- She was the lighting designer for the 1988 Broadway revival of Eugene O'Neill's "Long Day's Journey into Night", starring Jason Robards, Colleen Dewhurst, Jamey Sheridan and Campbell Scott.
- She designed the lighting for Robert Wilson's production of Richard Wagner's "Parsifal", at the Houston Grand Opera.
- She designed the lighting for Peter Sellars' production of Richard Wagner's "Tannhauser", at the Chicago Light Opera.
- She directed a production of William Shakespeare's "The Tempest", at the Guthrie Theatre in Chicago, Illinois.
- She designed the lighting for American Ballet Theatre's production of "In the Upper Room", with music by Philip Glass.
- Designed the lighting for Yale Repertory Theater's 2006 production of the play "dance of the holy ghosts: a play on memory".
- She designed the lighting for the 2006 New York production of Eugene O'Neill's "The Emperor Jones", a production which starred a woman, 'Kate Valk', in the title role, which is written for a man.
- She designed the lighting for American Ballet Theatre's "Push Comes to Shove", in 1976.
- She designed the lighting for the 1969 Broadway revival of 'Thornton Wilder''s "Our Town".
- (1977) She was the lighting designer for the play, "The Landscape of the Body", at the Academy Festival Theatre in Chicago, Illinois. Cast included Rex Robbins, Shirley Knight, Paul McCrane and Richard Bauer.
- (1979) She was the lighting designer for the play, "Two-Part Invention", at the Goodman Theatre in Chicago, Illinois. Cast included Jerome Kilty and Leonard Frey.
- (1981) She was the lighting designer for David Hare's play, "Plenty", at the Goodman Theatre in Chicago, Illinois.
- (1988) She was the lighting designer for John Guare's play, "Landscape of the Body", at the Goodman Theatre in Chicago, Illinois with Peggy Roeder in the cast. The crew included George Tsypin (scenic designer).
- (1990) She was the lighting designer for William Shakespeare's play, "The Winter's Tale", at the Goodman Theatre in Chicago, Illinois with Linda Emond in the cast. The crew included Virgil Johnson (costume designer) and Rob Milburn, Will Schwarz & Miriam Sturm for the original incidental music.
- (October 5 to November 30, 1980) She was lighting designer for John Gray and Eric Peterson's play, "Billy Bishop Goes to War," in a West Coast premiere at the Mark Taper Forum Theatre in Los Angeles, California with Eric Peterson in the cast. John Gray was also director.
- (November 15 to December 23, 1979) She was lighting designer for the musical, "Double Feature," in a world premiere at the Long Wharf Theatre in New Haven, Connecticut. Jeffrey Moss wrote the book, lyrics and music. Mike Nichols and Tommy Tune were directors. Tony Walton was set designer. D. Granata and M. Stuart were costume designers. Wally Harper was conductor.
- (2002-2003 season) She was lighting designer for Eugene O'Neill's play, "Mourning Becomes Electra," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Andrew Jackness was set designer. Paul Tazewell was costume designer. John Gromada was composer and sound designer. Gordon Edelstein was director.
- (2003-2004 season) She was lighting designer for William Shakespeare's play, "Hamlet," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Mladen Kiselov was director. Douglas Stein was set designer. Paul Tazewell and Michael McAleer were costume designers. John Gromada was composer and sound designer. Rick Sordelet was fight choreographer. Walton Wilson was voice work.
- (2004-2005 season) She was lighting designer for Eugene O'Neill's play, "A Moon for the Misbegotten," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Ming Cho Lee was set designer. Jennifer Von Mayrhauser was costume designer. Nick Borisjuk was sound designer.
- (March 28 to April 28, 2007) She was lighting designer for the musical, "The Blue Album," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. David Cale and Dael Orlandersmith were writers. Joe Mantello was adapter. Gordon Edelstein was director. David Cale was composer. Neil Patel was scenic designer. Anita Yavich was costume designer. John Gromada was sound designer and composer.
- (May 13 to June 7, 2009) She was lighting designer for Tennessee Williams' play, "The Glass Menagerie," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Gordon Edelstein was director. Michael Yeargan was set designer. Martin Pakledinaz was costume designer. David Budries was sound designer. Monica A. Cuoco was stage manager. Amy Patricia Stern was assistant stage manager. Tanya Dean was Dramaturg.
- (June 1981 to April 1982) She was lighting designer for William Shakespeare's play, "As You Like It," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with David Warrilow (Jaques); Patti LuPone and Val Kilmer in the cast. Liviu Ciulei was director. Santo Loquasto was set and costume designer. Theodor Grigoriu was composer.
- (1982 to 1983 season) She was lighting designer for Henrik Ibsen's play, "Peer Gynt," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Gerry Bamman, Josie De Guzman (Solveig) in the cast. Liviu Ciulei was director and artistic director. Marilyn Fried was Josie's coach. Rolf Fjelde was translator. Santo Loquasto was set and costume designer. Fiorenzo Carpi was composer.
