Exclusive: Briarcliff Entertainment has acquired domestic rights to Valiant One, a military action thriller starring Chase Stokes (Outer Banks) and Lana Condor (To All the Boys franchise), slating it for release in theaters nationwide on January 24, 2025. Check out a first-look still above.
Marking the feature directorial debut of producer Steve Barnett, the film watches as a routine mission goes awry when a U.S. army helicopter crashes deep within North Korean territory. Now, a team of non-combat tech specialists, led by Captain Edward Brockman (Stokes), must navigate the hostile terrain and fend off North Korean forces as they desperately race to escort a civilian tech specialist across the treacherous Demilitarized Zone.
A Monarch Media production written by Barnett and Eric Tipton, with counsel from former members of the U.S. Military, CIA and Department of Defense, Valiant One also stars Desmin Borges (Only Murders in the Building) and Callan Mulvey...
Marking the feature directorial debut of producer Steve Barnett, the film watches as a routine mission goes awry when a U.S. army helicopter crashes deep within North Korean territory. Now, a team of non-combat tech specialists, led by Captain Edward Brockman (Stokes), must navigate the hostile terrain and fend off North Korean forces as they desperately race to escort a civilian tech specialist across the treacherous Demilitarized Zone.
A Monarch Media production written by Barnett and Eric Tipton, with counsel from former members of the U.S. Military, CIA and Department of Defense, Valiant One also stars Desmin Borges (Only Murders in the Building) and Callan Mulvey...
- 4/24/2024
- by Matt Grobar
- Deadline Film + TV
Writers Guild of America negotiating committee member John August has publicly disclosed his company’s investment in an artificial intelligence-powered writing tool and is facing some member blowback as the WGA is seeking to regulate the use of the technology in its current negotiations.
The Big Fish and Aladdin screenwriter (and co-host of the popular Scriptnotes podcast) on Friday posted a blog entry about his involvement with Sudowrite, an “AI writing partner” fueled by OpenAI’s Gpt-3 that purports to generate early drafts, perform revisions and offer synonyms and word suggestions for writers. In the post, August — who beyond his writing work helms the Quote-Unquote Apps company, which is behind the Weekend Read and Highland apps — says that he was first introduced to Sudowrite founder Amit Gupta in August 2021, when the company was focused on prose fiction. (As of Friday, the service was advertising to writers online that it would...
The Big Fish and Aladdin screenwriter (and co-host of the popular Scriptnotes podcast) on Friday posted a blog entry about his involvement with Sudowrite, an “AI writing partner” fueled by OpenAI’s Gpt-3 that purports to generate early drafts, perform revisions and offer synonyms and word suggestions for writers. In the post, August — who beyond his writing work helms the Quote-Unquote Apps company, which is behind the Weekend Read and Highland apps — says that he was first introduced to Sudowrite founder Amit Gupta in August 2021, when the company was focused on prose fiction. (As of Friday, the service was advertising to writers online that it would...
- 5/20/2023
- by Katie Kilkenny
- The Hollywood Reporter - Movie News
The WGA is gearing up for upcoming contract negotiations with the Alliance of Motion Picture & Television Producers, arguably its most important in over a decade.
This has prompted a group of top writers to look back at the lessons learned from the 2007-08 writers’ strike to see what can be applied to this year’s talks.
Related Story Historically, The WGA Is Overdue For A Strike, With Residuals Again A Key Issue Of Upcoming Talks Related Story WGA Urges Members To Disregard "Misleading" Rumors & Strike Predictions Related Story WGA Awards TV Nominations: 'Abbott Elementary,' 'Better Call Saul,' 'The Crown,' 'Severance', 'Yellowjackets' Among Shows Vying For Top Prizes
Angela Workman, writer of The Zookeeper’s Wife, Chap Taylor, consulting producer on The Blacklist, Holly Sorensen, creator of the Step Up TV series, Flint Wainess, consulting producer of The CW’s In The Dark,...
This has prompted a group of top writers to look back at the lessons learned from the 2007-08 writers’ strike to see what can be applied to this year’s talks.
Related Story Historically, The WGA Is Overdue For A Strike, With Residuals Again A Key Issue Of Upcoming Talks Related Story WGA Urges Members To Disregard "Misleading" Rumors & Strike Predictions Related Story WGA Awards TV Nominations: 'Abbott Elementary,' 'Better Call Saul,' 'The Crown,' 'Severance', 'Yellowjackets' Among Shows Vying For Top Prizes
Angela Workman, writer of The Zookeeper’s Wife, Chap Taylor, consulting producer on The Blacklist, Holly Sorensen, creator of the Step Up TV series, Flint Wainess, consulting producer of The CW’s In The Dark,...
