“Always: Sunset on Third Street” is based on the manga series “Sunset on Third Street,” written and illustrated by Ryohei Saigan, which follows the lives of various characters in post-war Japan. Upon release, “Always: Sunset on Third Street” would be a box-office hit, receive an overwhelmingly positive reception, and be picked as the Picture of the Year at the 2006 Japanese Academy Awards. The success of the movie would spawn two sequels.
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Set in 1958 Japan, during the post-war economic recovery, technology is evolving, with the rising advent of television and the building of the Tokyo Tower. The primary location is a lower-income neighborhood in the Yuhi district. Rural schoolgirl Mutsuko Hoshino arrives in the metropolitan city excited to work as an apprentice at Suzuki Auto. Yet, she's perplexed when she learns that her workplace is a rundown auto repair shop...
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Set in 1958 Japan, during the post-war economic recovery, technology is evolving, with the rising advent of television and the building of the Tokyo Tower. The primary location is a lower-income neighborhood in the Yuhi district. Rural schoolgirl Mutsuko Hoshino arrives in the metropolitan city excited to work as an apprentice at Suzuki Auto. Yet, she's perplexed when she learns that her workplace is a rundown auto repair shop...
- 11/4/2023
- by Sean Barry
- AsianMoviePulse
Hiroyuki Tanaka, better known under the pseudonym Sabu, has started his career as an actor, but in the 1990s became a director, which arguably proved to be a much more successful venture for him. Especially internationally, he has made quite a reputation for himself, creating a unique blend of comedy and drama with many philosophical, sometime even social comments.
Running and walking are one of the recurring motifs within his filmography, especially his early work. It is both a means to escape something, a yakuza henchman chasing a character or a postman trying his best to deliver the mail. But there are also the walkers among the protagonists in his work, attempting to find some kind of hidden meaning in chaos, it seems.
In this list, we will take a look at how Sabu employs running and walking in his features
1. Dangan Runner (1996)
Already his debut feature introduces the concept of running,...
Running and walking are one of the recurring motifs within his filmography, especially his early work. It is both a means to escape something, a yakuza henchman chasing a character or a postman trying his best to deliver the mail. But there are also the walkers among the protagonists in his work, attempting to find some kind of hidden meaning in chaos, it seems.
In this list, we will take a look at how Sabu employs running and walking in his features
1. Dangan Runner (1996)
Already his debut feature introduces the concept of running,...
- 9/28/2023
- by Rouven Linnarz
- AsianMoviePulse
The uneven Japanese animated fantasy “The Deer King” often resembles the sort of Studio Ghibli action-adventure that made animation figurehead Hayao Miyazaki internationally famous, especially “Princess Mononoke” and “Nausicaa of the Valley of the Wind.” “The Deer King” not only looks like those Studio Ghibli staples, but also follows a plot that recalls Ghibli-style high fantasies: two warring feudal kingdoms try either to capture or enlist Van, a resourceful ex-soldier who may or may not be immune to a devastating plague.
Comparisons between “The Deer King” and Studio Ghibli’s better known movies seem inevitable, especially given how many of this movie’s creators learned their trade as animators and animation directors at Studio Ghibli, particularly co-directors Masashi Ando and Masayuki Miyaji, and key animators Kenichi Konishi and Kenichi Yoshida. Thankfully, what works in so many Ghibli movies also mostly works in “The Deer King,” given the craft and consideration...
Comparisons between “The Deer King” and Studio Ghibli’s better known movies seem inevitable, especially given how many of this movie’s creators learned their trade as animators and animation directors at Studio Ghibli, particularly co-directors Masashi Ando and Masayuki Miyaji, and key animators Kenichi Konishi and Kenichi Yoshida. Thankfully, what works in so many Ghibli movies also mostly works in “The Deer King,” given the craft and consideration...
- 7/14/2022
- by Simon Abrams
- The Wrap
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