Since his breakthrough 1994 feature Once Were Warriors, a troubling and fiery coming-of-age story indie set in New Zealand’s Maōri community, Lee Tamahori has almost exclusively resided in the realm of pulpy B-grade action cinema. From directing Pierce Brosnan’s final Bond in Die Another Day to Ice Cube in XXX: State of the Union to making a Guy Ritchie-lite actioner about Saddam Hussein’s son (The Devil’s Double), Tamahori has a strong familiarity with cheesy espionage plotlines and passable entertainment. Both sides of Tamahori’s filmography come together in his latest historical epic The Convert––results are expectedly mixed.
Presented in a decidedly prestige manner with sweeping camerawork and a plotline that decides to burn slow in building the relationships of its characters, The Convert tells of John Munro (Guy Pearce), a British preacher who is brought to the settlement of Epworth to help serve the community of settlers there.
Presented in a decidedly prestige manner with sweeping camerawork and a plotline that decides to burn slow in building the relationships of its characters, The Convert tells of John Munro (Guy Pearce), a British preacher who is brought to the settlement of Epworth to help serve the community of settlers there.
- 9/25/2023
- by Soham Gadre
- The Film Stage
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