Oscar Isaac has signed on to star in “The Garbo Network,” a double agent thriller set during World War II. Isaac will also be one of the film’s producers, alongside Bob Cooper, Richard Saperstein, Chuck Weinstock and Jason Spire. The script was written by William Wheeler (“The Hoax,” “Ray Donovan”).
“There are very few actors who can do both pathos and comic grandiosity. Oscar is one of them, and we feel very lucky to have him,” said Weinstock in a statement.
Read More: Oscar Isaac and Catherine Keener Earn The Gasps In The Conspiracy Thriller Podcast ‘Homecoming’ – Review
“The Garbo Network” is based on the true story of Juan Pujol Garcia, a double agent who managed to persuade both the German and the British governments to hire him as a spy, even though he had no military or covert training. Working with MI5, Pujol Garcia created a fictional network...
“There are very few actors who can do both pathos and comic grandiosity. Oscar is one of them, and we feel very lucky to have him,” said Weinstock in a statement.
Read More: Oscar Isaac and Catherine Keener Earn The Gasps In The Conspiracy Thriller Podcast ‘Homecoming’ – Review
“The Garbo Network” is based on the true story of Juan Pujol Garcia, a double agent who managed to persuade both the German and the British governments to hire him as a spy, even though he had no military or covert training. Working with MI5, Pujol Garcia created a fictional network...
- 2/10/2017
- by Yoselin Acevedo
- Indiewire
Bob Cooper and Richard Saperstein’s Los Angeles-based production company has unveiled details of its Second World War double agent thriller.
Isaac will portray Juan Pujol Garcia, a man who without any special training managed to persuade the Germans and the British to hire him as a spy and won gallantry medals from both sides.
in reality his allegiance lay with MI5 and through a fake network of agents Garcia helped the British fool the Germans about the June 1944 Normandy landings, a critical juncture in the war.
William Wheeler wrote the screenplay and Cooper, Saperstein, Chuck Weinstock, Jason Spire, and Isaac will produce.
“Juan Pujol Garcia is unlike any character we’ve seen on film – he’s a chameleon and a master manipulator, deeply haunted by his past, with an unreadable agenda… and his actions have world-changing consequences,” said Cooper, who is attending Berlin for the screening of Maudie and will discuss the project with buyers.
Isaac will portray Juan Pujol Garcia, a man who without any special training managed to persuade the Germans and the British to hire him as a spy and won gallantry medals from both sides.
in reality his allegiance lay with MI5 and through a fake network of agents Garcia helped the British fool the Germans about the June 1944 Normandy landings, a critical juncture in the war.
William Wheeler wrote the screenplay and Cooper, Saperstein, Chuck Weinstock, Jason Spire, and Isaac will produce.
“Juan Pujol Garcia is unlike any character we’ve seen on film – he’s a chameleon and a master manipulator, deeply haunted by his past, with an unreadable agenda… and his actions have world-changing consequences,” said Cooper, who is attending Berlin for the screening of Maudie and will discuss the project with buyers.
- 2/10/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
We have the new poster for What Maisie Knew starring Julianne Moore, Alexander Skarsgård, Onata Aprile, Joanna Vanderham and Steve Coogan. Based on the novel by Henry James, The Millennium Entertainment release directed by Scott McGehee and David Siegel, finds release in May this year. Carroll Cartwright and Nancy Doyne adapted the script for the film produced by Charles Weinstock, Daniela Taplin Lundberg and Daniel Crown. The dramatic story's set in New York City and follows a young girl who is caught in the middle of the bitter divorce of her parents. Also in the cast are Henry Kelemen, Emma Holzer, Diana Garcia, Trevor Long and Samantha Buck.
- 2/13/2013
- Upcoming-Movies.com
We have the new poster for What Maisie Knew starring Julianne Moore, Alexander Skarsgård, Onata Aprile, Joanna Vanderham and Steve Coogan. Based on the novel by Henry James, The Millennium Entertainment release directed by Scott McGehee and David Siegel, finds release in May this year. Carroll Cartwright and Nancy Doyne adapted the script for the film produced by Charles Weinstock, Daniela Taplin Lundberg and Daniel Crown. The dramatic story's set in New York City and follows a young girl who is caught in the middle of the bitter divorce of her parents. Also in the cast are Henry Kelemen, Emma Holzer, Diana Garcia, Trevor Long and Samantha Buck.
