In the thriller series “Euer Ehren,” a German-Austrian adaptation of the Israeli series “Your Honor” (“Kvodo”), Sebastian Koch plays Michael Jacobi, a judge caught up in his own web of deception as he struggles to protect his son. The project was brought to Koch by Al Munteanu, producer and founder of SquareOne Entertainment, and the pair worked together to bring the project to screen.
Munteanu and Koch have proved a convincing combo, winning the interest of producer Christoph Pellander at Ard Degeto. “‘Euer Ehren’ is thrilling entertainment at its best,” said Pellander. “The script producer Al Munteanu and leading actor Sebastian Koch have electrified us from the first moment; hence we absolutely wanted to produce the thriller series collectively. In our version, co-produced with Orf and produced by SquareOne Productions and Mona Film, we shifted the story to Austria to bring it closer to our viewers’ environment and thereby managed to produce something truly unique.
Munteanu and Koch have proved a convincing combo, winning the interest of producer Christoph Pellander at Ard Degeto. “‘Euer Ehren’ is thrilling entertainment at its best,” said Pellander. “The script producer Al Munteanu and leading actor Sebastian Koch have electrified us from the first moment; hence we absolutely wanted to produce the thriller series collectively. In our version, co-produced with Orf and produced by SquareOne Productions and Mona Film, we shifted the story to Austria to bring it closer to our viewers’ environment and thereby managed to produce something truly unique.
- 9/15/2022
- by JD Linville
- Variety Film + TV
Jenny Slate, one of last year's biggest breakthroughs, started 2014 on a career high and still hasn't come down. Obvious Child was so buzzy at the 2014 festival that you can be reasonably sure that comedies from the forthcoming 2015 festival will see themselves held up in comparison 'what's this year's Obvious Child?' After a successful limited release, Jenny Slate found herself on red carpets and snow she's up for a Critics Choice Award a week from today.
Best Actress in a Comedy, Critics Choice Movie Awards
Rose Byrne – Neighbors
Rosario Dawson – Top Five
Melissa McCarthy – St. Vincent
Jenny Slate – Obvious Child
Kristen Wiig – The Skeleton Twins
Whether or not she wins it, it seems likely that she'll enjoy herself. Perhaps it was her character Donna Stern's abrasive caustic humor that led me to picture someone either darkly funny or like the stereotype of the sad clown but instead the new...
Best Actress in a Comedy, Critics Choice Movie Awards
Rose Byrne – Neighbors
Rosario Dawson – Top Five
Melissa McCarthy – St. Vincent
Jenny Slate – Obvious Child
Kristen Wiig – The Skeleton Twins
Whether or not she wins it, it seems likely that she'll enjoy herself. Perhaps it was her character Donna Stern's abrasive caustic humor that led me to picture someone either darkly funny or like the stereotype of the sad clown but instead the new...
- 1/9/2015
- by NATHANIEL R
- FilmExperience
Yes, that’s a six and a zero. It’s not a typo. While excessive might be the first adjective that comes to mind when looking at a year-end list with 60 films, it was the only way that I was able to highlight all the great works that I was able to watch this year. Even with such an extensive best-of countdown I was forced to leave at least another dozen great films. In 2014 I watched around 300 theatrically released films, and about 130 more between unreleased films from the festival circuit, the Oscar Foreign Language Submissions, and new films I watched as a screener for a couple festivals. Taking all these into consideration, a Top 60 list did not seem like an outrageous feat.
There were many other films that I did in fact watch but didn’t make the list, such as “Wild,” “Interstellar,” “The Imitation Game,” “Unbroken,” “The Theory of Everything,” “Big Hero 6,” “Big Eyes,” "A Most Violent Year" and “Into the Woods.” Although none of these ended up among my favorites, many of them served as vehicles for the cast to deliver outstanding performances or showcased great cinematography and VFX. I mention this to clarify that their omission was a conscious decision.
Evidently, there were several acclaimed films I did not manage to watch, which could have made a difference. These include films like "Love is Strange," “Maps to the Stars,” “Stray Dogs,” “Top Five,” and “Rosewater.”
The films on this list include films that had a regular release in 2014, films that some consider to be 2013 films but which got a full release in 2014, and films that had a one-week qualifying run in 2014 but which will officially open in 2015. Other amazing films that I saw at festivals, but which did not have a theatrical release of any form this year will be included in next year’s list. Examples of these include “The Tribe,” “Timbuktu,” “The Voices” “Gueros,” “Viktoria,” and “Kumiko, the Treasure Hunter.”
Like with all lists, this is a very personal selection of films that connected with me on different levels. Some choices might be strange, others expected, but all of them speak to what I find interesting or great about cinema. I hope that with this list you can find titles you haven’t hear of or others you might have forgotten about. It has been such a terrific year for films. Here is hoping for 2015 to be even more inspiring.
