Icelandic director Bendikt Erlingsson’s Of Horses And Men won the Golden Iris Award, the top prize at the 12th Brussels Film Festival.Scroll down for full list of winners
Of Horses And Men won €10,000 ($13,600) and beat out 11 other competitors at the festival, which ran from June 6-14.
The drama about the deep relationships between members of a small Icelandic community and their horses debuted in Iceland last August and has toured the festival circuit ever since, beginning with the San Sebastian Film Festival in September. It was released in the UK last weekend.
Other notable winners included Swedish director Anna Odell’s The Reunion, which won the White Iris Award for best first film, as well as €2,500 ($3,400).
Odell’s feature about her imagined high school reunion picked up two other prizes at the festival, the Fedex Cinephile Award and the Rtbf TV Prize of Best Film.
Another film that scooped multiple awards was Farewell To The...
Of Horses And Men won €10,000 ($13,600) and beat out 11 other competitors at the festival, which ran from June 6-14.
The drama about the deep relationships between members of a small Icelandic community and their horses debuted in Iceland last August and has toured the festival circuit ever since, beginning with the San Sebastian Film Festival in September. It was released in the UK last weekend.
Other notable winners included Swedish director Anna Odell’s The Reunion, which won the White Iris Award for best first film, as well as €2,500 ($3,400).
Odell’s feature about her imagined high school reunion picked up two other prizes at the festival, the Fedex Cinephile Award and the Rtbf TV Prize of Best Film.
Another film that scooped multiple awards was Farewell To The...
- 6/17/2014
- ScreenDaily
New films by Michael Tully, Denis Coté, Göran Hugo Olsson and Maximilian Leo are among the latest pickups by German sales agents Films Boutique and Media Luna.
Jean-Christophe Simon’s Berlin-based outfit Films Boutique has four world premieres at next week’s Berlin Film Festival:
Sudabeh Mortezai’s first feature Macondo after his acclaimed documentaries The Bazaar of Sexes and Children of the Prophet, in the Official Competition.
Brazilian Daniel Ribeiro’s coming of age comedy-drama The Way He Looks, in the Panorama.
Umut Dag’s stark drama Cracks In Concrete, in Panorama Special.
Canadian film-maker Denis Coté’s documentary Joy Of Man’s Desiring about the energies and rituals of the workplace, in the Berlinale’s Forum.
In addition, Films Boutique will have the market premiere of Michael Tully’s comedy Ping Pong Summer, starring Susan Sarandon, Amy Sedaris, Judah Friedlander and Lea Thompson, which premiered in Sundance and is screening at Rotterdam this week.
The...
Jean-Christophe Simon’s Berlin-based outfit Films Boutique has four world premieres at next week’s Berlin Film Festival:
Sudabeh Mortezai’s first feature Macondo after his acclaimed documentaries The Bazaar of Sexes and Children of the Prophet, in the Official Competition.
Brazilian Daniel Ribeiro’s coming of age comedy-drama The Way He Looks, in the Panorama.
Umut Dag’s stark drama Cracks In Concrete, in Panorama Special.
Canadian film-maker Denis Coté’s documentary Joy Of Man’s Desiring about the energies and rituals of the workplace, in the Berlinale’s Forum.
In addition, Films Boutique will have the market premiere of Michael Tully’s comedy Ping Pong Summer, starring Susan Sarandon, Amy Sedaris, Judah Friedlander and Lea Thompson, which premiered in Sundance and is screening at Rotterdam this week.
The...
- 1/29/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Above: Something Must Break
International Film Festival Rotterdam 2014
Tiger Awards Competition
Afscheid van de Maan/Farewell to the Moon by Dick Tuinder (Netherlands, 2014, world premiere)
Visual artist Dick Tuinder’s second feature revolves around 12-year-old Dutch and his family in the hot summer of 1972, when the Americans launch their last mission to the moon. Tuinder contrasts the tragicomic adventures of his protagonists with the lost illusions of that transitional year, in the aftermath of the Vietnam War and approaching oil crisis. Iffr showed many of Tuinder’s short films, as well as his first feature Winterland (2009).
Anatomy of a Paper Clip by Akira Ikeda (Japan, 2013, European premiere)
Akira Ikeda's crazy and funny second feature is a dark fairytale revolving around Kogure, a paperclip bender in a paperclip factory, a man without characteristics and a stoical loser. One day he finds a butterfly in his flat. She becomes his wife,...
International Film Festival Rotterdam 2014
Tiger Awards Competition
Afscheid van de Maan/Farewell to the Moon by Dick Tuinder (Netherlands, 2014, world premiere)
Visual artist Dick Tuinder’s second feature revolves around 12-year-old Dutch and his family in the hot summer of 1972, when the Americans launch their last mission to the moon. Tuinder contrasts the tragicomic adventures of his protagonists with the lost illusions of that transitional year, in the aftermath of the Vietnam War and approaching oil crisis. Iffr showed many of Tuinder’s short films, as well as his first feature Winterland (2009).