- 2/13/2013
- Upcoming-Movies.com
"What Maisie Knew," directed by Scott McGehee and David Siegel ("Bee Season," "Uncertainty"), has gone to Millennium Entertainment for Us distribution. Starring Julianne Moore, Alexander Skarsgård and Steve Coogan, the film is a contemporary adaptation of Henry James' 1897 novel, about a young girl stuck between the drama of her divorcing parents. "What Maisie Knew" debuted at Toronto. Here are early reviews from THR, Indiewire and The Guardian. The screenplay was adapted by Carroll Cartwright and Nancy Doyne; Daniela Taplin Lundberg, Daniel Crown, William Teitler and Charles Weinstock produced.
- 9/12/2012
- by Sophia Savage
- Thompson on Hollywood
In the latest pick-up of a popping Toronto market, Millennium Entertainment has acquired U.S. rights to “What Maisie Knew,” starring Julianne Moore, Alexander Skarsgård and Steve Coogan. The contemporary version of the Henry James novel, directed by Scott McGehee and David Siegel, had its world premiere Friday at the Toronto International Film Festival. “Maisie” tells the story of a young girl trapped in the drama of her distracted, divorcing parents and the new partners they bring into her life. Carroll Cartwright and Nancy Doyne adapted the screenplay. Read More: Tiff Capsule Review: 'What Maisie Knew' Daniela Taplin Lundberg, Daniel Crown, William Teitler and Charles Weinstock produced; Riva Marker is an executive producer. Millennium acquisitions exec Tristen Tuckfield negotiated the deal with Wme Global, which repped the filmmakers. Since its launch in 2010, Millennium has acquired and released “Little...
- 9/12/2012
- by Jay A. Fernandez
- Indiewire
#75. What Maisie Knew - Scott McGehee and David Siegel Scott McGehee and David Siegel got their career starts at the festival with Suture (1993) followe by The Deep End (2001), but they haven't been back in a good decade. With a higher profile project - an adaption of a Henry James novel starring Alexander Skarsgård, Julianne Moore and Steve Coogan with Onata Aprile (from Cassevetes' Yellow) they have a valid reason to return. Filming on What Maisie Knew finished rather late in the year --- so this is perhaps a weak prediction guess but a welcomed one when you consider producer Daniela Taplin Lundberg's great relationship with the fest. Gist: Scripted by Nancy Doyne and Carroll Cartwright, the film which is an adaptation of the Henry James novel is about Maisie, a six-year-old girl enmeshed in the bitter divorce of her mother (Moore), a rock and roll icon, and her father...
- 11/14/2011
- IONCINEMA.com
Title: Ins Greetings from Tim Buckley Director: Dan Algrant Screenwriter: David Brendel, Emma Sheanshang Producer(s): Smuggler Films' John Hart and Patrick Milling Smith, Frederick Zollo Cast: Penn Badgley and Imogen Poots Filming in: New York City Comments: Ins Imogene Directors: Shari Springer Berman and Robert Pulcini Screenwriter: Michelle Morgan Producer(s): Anonymous Content's Alix Madigan, Maven Pictures's Celine Rattray and Trudie Styler Cast: Kristen Wiig, Darren Criss and Annette Bening Filming in: New Jersey Comments: Ins Only God Forgives Director/Screenwriter: Nicholas Winding Refn Producer(s): Lene Børglum - (Executive Producer on Valhalla Rising) Cast: Ryan Gosling, Kristin Scott Thomas, Yayaying, Vithaya Pansringarm Filming in: Thailand Comments: Cannes' Drive What Maisie Knew Directors: Scott MeGehee and David Siegel Screenwriters: Carroll Cartwright and Nancy Doyne Producers: William Teitler, Charles Weinstock and Red Crown Prod.'s Daniela Taplin LundbergCast: Alexander Skarsgård, Julianne Moore, Steve CooganFilming...
- 8/15/2011
- IONCINEMA.com
Title: Ins Greetings from Tim Buckley Director: Dan Algrant Screenwriter: David Brendel, Emma Sheanshang Producer(s): Smuggler Films' John Hart and Patrick Milling Smith, Frederick Zollo Cast: Penn Badgley and Imogen Poots Filming in: New York City Comments: Ins Imogene Directors: Shari Springer Berman and Robert Pulcini Screenwriter: Michelle Morgan Producer(s): Anonymous Content's Alix Madigan, Maven Pictures's Celine Rattray and Trudie Styler Cast: Kristen Wiig, Darren Criss and Annette Bening Filming in: New Jersey Comments: Ins Only God Forgives Director/Screenwriter: Nicholas Winding Refn Producer(s): Lene Børglum - (Executive Producer on Valhalla Rising) Cast: Ryan Gosling, Kristin Scott Thomas, Yayaying, Vithaya Pansringarm Filming in: Thailand Comments: Cannes' Drive What Maisie Knew Directors: Scott MeGehee and David Siegel Screenwriters: Carroll Cartwright and Nancy Doyne Producers: William Teitler, Charles Weinstock and Red Crown Prod.'s Daniela Taplin LundbergCast: Alexander Skarsgård, Julianne Moore, Steve CooganFilming...
