Netflix is in talks to acquire one of the most talked about titles at this year’s Cannes Film Festival: Emilia Pérez.
The movie, from writer-director Jacques Audiard, follows a cartel leader who hires an undervalued lawyer to help him withdraw from his business and realize a plan he has been secretly preparing for years, to transition into a woman.
Zoe Saldaña stars in the film, along with Selena Gomez and Edgar Ramirez, with breakout Karla Sofia Gascón as the title character.
The film earned a warm Cannes reception with a long standing ovation and near universal praise from critics.
The Hollywood Reporter‘s review reads: “The baseline is a drama of criminality and redemption, but then there’s an unforced current of Almodóvarian humor, along with moments of melodrama, noir, social realism, a hint of telenovela camp and a climactic escalation into suspense, ultimately touched by tragedy. All this...
The movie, from writer-director Jacques Audiard, follows a cartel leader who hires an undervalued lawyer to help him withdraw from his business and realize a plan he has been secretly preparing for years, to transition into a woman.
Zoe Saldaña stars in the film, along with Selena Gomez and Edgar Ramirez, with breakout Karla Sofia Gascón as the title character.
The film earned a warm Cannes reception with a long standing ovation and near universal praise from critics.
The Hollywood Reporter‘s review reads: “The baseline is a drama of criminality and redemption, but then there’s an unforced current of Almodóvarian humor, along with moments of melodrama, noir, social realism, a hint of telenovela camp and a climactic escalation into suspense, ultimately touched by tragedy. All this...
- 5/23/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
As Cannes nears its end, some major contenders have already found homes, while many more buzzy titles with Palme d’Or aspirations are awaiting buyers. This year’s market hasn’t been weighed down by the writers or actors strikes in the same way as last year, meaning companies like A24, Neon, Apple, and more have jumped in on exciting packages of possibly future contenders.
Below we’re tracking everything that gets bought throughout the festival and beyond.
Films Acquired During the Festival “Night Call”
Section: Completed Film
Director: Michiel Blanchart
Buyer: Magnet Releasing
Date Acquired: May 23
Cast: Jonathan Feltre, Jonas Bloquet, Romain Duris
Buzz: Magnolia’s genre arm picked up this thriller that screened at the market and is the story of a locksmith on the run from a mob boss after he opens a lock allowing someone to steal the mobster’s bag of cash. Magnet plans to...
Below we’re tracking everything that gets bought throughout the festival and beyond.
Films Acquired During the Festival “Night Call”
Section: Completed Film
Director: Michiel Blanchart
Buyer: Magnet Releasing
Date Acquired: May 23
Cast: Jonathan Feltre, Jonas Bloquet, Romain Duris
Buzz: Magnolia’s genre arm picked up this thriller that screened at the market and is the story of a locksmith on the run from a mob boss after he opens a lock allowing someone to steal the mobster’s bag of cash. Magnet plans to...
- 5/23/2024
- by Brian Welk
- Indiewire
“Emilia Pérez,” the Spanish-language musical drama starring Zoe Saldaña, Selena Gomez and Karla Sofía Gascón which scored enthusiastic reviews after its Cannes premiere, is nearing a deal for U.S. and U.K. rights with Netflix.
Sources said the deal, which could also include additional territories, is for approximately $12 million, and there’s still the possibility that the ongoing negotiations could fall apart.
Saldaña stars as Rita, an undervalued lawyer whose firm is more inclined to help criminals than seek justice. She finds an unexpected way out when a feared drug cartel leader Manitas (Gascón) recruits her to aid him in surreptitiously completing a sex change operation to become the woman he’s always wanted to be. Gomez plays his unsuspecting wife. In an exclusive interview with Variety, Audiard described the movie as an “opera libretto in four acts,” as the actors break out into original songs to advance the plot.
Sources said the deal, which could also include additional territories, is for approximately $12 million, and there’s still the possibility that the ongoing negotiations could fall apart.
Saldaña stars as Rita, an undervalued lawyer whose firm is more inclined to help criminals than seek justice. She finds an unexpected way out when a feared drug cartel leader Manitas (Gascón) recruits her to aid him in surreptitiously completing a sex change operation to become the woman he’s always wanted to be. Gomez plays his unsuspecting wife. In an exclusive interview with Variety, Audiard described the movie as an “opera libretto in four acts,” as the actors break out into original songs to advance the plot.
- 5/23/2024
- by Elsa Keslassy
- Variety Film + TV
Exclusive: After a rapturous world premiere at the Palais des Festivals on Saturday night and an 11-minute standing ovation, Jacques Audiard’s latest Cannes Competition entry Emilia Peréz is nearing a deal with Netflix for North America and the UK.
The Spanish-language musical crime comedy, starring Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramirez, has been one of the buzziest projects to come to market in Cannes this year, with multiple U.S. distributors offering on the film since it premiered at the weekend. Netflix has swooped in for North American and UK rights to the original title in a deal that we’re hearing is in the high seven figures. The pact is in its closing stages.
Deadline understands that a number of key international territories are all close to being done, with CDC United Network also taking rights for Latin America. Pathé pre bought the title...
The Spanish-language musical crime comedy, starring Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramirez, has been one of the buzziest projects to come to market in Cannes this year, with multiple U.S. distributors offering on the film since it premiered at the weekend. Netflix has swooped in for North American and UK rights to the original title in a deal that we’re hearing is in the high seven figures. The pact is in its closing stages.
Deadline understands that a number of key international territories are all close to being done, with CDC United Network also taking rights for Latin America. Pathé pre bought the title...
- 5/23/2024
- by Diana Lodderhose and Andreas Wiseman
- Deadline Film + TV
The 77th edition of the Cannes Film Festival continues on Day 10 with the world premieres of All We Imagine as Light, and Beating Hearts, starring Adèle Exarchopoulos, Alain Chabat, and Benoit Poelvoorde.
Director Gilles Lellouche presents his latest musical rom-com, Beating Hearts, that whisks Adèle Exarchopoulos and François Civil away on a heady, twenty-year romantic odyssey.
Adapted from Neville Thompson’s novel, the film follows Jackie (Exarchopoulos) and Clotaire (Civil) who fall madly in love in their town in northern France. She’s kooky and nerdy where he’s a bit of a scoundrel, and although life puts their love to the test, nothing can keep them apart.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
Demi Moore hosts the annual 2024 amfAR Gala in Cannes, at the Hotel du Cap-Eden-Roc celebrates the 30th edition of the AIDS charity. The gala, presented...
Director Gilles Lellouche presents his latest musical rom-com, Beating Hearts, that whisks Adèle Exarchopoulos and François Civil away on a heady, twenty-year romantic odyssey.
Adapted from Neville Thompson’s novel, the film follows Jackie (Exarchopoulos) and Clotaire (Civil) who fall madly in love in their town in northern France. She’s kooky and nerdy where he’s a bit of a scoundrel, and although life puts their love to the test, nothing can keep them apart.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
Demi Moore hosts the annual 2024 amfAR Gala in Cannes, at the Hotel du Cap-Eden-Roc celebrates the 30th edition of the AIDS charity. The gala, presented...