- 1/18/2023
- by Peter White
- Deadline Film + TV
Exclusive: Jonathan Whitesell (Hold the Dark) and Daniel Jun (The Fall of the House of Usher) have boarded Monarch Media’s thriller Valiant One in supporting roles. The pair will star alongside the previously announced Chase Stokes, Lana Condor, Desmin Borges and Callan Mulvey.
The film currently in production in Vancouver watches as a U.S. helicopter crashes on the North Korean side of the Dmz. With tensions between the North and South already on the verge of war, the surviving U.S. Army non-combat tech soldiers must work together to protect a civilian tech-specialist and find their way across the Dmz, without the possibility of U.S. military support.
Whitesell will play Private First-Class Jonah Ross, an adrenaline junkie who grew up on video games, now faced with his first contact with the enemy. Jun is set for the role of Wilson Lee, a Korean American Infantry Specialist raised in California.
The film currently in production in Vancouver watches as a U.S. helicopter crashes on the North Korean side of the Dmz. With tensions between the North and South already on the verge of war, the surviving U.S. Army non-combat tech soldiers must work together to protect a civilian tech-specialist and find their way across the Dmz, without the possibility of U.S. military support.
Whitesell will play Private First-Class Jonah Ross, an adrenaline junkie who grew up on video games, now faced with his first contact with the enemy. Jun is set for the role of Wilson Lee, a Korean American Infantry Specialist raised in California.
- 10/31/2022
- by Matt Grobar
- Deadline Film + TV
Exclusive: Lana Condor (To All the Boys films), Desmin Borges (The Time Traveler’s Wife) and Callan Mulvey (The Gray Man) have signed on to star alongside Chase Stokes in Monarch Media’s thriller Valiant One, which goes into production in Vancouver this month.
The first feature directed by Monarch’s Steve Barnett watches as a U.S. helicopter crashes on the North Korean side of the Dmz. With tensions between the North and South already on the verge of war, the surviving U.S. Army non-combat tech soldiers must work together to protect a civilian tech specialist and find their way across the Dmz, without the possibility of U.S. military support.
Condor will play Selby, a hard-as-nails and highly capable but very inexperienced Medic Specialist who joined the U.S. military after becoming a citizen to give back to her new homeland. Borges is set for the role of Josh Weaver,...
The first feature directed by Monarch’s Steve Barnett watches as a U.S. helicopter crashes on the North Korean side of the Dmz. With tensions between the North and South already on the verge of war, the surviving U.S. Army non-combat tech soldiers must work together to protect a civilian tech specialist and find their way across the Dmz, without the possibility of U.S. military support.
Condor will play Selby, a hard-as-nails and highly capable but very inexperienced Medic Specialist who joined the U.S. military after becoming a citizen to give back to her new homeland. Borges is set for the role of Josh Weaver,...
- 9/19/2022
- by Matt Grobar
- Deadline Film + TV
Exclusive: Chase Stokes (Outer Banks) is set to star in the Steve Barnett-directed thriller Valiant One from Monarch Media, which heads into production in Vancouver in September.
The film tells the story of a U.S. helicopter crashing on the North Korean side of the Korean Demilitarized Zone. With tensions between the North and South already on the verge of war, the surviving U.S. Army non-combat tech soldiers must work together to protect a civilian tech-specialist and find their way across the Dmz, without the possibility of U.S. military support.
Eric Tipton penned the script for Valient One, from an original idea by Barnett. Bernie Goldmann and Monarch principals Barnett and Alan Powell will produce, with Monarch principal Vicky L. Patel serving as exec producer.
“We are incredibly excited to have Chase Stokes on board ‘Valiant One,’ and can’t wait to share this incredible story of survival...
The film tells the story of a U.S. helicopter crashing on the North Korean side of the Korean Demilitarized Zone. With tensions between the North and South already on the verge of war, the surviving U.S. Army non-combat tech soldiers must work together to protect a civilian tech-specialist and find their way across the Dmz, without the possibility of U.S. military support.