Anatomy of a Paper Clip by Akira Ikeda (Japan, 2013, European premiere)
Akira Ikeda's crazy and funny second feature is a dark fairytale revolving around Kogure, a paperclip bender in a paperclip factory, a man without characteristics and a stoical loser. One day he finds a butterfly in his flat. She becomes his wife,...
- 1/10/2014
- by Notebook
- MUBI
The International Film Festival Rotterdam has completed the lineup for its Hivos Tiger Awards Competition.
These 10 titles join the five previously announced. All 15 first or second features will compete for three equal Tiger awards worth €15,000 each.
Elia Suleiman will lead the jury, also comprised of of Nanouk Leopold, Edwin, Violeta Bava and Kiki Sugino.
The selections (listed in full below) including Dutch artist Dick Tuinder’s second feature after Winterland, a 1972-set Dutch family story entitled Farewell To The Moon; Syria-set debut feature Arwad by Samer Najari and Dominique Chila; Busan audience award winner Han Gong-ju by Lee Su-jin; producer Luis Minarro’s first fiction feature Falling Star, about the lonely king of Spain in 1870; and Mark Jackson’s Us production War Story starring Catherine Keener.
The titles confirmed today are:
Farewell To The Moon (Afscheid van de Maan)
Dick Tuinder (Netherlands, world premiere)
Arwad
Samer Najari and Dominique Chila (Canada)
Casa grande
Fellipe Barbosa (Brazil, world...
These 10 titles join the five previously announced. All 15 first or second features will compete for three equal Tiger awards worth €15,000 each.
Elia Suleiman will lead the jury, also comprised of of Nanouk Leopold, Edwin, Violeta Bava and Kiki Sugino.
The selections (listed in full below) including Dutch artist Dick Tuinder’s second feature after Winterland, a 1972-set Dutch family story entitled Farewell To The Moon; Syria-set debut feature Arwad by Samer Najari and Dominique Chila; Busan audience award winner Han Gong-ju by Lee Su-jin; producer Luis Minarro’s first fiction feature Falling Star, about the lonely king of Spain in 1870; and Mark Jackson’s Us production War Story starring Catherine Keener.
The titles confirmed today are:
Farewell To The Moon (Afscheid van de Maan)
Dick Tuinder (Netherlands, world premiere)
Arwad
Samer Najari and Dominique Chila (Canada)
Casa grande
Fellipe Barbosa (Brazil, world...
- 1/10/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
This week I present a selection, below, of more of my favorite posters from the International Film Festival Rotterdam where the walls of every theater and meeting place were crammed with posters and flyers. Though a couple of these may have appeared at earlier festivals, all were new to me. The one design that I loved that I could not find a better image of can be seen high on the wall above: the poster for Cameron Jamie’s 10-minute ode to furniture humping Massage the History (yes, even short films have posters at Rotterdam). Here are sixteen of my favorites:
Above, clockwise from top left: Bruno Safadi and Noa Bressane’s Brazilian counterculture doc Belair; Emmanuel Laurent’s nouvelle vague history lesson, Two in the Wave, whose poster features a photo of an astonishingly young Truffaut and Godard; Serge Bromberg’s doc on Henri-Georges Clouzot’s unfinished L’enfer,...
Above, clockwise from top left: Bruno Safadi and Noa Bressane’s Brazilian counterculture doc Belair; Emmanuel Laurent’s nouvelle vague history lesson, Two in the Wave, whose poster features a photo of an astonishingly young Truffaut and Godard; Serge Bromberg’s doc on Henri-Georges Clouzot’s unfinished L’enfer,...
- 2/12/2010
- MUBI
One of the great things about producing Bad Lit: The Journal of Underground Film is that it has introduced me to the work of underground filmmakers from all over the world that I would not have heard of otherwise. Sure, there are tons of fantastic, talented filmmakers in the U.S. whose work I love seeing and reviewing, but there’s something exciting — especially as someone who’s rarely ever traveled — about getting DVDs from foreign lands.
Also, I wrote on the site recently that I didn’t know what types of films could truly be called “innovative” these days. “Innovative” doesn’t automatically conjure up a stamp of quality, of course. Plus, this past year I’ve seen tons of films that have been uniquely creative and have pushed boundaries. Many of the films that ended up as runners-up to this year’s “Movie of the Year” have totally...
Also, I wrote on the site recently that I didn’t know what types of films could truly be called “innovative” these days. “Innovative” doesn’t automatically conjure up a stamp of quality, of course. Plus, this past year I’ve seen tons of films that have been uniquely creative and have pushed boundaries. Many of the films that ended up as runners-up to this year’s “Movie of the Year” have totally...
- 12/17/2009
- by Mike Everleth
- Underground Film Journal
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.