- 5/23/2024
- by Robert Lang
- Deadline Film + TV
Zoe Saldana has showcased her acting potential with different projects ranging from both action and science fiction genres. From paving her acting journey with a guest role in the television series Law & Order in the late 1990s, her dance background was well reflected in her breakthrough role in 2001’s Center Stage.
Zoe Saldana in Special Ops: Lioness [Credit: Paramount Network]With her roles included in Star Trek, Avatar, and the MCU, she has built an incredible portfolio that cemented her status among the top actresses. However, she still has one concern about her glamorous acting career.
Zoe Saldana Talks About Her Acting Career
Saldana has been proud of her work since she was a child. Whether it be her dancing skills or her acting profession, she has passionately worked on improving for the better.
Suggested“I didn’t even know what the word ‘Trekkie’ meant”: How a $219M Tom...
Zoe Saldana in Special Ops: Lioness [Credit: Paramount Network]With her roles included in Star Trek, Avatar, and the MCU, she has built an incredible portfolio that cemented her status among the top actresses. However, she still has one concern about her glamorous acting career.
Zoe Saldana Talks About Her Acting Career
Saldana has been proud of her work since she was a child. Whether it be her dancing skills or her acting profession, she has passionately worked on improving for the better.
Suggested“I didn’t even know what the word ‘Trekkie’ meant”: How a $219M Tom...
- 5/22/2024
- by Priya Sharma
- FandomWire
So this is what economizing looks like in Cannes.
The rosé still flowed, though not as freely, and it was easier to get a reservation at the Michelin-starred restaurants that are usually booked months in advance of the film festival. There were still rooms to be had at the Hôtel du Cap, the posh resort where studio chiefs and movie stars typically stay. Most troubling, the deals — both for completed films that premiered in Cannes and the packages that hit the Côte d’Azur searching for financing — are taking much longer to close.
Even in the shimmering south of France there’s no escaping that the movie business, having endured Covid shutdowns and two devastating labor strikes, has lost much of its luster. Donna Langley, the chairman of NBCUniversal Studio Group, was blunt during a talk, noting that the domestic box office is down 20% and the global box office has...
The rosé still flowed, though not as freely, and it was easier to get a reservation at the Michelin-starred restaurants that are usually booked months in advance of the film festival. There were still rooms to be had at the Hôtel du Cap, the posh resort where studio chiefs and movie stars typically stay. Most troubling, the deals — both for completed films that premiered in Cannes and the packages that hit the Côte d’Azur searching for financing — are taking much longer to close.
Even in the shimmering south of France there’s no escaping that the movie business, having endured Covid shutdowns and two devastating labor strikes, has lost much of its luster. Donna Langley, the chairman of NBCUniversal Studio Group, was blunt during a talk, noting that the domestic box office is down 20% and the global box office has...
- 5/21/2024
- by Brent Lang and Matt Donnelly
- Variety Film + TV
The first time Donna Langley came to the Cannes Film Festival she was a junior executive working on 1999’s “Austin Powers: The Spy Who Shagged Me.”
“I had just been promoted and I was fortunate enough to get picked to come on this trip to be part of the support team, and it was great! It was very different to this experience, I will say,” Langley said, eliciting a laugh from the well-heeled crowd at the Kering Women in Motion dinner, held at the Place de la Castre high above the Croisette. “[But] we had the time of our lives. We were just in so much awe to be in the cinema capital of the world.”
Indeed, the chairman of NBC Universal Studio Group no longer needs to share an apartment with four other young women — especially not one situated behind the fancy hotels. After all — and as Cannes president Iris Knobloch...
“I had just been promoted and I was fortunate enough to get picked to come on this trip to be part of the support team, and it was great! It was very different to this experience, I will say,” Langley said, eliciting a laugh from the well-heeled crowd at the Kering Women in Motion dinner, held at the Place de la Castre high above the Croisette. “[But] we had the time of our lives. We were just in so much awe to be in the cinema capital of the world.”
Indeed, the chairman of NBC Universal Studio Group no longer needs to share an apartment with four other young women — especially not one situated behind the fancy hotels. After all — and as Cannes president Iris Knobloch...
- 5/21/2024
- by Angelique Jackson
- Variety Film + TV
There’s a lot to look forward to in what has been branded a Mexican comedy-thriller musical from the Palme d’Or winner that brought us Dheepan, A Prophet, Rust and Bone, and, more recently, the underseen Western delight that marked his move toward Hollywood, The Sisters Brothers. Or so it seemed.
Writer-director Jacques Audiard is one of the few filmmakers who has been able to, more than once, tell stories from outside their world and capture narrative, character, and culture with a unique foreign perspective that adds meaningful insight without bringing into question the filmmakers’ respect or depiction of the subjects.
Thus it appeared that this cartel-centric, Mexico-set, largely Latina film––about an unsuspecting lawyer being forced to help a violent cartel boss transition into a woman in order to leave her past behind and finally feel like herself––is actually right up the septuagenarian Frenchman’s alley. Unfortunately,...
Writer-director Jacques Audiard is one of the few filmmakers who has been able to, more than once, tell stories from outside their world and capture narrative, character, and culture with a unique foreign perspective that adds meaningful insight without bringing into question the filmmakers’ respect or depiction of the subjects.
Thus it appeared that this cartel-centric, Mexico-set, largely Latina film––about an unsuspecting lawyer being forced to help a violent cartel boss transition into a woman in order to leave her past behind and finally feel like herself––is actually right up the septuagenarian Frenchman’s alley. Unfortunately,...
- 5/20/2024
- by Luke Hicks
- The Film Stage
Zoe Saldaña says the future of female representation in the film industry is dependent on women continuing to shatter the glass ceiling. And those who do cannot get complacent.
“We need more female CEOs. We need more women sitting on boards. Because those are the gatekeepers,” she said. “We need the keys that unlock those doors. And once those women are there, don’t just be happy and feel so lucky that you’re the only woman sitting at the table. Get three men to get up.”
Speaking as part of Kering’s Women in Motion program at the Cannes Film Festival, the “Avatar” star covered a broad swath of subjects, from her breakout moment working with James Cameron to her latest starring role in Jacques Audiard’s operatic crime drama “Emilia Pérez” — which debuted to some of the loudest buzz at the festival.
“I’m like a little girl from Queens,...
“We need more female CEOs. We need more women sitting on boards. Because those are the gatekeepers,” she said. “We need the keys that unlock those doors. And once those women are there, don’t just be happy and feel so lucky that you’re the only woman sitting at the table. Get three men to get up.”
Speaking as part of Kering’s Women in Motion program at the Cannes Film Festival, the “Avatar” star covered a broad swath of subjects, from her breakout moment working with James Cameron to her latest starring role in Jacques Audiard’s operatic crime drama “Emilia Pérez” — which debuted to some of the loudest buzz at the festival.
“I’m like a little girl from Queens,...
- 5/20/2024
- by Tatiana Siegel
- Variety Film + TV
As the 77th Cannes Film Festival (May 14-25) arrives at its halfway point, here is THR executive editor of awards Scott Feinberg’s assessment of the awards prospects — at the Cannes closing ceremony and later in the fall — of the films that have screened at the fest so far.
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
- 5/20/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
It sounds on the surface like one of the most unlikely of premises for a film by a French auteur like Jacques Audiard - a Spanish language musical themed around Mexican drug cartels and featuring a dealer who wants to escape the whole scene because he is finding his true self as a woman.