Feel free to share with us what your favorite films of 2014 were in the comments section.
Honorary Mention for Favorite TV Series: "Over the Garden Wall"
In Patrick McHale’s enchanting Cartoon Network miniseries, “Over the Garden Wall,” brothers Wirt (Elijah Wood) and adorable Greg (Collin Dean) travel through the Unknown, a magical forest filled with peculiar characters. Blending a classic fable look with witty humor and catchy songs for a fantastically refreshing 2D cartoon, the show is rapidly - and deservingly - becoming a fan favorite. Once you see little Greg performing the sweet tune Potatoes and Molasses, it will all make sense.
Top 60 Films Of 2014
60. "Happy Christmas"
Anna Kendrick is an irresponsible, yet charming, young woman in Joe Swanberg’s holiday-infused family dramedy. “Happy Christmas” is small in scope but big in subtle amusement. Baby Jude Swanberg steals every scene.
59."Mood Indigo"
Whimsical, ingenious, and uniquely confected, Michel Gondry’s adaption of Boris Vian’s novel stars Audrey Tautou and Romain Duris. His latest romantic fantasy is heartwarming visual candy.
Review "Mood Indigo"
Carlos Aguilar's interview with Tautou
58. "Lilting"
A cross-cultural connection in the aftermath of tragedy is at the center of Hong Khaou’s touching debut. Through great performances and ethereal cinematography the filmmaker reassures us love is the only language that matters.
Carlos Aguilar's interview with Hong Khaou
57. "Captain America: The Winter Soldier"
With an intelligent and fun screenplay, this new entry in the Marvel universe showed us that - despite all the badassery he is capable of - all that Steve Rogers wants is his best friend back.
Review "Captain America: The Winter Soldier"
56. "Oculus"
Mike Flanagan doesn’t resort to excessive gore or a monumental story to instill fear. Instead, he uses the effective mechanics of his story to turn a room with an old mirror, a camera, and a pair of youngsters into a terrifying space.
55. "Rich Hill"
Looking at a segment of the American population from a uniquely compassionate and insightful perspective, “Rich Hill” cherishes the humanity of its subject rather than patronizing them.
54. "The Notebook"
The brutality of war is observed through the eyes of a pair of twin brothers who decide to detach themselves from any emotional connection in order to survive. Unflinching and powerful, “The Notebook” is part dark fairytale and part historical drama.
Review "The Notebook"
Carlos Aguilar's interview with János Szász
53. "Blue Ruin"
This gritty and unpredictable thriller follows a man whose thirst for revenge becomes his death sentence. Macon Blair’s character goes from passively hiding in the shadows to becoming a ruthless rookie assassin. Tension is the name of the game here.
52. "The Book of Life"
The ancient Mexican celebration of Day of the Death comes to life in this vibrant and surprisingly authentic animated feature from Jorge Gutierrez and producer Guillermo del Toro. It’s a colorful and intricately designed vision of beloved tradition.
51. "The German Doctor" (Wakolda)
Lucia Puenzo’s captivating mystery focuses on infamous Nazi physician Josef Mengele, as he tries to test his disturbing practices on family while hiding in the Argentine countryside. Elegantly executed and definitely unsettling
Review "The German Doctor"
Carlos Aguilar's interview with Lucia Puenzo
Sydney Levine's Case Study on "The German Doctor"
50. "Still Alice"
Lost, confused, but still fighting to preserve her individuality while facing the imminent effects of Alzheimer’s disease, Alice refuses to give up. Julianne Moor is absolutely stunning and heartbreaking.
49. "American Sniper"
Eastwood’s best film in a long time packs thrilling combat sequences as it looks at post-9/11 American patriotism via a simple man turned murder weapon. Bradley Cooper delivers the best performance of his career.
48. "The Lego Movie "
Pop culture has never been as hilarious and witty as in this uniquely animated story about individuality, the nature of heroism, and the power of a child’s imagination. With cameos galore and jokes aplenty, everything is indeed awesome.
47. "Manuscripts Don't Burn "
Mohammad Rasoulof’s fearless cinematic statement denouncing the Iranian regime is an incredible testament to the power of film as a cultural weapon against injustice. Not only is the film politically relevant, but also an all-around gripping thriller.
Review "Manuscripts Don't Burn"
46. "Guardians of the Galaxy "
This summer Marvel outdid itself with the truly enjoyable first installment of its newest franchise. Charismatic Chris Pratt as Star Lord, a more than memorable soundtrack, and an eclectic group of sidekicks made this the smartest summer hit.
45. "In Bloom"
Set in Tbilisi, Georgia, this unique coming-of-age tale is a riveting hidden gem that sports mesmerizing performances from its young cast. The filmmakers find evocative, everyday beauty in the hardships of life in a war-torn country.