- (October 1987) He was lighting designer for Henry Schmidt's translation of George Buchner's play, "Leonce and Lena (and Lenz)," was performed at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Joanne Akalatis was director. Mark Bly was Dramaturge. George Tsypin was set designer. Adelle Bonnie Lutz was costume designer. Terry Allen was composer.
- (1989 to 1990 season) She was lighting designer for Jean Genet's play, "The Screens," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Jesse Borego and Isabell Monk in the cast. Paul Schmidt was translator. JoAnne Akalitis was director. George Tsypin was set designer. Eiko Ishioka was costume designer. Philip Glass and Foday Musa Suso were composers.
- (1990-1991 season) She was lighting designer for Euripedes' play, "Medea," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota with Stephen Yoakam and Brenda Wehle in the cast. Garland Wright was director and artistic director. Douglas Stein was set designer. Susan Hilferty was costume designer. Marcus Wise was composer.
- (1991 to 1992 season) She directed William Shakespeare's play, "The Tempest," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. John Conklin was set and costume designer. Scott Zielinski was lighting designer.
- (1994 to 1995 season) She was lighting designer for Aphra Behn's play, "The Rover," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Joanne Akalitis was director. George Tsypin was set designer. Gabriel Berry was costume designer. Bruce Odland was composer.
- (1994 to 1995 season) She was lighting designer for William Shakespeare's play, "As You Like It," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Garland Wright was director and artistic director. Douglas Stein was set designer. Susan Hilferty was costume designer.
- (1995 to 1996 season) She was lighting designer for Max Frisch's play, "The Firebugs," at the Tyrone Guthrie Theater, 725 Vineland Place, Minneapolis, Minnesota. Michael Feingold was translator. David Gordon was director. Marina Draghici was set designer. Adelle Lutz was costume designer.
- (November 25, 1983) She was lighting designer for William Shakespeare's play, "Measure for Measure," in the Fall Festival, Philippe Genty Company and American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Andrei Belgrader was director. Douglas Stein was set designer. Kurt Wilhelm was costume designer. William Utley was music composer and director. Robert Brustein was artistic director.
- (May 12, 1983) She was lighting designer for Richard Brinsley Sheridan's play, 'The School for Scandal," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Alvin Epstein (Sir Peter Teazle); Tony Shalhoub (Joseph Surface) and Cherry Jones (Lady Teazle) in the cast. Jonathan Miller was director. Patrick Robertson was set designer. Rosemary Vercoe was costume designer. Robert Brustein was artistic director.
- (May 11, 1984) She was lighting designer for Luigi Pirandello's play, "Six Character in Search of an Author," in the Fall Festival, Philippe Genty Company and American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Lisa Hilboldt; Seth Goldstein; Linda Lavin; Nicole Shalhoub and Robert Stattel in the cast. Robert Brustein was adapter, artistic director and director. Michael H. Yeargan was set and costume designer.
- (October 2, 1984) She was lighting designer for Luigi Pirandello's play, "Six Characters in Search of an Author," in the Fall Festival production at the American Repertory Theatre in Cambridge, Massachusetts with Lisa Hilboldt; Seth Goldstein; Linda Lavin; Nicole Shalhoub and Robert Stattel in the cast Robert Brustein was adapter, artistic director and director. Michael H. Yeargan was set and costume designer.
- (November 23, 1984) She was lighting designer for Carlo Gozzi's play, "The King Stag," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Albert Bermel was English translator. Andrei Serban was director. Michael H. Yeargan was set designer. Julie Taymor was costume, mask and puppet designer. Elliot Goldenthal was original music composer. Robert Brustein was artistic director.
- (December 7, 1984) She was lighting designer for Samuel Beckett's play, "Endgame," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Ben Halley Jr. (Hamm) and John Bottoms (Clov) in the cast. JoAnne Akalitis was director. Douglas Stein was set designer. Kurt Wilhelm was costume designer. Philip Glass wrote the prelude and incidental music. Kurt Munkacsi was music producer. Robert Brustein was artistic director.
- (February 22, 1985) She and Robert Wilson were lighting designers for the plays, "The Civil WarS: A Tree is Measured When It Is Down," in the American premiere, American Repertory Theatre and Boston Institute of Contemporary Art production at the Loeb Stage in Cambridge, Massachusetts with Priscilla Smith (Snow Owl); Jeremy Geidt (King Lear); Frances Schrand (Earth Mother) and Diana D'Aquila (Abraham Lincoln) in the cast. Robert Wilson wrote "Act III: Scene E. " Robert Wilson and Heiner Muller wrote the "Act IV, Scene A and Epilogue." Christopher Martin and Daniel Woker wrote the English translation of "Act IV: Scene A and Epilogue." Robert Wilson and Tom Kamm were set designers. Yoshio Yabara was costume designer. Hans Peter Kuhn was compositions and sound designer. Ann-Christin Rommen was assistant director. The play won the Pulitzer Prize for Drama. Robert Brustein was artistic director.
- (January 11, 1985) She was lighting designer for Milan Kundera's play, "Jacques and His Master," in the American premiere and American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Michael Henry Heim was English translator. Susan Sontag was director. Douglas Stein was set designer. Jane Greenwood was costume designer. Elizabeth Swados was original music composer. Robert Brustein was artistic director.