Eric Tipton penned the script for Valient One, from an original idea by Barnett. Bernie Goldmann and Monarch principals Barnett and Alan Powell will produce, with Monarch principal Vicky L. Patel serving as exec producer.
“We are incredibly excited to have Chase Stokes on board ‘Valiant One,’ and can’t wait to share this incredible story of survival...
- 8/3/2022
- by Matt Grobar
- Deadline Film + TV
Exclusive: South Korean filmmaker Byung-gil Jung, who wowed audiences at Cannes 2017 with his femme-led action feature The Villainess, has come aboard to direct the action thriller Havoc, written by Eric Tipton, based on an original idea by Steve Barnett and Daniel Myrick.
Inspired by actual events, Havoc tells the story of a U.S. helicopter crashing on the North Korean side of the Dmz. With tensions between the North and South already on the verge of war, the surviving U.S. Army Reservists must work together to protect a civilian tech-specialist and find their way across the Dmz, without the possibility of U.S. military support. Both Jung and Kim served in the South Korean military, performing several missions with U.S. soldiers, and plan to bring their experiences to Havoc.
Producers include Bernie Goldmann, Monarch principals Barnett and Alan Powell, and Lewis Kim. Monarch principal Vicky L. Patel will executive produce.
Inspired by actual events, Havoc tells the story of a U.S. helicopter crashing on the North Korean side of the Dmz. With tensions between the North and South already on the verge of war, the surviving U.S. Army Reservists must work together to protect a civilian tech-specialist and find their way across the Dmz, without the possibility of U.S. military support. Both Jung and Kim served in the South Korean military, performing several missions with U.S. soldiers, and plan to bring their experiences to Havoc.
Producers include Bernie Goldmann, Monarch principals Barnett and Alan Powell, and Lewis Kim. Monarch principal Vicky L. Patel will executive produce.
- 10/5/2020
- by Anthony D'Alessandro
- Deadline Film + TV
This is the first of a daily report on the various international sales agents who will converge at the Loews Hotel in Santa Monica for 10 days beginning November 4 at the American Film Market.
The film and television production company Electric Entertainment, owned by producer/ writer and previously an actor, Dean Devlin, has recently launched an international theatrical film and television sales and acquisitions division. Devlin has appointed industry veteran Sonia Mehandjiyska to run the new division, which will represent Electric’s original productions as well as third-party product from A-list filmmakers and seasoned television producers from around the globe.
Dean Devlin's Electric Entertainment has recently acquired two new projects, Critical Hour and No Good Deed as director vehicles for Devlin and Electric's Marc Roskin respectively. Eric Tipton wrote Critical Hour, and Brandon Boyce ( Apt Pupil, Wicker Park) penned No Good Deed. Devlin, Roskin and Electric’s Rachel Olschan are producing both projects.
Dean and I spoke together about his plans and his incredible trailblazing in the international film business.
How was Toronto?
Toronto was interesting as the place to begin international sales again. It's been a while since I started Voltage with Nicholas Chartier.
What decided you to return to international sales?
Since 2004, we have been independent and we have about 100 hours of entertainment. We have studios in Portland, a state-of-the-art post-production facility here in L.A. We think we can leverage all these assets to bring down costs, not only for ourselves but for others. We want to capitalize on what such a workflow can bring to the marketplace.
What size films are you looking to make and represent internationally?
$25 million and under to start. We want to build on our brand identity. We want to continue with the genres we have been doing.
I notice that you began as an actor in 1980 as the boy in The Bodyguard, and then you wrote 1992 you wrote Universal Soldier. Then you wrote and produced Stargate and Independence Day. Are you still writing?
Yes, in fact I wrote and am now producing Geostorm with Skydance Pictures' David Ellison and Dana Goldberg and Paramount.
(Author’s note: I just realized, as I write this, that Geostorm will actually be Dean’s directorial debut!)
Will Paramount release U.S. And Electric Entertainment take foreign?
No, actually Paramount will take worldwide rights to this film as it is larger than those we will take on initially.
I notice you also are working in television. Which do you prefer, TV or theatrical?
When I started, TV was very formulaic. Now movies are more expensive and predictable and TV has exploded. With all the channels, it has become more creative. I love TV as much as I love film.
You have also produced documentaries – well you exec produced Who Killed the Electric Car? and other docs (Spine Tingler! The William Castle Story and Bellflower , Becoming Santa and Go Far: The Christopher Rush Story) give you thanks. Will you continue with docs?
