| Academy Awards, USA | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 1982 | Won | Technical Achievement Award |
For the concept and specifications for a Two Format, Rotating Head, Aerial Image Optical Printer. |
| Academy of Science Fiction, Fantasy & Horror Films, USA | |||
| Year | Result | Award | Category/Recipient(s) |
| 1992 | Nominated | Saturn Award |
Best Special Effects for: Frankenstein Unbound (1990) Shared with: Syd Dutton Gene Warren Jr. |
| 1976 | Won | Golden Scroll |
Best Special Effects for: Dark Star (1974) Shared with: Douglas Knapp John Carpenter Dan O'Bannon |
| Emmy Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1991 | Nominated | Emmy |
Outstanding Achievement in Special Visual Effects for: "Star Trek: The Next Generation" (1987) Shared with: Gary Hutzel (visual effects coordinator) Robert Legato (visual effects supervisor) David Takemura (visual effects associate) Michael Okuda (graphics designer) Don Greenberg (visual effects editor) Erik Nash (motion control camreaperson) Steve Price (visual effects animation designer) Syd Dutton (matte artist) Robert Stromberg (matte artist) Don Lee (blue screen compositing) For episode "The Best Of Both Worlds", part I. |
Outstanding Achievement in Special Visual Effects for: "Star Trek: The Next Generation" (1987) Shared with: Robert Legato (visual effects supervisor) Gary Hutzel (visual effects coordinator) David Takemura (visual effects associate) Patrick Clancey (visual effects editor) Steve Price (visual effects animation designer) Michael Okuda (visual effects graphics designer) Erik Nash (motion control cameraman) Syd Dutton (matte artist) Don Lee (blue screen compositing) For episode "The Best Of Both Worlds", part II. |
| 1985 | Won | Emmy |
Outstanding Special Visual Effects for: "A.D." (1985) Shared with: Albert Whitlock (visual effects supervisor/matte artist) Syd Dutton (matte artist) Mark Whitlock (assistant matte artist) Dennis Glouner (matte photography) Lynn Ledgerwood (special rigging) |