Review "In Bloom"
44. "Goodbye to Language"
Godard’s use of 3D in this highly experimental work produces a physical reaction on the viewer that proves how alive the auteur’s vision still is. He is as cryptic, curious, innovative, unapologetic, and brilliant as he was over 50 years ago.
43. "Mistaken for Strangers"
Tom Berninger’s personal documentary is not a film about The National, but about a man trying to find his own path while reconnecting with his older brother – who happens to be a rock star. Fun, heartfelt, and honest.
Carlos Aguilar's interview with Tom and Matt Berninger
42. "Manakamana"
Simple on the surface but hauntingly poetic, this documentary focuses on a series of people as they travel up to a sacred shrine in Nepal. Their faces speak in silences, laughter, and visible sadness, which form a language far more stirring than ephemeral words.
41. "Whiplash"
J.K. Simmons is a nightmarish instructor in Damien Chazelle’s fascinating debut about a young drummer by obsessive passion. The final sequence is an astonishing showstopper that sports marvelous, flawless editing
40. "The Overnighters"
What starts as the story about a Good Samaritan helping those in need despite criticisms, turns into an examination of a conflicted man. Faith, lies, regret and the judgmental eyes of an entire community will become his agonizing cross to bear.
39. "Rocks in My Pockets"
Latvian artist Signe Baumane uses 2D animation to work through her insecurities, her relationships with her estrange family, and depression. Craft and substance merge to construct an absorbing personal statement that is unexpectedly relatable.
Sydney Levine's Feature Piece on "Rocks in My Pockets"
38. "The Missing Picture"
To reconstruct his family’s past, and by extension that of his homeland under the Khmer Rouge, director Rithy Panh uses clay figurines and evocative narration in the absence of images from the time. One of the most original documentaries ever made.
Review "The Missing Picture"
37. "Snowpiercer"
Art house sensibilities imbedded into a powerful post-apocalyptic tale from South Korean director Bong Joon-ho gave us a superbly sophisticated actioner. Chris Evans delivers a different, but equally great heroic performance. However, Tilda Swinton takes the prize here.
36. "Life Itself"
Roger Ebert’s love for life and movies was endless. Despite major health issues near the end, his spirits and voice were never weakened. Steve James intimate documentary captures both the man and the critic in a lovely manner.
35. "Gone Girl"
Fincher’s latest focuses on a media circus fueled by a couple’s despicable lies and the public’s voyeuristic desire to find a villain and a victim. While Ben Affleck is good here, the film thrives on Rosamund Pike’s wickedly clever role.
34. "Two Days, One Night"
Only the Dardenne brothers can transform seemingly banal situations into compelling narratives that question the morality of their characters. In their latest masterful effort Marion Cotillard’s talent shines as she balances desperation, pride, and hope.
33. "Foxcatcher"
Driven by a trifecta of great performances, Bennett Miller’s drama shows a disturbed man in search of recognition and validation by any means necessary. Channing Tatum deserves more praise for his nuanced work here.
32. "Omar"
At once timeless and decisively current, Hany Abu-Asad’s Shakespearean crime drama deals with Israeli-Palestinian relations from a humanistic point of view. The political issues that serve as context become more urgent when seen through the characters’ struggles.
Review "Omar"
Carlos Aguilar's interview with Hany Abu-Assad
31. "Mr. Turner"
The awe-inspiring cinematography and Timothy Spall’s grumpy, yet endearing portrayal of one of Britain’s most revered painters make of “Mr. Turner” another successful addition to Mike Leigh’s near-perfect track record.
30. "Nymphomaniac"
Blasphemous, explicit, and cerebral as most of Lars von Trier’s works, this two-part recollection of the anecdotes takes us into the tortured mind of a sex addict. There is no sugarcoating or redemption to be found here, only a skillful provocateur who loves to revel in the playful bleakness of it all.
Review "Nymphomaniac Vol. 1"
Review "Nymphomaniac Vol. 2"
29. "Gloria"
A middle-aged woman takes control of her life in this excellent Chilean dramedy. The title character, played by the lovely Paulina Garcia, wants to find love once again and to live without restrains. As she dances the night away we are certain that, despite the hardships, she will.
Review "Gloria"
Sydney Levine's interview with Sebastian Lelio and Paulina Garcia
28. "The Babadook"
A vicious boogieman terrorizes a mother and her son in this Australian horror masterpiece. Like with the best films in the genre, is what you don’t see that’s the most disturbing. Dir. Jennifer Kent uses creepy guttural sounds, shadows, and a malevolent children’s book to psychologically inflict fear.
27. "Ernest & Celestine"
Delightfully crafted to look like a collection of gorgeous moving watercolors, this French animated feature based on Gabrielle Vincent’s books is a visual treat and reminds us of the innocent fables from yesteryear.