Yet he pulls it off with a frenetic energy that bludgeons the viewer into submission, not least because of the high voltage score and dazzling technical trickery (it was all shot in a studio). Pedro Almodovar must be devastated he did not stumble across the story first because it would have been a perfect fit.
Audiard has assembled a remarkable team of actors, not least Karla Sofia Gascón (as Manitas/Emilia) who uses personal experience in the creation of the character. Zoe Saldana is the lawyer who helps Manitas transition and Selena Gomez plays his wife and the mother.
Yet he pulls it off with a frenetic energy that bludgeons the viewer into submission, not least because of the high voltage score and dazzling technical trickery (it was all shot in a studio). Pedro Almodovar must be devastated he did not stumble across the story first because it would have been a perfect fit.
Audiard has assembled a remarkable team of actors, not least Karla Sofia Gascón (as Manitas/Emilia) who uses personal experience in the creation of the character. Zoe Saldana is the lawyer who helps Manitas transition and Selena Gomez plays his wife and the mother.
- 5/19/2024
- by Richard Mowe
- eyeforfilm.co.uk
Imagine a world in which Stephen Sondheim made Sicario. Yes, that Stephen Sondheim; yes, that 2015 thriller about the world of Mexican drug cartels. Got that? Good. Now add in Selena Gomez as the wife of a narco who, in a moment of deep grief and remembrance, utters the line, “My pussy still hurts when I think of you” — which, to be fair, sounds a lot more poetic in Spanish. She believes her husband, a major drug lord for the Los Globales cartel, had been murdered. This is not true. Rather,...
- 5/19/2024
- by David Fear
- Rollingstone.com
The Cannes Film Festival keeps on chugging, with more acquisitions, more premieres and an honorary Palme d’Or awarded to a studio for the first time.
The Glorious Return of Jacques Audiard
French filmmaker Jacques Audiard is a consistent staple at Cannes. His film “A Prophet” won the Grand Prix in 2010, 2012’s “Rust and Bone” competed for the Palme d’Or and 2015’s “Deephan” won the Palme d’Or. The last time Audiard was at Cannes in 2021, his smaller “Paris, 13th District” competed for the Palme d’Or.
Now he’s back with “Emilia Pérez,” a musical crime comedy about an escaped Mexican cartel leader undergoing gender-affirming surgery that stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramírez. And judging by the response to the film, it sounds like he has a good shot at Cannes’ top prize once again.
The film “landed the loudest, most enthusiastic standing ovation,...
The Glorious Return of Jacques Audiard
French filmmaker Jacques Audiard is a consistent staple at Cannes. His film “A Prophet” won the Grand Prix in 2010, 2012’s “Rust and Bone” competed for the Palme d’Or and 2015’s “Deephan” won the Palme d’Or. The last time Audiard was at Cannes in 2021, his smaller “Paris, 13th District” competed for the Palme d’Or.
Now he’s back with “Emilia Pérez,” a musical crime comedy about an escaped Mexican cartel leader undergoing gender-affirming surgery that stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramírez. And judging by the response to the film, it sounds like he has a good shot at Cannes’ top prize once again.
The film “landed the loudest, most enthusiastic standing ovation,...
- 5/19/2024
- by Drew Taylor
- The Wrap
His has a longstanding tradition with the Cannes Film Festival this former Palme d’Or winner for Dheepan (2015) moved into a completely different language, backdrop setting and new genre with the musical for a project that was born during the pandemic. Jacques Audiard has been a visitor with Regarde Les Hommes Tomber in the Critics’ Week, 1996’s Un héros très discret (Best Screenplay winner), 2009’s A Prophet (Grand Prix winner), 2012’s Rust & Bone and 2021’s Paris, 13th District. Starring Selena Gomez, Zoe Saldaña, Édgar Ramírez, Adriana Paz and Karla Sofía Gascón as the titular Emilia Pérez.
Gist: Overqualified and undervalued, Rita (Saldana) is a lawyer at a large firm that is more interested in getting criminals off the hook than bringing them to justice.…...
Gist: Overqualified and undervalued, Rita (Saldana) is a lawyer at a large firm that is more interested in getting criminals off the hook than bringing them to justice.…...
- 5/19/2024
- by Eric Lavallée
- IONCINEMA.com
Jia Zhangke’s Caught By The Tides is the new leader on Screen International’s Cannes jury grid with an average score of 2.6.
The Chinese romance epic received one four (excellent) from Justin Chang (LA Times) followed by seven threes (good). On the other end, The Telegraph and Katja Nicodemus of Germany’s Die Zeit gave it just one star.
This is Jia’s sixth time in Competition with highlights including 2015’s Mountains May Depart which scored 2.8 and 2013’s A Touch Of Sin on 3.
Click on the jury grid above for the most up-to-date version.
Caught By The Tides chronicles...
The Chinese romance epic received one four (excellent) from Justin Chang (LA Times) followed by seven threes (good). On the other end, The Telegraph and Katja Nicodemus of Germany’s Die Zeit gave it just one star.
This is Jia’s sixth time in Competition with highlights including 2015’s Mountains May Depart which scored 2.8 and 2013’s A Touch Of Sin on 3.
Click on the jury grid above for the most up-to-date version.
Caught By The Tides chronicles...
- 5/19/2024
- ScreenDaily
Selena Gomez has credited the Emilia Perez script for providing her with a potentially iconic line, speaking at the press conference for Jacques Audiard’s Cannes Competition title.
Gomez was asked by a journalist whether a particular speech of hers in the film would become “iconic erotic dialogue… some of the sexiest dialogue ever heard in Spanish.”
“I don’t know if I’m sexy!” responded Gomez. “That’s the writing, it’s not me.”
“It’s a very powerful moment in the movie and it was very poetic.”
Emilia Perez is written by Audiard, with collaboration from Thomas Bidegain and Lea Mysius.
Gomez was asked by a journalist whether a particular speech of hers in the film would become “iconic erotic dialogue… some of the sexiest dialogue ever heard in Spanish.”
“I don’t know if I’m sexy!” responded Gomez. “That’s the writing, it’s not me.”
“It’s a very powerful moment in the movie and it was very poetic.”
Emilia Perez is written by Audiard, with collaboration from Thomas Bidegain and Lea Mysius.
- 5/19/2024
- ScreenDaily
You know a movie has left a big impression at Cannes when the applause explodes in the press room as the cast files in. Such was the case Sunday morning for Emila Pérez.
Jacques Audiard’s latest movie follows Rita (Zoe Saldaña), an overqualified and undervalued lawyer who goes from repping guilty criminals to a cartel leader Manitas (Karla Sofía Gascón) who hires her to help him withdraw from his business and realize a plan he has been secretly preparing for years: to become the woman he has always dreamt of being.
Gascón, who is trans, today spoke about the prejudice she has faced in the Latin America and Hispanic communities.
“People who are trans are subjected to insults or death threats because they exist. In Mexico, there are harsh phrases when addressing trans people. It can be gross,” the actress explained.
“I think we should be taken for what we are.
