.
Bernstein is Hollywood’s most respected media rights agent. He’s repped the source material for the Coen brothers’ Best Picture winner “No Country for Old Men” (Cormac McCarthy), Steven Spielberg’s “Lincoln” (Doris Kearns Goodwin), Danny Boyle’s “Jobs” (Walter Isaacson), and Clint Eastwood’s “Richard Jewell” (Marie Brenner).
Now, he has a new job. After a 23-year run at ICM, which CAA bought in 2022, Bernstein recently joined the Agency for the...
Bernstein is Hollywood’s most respected media rights agent. He’s repped the source material for the Coen brothers’ Best Picture winner “No Country for Old Men” (Cormac McCarthy), Steven Spielberg’s “Lincoln” (Doris Kearns Goodwin), Danny Boyle’s “Jobs” (Walter Isaacson), and Clint Eastwood’s “Richard Jewell” (Marie Brenner).
Now, he has a new job. After a 23-year run at ICM, which CAA bought in 2022, Bernstein recently joined the Agency for the...
- 4/27/2023
- by Anne Thompson
- Indiewire
Exclusive: Nancy Nigrosh, the industry veteran who has worked repping directors and writers as a talent and literary agent at Innovative Artists and running the lit department at Gersh, has joined The Partos Company. She has been tapped to head the Motion Picture & Television department at the Santa Monica-based agency, which is known for its representation of artists behind the camera.
Nigrosh previously ran the consulting firm Literary Business and taught at UCLA Extension’s Writers’ Program. During her career she has repped clients including helmers Kathryn Bigelow, Peter Bogdanovich, Chris Eyre, John Cameron Mitchell and Leslye Headland and scribes Barry Morrow, Amanda Brown, Luke Davies, Albert Magnoli and Stuart Beattie.
Partos, run by Walter Partos, reps clients including costume designers Albert Wolsky (Bugsy), Natalie O’Brien (Honey Boy) and Heidi Bivens (Mid90s); cinematographers Scott Cunningham (Kendrik Lamar’s “Humble”) and Maxime Alexandre; and producer Hartley Gorenstein (The Boys...
Nigrosh previously ran the consulting firm Literary Business and taught at UCLA Extension’s Writers’ Program. During her career she has repped clients including helmers Kathryn Bigelow, Peter Bogdanovich, Chris Eyre, John Cameron Mitchell and Leslye Headland and scribes Barry Morrow, Amanda Brown, Luke Davies, Albert Magnoli and Stuart Beattie.
Partos, run by Walter Partos, reps clients including costume designers Albert Wolsky (Bugsy), Natalie O’Brien (Honey Boy) and Heidi Bivens (Mid90s); cinematographers Scott Cunningham (Kendrik Lamar’s “Humble”) and Maxime Alexandre; and producer Hartley Gorenstein (The Boys...
- 2/8/2019
- by Patrick Hipes
- Deadline Film + TV
Call Nancy Nigrosh a recovering agent. After 25 years as a talent agent repping writers and directors for film and television, she left her last gig at Innovative Artists. Freed from the shackles of agenting, she wrote what she calls her Parting Shot#1. If she’s right, Hollywood’s days of labor unrest are not over.
It’s time to take one last look back at the two and a half decades I spent as an agent. Of all the questions I’ve had over the years, there’s one that most burned and bothered me:
Why is it so ingrained in Hollywood that one person alone cannot write a producible screenplay?
The Writer’s Guild Of America’s 2007-8 strike was supposed to be about a bigger piece of the pie for the future distribution of a writer’s produced work‚ the pie in the digital sky.
But the truth...
It’s time to take one last look back at the two and a half decades I spent as an agent. Of all the questions I’ve had over the years, there’s one that most burned and bothered me:
Why is it so ingrained in Hollywood that one person alone cannot write a producible screenplay?
The Writer’s Guild Of America’s 2007-8 strike was supposed to be about a bigger piece of the pie for the future distribution of a writer’s produced work‚ the pie in the digital sky.
But the truth...
- 10/2/2008
- by Nancy Nigrosh
- Indiewire
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