- 8/14/2011
- IONCINEMA.com
The inexplicable praise that The Kids Are All Right received last year seems to be having something of a ripple effect, as stories are coming in about new projects from several of the creative forces behind the movie.
First up, there’s Thanks for Sharing, which THR says is the directorial debut of the film’s screenwriter, Stuart Blumberg. This reunites him with Mark Ruffalo, while Tim Robbins is also starring. the movie is described as following “characters in a 12-step program for recovering sex addicts in New York City,” and production is expected to begin there in the fall.
Written by Blumberg and Matt Winston, the movie is being produced and financed by Gary Gilbert and Jordan Horowitz of Gilbert Films, the company that produced Kids. Also onboard are William Migliore and David Koplan, who are producing for Class 5 with Edward Norton executive producing.
Regarding the project, Gilbert said...
First up, there’s Thanks for Sharing, which THR says is the directorial debut of the film’s screenwriter, Stuart Blumberg. This reunites him with Mark Ruffalo, while Tim Robbins is also starring. the movie is described as following “characters in a 12-step program for recovering sex addicts in New York City,” and production is expected to begin there in the fall.
Written by Blumberg and Matt Winston, the movie is being produced and financed by Gary Gilbert and Jordan Horowitz of Gilbert Films, the company that produced Kids. Also onboard are William Migliore and David Koplan, who are producing for Class 5 with Edward Norton executive producing.
Regarding the project, Gilbert said...
- 5/12/2011
- by Nick Newman
- The Film Stage
Heroes regular Nicholas D'Agosto has joined the cast of Screen Gems' teen comedy Maxim's Fired Up.
The 27-year-old D'Agosto will play a high school football player who, with a teammate, bows out of the season to attend cheerleading camp in an elaborate scheme to score women that goes awry when he falls in love.
Joining D'Agosto in the cast are Eric Christian Olsen, Sarah Roemer and Daneel Harris.
Will Gluck is directing the film. Peter Jaysen is producing with Matt Gross and Charles Weinstock. Screen Gems senior vp production Scot Strauss is overseeing the project. The film starts shooting later this month in Los Angeles.
This is the second Screen Gems project for D'Agosto, who scored a role in the ensemble comedy Maxim's Mardi Gras. Penned by Josh Heald, that film follows three college buddies who venture to New Orleans and find love along the way. Cast includes Josh Gad, Bret Harrison, Carmen Electra and Arielle Kebbel. Harris also co-stars in the film.
The 27-year-old D'Agosto will play a high school football player who, with a teammate, bows out of the season to attend cheerleading camp in an elaborate scheme to score women that goes awry when he falls in love.
Joining D'Agosto in the cast are Eric Christian Olsen, Sarah Roemer and Daneel Harris.
Will Gluck is directing the film. Peter Jaysen is producing with Matt Gross and Charles Weinstock. Screen Gems senior vp production Scot Strauss is overseeing the project. The film starts shooting later this month in Los Angeles.
This is the second Screen Gems project for D'Agosto, who scored a role in the ensemble comedy Maxim's Mardi Gras. Penned by Josh Heald, that film follows three college buddies who venture to New Orleans and find love along the way. Cast includes Josh Gad, Bret Harrison, Carmen Electra and Arielle Kebbel. Harris also co-stars in the film.
- 2/13/2008
- The Hollywood Reporter - Movie News
Opens Friday, July 9
Yet another teen girl-targeted comedy -- albeit one that features neither Lindsay Lohan nor Hilary Duff -- Sleepover essentially sleepwalks its way through a strictly by-the-numbers premise.
Aside from a likable lead performance by former Spy Kid Alexa Vega, there isn't much to this MGM summer break item that's going after a demo already showing signs of being burned out on a glut of more of the same.
Vega is the nice but constantly overlooked Julie, who invites a group of her nice but equally unpopular girlfriends (Mika Boorem, Scout Taylor-Compton and Kallie Flynn Childress) over for an end-of-junior high sleepover at her place.