Jacques Audiard’s latest movie follows Rita (Zoe Saldaña), an overqualified and undervalued lawyer who goes from repping guilty criminals to a cartel leader Manitas (Karla Sofía Gascón) who hires her to help him withdraw from his business and realize a plan he has been secretly preparing for years: to become the woman he has always dreamt of being.
Gascón, who is trans, today spoke about the prejudice she has faced in the Latin America and Hispanic communities.
“People who are trans are subjected to insults or death threats because they exist. In Mexico, there are harsh phrases when addressing trans people. It can be gross,” the actress explained.
“I think we should be taken for what we are.
- 5/19/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Cannes 2024: Selena Gomez Starrer Emilia Pérez Gets The Longest Standing Ovation ( Photo Credit – IMDb )
Selena Gomez, Zoe Saldana, and Karla Sofia Gascon’s musical drama Emilia Pérez received a warm reception at the 2024 Cannes Film Festival. The team was overwhelmed by the standing ovation at the film’s premiere, the biggest so far at the prestigious film festival. Scroll below for more.
Selena attended the premiere in a custom black and cream-colored Yves Saint Laurent dress and a gorgeous choker neckpiece from Bulgari. She looked chic and classy in her attire. She kept her hair tied up in a ponytail, with a pair of locks framing her face.
According to Variety’s report, the Spanish-language movie Emilia Pérez, starring Zoe Saldana, Selena Gomez, and Karla Sofia Gascon, received a nine-minute long standing ovation. Additionally, the audience hooted, whistled, and cheered a lot. It is so far the longest-standing ovation at the 2024 Cannes Film Festival.
Selena Gomez, Zoe Saldana, and Karla Sofia Gascon’s musical drama Emilia Pérez received a warm reception at the 2024 Cannes Film Festival. The team was overwhelmed by the standing ovation at the film’s premiere, the biggest so far at the prestigious film festival. Scroll below for more.
Selena attended the premiere in a custom black and cream-colored Yves Saint Laurent dress and a gorgeous choker neckpiece from Bulgari. She looked chic and classy in her attire. She kept her hair tied up in a ponytail, with a pair of locks framing her face.
According to Variety’s report, the Spanish-language movie Emilia Pérez, starring Zoe Saldana, Selena Gomez, and Karla Sofia Gascon, received a nine-minute long standing ovation. Additionally, the audience hooted, whistled, and cheered a lot. It is so far the longest-standing ovation at the 2024 Cannes Film Festival.
- 5/19/2024
- by Esita Mallik
- KoiMoi
I’m at a loss for words after seeing Selena Gomez walk the 77th Cannes Film Festival red carpet in a gorgeous black-and-white Saint Laurent gown!
As one of the most anticipated guests at this year’s Cannes Film Festival, Selena Gomez did not disappoint. She captivated the scene the instant she walked the red carpet for the premiere of her musical crime comedy movie, Emilia Pérez.
Selena Gomez looks breathtaking in her Saint Laurent gown at the 77th Cannes Film Festival premiere of Emilia Perez at Palais des Festivals in Cannes, France (Credit: Abaca Press / INSTARimages)
Emilia Pérez: Transforming From a Drug Cartel Leader to a Trans Woman
Emilia Pérez, written and directed by Jacques Audiard, tells the story of a Mexican cartel leader, Manitas Del Monte, who longs to escape and disappear from the criminal world.
To help realize his plan, Manitas approached attorney Rita Moro Castro, who...
As one of the most anticipated guests at this year’s Cannes Film Festival, Selena Gomez did not disappoint. She captivated the scene the instant she walked the red carpet for the premiere of her musical crime comedy movie, Emilia Pérez.
Selena Gomez looks breathtaking in her Saint Laurent gown at the 77th Cannes Film Festival premiere of Emilia Perez at Palais des Festivals in Cannes, France (Credit: Abaca Press / INSTARimages)
Emilia Pérez: Transforming From a Drug Cartel Leader to a Trans Woman
Emilia Pérez, written and directed by Jacques Audiard, tells the story of a Mexican cartel leader, Manitas Del Monte, who longs to escape and disappear from the criminal world.
To help realize his plan, Manitas approached attorney Rita Moro Castro, who...
- 5/19/2024
- by Anne De Guia
- Your Next Shoes
Jacques Audiard’s latest movie, the Spanish-language musical crime comedy Emilia Pérez, had its competition world premiere Saturday in Cannes, where it received a an ovation that lasted more than 11 minutes.
Stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramirez were all in attendance for the first big premiere of Cannes’ first weekend, after a festival that has already seen the likes of Megalopolis and Furiosa: A Mad Max Saga among the big Hollywood movies playing here.
The ovation came as the credits rolled on the pic. At some point Audiard took the microphone to thank the audience at the Palais. After he finished, the applause resumed for two-minutes-plus more, with Saldaña, Gascón and Gomez coming to tears.
A bashful Selena Gomez basks in the applause after the premiere of ‘Emilia Perez’ #Cannes2024 pic.twitter.com/zjWlDvtqOe
— Deadline Hollywood (@Deadline) May 18, 2024
Star of ‘Emilia Perez’ Zoe Saldana gets...
Stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramirez were all in attendance for the first big premiere of Cannes’ first weekend, after a festival that has already seen the likes of Megalopolis and Furiosa: A Mad Max Saga among the big Hollywood movies playing here.
The ovation came as the credits rolled on the pic. At some point Audiard took the microphone to thank the audience at the Palais. After he finished, the applause resumed for two-minutes-plus more, with Saldaña, Gascón and Gomez coming to tears.
A bashful Selena Gomez basks in the applause after the premiere of ‘Emilia Perez’ #Cannes2024 pic.twitter.com/zjWlDvtqOe
— Deadline Hollywood (@Deadline) May 18, 2024
Star of ‘Emilia Perez’ Zoe Saldana gets...
- 5/18/2024
- by Nancy Tartaglione and Anna Smith
- Deadline Film + TV
“Emilia Pérez,” a Spanish-language musical drama starring Zoe Saldaña, Selena Gomez and Karla Sofía Gascón, has earned the biggest standing ovation of this year’s Cannes Film Festival so far.
Gomez wiped away tears as the Palais clapped for a full nine minutes, accompanied by plenty of hooting, whistling and cheering. During the standing ovation, director Jacques Audiard waved his hat at the balcony as stars Saldaña and Édgar Ramírez shared an emotional hug. There was huge applause for Gascón, who stars in the film as a drug cartel leader who seeks gender-affirming surgery.
In the film, from Palme d’Or winner Audiard, Saldaña stars as Rita, an “overqualified and undervalued” lawyer, whose firm is more inclined to help criminals than seek justice. She finds an unexpected way out when a feared drug cartel leader Manitas (Gascón) recruits her to aid him in surreptitiously completing a sex change operation to...
Gomez wiped away tears as the Palais clapped for a full nine minutes, accompanied by plenty of hooting, whistling and cheering. During the standing ovation, director Jacques Audiard waved his hat at the balcony as stars Saldaña and Édgar Ramírez shared an emotional hug. There was huge applause for Gascón, who stars in the film as a drug cartel leader who seeks gender-affirming surgery.
In the film, from Palme d’Or winner Audiard, Saldaña stars as Rita, an “overqualified and undervalued” lawyer, whose firm is more inclined to help criminals than seek justice. She finds an unexpected way out when a feared drug cartel leader Manitas (Gascón) recruits her to aid him in surreptitiously completing a sex change operation to...
