The episode of Wtf Really Happened to This Horror Movie covering Wolf Creek was Written and Narrated by Andrew Hatfield, Edited by Mike Conway, Produced by Lance Vlcek and John Fallon, and Executive Produced by Berge Garabedian.
One of the biggest and some would say overused tropes in horror movies is the killer stalking people in an outdoor setting. The main series for this is, of course, the Friday the 13th series but we have nearly countless other examples to pull from. Sometimes, like today’s entry, or The Burning, these stories and movies can be based on true events and make it even more frightening. Unlike The Burning, which is based on an urban legend with the true story being far from fact, Wolf Creek (watch it Here) had an original script that was tweaked to be based on the real life killers Ivan Milat and Bradley John Murdoch...
One of the biggest and some would say overused tropes in horror movies is the killer stalking people in an outdoor setting. The main series for this is, of course, the Friday the 13th series but we have nearly countless other examples to pull from. Sometimes, like today’s entry, or The Burning, these stories and movies can be based on true events and make it even more frightening. Unlike The Burning, which is based on an urban legend with the true story being far from fact, Wolf Creek (watch it Here) had an original script that was tweaked to be based on the real life killers Ivan Milat and Bradley John Murdoch...
- 11/29/2023
- by Cody Hamman
- JoBlo.com
Nick Murray.
Cjz MD Nick Murray has a cautionary message for those who are calling on the Federal Government to double the Producer Offset for TV productions to 40 per cent: Be careful what you wish for.
Murray opposes that move, arguing it will increase producers’ borrowing costs and risk losing the Screen Australia-mandated margins to producers on the Offset: 10 per cent for dramas and 15 per cent for documentaries.
“I don’t see the benefit to producers,” Murray told Screen Producers Australia CEO Matt Deaner in a webinar today.
Cjz funds the Offset on its shows via a bank credit line secured against the houses of Murray and Cjz partner Michael Cordell. If the Offset were doubled, he says that would mean doubling the credit line, which he doubts the bank would approve.
For producers who cash flow the Offset from Australian and UK lenders, he predicts the higher borrowing costs would not be sustainable.
Cjz MD Nick Murray has a cautionary message for those who are calling on the Federal Government to double the Producer Offset for TV productions to 40 per cent: Be careful what you wish for.
Murray opposes that move, arguing it will increase producers’ borrowing costs and risk losing the Screen Australia-mandated margins to producers on the Offset: 10 per cent for dramas and 15 per cent for documentaries.
“I don’t see the benefit to producers,” Murray told Screen Producers Australia CEO Matt Deaner in a webinar today.
Cjz funds the Offset on its shows via a bank credit line secured against the houses of Murray and Cjz partner Michael Cordell. If the Offset were doubled, he says that would mean doubling the credit line, which he doubts the bank would approve.
For producers who cash flow the Offset from Australian and UK lenders, he predicts the higher borrowing costs would not be sustainable.
- 6/10/2020
- by The IF Team
- IF.com.au
Nick Murray.
Cjz MD Nick Murray and See-Saw Films’ Emile Sherman have made a detailed submission urging the Federal Government to underwrite the risk of productions having to shut down or replace the director or key cast due to the coronavirus pandemic.
Their scheme would not require any upfront funding from the government and would entail minimal risk.
If the government underwrites the risk of the Covid-19 exclusion from insurance policies, most productions would be fully covered for amounts ranging from $500,000-$2 million, they estimate.
They propose producers would pay an excess of $20,000 or 1 per cent of the production budget to cover any low impact virus-related disruption.
The maximum exposure for the government would be in the range of $70 million-$90 million, based on the unlikely event that future Covid-19 outbreaks would shut down all production and that the costs could not be managed out of the budgeted contingency and insurance excess.
Cjz MD Nick Murray and See-Saw Films’ Emile Sherman have made a detailed submission urging the Federal Government to underwrite the risk of productions having to shut down or replace the director or key cast due to the coronavirus pandemic.
Their scheme would not require any upfront funding from the government and would entail minimal risk.
If the government underwrites the risk of the Covid-19 exclusion from insurance policies, most productions would be fully covered for amounts ranging from $500,000-$2 million, they estimate.
They propose producers would pay an excess of $20,000 or 1 per cent of the production budget to cover any low impact virus-related disruption.
The maximum exposure for the government would be in the range of $70 million-$90 million, based on the unlikely event that future Covid-19 outbreaks would shut down all production and that the costs could not be managed out of the budgeted contingency and insurance excess.
- 5/10/2020
- by The IF Team
- IF.com.au
‘Between Two Worlds.’
When James Warburton was appointed CEO of Seven West Media succeeding Tim Worner he vowed to revitalise the Seven Network’s entertainment programming, focusing primarily on Sunday-Thursday primetime.
Warburton looks like delivering on that promise next year with a raft of initiatives including refreshes for My Kitchen Rules and House Rules, Endemol Shine Australia’s action-drama Rfds and Cjz’s four-part investigation of the disappearance of British backpacker Peter Falconio.
The line-up includes Esa’s revival of Big Brother, Screentime’s endurance competition Sas: Who Dares Wins, Eureka Productions’ extreme mini-golf competition Mega Mini Golf and Seven Studios’ Plate of Origin, billed as the “Olympics of cooking.”
Fremantle and Eureka will co-produce a new version of Farmer Wants a Wife, a format which previously aired on the Nine Network, while Fremantle’s Australia’s Got Talent has been renewed for a second season.
“I’ve been clear...
When James Warburton was appointed CEO of Seven West Media succeeding Tim Worner he vowed to revitalise the Seven Network’s entertainment programming, focusing primarily on Sunday-Thursday primetime.
Warburton looks like delivering on that promise next year with a raft of initiatives including refreshes for My Kitchen Rules and House Rules, Endemol Shine Australia’s action-drama Rfds and Cjz’s four-part investigation of the disappearance of British backpacker Peter Falconio.
The line-up includes Esa’s revival of Big Brother, Screentime’s endurance competition Sas: Who Dares Wins, Eureka Productions’ extreme mini-golf competition Mega Mini Golf and Seven Studios’ Plate of Origin, billed as the “Olympics of cooking.”
Fremantle and Eureka will co-produce a new version of Farmer Wants a Wife, a format which previously aired on the Nine Network, while Fremantle’s Australia’s Got Talent has been renewed for a second season.
“I’ve been clear...
- 10/23/2019
- by The IF Team
- IF.com.au
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