We all know about passion projects. I don't have plans for docs, but there are some which I feel passionate about and so I get involved with them.
Any plans for U.S. Distribution?
No plan yet. But it's interesting to see all the forms of releasing, like iTunes releasing before theatrical on certain types of films. Perhaps in the distant future we will get into U.S. Distribution, but not yet.
You showing such intelligence in your planning and executing. It's a pleasure to see you at work.
Thank you. I think that to have any creative freedom requires risk taking. People are quick to criticize the studio system but we know they are taking risks every day and I think we need to share the risk which is what I am doing.
Well you are really keeping up with the times and the changes and I wish you great success. And thank you for taking the time to talk with me about Electric.
Industry vet Sonia Mehandjiyska serves as Head of International Distribution
Mehandjiyska introduced Electric’s slate to buyers at the Toronto International Film Festival and is proceeding on sales at the American Film Market. She was previously Head of Sales at Global Screen, a Bavaria-Telepool joint venture in Munich, Germany, where she negotiated license agreements on theatrical films, TV Series and M.O.W.’s for one of Europe’s biggest libraries.
Since 2003, Mehandjiyska has served in a variety of international distribution positions with Gibraltar Entertainment, Lightning Entertainment and Echo Bridge, where she served as Vice President of International Sales in their London office.
Devlin commented, “Sonia’s business acumen, professionalism, and taste for material represents exactly what I am looking for in the person we want to head our new division. We welcome her to the Electric family, and look forward to working with her as we present our product to the global marketplace.”
“I am thrilled to be working with Dean as he builds Electric into a full-service independent production and distribution company. His reputation and astonishing body of work is indisputable, and an inspiration as I move half-way across the globe to join the company,” said Mehandjiyska.
The first project for the new division is The Wannabe, a film written and to be directed by Nick Sandow, starring Patricia Arquette ( Stigmata, True Romance, “Boardwalk Empire”), Vincent Piazza ( Jersey Boys, “Boardwalk Empire”), and Michael Imperioli (“Oldboy,” “The Sopranos”). Martin Scorsese will Executive Produce the project. Electric Entertainment is fully financing the film and Executive Producing along with Traction Media (Short Term 12). Lizzie Nastro (Bluebird) and Michael Gasparro are producing. Set in New York City during the early 1990s, the film centers on Thomas (Piazza), a man obsessed with mob culture who attempts to fix the jury in the trial of John Gotti. But as the plot is foiled and he’s rejected by the ones he idolizes most, he sets off with Rose (Arquette), a neighborhood fixture, on a ride worthy of mob lore.
Electric recently wrapped its fifth and final season of TNT’s action-packed drama “Leverage,” which starred Academy Award® Winner Timothy Hutton and was Executive Produced by Dean Devlin, John Rogers, Chris Downey and Marc Roskin. “Leverage” won the 2013 People’s Choice Award for Favorite Cable TV Drama.
Electric’s other television credits include TNT’s "The Librarian" starring Noah Wyle, which was the highest rated movie on cable that year (2004), its sequel, “The Librarian: Return to King Solomon’s Mines” and the third installment of the franchise, “The Librarian: Curse of the Judas Chalice.” Along with Bryan Singer’s Bad Hat Harry production company, Electric produced SyFy Channel’s “The Triangle,” which won an Emmy for its Visual Effects, and was the highest-rated miniseries on the cable channel since “Steven Spielberg Presents Taken” (2002).
Devlin is currently in pre-production on his feature directorial debut, Geostorm, which he is producing with Skydance Pictures’ David Ellison and Dana Goldberg and his Electric Entertainment team of Marc Roskin and Rachel Olschan. Paramount retains worldwide rights to the film.
The film and television production company Electric Entertainment, owned by producer/ writer and previously an actor, Dean Devlin, has recently launched an international theatrical film and television sales and acquisitions division. Devlin has appointed industry veteran Sonia Mehandjiyska to run the new division, which will represent Electric’s original productions as well as third-party product from A-list filmmakers and seasoned television producers from around the globe.
Dean Devlin's Electric Entertainment has recently acquired two new projects, Critical Hour and No Good Deed as director vehicles for Devlin and Electric's Marc Roskin respectively. Eric Tipton wrote Critical Hour, and Brandon Boyce ( Apt Pupil, Wicker Park) penned No Good Deed. Devlin, Roskin and Electric’s Rachel Olschan are producing both projects.