- 5/18/2024
- by Ramin Setoodeh and Angelique Jackson
- Variety Film + TV
Jacques Audiard returned to Cannes on Saturday night to introduce the world to Emilia Perez, which received a rapturous response from the audience, who gave it a nine-minute standing ovation. After Audiard took the mic to speak in French, the standing ovation resumed for another minute or so.
The 10th film from the French auteur — his sixth film in the main competition — stars Zoe Saldaña as a frustrated lawyer, Selena Gomez as a drug lord’s wife, Édgar Ramírez as a dangerous love interest and Karla Sofía Gascón as the cartel kingpin who longs to escape a life of crime and become the woman he’s always dreamed of becoming. And surprise — it’s a musical.
As the credits roled, there were whoops and hollers and shouts of “Bravo,” even before the lights came up. Saldaña and Gascón were in tears, while Gomez was visibly moved, covering her face.
Reviews...
The 10th film from the French auteur — his sixth film in the main competition — stars Zoe Saldaña as a frustrated lawyer, Selena Gomez as a drug lord’s wife, Édgar Ramírez as a dangerous love interest and Karla Sofía Gascón as the cartel kingpin who longs to escape a life of crime and become the woman he’s always dreamed of becoming. And surprise — it’s a musical.
As the credits roled, there were whoops and hollers and shouts of “Bravo,” even before the lights came up. Saldaña and Gascón were in tears, while Gomez was visibly moved, covering her face.
Reviews...
- 5/18/2024
- by Chris Gardner and Scott Feinberg
- The Hollywood Reporter - Movie News
Cannes film festival
A thoroughly implausible yarn about a Mexican cartel leader who hires a lawyer to arrange his transition is carried along by its cheesy Broadway energy
Anglo-progressives and US liberals might worry about whether or not certain stories are “theirs to tell”. But that’s not a scruple that worries French auteur Jacques Audiard who, with amazing boldness and sweep, launches into this slightly bizarre yet watchable musical melodrama of crime and gender, set in Mexico. It plays like a thriller by Amat Escalante with music and lyrics by Lin-Manuel Miranda, and a touch of Almodovar.
Argentinian trans actor Karla Sofia Gascon plays Juan “Manitas” Del Monte, a terrifyingly powerful and ruthless cartel leader in Mexico, married to Jessi (Selena Gomez), with two young children. Manitas is intrigued by a high-profile murder trial in which an obviously guilty defendant gets off due to his smart and industrious lawyer...
A thoroughly implausible yarn about a Mexican cartel leader who hires a lawyer to arrange his transition is carried along by its cheesy Broadway energy
Anglo-progressives and US liberals might worry about whether or not certain stories are “theirs to tell”. But that’s not a scruple that worries French auteur Jacques Audiard who, with amazing boldness and sweep, launches into this slightly bizarre yet watchable musical melodrama of crime and gender, set in Mexico. It plays like a thriller by Amat Escalante with music and lyrics by Lin-Manuel Miranda, and a touch of Almodovar.
Argentinian trans actor Karla Sofia Gascon plays Juan “Manitas” Del Monte, a terrifyingly powerful and ruthless cartel leader in Mexico, married to Jessi (Selena Gomez), with two young children. Manitas is intrigued by a high-profile murder trial in which an obviously guilty defendant gets off due to his smart and industrious lawyer...
- 5/18/2024
- by Peter Bradshaw
- The Guardian - Film News
Going into this year’s Cannes Film Festival, expectations soared around a certain go-for-broke, no-guts-no-glory, swing from a Palme d’Or winning auteur, and on Saturday — two days after Francis Ford Coppola’s “Megalopolis” fizzled — festivalgoers got all they wanted and more in Jacques Audiard’s gonzo telenovela musical “Emilia Perez.” Turns out we had been looking at the wrong Palme d’Or winner all along.
If for nothing else, the French director’s previous Grand Prize and Palme d’Or wins for tough-guy films “A Prophet” and “Dheepan” feel especially pertinent given the startling (and delightful) swerve he offers with “Emilia Perez,” an Almodóvar-aping melodrama about a cartel kingpin’s transition to the more benevolent woman she was always hiding from the world.
That the Spanish-language film is also a full-blown musical, chock-full of deliriously choreographed numbers and ear-catching ditties about vaginoplasties and tracheal shaves would also reflect Audiard’s high perch.
If for nothing else, the French director’s previous Grand Prize and Palme d’Or wins for tough-guy films “A Prophet” and “Dheepan” feel especially pertinent given the startling (and delightful) swerve he offers with “Emilia Perez,” an Almodóvar-aping melodrama about a cartel kingpin’s transition to the more benevolent woman she was always hiding from the world.
That the Spanish-language film is also a full-blown musical, chock-full of deliriously choreographed numbers and ear-catching ditties about vaginoplasties and tracheal shaves would also reflect Audiard’s high perch.
- 5/18/2024
- by Ben Croll
- The Wrap
Movies that take their title from a female protagonist’s name — from Mildred Pierce and Stella Dallas through Norma Rae to Vera Drake and Jackie Brown — instantly claim that woman’s rightful place at the heart of a story, often depicting struggle and sacrifice but also resilience and strength of character. The same applies to Jacques Audiard’s bracingly original crime musical Emilia Pérez, even if the woman herself doesn’t show up until some way in, when she emerges from the unlikeliest of cocoons.
The French director has always shown an adventurous spirit, switching genres with nimble assurance, and he continues to surprise in his ballsy tenth feature. Very loosely adapted by Audiard from journalist and author Boris Razon’s 2018 novel Écoute, the film dexterously spans many styles. The baseline is a drama of criminality and redemption, but then there’s an unforced current of Almodóvarian humor, along with moments of melodrama,...
The French director has always shown an adventurous spirit, switching genres with nimble assurance, and he continues to surprise in his ballsy tenth feature. Very loosely adapted by Audiard from journalist and author Boris Razon’s 2018 novel Écoute, the film dexterously spans many styles. The baseline is a drama of criminality and redemption, but then there’s an unforced current of Almodóvarian humor, along with moments of melodrama,...
- 5/18/2024
- by David Rooney
- The Hollywood Reporter - Movie News
You haven’t lived until you’ve seen a movie musical where the words “mammoplasty, vaginoplasty, rhinoplasty” play out in song. Nor have you lived until you’ve seen that same movie musical in which Selena Gomez says the words “My pussy still hurts when I think of you.” And you’ve never seen a movie musical at all about transness that takes as bold of swings as Jacques Audiard‘s “Emilia Pérez,” which is stylistically unforgettable while missing the crucial element that makes any movie musical work: Actually good, memorable songs.
Audiard is the 72-year-old French director known ever for dipping into other worlds and genres that are far from his own as a cis white guy from Europe. His 2015 Palme d’Or winner “Dheepan” was a story of Tamil refugees who’ve fled Sri Lankan civil war for Paris. “The Sisters Brothers” was his attempt at a western...
Audiard is the 72-year-old French director known ever for dipping into other worlds and genres that are far from his own as a cis white guy from Europe. His 2015 Palme d’Or winner “Dheepan” was a story of Tamil refugees who’ve fled Sri Lankan civil war for Paris. “The Sisters Brothers” was his attempt at a western...