But they prove to have little use for their sleeping bags after they're challenged to an all-night scavenger hunt by the "popular girls" with the prize being a prime high school lunch table by the fountain. The losers get to sit with the nerds next to the Dumpster.
With her married mom (Jane Lynch) out clubbing (!) and her oblivious dad (Jeff Garlin) busy installing an under-the-sink water purifier, Julie is free to commence the nocturnal quest relatively unthwarted, and their adventure paves the way for more product placement than you can shake a Hot Dog on a stick at.
Joe Nussbaum, who attracted a great deal of attention several years ago with his short film, George Lucas in Love, exhibits little of that charm and inspiration while making his feature directorial debut here, working off of a nonsensical script by Elisa Bell that makes strained attempts at sounding witty and irreverent.
Even by conventional movie standards, the dialogue and situations fail to reflect a contemporary 15-year-old girl's reality, even one that's rooted in comedy. Speaking of reality, it's also just a bit troublesome that there isn't a single character of color to be found anywhere on the picture's Southern California landscape.
Production values are efficient if generic, with the overall look and sound of the film owing much to the bubblegum color scheme and grrrl power pop of MGM's Legally Blonde prototype.
Sleepover
MGM
Metro-Goldwyn-Mayer Pictures presents a Landscape Entertainment production in association with Weinstock Prods.
Credits:
Director: Joe Nussbaum
Producers: Charles Weinstock, Bob Cooper
Screenwriter: Elisa Bell
Executive producer: Jeremiah Samuels
Director of photography: James L. Carter
Production designer: Stephen McCabe
Editor: Craig P. Herring
Costume designer: Pamela Withers Chilton
Music supervisor: Elliot Lurie
Music: Deborah Lurie
Cast:
: Alexa Vega
Hannah: Mika Boorem
Gabby: Jane Lynch
Ren: Sam Huntington
Staci: Sara Paxton
Liz: Brie Larson
Farrah: Scout Taylor-Compton
Yancy: Kallie Flynn Childress
Steve: Sean Faris
Sherman: Steve Carell
Jay: Jeff Garlin
MPAA rating PG
Running time -- 90 minutes...
Yet another teen girl-targeted comedy -- albeit one that features neither Lindsay Lohan nor Hilary Duff -- Sleepover essentially sleepwalks its way through a strictly by-the-numbers premise.
Aside from a likable lead performance by former Spy Kid Alexa Vega, there isn't much to this MGM summer break item that's going after a demo already showing signs of being burned out on a glut of more of the same.
Vega is the nice but constantly overlooked Julie, who invites a group of her nice but equally unpopular girlfriends (Mika Boorem, Scout Taylor-Compton and Kallie Flynn Childress) over for an end-of-junior high sleepover at her place.
But they prove to have little use for their sleeping bags after they're challenged to an all-night scavenger hunt by the "popular girls" with the prize being a prime high school lunch table by the fountain. The losers get to sit with the nerds next to the Dumpster.
With her married mom (Jane Lynch) out clubbing (!) and her oblivious dad (Jeff Garlin) busy installing an under-the-sink water purifier, Julie is free to commence the nocturnal quest relatively unthwarted, and their adventure paves the way for more product placement than you can shake a Hot Dog on a stick at.
Joe Nussbaum, who attracted a great deal of attention several years ago with his short film, George Lucas in Love, exhibits little of that charm and inspiration while making his feature directorial debut here, working off of a nonsensical script by Elisa Bell that makes strained attempts at sounding witty and irreverent.
Even by conventional movie standards, the dialogue and situations fail to reflect a contemporary 15-year-old girl's reality, even one that's rooted in comedy. Speaking of reality, it's also just a bit troublesome that there isn't a single character of color to be found anywhere on the picture's Southern California landscape.
Production values are efficient if generic, with the overall look and sound of the film owing much to the bubblegum color scheme and grrrl power pop of MGM's Legally Blonde prototype.
Sleepover
MGM
Metro-Goldwyn-Mayer Pictures presents a Landscape Entertainment production in association with Weinstock Prods.
Credits:
Director: Joe Nussbaum
Producers: Charles Weinstock, Bob Cooper
Screenwriter: Elisa Bell
Executive producer: Jeremiah Samuels
Director of photography: James L. Carter
Production designer: Stephen McCabe
Editor: Craig P. Herring
Costume designer: Pamela Withers Chilton
Music supervisor: Elliot Lurie
Music: Deborah Lurie
Cast:
: Alexa Vega
Hannah: Mika Boorem
Gabby: Jane Lynch
Ren: Sam Huntington
Staci: Sara Paxton
Liz: Brie Larson
Farrah: Scout Taylor-Compton
Yancy: Kallie Flynn Childress
Steve: Sean Faris
Sherman: Steve Carell
Jay: Jeff Garlin
MPAA rating PG
Running time -- 90 minutes...
