Torben Ulrich, the father of Metallica drummer Lars Ulrich, has died at the age of 95.
Lars broke the sad news on Instagram on Wednesday (December 20th), writing the following:
“Torben Ulrich: 1928-2023. 95 years of adventures, unique experiences, curiosity, pushing boundaries, challenging the status quo, tennis, music, art, writing….and quite a bit of Danish contrarian attitude. Thank you endlessly! I love you dad”.
Metallica fans will recognize Torben from his memorable appearance in the band’s Some Kind of Monster documentary. In the film, the senior Ulrich was invited to the recording studio to hear an early version of the material that would become 2003’s St. Anger. When asked for his opinion after hearing a song snippet, Torben uttered his now-famous line: “I would delete that.”
Lars has described his father as both Metallica’s biggest fan and critic.
“I think he appreciates Metallica, especially when we’re daring and a little unorthodox,...
Lars broke the sad news on Instagram on Wednesday (December 20th), writing the following:
“Torben Ulrich: 1928-2023. 95 years of adventures, unique experiences, curiosity, pushing boundaries, challenging the status quo, tennis, music, art, writing….and quite a bit of Danish contrarian attitude. Thank you endlessly! I love you dad”.
Metallica fans will recognize Torben from his memorable appearance in the band’s Some Kind of Monster documentary. In the film, the senior Ulrich was invited to the recording studio to hear an early version of the material that would become 2003’s St. Anger. When asked for his opinion after hearing a song snippet, Torben uttered his now-famous line: “I would delete that.”
Lars has described his father as both Metallica’s biggest fan and critic.
“I think he appreciates Metallica, especially when we’re daring and a little unorthodox,...
- 12/21/2023
- by Jon Hadusek
- Consequence - Music
Torben Ulrich, Danish tennis pro, jazz writer and father of Metallica drummer Lars Ulrich, has died at the age of 95.
Lars shared news of his father’s death in a social media post Wednesday. “Torben Ulrich: 1928-2023 95 years of adventures, unique experiences, curiosity, pushing boundaries, challenging the status quo, tennis, music, art, writing….and quite a bit of Danish contrarian attitude,” he wrote. “Thank you endlessly! I love you dad.” The caption was accompanied by a series of photos of his father including a black and white portrait, a magazine...
Lars shared news of his father’s death in a social media post Wednesday. “Torben Ulrich: 1928-2023 95 years of adventures, unique experiences, curiosity, pushing boundaries, challenging the status quo, tennis, music, art, writing….and quite a bit of Danish contrarian attitude,” he wrote. “Thank you endlessly! I love you dad.” The caption was accompanied by a series of photos of his father including a black and white portrait, a magazine...
- 12/21/2023
- by Charisma Madarang
- Rollingstone.com
If you aren’t making any mistakes,
it’s a sure sign you’re playing it too safe.
John Maxwell
By the end of the 1980s, HBO’s nightmarish headlong collision with The Wall in 1984 was just that; a bad dream fading over time. Even during the tough days, the company had remained a money-maker, and although it was taking more effort and cash to bag subscribers, the service was growing again, HBO original programming was racking up awards and acclaim, and in subscriber homes, the channel was kicking broadcast network ass. During the 1990-91 television season, the service beat all three major networks during Saturday and Sunday prime time hours. The good times were back.
Which did not change the underlying, immutable fact, and the greatest lesson to come out of that horrifying 1984 flatline: that the domestic cable universe was finite. Sooner or later, HBO was bound to hit another wall.
it’s a sure sign you’re playing it too safe.
John Maxwell
By the end of the 1980s, HBO’s nightmarish headlong collision with The Wall in 1984 was just that; a bad dream fading over time. Even during the tough days, the company had remained a money-maker, and although it was taking more effort and cash to bag subscribers, the service was growing again, HBO original programming was racking up awards and acclaim, and in subscriber homes, the channel was kicking broadcast network ass. During the 1990-91 television season, the service beat all three major networks during Saturday and Sunday prime time hours. The good times were back.
Which did not change the underlying, immutable fact, and the greatest lesson to come out of that horrifying 1984 flatline: that the domestic cable universe was finite. Sooner or later, HBO was bound to hit another wall.
- 11/6/2013
- by Bill Mesce
- SoundOnSight
There's a siege mentality about Michael Bay's movies, as though viewers are the enemy holed up in a bunker and he's the guy ordering heavy-metal music around-the-clock to wear down our morale and force us to surrender.
Bay's true-crime caper "Pain & Gain" lacks the visual-effects mayhem and sci-fi cacophony of his "Transformers" blockbusters, yet the movie uses all the shock and awe and noise and bluster the director has in his utterly unsubtle arsenal.
Unlike Bay's usual action nonsense, there's a story, screenplay, characters and wry mix of suspense and pitiable comedy to be had in the tale of three Florida bodybuilders who blunder through kidnapping schemes like the Three Stooges on steroids.
All but the faintest flashes of humanity and pathos are flattened by the cinematic cyclone that is Michael Bay. He drowns "Pain & Gain" in gimmick and style which, rather than gussying things up, dresses them down...
Bay's true-crime caper "Pain & Gain" lacks the visual-effects mayhem and sci-fi cacophony of his "Transformers" blockbusters, yet the movie uses all the shock and awe and noise and bluster the director has in his utterly unsubtle arsenal.
Unlike Bay's usual action nonsense, there's a story, screenplay, characters and wry mix of suspense and pitiable comedy to be had in the tale of three Florida bodybuilders who blunder through kidnapping schemes like the Three Stooges on steroids.
All but the faintest flashes of humanity and pathos are flattened by the cinematic cyclone that is Michael Bay. He drowns "Pain & Gain" in gimmick and style which, rather than gussying things up, dresses them down...
- 4/24/2013
- by AP
- Huffington Post
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