Dean and I spoke together about his plans and his incredible trailblazing in the international film business.
How was Toronto?
Toronto was interesting as the place to begin international sales again. It's been a while since I started Voltage with Nicholas Chartier.
What decided you to return to international sales?
Since 2004, we have been independent and we have about 100 hours of entertainment. We have studios in Portland, a state-of-the-art post-production facility here in L.A. We think we can leverage all these assets to bring down costs, not only for ourselves but for others. We want to capitalize on what such a workflow can bring to the marketplace.
What size films are you looking to make and represent internationally?
$25 million and under to start. We want to build on our brand identity. We want to continue with the genres we have been doing.
I notice that you began as an actor in 1980 as the boy in The Bodyguard, and then you wrote 1992 you wrote Universal Soldier. Then you wrote and produced Stargate and Independence Day. Are you still writing?
Yes, in fact I wrote and am now producing Geostorm with Skydance Pictures' David Ellison and Dana Goldberg and Paramount.
(Author’s note: I just realized, as I write this, that Geostorm will actually be Dean’s directorial debut!)
Will Paramount release U.S. And Electric Entertainment take foreign?
No, actually Paramount will take worldwide rights to this film as it is larger than those we will take on initially.
I notice you also are working in television. Which do you prefer, TV or theatrical?
When I started, TV was very formulaic. Now movies are more expensive and predictable and TV has exploded. With all the channels, it has become more creative. I love TV as much as I love film.
You have also produced documentaries – well you exec produced Who Killed the Electric Car? and other docs (Spine Tingler! The William Castle Story and Bellflower , Becoming Santa and Go Far: The Christopher Rush Story) give you thanks. Will you continue with docs?
We all know about passion projects. I don't have plans for docs, but there are some which I feel passionate about and so I get involved with them.
Any plans for U.S. Distribution?
No plan yet. But it's interesting to see all the forms of releasing, like iTunes releasing before theatrical on certain types of films. Perhaps in the distant future we will get into U.S. Distribution, but not yet.
You showing such intelligence in your planning and executing. It's a pleasure to see you at work.
Thank you. I think that to have any creative freedom requires risk taking. People are quick to criticize the studio system but we know they are taking risks every day and I think we need to share the risk which is what I am doing.
Well you are really keeping up with the times and the changes and I wish you great success. And thank you for taking the time to talk with me about Electric.
Industry vet Sonia Mehandjiyska serves as Head of International Distribution
Mehandjiyska introduced Electric’s slate to buyers at the Toronto International Film Festival and is proceeding on sales at the American Film Market. She was previously Head of Sales at Global Screen, a Bavaria-Telepool joint venture in Munich, Germany, where she negotiated license agreements on theatrical films, TV Series and M.O.W.’s for one of Europe’s biggest libraries.
Since 2003, Mehandjiyska has served in a variety of international distribution positions with Gibraltar Entertainment, Lightning Entertainment and Echo Bridge, where she served as Vice President of International Sales in their London office.
Devlin commented, “Sonia’s business acumen, professionalism, and taste for material represents exactly what I am looking for in the person we want to head our new division. We welcome her to the Electric family, and look forward to working with her as we present our product to the global marketplace.”
“I am thrilled to be working with Dean as he builds Electric into a full-service independent production and distribution company. His reputation and astonishing body of work is indisputable, and an inspiration as I move half-way across the globe to join the company,” said Mehandjiyska.
The first project for the new division is The Wannabe, a film written and to be directed by Nick Sandow, starring Patricia Arquette ( Stigmata, True Romance, “Boardwalk Empire”), Vincent Piazza ( Jersey Boys, “Boardwalk Empire”), and Michael Imperioli (“Oldboy,” “The Sopranos”). Martin Scorsese will Executive Produce the project. Electric Entertainment is fully financing the film and Executive Producing along with Traction Media (Short Term 12). Lizzie Nastro (Bluebird) and Michael Gasparro are producing. Set in New York City during the early 1990s, the film centers on Thomas (Piazza), a man obsessed with mob culture who attempts to fix the jury in the trial of John Gotti. But as the plot is foiled and he’s rejected by the ones he idolizes most, he sets off with Rose (Arquette), a neighborhood fixture, on a ride worthy of mob lore.
Electric recently wrapped its fifth and final season of TNT’s action-packed drama “Leverage,” which starred Academy Award® Winner Timothy Hutton and was Executive Produced by Dean Devlin, John Rogers, Chris Downey and Marc Roskin. “Leverage” won the 2013 People’s Choice Award for Favorite Cable TV Drama.