- 7/19/2004
- The Hollywood Reporter - Movie News
"Where the Money Is" has a cheerful, lighthearted personality that should win friends and influence moviegoers into spreading the word: Paul Newman's got a new caper movie, and it's a hoot.
Playing an aging bank robber in the Willie Sutton mode, Newman is not only in top acting form but exudes enough sexual charisma to put most of today's roster of movie heartthrobs to shame.
Where the money will have to go, though, is into marketing this small-scale film left over from the Gramercy Pictures days. If Universal and USA Films succeed in getting adults into theaters, then word-of-mouth should turn "Money" into a modest moneymaker.
Newman may be the best reason to see this comic caper but not the only one. There's stylish work by Linda Fiorentino and Dermot Mulroney as Newman's co-conspirators; a lively, witty screenplay by E. Max Frye and Topper Lilien & Carroll Cartwright; fast-paced yet subtle direction by Marek Kanievska; and sharp cinematography and production design.
As the story gets under way, it's clear that Newman's Henry Manning and Fiorentino's Carol Ann McKay are cut from the same cloth. He's a once-(in)famous bank robber, locked up nearly for the rest of his natural life, who figures he might as well "break out" of prison by feigning a stroke. She's an ex-prom queen who has grown weary of her stale life with husband Wayne (Mulroney), a high school sweetheart gone sour in the grind of a night-shift job.
When Henry arrives at the nursing home where Carol works, her instincts tell her he's faking his illness. Once she coaxes him out of his coma -- by pushing him into a lake -- she talks him into committing a robbery of their own. Almost as an afterthought, she includes her suddenly jealous hubby in the scheme.
The script, based on Frye's story, has the smarts to concentrate more on the characters than their caper. The mechanics of the heist, in which the trio take over an armored car's nighttime pickup schedule, are simple enough. This is certainly no high-tech crime such as those in "Entrapment", which were more baffling than intriguing.
The focus remains instead on the shifting dynamics among the triangle of characters, where Henry and Carol find that their views on life and larceny dovetail neatly, leaving Carol's soporific husband a definite odd man out.
The three actors attack their roles like hungry men at a banquet. Newman can do more with his eyes than most actors do with their entire bodies. One senses Henry's mental machinery ticking away at high speeds. Even in repose, there is no repose.
Fiorentino also lets the subtle turmoil of devious thoughts play across her face. Whether looking for ways to "arouse" the supposedly brain-damaged Henry or trying to plot the perfect crime, her methodical approach -- if that doesn't work, let's try this -- jives nicely with Henry's instinctual grasp of any situation.
Mulroney, on the other hand, can suggest blankness of reflection and ambition with deadpan hilarity. His varied looks of bewilderment make a perfect contrast to the personas of his cunning conspirators.
British director Kanievska, shooting in Montreal, skillfully evokes the atmosphere of small-town Americana. Designer Andre Chamberland and cinematographer Thomas Burstyn give this environment an unusually fanciful look, emphasizing saturated hues in the nursing home and vivid colors during the nighttime heist.
Despite the grit of its semi-rural setting, Kanievska never lets his movie escape its fantasy world. Even the old-age home is handled with much more humor than other Hollywood movies would ever permit.
"Where the Money Is" treats crime as its own life force and Newman's character as one of its most passionate practitioners.
WHERE THE MONEY IS
Universal/USA Films
Gramercy Pictures presents in association with Intermedia Films and Pacifica Film Distribution
a Scott Free/IMF production
Credits: Producers: Ridley Scott, Charles Weinstock, Chris Zarpas, Christopher Dorr; Director: Marek Kanievska; Screenwriters: E. Max Frye, Topper Lilien, Carroll Cartwright; Story by: E. Max Frye; Executive producers: Tony Scott, Guy East, Nigel Sinclair, Chris Sievernich; Director of photography: Thomas Burstyn; Production designer: Andre Chamberland; Music: Mark Isham; Co-producers: Beau E.L. Marks, Robert E. Norton; Costume designer: Francesca Chamberland; Editors: Sam Craven, Garth Graven, Dan Lebental. Cast: Henry: Paul Newman; Carol: Linda Fiorentino; Wayne: Dermot Mulroney; Mrs. Foster: Susan Barnes; Mrs. Tetlow: Anne Pitonaik; Karl: Bruce MacVittie. MPAA rating: PG-13. Color/stereo. Running time -- 89 minutes.