- (September 12, 1985) She was lighting designer for Luigi Pirandello's play, "Six Characters in Search of an Author," in the Fall Festival production at the American Repertory Theatre in Cambridge, Massachusetts with Lisa Hilboldt; Seth Goldstein; Linda Lavin; Nicole Shalhoub and Robert Stattel in the cast. Robert Brustein was director, artistic director and new adapter. Michael H. Yeargan was set and costume designer.
- (September 6, 1985) She was lighting designer for Carlo Gozzi's play, "The King Stag," in the Fall Festival production at the American Repertory Theatre in Cambridge, Massachusetts. Albert Bermel was English version translator. Andrei Serban was director. Michael H. Yeargan was set designer. Julie Taymor was costume, mask and puppet designer. Elliot Goldenthal was original music composer. Robert Brustein was artistic director.
- (December 6, 1985) He was lighting designer for Philip Glass and Robert Moran's opera, "The Juniper Tree," in the world premiere American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Arthur Yorinks wrote the libretto. The Brothers Grimm wrote the original tale. Andrei Serban was director. Michael H. Yeargan was set and costume designer. Robert Brustein was artistic director.
- (March 7, 1986) He and Robert Wilson were lighting designers for Carl Weber's translation, "Description of a Picture," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Laurie Anderson was composer. Robert Wilson was developer, director and designer. Tom Kamm and Robert Wilson were set designers. John Conklin was costume designer. Suzushi Hanayagi was movement director. Hans Peter Kuhn was audio environment engineer. Ann-Christin Rommen was assistant director. Robert Brustein was artistic director.
- (March 7, 1986) She and Robert Wilson were lighting designers for Japanese Kyogen's play, "Epilogue," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Laurie Anderson was composer. Robert Wilson was developer, director and designer. Tom Kamm and Robert Wilson were set designers. John Conklin was costume designer. Suzushi Hanayagi was movement director. Hans Peter Kuhn was audio environment engineer. Ann-Christin Rommen was assistant director. Robert Brustein was artistic director.
- (March 7, 1986) She and Robert Wilson were lighting designers for Mark Oshima's translation, "The Birdcatcher in Hell," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Laurie Anderson was composer. Robert Wilson was developer, director and designer. Tom Kamm and Robert Wilson were set designers. John Conklin was costume designer. Suzushi Hanayagi was movement director. Hans Peter Kuhn was audio environment engineer. Ann-Christin Rommen was assistant director. Robert Brustein was artistic director.
- (March 7, 1986) She was lighting designer for Euripides' play, "Alcestis," was performed in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts with Rodney Scott Hudson (Death) and Paul Rudd (Admetus) in the cast. Robert Wilson was adapter. Dudley Fitts and Robert Fitzgerald were translators. Heiner Muller wrote additional text. Laurie Anderson was composer. Robert Wilson was developer, director, lighting designer and designer. Tom Kamm and Robert Wilson were set designers. John Conklin was costume designer. Suzushi Hanayagi was movement director. Hans Peter Kuhn was audio environment engineer. Ann-Christin Rommen was assistant director. Robert Brustein was artistic director.
- (January 15, 1986) She was lighting designer for Jean Genet's play, "The Balcony," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Jean Claude Van Itallie wrote the new translation. JoAnne Akalitis was director. George Tsypin was set designer. Kristi Zea was costume designer. Ruben Blades was composer. Johanna Boyce was choreographer. Peter Michael Sullivan was sound designer. Bobby Miller was wig and make up designer. Peter Confalone was assistant director. Robert Brustein was artistic director.
- (August 29, 1986) She was lighting designer for Carlo Gozzi's play, "The King Stag," in the Fall Festival production at the American Repertory Theatre in Cambridge, Massachusetts. Albert Bermel was English translator. Andrei Serban was director. Michael H. Yeargan was set designer. Julie Taymor was costume, mask and puppet designer. Elliot Goldenthal was original music composer. Robert Brustein was artistic director.
- (September 26, 1987) She was light gin designer for Luigi Pirandello's play, "Six Characters in Search of An Author," at the American Repertory Theatre in Cambridge, Massachusetts with Lisa Hilboldt; Seth Goldstein; Linda Lavin; Nicole Shalhoub and Robert Stattel in the cast. Robert Brustein and company were directors and adapters. Robert Brustein was head and artistic director. Michael H. Yeargan was set and costume designer.
- (October 24, 1973) She was lighting designer for the ballet, "As Time Goes By," in the Joffrey Ballet company production at the City Center in New York City. Franz Josef Haydn was composer. Twyla Tharp was choreographer. Chester Weinberg was costume designer. Harry Berg was choreographer's assistant. Seymour Lipkin was conductor.
- (March 1, 1973) She was lighting designer for the ballet, "Deuce Corpe," in the Joffrey Ballet company production at the City Center in New York City with Erika Goodman; Twyla Tharp and dancers from the Joffrey Ballet and Twyla Tharp Company in the cast. The Beach Boys were the composers. Twyla Tharp was choreographer. United Graffiti Artists were setting designers. Scott Barrie was costume designer.
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