- 5/18/2024
- by Ryan Lattanzio
- Indiewire
On paper, it looks mad as a loose wheel. A largely Spanish-language musical about a Mexican druglord having a sex change, featuring onetime Disney teen star Selena Gomez as a gangster’s wife: nobody could deny director and writer Jacques Audiard’s giddy determination to do something different, but how could Emilia Pérez be anything but a hot mess? But here is it is on the screen, a musical marvel. Of course it’s crazy, but Audiard has set up his impossible conjuring trick and made it work.
Emilia Pérez fires up immediately with an eccentric chanson about consumption – “we buy washing machines; we buy microwaves” – that literally sets the tone for what will follow. Rita Moro Castro (Zoe Saldaña) would love to consume a little more; she is a junior barrister flatlining as her boss’ more capable helpmate. Her story is told swiftly: Saldaña delivers a deft dance with the office cleaning women,...
Emilia Pérez fires up immediately with an eccentric chanson about consumption – “we buy washing machines; we buy microwaves” – that literally sets the tone for what will follow. Rita Moro Castro (Zoe Saldaña) would love to consume a little more; she is a junior barrister flatlining as her boss’ more capable helpmate. Her story is told swiftly: Saldaña delivers a deft dance with the office cleaning women,...
- 5/18/2024
- by Stephanie Bunbury
- Deadline Film + TV
Spoiler Alert: The following review contains some spoilers.
Like a rose blooming amid a minefield, it’s a miracle that Jacques Audiard’s “Emilia Pérez” exists: a south-of-the-border pop opera about a most unlikely metamorphosis and the personal redemption it awakens in a stone-cold criminal.
With a Palme d’Or to his name and the cojones to tackle his third movie in a culture and language that are not his own (after “Dheepan” and “The Sisters Brothers”), the director of “A Prophet” takes audiences into the macho realm of Mexican cartels, where Manitas del Monte — a fearsome drug lord with a silver grill and a voice like gravel — wants out, not because he’s had a crisis of conscience, but because he’s decided to embrace his true self … as a woman.
Pardon me if I’ve mixed up the pronouns there. Audiard’s dazzling and instantly divisive film — which...
Like a rose blooming amid a minefield, it’s a miracle that Jacques Audiard’s “Emilia Pérez” exists: a south-of-the-border pop opera about a most unlikely metamorphosis and the personal redemption it awakens in a stone-cold criminal.
With a Palme d’Or to his name and the cojones to tackle his third movie in a culture and language that are not his own (after “Dheepan” and “The Sisters Brothers”), the director of “A Prophet” takes audiences into the macho realm of Mexican cartels, where Manitas del Monte — a fearsome drug lord with a silver grill and a voice like gravel — wants out, not because he’s had a crisis of conscience, but because he’s decided to embrace his true self … as a woman.
Pardon me if I’ve mixed up the pronouns there. Audiard’s dazzling and instantly divisive film — which...
- 5/18/2024
- by Peter Debruge
- Variety Film + TV
‘Emilia Pérez’ Cannes Film Festival Premiere Photos: Édgar Ramírez, Selena Gomez, Zoe Saldaña & More
Cannes Film Festival hosted the world premiere of Emilia Pérez, a musical crime comedy film written and directed by Jacques Audiard. It stars Karla Sofía Gascón in the title role, with Selena Gomez, Zoe Saldaña, and Édgar Ramírez.
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
Guests at the premiere included Clement Ducol, Adriana Paz, Mark Ivanir, Justine Triet, Ron Howard, Salma Hayek, Sarocha Chankimha, Charlotte Gainsbourg, Renate Reinsve, Pierfrancesco Favino, Omar Sy, Eva Green, Rossy de Palma, and Eva Longoria who all walked the red carpet at the Grand Théâtre Lumière, on Saturday, May 18.
Related: ‘Emilia Pérez’ Review: Jacques Audiard’s Musical Is Crazy, But Also A Marvel – Cannes Film Festival
The film’s plot follows Rita, a talented lawyer, disillusioned by her firm’s focus on winning cases for any client, who gets an unexpected chance at escape. Notorious cartel leader Manitas hires her for a seemingly outlandish...
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
Guests at the premiere included Clement Ducol, Adriana Paz, Mark Ivanir, Justine Triet, Ron Howard, Salma Hayek, Sarocha Chankimha, Charlotte Gainsbourg, Renate Reinsve, Pierfrancesco Favino, Omar Sy, Eva Green, Rossy de Palma, and Eva Longoria who all walked the red carpet at the Grand Théâtre Lumière, on Saturday, May 18.
Related: ‘Emilia Pérez’ Review: Jacques Audiard’s Musical Is Crazy, But Also A Marvel – Cannes Film Festival
The film’s plot follows Rita, a talented lawyer, disillusioned by her firm’s focus on winning cases for any client, who gets an unexpected chance at escape. Notorious cartel leader Manitas hires her for a seemingly outlandish...
- 5/18/2024
- by Robert Lang
- Deadline Film + TV
Are we headed for a bon marché?
A new class of finished films and packages (unmade movies with big stars and a director attached) will travel to Cannes this week in search of cash and homes with the studios, streamers and global indie players.
The 2024 Cannes market comes equipped with some interesting contradictions. Stateside, the content buying machine is fraught. Major media stock prices are getting hammered day by day, and a new age of austerity has gripped the once free-spending tech giants. At the same time, distributors paralyzed by the 2023 Hollywood labor strikes need content to fill their slates for the end the year and the top of 2025.
“We’d agree that finished film volume isn’t as high due to the strikes, but Cannes is a much better setting for packages to begin with,” one top sales agent told Variety. “These movies can get financed out of the international marketplace,...
A new class of finished films and packages (unmade movies with big stars and a director attached) will travel to Cannes this week in search of cash and homes with the studios, streamers and global indie players.
The 2024 Cannes market comes equipped with some interesting contradictions. Stateside, the content buying machine is fraught. Major media stock prices are getting hammered day by day, and a new age of austerity has gripped the once free-spending tech giants. At the same time, distributors paralyzed by the 2023 Hollywood labor strikes need content to fill their slates for the end the year and the top of 2025.
“We’d agree that finished film volume isn’t as high due to the strikes, but Cannes is a much better setting for packages to begin with,” one top sales agent told Variety. “These movies can get financed out of the international marketplace,...
- 5/14/2024
- by Matt Donnelly
- Variety Film + TV
Cannes Competition titles Bird by Andrea Arnold and Emila Perez by Jacques Audiard are among the films eligible for the Queer Palm at this year’s festival.
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
- 5/9/2024
- ScreenDaily
The lineup for the 77th Cannes Film Festival has officially been unveiled. As of right now, 19 films will be competing for the prestigious top prize, the Palme d’Or. The festival will be running from May 14 through the closing ceremony on May 25 in the small town on the French Riviera. This year’s jury will be led by Greta Gerwig, fresh off of her success writing and directing “Barbie,” which earned her an Oscar nomination for Best Adapted Screenplay. The remaining members of the jury have yet to be announced.
