[on lawyer, Keegan Dean Joye, an unapologetic cad in 'Rake'] We need to get the audience comfortable with a guy who's this much of a screw-up and care about him. You can't push that too far, even though we have Greg Kinnear, who makes being a screw-up look charming and acceptable. There's a journey, a life progression with this character, which will get increasingly baroque as we go along. We want to tonally shift the story so that audiences will be surprised, to the point that they realize they're not getting the same thing every week.