Playing an aging bank robber in the Willie Sutton mode, Newman is not only in top acting form but exudes enough sexual charisma to put most of today's roster of movie heartthrobs to shame.
Where the money will have to go, though, is into marketing this small-scale film left over from the Gramercy Pictures days. If Universal and USA Films succeed in getting adults into theaters, then word-of-mouth should turn "Money" into a modest moneymaker.
Newman may be the best reason to see this comic caper but not the only one. There's stylish work by Linda Fiorentino and Dermot Mulroney as Newman's co-conspirators; a lively, witty screenplay by E. Max Frye and Topper Lilien & Carroll Cartwright; fast-paced yet subtle direction by Marek Kanievska; and sharp cinematography and production design.
As the story gets under way, it's clear that Newman's Henry Manning and Fiorentino's Carol Ann McKay are cut from the same cloth. He's a once-(in)famous bank robber, locked up nearly for the rest of his natural life, who figures he might as well "break out" of prison by feigning a stroke. She's an ex-prom queen who has grown weary of her stale life with husband Wayne (Mulroney), a high school sweetheart gone sour in the grind of a night-shift job.
When Henry arrives at the nursing home where Carol works, her instincts tell her he's faking his illness. Once she coaxes him out of his coma -- by pushing him into a lake -- she talks him into committing a robbery of their own. Almost as an afterthought, she includes her suddenly jealous hubby in the scheme.
The script, based on Frye's story, has the smarts to concentrate more on the characters than their caper. The mechanics of the heist, in which the trio take over an armored car's nighttime pickup schedule, are simple enough. This is certainly no high-tech crime such as those in "Entrapment", which were more baffling than intriguing.
The focus remains instead on the shifting dynamics among the triangle of characters, where Henry and Carol find that their views on life and larceny dovetail neatly, leaving Carol's soporific husband a definite odd man out.
The three actors attack their roles like hungry men at a banquet. Newman can do more with his eyes than most actors do with their entire bodies. One senses Henry's mental machinery ticking away at high speeds. Even in repose, there is no repose.
Fiorentino also lets the subtle turmoil of devious thoughts play across her face. Whether looking for ways to "arouse" the supposedly brain-damaged Henry or trying to plot the perfect crime, her methodical approach -- if that doesn't work, let's try this -- jives nicely with Henry's instinctual grasp of any situation.
Mulroney, on the other hand, can suggest blankness of reflection and ambition with deadpan hilarity. His varied looks of bewilderment make a perfect contrast to the personas of his cunning conspirators.
British director Kanievska, shooting in Montreal, skillfully evokes the atmosphere of small-town Americana. Designer Andre Chamberland and cinematographer Thomas Burstyn give this environment an unusually fanciful look, emphasizing saturated hues in the nursing home and vivid colors during the nighttime heist.
Despite the grit of its semi-rural setting, Kanievska never lets his movie escape its fantasy world. Even the old-age home is handled with much more humor than other Hollywood movies would ever permit.
"Where the Money Is" treats crime as its own life force and Newman's character as one of its most passionate practitioners.
WHERE THE MONEY IS
Universal/USA Films
Gramercy Pictures presents in association with Intermedia Films and Pacifica Film Distribution
a Scott Free/IMF production
Credits: Producers: Ridley Scott, Charles Weinstock, Chris Zarpas, Christopher Dorr; Director: Marek Kanievska; Screenwriters: E. Max Frye, Topper Lilien, Carroll Cartwright; Story by: E. Max Frye; Executive producers: Tony Scott, Guy East, Nigel Sinclair, Chris Sievernich; Director of photography: Thomas Burstyn; Production designer: Andre Chamberland; Music: Mark Isham; Co-producers: Beau E.L. Marks, Robert E. Norton; Costume designer: Francesca Chamberland; Editors: Sam Craven, Garth Graven, Dan Lebental. Cast: Henry: Paul Newman; Carol: Linda Fiorentino; Wayne: Dermot Mulroney; Mrs. Foster: Susan Barnes; Mrs. Tetlow: Anne Pitonaik; Karl: Bruce MacVittie. MPAA rating: PG-13. Color/stereo. Running time -- 89 minutes.
- 4/11/2000
- The Hollywood Reporter - Movie News
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