Having an idea of a filmmaker’s history at the festival can sometimes help give us an insight as to who could be in the best position to take home the Palme. For example, two of this year’s entries come from filmmakers who have previously claimed the Palme. Another five are from directors who have won prizes in official...
Having an idea of a filmmaker’s history at the festival can sometimes help give us an insight as to who could be in the best position to take home the Palme. For example, two of this year’s entries come from filmmakers who have previously claimed the Palme. Another five are from directors who have won prizes in official...
- 4/18/2024
- by Charles Bright
- Gold Derby
Selena Gomez’s Rare Beauty Sees A Fantastic Turnover Within Five Years Of Its Launch. (Photo Credit – Instagram)
Selena Gomez is one of the most famous music artists across the globe and has millions of fans on social media. Like Rihanna and many others, Selena too ventured into entrepreneurship and launched her makeup brand, Rare Beauty. It has reportedly achieved an amazing milestone in a considerably shorter time. Scroll below for more.
Selena is one of the most followed female celebrities on Instagram. She has more than 429 million followers. Gomez is a multifaceted woman, and besides being a singer and businesswoman, she is also an actress. She was nominated for the Emmys for the series Only Murders in the Building‘s Executive Producer. Selena will also be seen in the musical crime comedy Emilia Perez, starring Karla Sofía Gascón, Zoe Saldaña, and Edgar Ramirez.
Speaking of Selena Gomez’s Rare Beauty,...
Selena Gomez is one of the most famous music artists across the globe and has millions of fans on social media. Like Rihanna and many others, Selena too ventured into entrepreneurship and launched her makeup brand, Rare Beauty. It has reportedly achieved an amazing milestone in a considerably shorter time. Scroll below for more.
Selena is one of the most followed female celebrities on Instagram. She has more than 429 million followers. Gomez is a multifaceted woman, and besides being a singer and businesswoman, she is also an actress. She was nominated for the Emmys for the series Only Murders in the Building‘s Executive Producer. Selena will also be seen in the musical crime comedy Emilia Perez, starring Karla Sofía Gascón, Zoe Saldaña, and Edgar Ramirez.
Speaking of Selena Gomez’s Rare Beauty,...
- 4/16/2024
- by Esita Mallik
- KoiMoi
Following the press conference unveiling the Cannes lineup, festival director Thierry Fremaux addressed a few hot topics, including Francis Ford Coppola’s 135-minute epic “Megalopolis,” which doesn’t yet have a distribution deal.
While “Megalopolis,” Coppola’s self-produced $120 million opus starring Adam Driver, has been selected to compete at the Cannes Film Festival, it doesn’t have a distribution deal in France. In theory, that’s not an issue as there are “quite a lot of films in the official section without any distribution,” as Fremaux tells Variety. But in the case of “Megalopolis,” it may be a ticking bomb.
If “Megalopolis” does get sold to a streamer with no theatrical plans for France, it will spark uproar on the Croisette and within local exhibitors. Most importantly, it will clash with Cannes’ infamous rule which requires every film in competition to have French theatrical distribution. That strict guideline was first...
While “Megalopolis,” Coppola’s self-produced $120 million opus starring Adam Driver, has been selected to compete at the Cannes Film Festival, it doesn’t have a distribution deal in France. In theory, that’s not an issue as there are “quite a lot of films in the official section without any distribution,” as Fremaux tells Variety. But in the case of “Megalopolis,” it may be a ticking bomb.
If “Megalopolis” does get sold to a streamer with no theatrical plans for France, it will spark uproar on the Croisette and within local exhibitors. Most importantly, it will clash with Cannes’ infamous rule which requires every film in competition to have French theatrical distribution. That strict guideline was first...
- 4/11/2024
- by Elsa Keslassy
- Variety Film + TV
Before she solved murders at the Arconia alongside Steve Martin and Martin Short in Only Murders in the Building, Selena Gomez made magic happen for Disney as a part of Wizards of Waverly Place. The enchanting teen sitcom cast a spell on Mouseketeers for four seasons from 2007 to 2012, and now, toil and trouble are brewing again with a Wizards of Waverly Place sequel series under the working title Wizards.
Original stars Selena Gomez (Alex Russo) and David Henrie (Justin Russo) will take their wands out of storage to executive produce the revival project. At the same time, Gomez plans to appear in a guest role, with Henrie returning as a primary cast member for the Wizards of Waverly Place sequel series. The duo plans to launch Wizards on Disney Channel and Disney+ later this year. The project comes from Disney Branded Television.
Gomez reprises her iconic role in the premiere episode as Alex,...
Original stars Selena Gomez (Alex Russo) and David Henrie (Justin Russo) will take their wands out of storage to executive produce the revival project. At the same time, Gomez plans to appear in a guest role, with Henrie returning as a primary cast member for the Wizards of Waverly Place sequel series. The duo plans to launch Wizards on Disney Channel and Disney+ later this year. The project comes from Disney Branded Television.
Gomez reprises her iconic role in the premiere episode as Alex,...
- 3/22/2024
- by Steve Seigh
- JoBlo.com
After making its debut at last year’s Cannes Film Festival with Jean-Luc Godard’s last work and Pedro Almodóvar’s “Strange Way of Life,” Anthony Vaccarello’s Saint Laurent Productions has boarded Jacques Audiard’s “Emilia Perez” as a co-producer.
The musical thriller joins Saint Laurent Productions’ roster of prestige projects, including Oscar-winning director Paolo Sorrentino’s untitled next film and David Cronenberg’s “The Shrouds.”
“Emilia Perez” is a musical thriller boasting an international cast led by Karla Sofia Gascón, Zoe Saldana (“Avatar”), Selena Gomez (“Only Murders in the Building”), Edgar Ramirez (“Carlos”) and Adriana Paz. The movie is co-produced with French production company Why Not Productions and Page 114, together with Pathé and France 2 Cinema. Pathé has acquired French distribution rights and will release the movie in French theaters. The movie has been described by Audiard as an “opera libretto in four acts.”
The Palme d’Or...
The musical thriller joins Saint Laurent Productions’ roster of prestige projects, including Oscar-winning director Paolo Sorrentino’s untitled next film and David Cronenberg’s “The Shrouds.”
“Emilia Perez” is a musical thriller boasting an international cast led by Karla Sofia Gascón, Zoe Saldana (“Avatar”), Selena Gomez (“Only Murders in the Building”), Edgar Ramirez (“Carlos”) and Adriana Paz. The movie is co-produced with French production company Why Not Productions and Page 114, together with Pathé and France 2 Cinema. Pathé has acquired French distribution rights and will release the movie in French theaters. The movie has been described by Audiard as an “opera libretto in four acts.”
The Palme d’Or...
- 3/1/2024
- by Elsa Keslassy
- Variety Film + TV
Nolita Cinema’s musical Hear Me Love, starring France’s biggest pop star Clara Luciani in her first lead role, has started shooting in Paris as part of a revival of the film musical in France.
Set between Paris and Rome’s Cinecitta’s Studios in the 1970s, Hear Me Love (Joli Joli) follows a struggling writer looking for inspiration for his second novel who falls in love with a famous movie star. It is the fifth feature by French film and theatre director Diastème and is being scored by composer Alex Beaupain.
Ginger & Fed is selling the film...
