by Cláudio Alves
Passages should earn Khadija Zeggaï an Oscar nomination.
As the voting for the 96th Academy Award nominations continues, there's a possibility that we'll get a repeat of 2019 in Best Costume Design. Though not disastrous, that season saw the lineup comprised exclusively of Best Picture nominees – a sad sight for a race where, once upon a time, brilliant work could be rewarded regardless of a film's general buzz. Maybe Wonka, The Color Purple, or Napoleon will stop that from happening, but it'll still result in a fairly expected ballot. Why not look elsewhere to some of the year's underrated gems? Please, Costume Branch, remember you represent the category of I Am Love, Bright Star, Marie Antoinette, and many others.
I've already made the case for La Chimera, Passages, and Pain Hustlers, so I won't repeat it. Still, even with those out of the way, there's plenty to celebrate from 2023 cinema.
Passages should earn Khadija Zeggaï an Oscar nomination.
As the voting for the 96th Academy Award nominations continues, there's a possibility that we'll get a repeat of 2019 in Best Costume Design. Though not disastrous, that season saw the lineup comprised exclusively of Best Picture nominees – a sad sight for a race where, once upon a time, brilliant work could be rewarded regardless of a film's general buzz. Maybe Wonka, The Color Purple, or Napoleon will stop that from happening, but it'll still result in a fairly expected ballot. Why not look elsewhere to some of the year's underrated gems? Please, Costume Branch, remember you represent the category of I Am Love, Bright Star, Marie Antoinette, and many others.
I've already made the case for La Chimera, Passages, and Pain Hustlers, so I won't repeat it. Still, even with those out of the way, there's plenty to celebrate from 2023 cinema.
- 1/15/2024
- by Cláudio Alves
- FilmExperience
by Cláudio Alves
Like it happens every year, as the awards season dawns, I complain that voters should pay more attention to contemporary narratives when recognizing design achievements. In 2023, their reluctance will be especially aggravating since there's such a deep well of costuming excellence within modern contexts. Take Khadija Zeggaï in Passages, for example.
Ira Sachs' latest feature finds Franz Rogowski playing a Paris-based German director entangled in a bisexual love triangle of his own making. As Tomas, the actor is a sartorial tease whether he's in mesh or ratty green knits, while Ben Whishaw is more modest as his artist husband, Martin. Finally, Adèle Exarchopoulos is Agathe, a teacher who dresses like a young Bardot at the height of the Nouvelle Vague - all tight fits, high hems, and lingerie as outerwear. Across the board, fashion defies heteronormative tenets, everything is unisex and sexy to the nth degree. Clothes...
Like it happens every year, as the awards season dawns, I complain that voters should pay more attention to contemporary narratives when recognizing design achievements. In 2023, their reluctance will be especially aggravating since there's such a deep well of costuming excellence within modern contexts. Take Khadija Zeggaï in Passages, for example.
Ira Sachs' latest feature finds Franz Rogowski playing a Paris-based German director entangled in a bisexual love triangle of his own making. As Tomas, the actor is a sartorial tease whether he's in mesh or ratty green knits, while Ben Whishaw is more modest as his artist husband, Martin. Finally, Adèle Exarchopoulos is Agathe, a teacher who dresses like a young Bardot at the height of the Nouvelle Vague - all tight fits, high hems, and lingerie as outerwear. Across the board, fashion defies heteronormative tenets, everything is unisex and sexy to the nth degree. Clothes...
- 11/7/2023
- by Cláudio Alves
- FilmExperience
The Oscars are still five months away, but there’s one winner prediction that you can take to the bank. The category of Best Costume Design will be won by a period drama or a fantasy film. In the past 45 years, only one contemporary-set movie has scored the costume prize, with only about one contemporary nominee per decade.
While dressing up monarchs and showgirls and superheroes is a craft that deserves praise, the period/fantasy monopoly also highlights work outside of that mold. And there’s no better recent example of imagination in modern dress than “Passages,” the great drama from director Ira Sachs (“Love Is Strange”), elevated with idiosyncratic, seductive costumes design by Khadija Zeggaï.
Set among the bourgeoisie in modern day Paris, “Passages” focuses on German filmmaker Tomas (Franz Rogowski), who is married to artist Martin (Ben Whishaw) but falls in love with schoolteacher Agathe (Adele Excharpoulous).
The film,...
While dressing up monarchs and showgirls and superheroes is a craft that deserves praise, the period/fantasy monopoly also highlights work outside of that mold. And there’s no better recent example of imagination in modern dress than “Passages,” the great drama from director Ira Sachs (“Love Is Strange”), elevated with idiosyncratic, seductive costumes design by Khadija Zeggaï.
Set among the bourgeoisie in modern day Paris, “Passages” focuses on German filmmaker Tomas (Franz Rogowski), who is married to artist Martin (Ben Whishaw) but falls in love with schoolteacher Agathe (Adele Excharpoulous).
The film,...
- 10/18/2023
- by Joe McGovern
- The Wrap
You can find hundreds of egotistical monsters who’ve graced movie screens (don’t get us started on the ones working behind the scenes; that’s a whole other piece), but few of them can compare to Tomas Freiburg. A renowned filmmaker who’s a tyrant on set — his volatile Rainer Werner Fassbinder vibe is strong, and he will scream at an extra to walk down stairs and swing his hands the exact right way until He. Gets. What. He. Wants! — Tomas is a genuine terror when it comes to his personal relationships.
- 8/4/2023
- by David Fear
- Rollingstone.com
Isabelle Huppert in a beautiful Burberry vest and jacket on Joan Crawford and movie star shoes in Mildred Pierce: "My favourite ever!" Photo: Anne-Katrin Titze
Ira Sachs' Frankie, co-written with longtime collaborator Mauricio Zacharias, starring Isabelle Huppert in the title role, with Brendan Gleeson, Jérémie Renier, Marisa Tomei, Pascal Greggory (Olivier Assayas' Non-Fiction), Greg Kinnear, Vinette Robinson, Ariyon Bakare, Carloto Cotta, and Sennia Nanua, shot by Rui Poças in Sintra, Portugal, had its world première at the Cannes Film Festival.
Frankie (Isabelle Huppert) with her son Paul (Jérémie Renier)
At the Four Seasons on a stormy afternoon in New York, Isabelle connected Werner Schroeter's Two, Michael Haneke's The Piano Teacher, Chantal Akerman, costume designer Khadija Zeggaï, and the magic of Sintra for the first half of our conversation on Frankie.
One day in the beautiful town of Sintra...
Ira Sachs' Frankie, co-written with longtime collaborator Mauricio Zacharias, starring Isabelle Huppert in the title role, with Brendan Gleeson, Jérémie Renier, Marisa Tomei, Pascal Greggory (Olivier Assayas' Non-Fiction), Greg Kinnear, Vinette Robinson, Ariyon Bakare, Carloto Cotta, and Sennia Nanua, shot by Rui Poças in Sintra, Portugal, had its world première at the Cannes Film Festival.
Frankie (Isabelle Huppert) with her son Paul (Jérémie Renier)
At the Four Seasons on a stormy afternoon in New York, Isabelle connected Werner Schroeter's Two, Michael Haneke's The Piano Teacher, Chantal Akerman, costume designer Khadija Zeggaï, and the magic of Sintra for the first half of our conversation on Frankie.
One day in the beautiful town of Sintra...
- 10/18/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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