Electric’s other television credits include TNT’s "The Librarian" starring Noah Wyle, which was the highest rated movie on cable that year (2004), its sequel, “The Librarian: Return to King Solomon’s Mines” and the third installment of the franchise, “The Librarian: Curse of the Judas Chalice.” Along with Bryan Singer’s Bad Hat Harry production company, Electric produced SyFy Channel’s “The Triangle,” which won an Emmy for its Visual Effects, and was the highest-rated miniseries on the cable channel since “Steven Spielberg Presents Taken” (2002).
Devlin is currently in pre-production on his feature directorial debut, Geostorm, which he is producing with Skydance Pictures’ David Ellison and Dana Goldberg and his Electric Entertainment team of Marc Roskin and Rachel Olschan. Paramount retains worldwide rights to the film.
- 11/4/2013
- by Sydney Levine
- Sydney's Buzz
Dean Devlin is set to direct the action chase thriller "Critical Hour" for his Electric Entertainment label.
Eric Tipton penned the script about a wounded hitman/whistleblower and two paramedics on the run from a cartel.
Electric Entertainment has also picked up Brandon Boyce's thriller script "No Good Deed".
The story revolves around a pair of young valets who moonlight as burglars. During one house break-in, they come upon a woman being held captive.
Devlin, Marc Roskin and Rachel Olschan are producing both projects.
Source: Deadline...
Eric Tipton penned the script about a wounded hitman/whistleblower and two paramedics on the run from a cartel.
Electric Entertainment has also picked up Brandon Boyce's thriller script "No Good Deed".
The story revolves around a pair of young valets who moonlight as burglars. During one house break-in, they come upon a woman being held captive.
Devlin, Marc Roskin and Rachel Olschan are producing both projects.
Source: Deadline...
- 9/18/2013
- by Garth Franklin
- Dark Horizons
This week on The Voice, the coaches prepared to round out their teams of twelve in preparation for the big battle to come. Artists made decisions that they had not initially intended to make when joining teams and coaches made decisions that were very similar to their choices in season one… all while raising the bar. It came down to the wire and the coaches were passing on some fierce talent if they weren’t completely blown away or willing to help craft an artist in time for the big win. This week’s talent may have in fact shown us some of the best this season.
Ducky opened up the fourth part of the blind auditions with “Tighten Up” and it’s times like these the “blind” part of the auditions came in handy. Blake Shelton may have appreciated his look but it’s not a magic show and...
Ducky opened up the fourth part of the blind auditions with “Tighten Up” and it’s times like these the “blind” part of the auditions came in handy. Blake Shelton may have appreciated his look but it’s not a magic show and...
- 2/21/2012
- by Melody Simpson
- BuzzFocus.com
Plus, Blake Shelton tries to repeat his season one strategy by adding two unique female vocalists.
By John Mitchell
Jonathas performs on 'The Voice'
Photo: NBC
"The Voice" judges Christina Aguilera, Blake Shelton, Adam Levine and Cee Lo Green proved as picky and discerning as ever on Monday night's fourth round of blind auditions. Several strong performers were turned away as the judges continued to carefully select the contestants they hope will go all the way to the finals — and in turn, win bragging rights for the last judge standing. And Cee Lo continued to inexplicably stroke a white cat during his to-the-camera interviews. "The Voice" is so weird and wonderful ... now, on to the show.
Team Christina
Aguilera got off to a strong start, scoring the night's first two contestants (well, the first two who got picked at all, that is). First up was Jonathas, a 23-year-old...
By John Mitchell
Jonathas performs on 'The Voice'
Photo: NBC
"The Voice" judges Christina Aguilera, Blake Shelton, Adam Levine and Cee Lo Green proved as picky and discerning as ever on Monday night's fourth round of blind auditions. Several strong performers were turned away as the judges continued to carefully select the contestants they hope will go all the way to the finals — and in turn, win bragging rights for the last judge standing. And Cee Lo continued to inexplicably stroke a white cat during his to-the-camera interviews. "The Voice" is so weird and wonderful ... now, on to the show.
Team Christina
Aguilera got off to a strong start, scoring the night's first two contestants (well, the first two who got picked at all, that is). First up was Jonathas, a 23-year-old...
- 2/21/2012
- MTV Music News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.