Set between Paris and Rome’s Cinecitta’s Studios in the 1970s, Hear Me Love (Joli Joli) follows a struggling writer looking for inspiration for his second novel who falls in love with a famous movie star. It is the fifth feature by French film and theatre director Diastème and is being scored by composer Alex Beaupain.
Ginger & Fed is selling the film...
- 2/19/2024
- ScreenDaily
Selena Gomez is opening up about her upcoming movie Emilia Perez!
The 31-year-old actress, singer and entrepreneur filmed the new movie in the spring and summer of 2023, alongside co-stars Karla Sofía Gascón, Zoe Saldaña and Édgar Ramírez.
After filming wrapped in June 2023, Selena shared on Instagram that she “loved every moment” of being in Paris for the movie, and that working on it “completely changed my life.”
Now, during a recent appearance on the Smartless podcast, Selena dished on how it was filming the movie and shared how she used going to rehab as a moment to relate to her character.
Keep reading to see what she said…
“I just finished this movie, this Jacques Audiard film, and it’s all in Spanish, and it’s a musical. It was one of the most challenging things that I’d done,” she shared, teasing that it’s meant to “come out next year,...
The 31-year-old actress, singer and entrepreneur filmed the new movie in the spring and summer of 2023, alongside co-stars Karla Sofía Gascón, Zoe Saldaña and Édgar Ramírez.
After filming wrapped in June 2023, Selena shared on Instagram that she “loved every moment” of being in Paris for the movie, and that working on it “completely changed my life.”
Now, during a recent appearance on the Smartless podcast, Selena dished on how it was filming the movie and shared how she used going to rehab as a moment to relate to her character.
Keep reading to see what she said…
“I just finished this movie, this Jacques Audiard film, and it’s all in Spanish, and it’s a musical. It was one of the most challenging things that I’d done,” she shared, teasing that it’s meant to “come out next year,...
- 1/10/2024
- by Just Jared
- Just Jared
Jacques Audiard, the Oscar-nominated French director (“A Prophet”), is finally getting ready to shoot his next film, “Emilia Perez,” this spring with a cast led by Karla Sofia Gascón, Selena Gomez and Zoe Saldaña.
After “Paris, 13th District,” an intimate black-and-white film about millennial love, Audiard is aiming to build a larger canvas for “Emilia Perez,” a musical crime comedy which Audiard tells Variety will lense in a studio near Paris instead of Mexico, as originally planned.
Gascón, a rising Argentinian trans actor, will play a feared Mexican cartel leader who undergoes a sex change to get away from the law, becoming the woman he’s always wanted to be.
Audiard says the idea for “Emilia Perez” came to him more than two years ago as “an opera libretto in four acts,” and that’s how he wrote the treatment.
“It was the first time that an idea [for a film] came to...
After “Paris, 13th District,” an intimate black-and-white film about millennial love, Audiard is aiming to build a larger canvas for “Emilia Perez,” a musical crime comedy which Audiard tells Variety will lense in a studio near Paris instead of Mexico, as originally planned.
Gascón, a rising Argentinian trans actor, will play a feared Mexican cartel leader who undergoes a sex change to get away from the law, becoming the woman he’s always wanted to be.
Audiard says the idea for “Emilia Perez” came to him more than two years ago as “an opera libretto in four acts,” and that’s how he wrote the treatment.
“It was the first time that an idea [for a film] came to...
- 1/23/2023
- by Elsa Keslassy
- Variety Film + TV
Jacques Audiard’s highly anticipated musical crime comedy, “Emilia Perez,” will start shooting in the spring with Karla Sofia Gascón, Selena Gomez and Zoe Saldaña.
Filming was delayed by six months due to some scheduling conflicts with cast members and is now slated to begin in April, Variety has learned.
Gascón, an up-and-coming Argentinian trans actor, will play a feared, on-the-run Mexican cartel leader who has a sex change to get away from the law and become the woman he’s always wanted to be.
“Emilia Perez” was previously set to shoot in Mexico but will now be filming in a studio near Paris, as per Audiard’s wish.
The script was penned by Audiard and Thomas Bidegain, who collaborated on Audiard’s most successful films, including “A Prophet” and the Palme d’Or winner “Dheepan.”
“Emilia Perez” is produced by Why Not Productions and Page 114. The Veterans, Vincent Maraval and Kim Fox’s banner,...
Filming was delayed by six months due to some scheduling conflicts with cast members and is now slated to begin in April, Variety has learned.
Gascón, an up-and-coming Argentinian trans actor, will play a feared, on-the-run Mexican cartel leader who has a sex change to get away from the law and become the woman he’s always wanted to be.
“Emilia Perez” was previously set to shoot in Mexico but will now be filming in a studio near Paris, as per Audiard’s wish.
The script was penned by Audiard and Thomas Bidegain, who collaborated on Audiard’s most successful films, including “A Prophet” and the Palme d’Or winner “Dheepan.”
“Emilia Perez” is produced by Why Not Productions and Page 114. The Veterans, Vincent Maraval and Kim Fox’s banner,...
- 1/18/2023
- by Elsa Keslassy
- Variety Film + TV
Karla Sofía Gascón to star, Zoe Saldana and Selena Gomez in talks. The Veterans and CAA Media Finance launching Cannes sales.
Jacques Audiard will direct the musical comedy Emilia Perez starring Spanish trans actress Karla Sofía Gascón which The Veterans and CAA Media Finance will introduce to buyers in Cannes next week.
Zoe Saldana and Selena Gomez are in talks to join the cast on the story about Rita, a woman at a large firm in Mexico who is asked to help feared cartel boss Juan ‘Little Hands’ Del Monte retire from his business and disappear forever by becoming the...
Jacques Audiard will direct the musical comedy Emilia Perez starring Spanish trans actress Karla Sofía Gascón which The Veterans and CAA Media Finance will introduce to buyers in Cannes next week.
Zoe Saldana and Selena Gomez are in talks to join the cast on the story about Rita, a woman at a large firm in Mexico who is asked to help feared cartel boss Juan ‘Little Hands’ Del Monte retire from his business and disappear forever by becoming the...
- 5/12/2022
- by Jeremy Kay
- ScreenDaily
Karla Sofía Gascón to star, Zoe Saldana and Selena Gomez in talks. The Veterans and CAA Media Finance launching Cannes sales.
Jacques Audiard will direct the Spanish-language musical comedy Emilia Perez starring Spanish trans actress Karla Sofía Gascón which The Veterans and CAA Media Finance will introduce to buyers in Cannes next week.
Zoe Saldana and Selena Gomez are in talks to join the cast on the story about Rita, a woman at a large firm in Mexico who is asked to help feared cartel boss Juan ‘Little Hands’ Del Monte retire from his business and disappear forever by becoming...
Jacques Audiard will direct the Spanish-language musical comedy Emilia Perez starring Spanish trans actress Karla Sofía Gascón which The Veterans and CAA Media Finance will introduce to buyers in Cannes next week.
Zoe Saldana and Selena Gomez are in talks to join the cast on the story about Rita, a woman at a large firm in Mexico who is asked to help feared cartel boss Juan ‘Little Hands’ Del Monte retire from his business and disappear forever by becoming...
- 5/12/2022
- by Jeremy Kay
- ScreenDaily
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