Carlos Aguilar's interview with Benjamin Renner
26. "Hide Your Smiling Faces"
Two brothers growing up in a small town are confronted with the notion of death and the complexities of the adult world in this remarkably done debut by Daniel Patrick Carbone. An absolute must-see that deserves a wider audience.
Review "Hide Your Smiling Faces"
25. "Stranger by the Lake"
In Alain Guiraudie’s beachside mystery, a murderous romance hides underneath warm weather and desire. This provocative, darkly comedic and splendidly acted slow-burner shows that danger is sometimes the most lethal aphrodisiac.
Carlos Aguilar's interview with Alain Guiraudie
24. "Heli"
Amat Escalante’s brave and brutally honest depiction of Mexico’s violent present is unquestionably a difficult cinematic experience. However, the filmmaker is capable of finding resilient hope in the midst of overwhelming despair.
Review "Heli"
Carlos Aguilar's interview with Amat Escalante
23. "CitizenFour"
Few embellishments are needed when you have such a shocking and important story told not from an outsider’s perspective, but from its source. Fiction falls short in comparison to the truths and secrets encompassed in Laura Poitras account of the Edward Snowden case.
22. "Force Majeure"
Gender roles are questioned with humorous but poignant observations on marriage and societal expectations in this Swedish hit from Ruben Östlund. Laugh-out-loud moments galore and an unforgettable “man cry” sequence are the result of a catastrophic controlled avalanche.
Carlos Aguilar's interview with Ruben Östlund and Johannes Kuhnke
21. "The Guest"
Adam Wingard’s perversely comedic stunner about a devilishly deceiving visitor was by far one of the most outrageously fun films I saw this year. It’s a masterwork of madness. I can’t wait to see what Wingard, writer Simon Barrett, and star Dan Stevens do next.
20. "Obvious Child"
Jenny Slate’s Donna Stern is navigating adulthood through laughter. Her standup performances are unfiltered, moving, and often hilariously distasteful, but always sincere. Slate and director Gillian Robespierre are a match made in comedy heaven.
Review "Obvious Child"
Carlos Aguilar's interview with Gillian Robespierre and Jenny Slate
19. "Inherent Vice"
There are numerous wacky characters and subplots in Paul Thomas Anderson’s adaption of Thomas Pynchon novel, but the real magic happens when Joaquin Phoenix and Josh Brolin are together on screen. “Motto panukeiku!” is all I have to say.
18. "Starred Up"
Jack O’Connell’s award-deserving performance packs raw energy, ferocious anger, and tragic vulnerability. Violence and respect are the only useful currencies in this potent prison drama that’s as thrilling as it’s emotionally devastating.
Carlos Aguilar's interview with David Mackenzie
17. "Listen Up Philip"
Brimming with originality and uncompromising humor, Alex Ross Perry’s look at the writing craft is pure brilliance. Jason Schwartzman stars as an obnoxious, self-centered young author. He is as utterly amusing and revels in his character’s hilarious arrogance.
16. "Boyhood"
Thanks to Richard Linklater’s perseverance we were able to experience an incredible and incomparable cinematic journey. Filled with small, but affecting moments of sorrow and joy, a child’s life - and that of those around him - literally unfolds on screen somewhere between reality and fiction.
15. "Selma"
Avoiding all the dreaded biopic clichés, director Ava DuVernay created a powerful historical drama that couldn’t be more opportune. Among a star-studded cast, David Oyelowo delivers a knockout performance as Dr. Martin Luther King Jr.
14. "Under the Skin"
Life on earth as seen by a seductive alien is simultaneously frightening and revelatory in Jonathan Glazer’s dazzling sci-fi character study. Scarlett Johansson is superb as a creature intrigued by the virtues and shortcomings of human nature.
Review "Under the Skin"
13. "The Grand Budapest Hotel"
Everything we love about Wes Anderson and much more is included in this stylized beauty of a film. Ralph Fiennes is an irreverent, classy, womanizer that gets into trouble with an array of quirky villains played by a topnotch cast. From its score to the production design, this is Anderson at his best.
12. "The Boxtrolls"
Laika’s craftsmanship reached a new level of delightful greatness with this darkly comedic period piece. Their brand of stop-motion animation is impeccable. Each character is meticulously created with a wonderful physicality that no other medium can provide.
Review "The Boxtrolls"
11. "Leviathan"
Andrey Zvyagintsev’s masterpiece dissects the complexity of Russian society through a family drama that is as intimate as it is monumental in the themes it explores. Religion, government, and betrayal are all monsters haunting a righteous man at the mercy or their powers.
Carlos Aguilar's interview with Andrey Zvyagintsev
10. "Only Lovers Left Alive"
Between desolated Detroit and a moody Marrakesh, Jim Jarmusch's darkly comedic film delivers an incredibly original tale about familiar bloodsuckers. Permeated in groovy rock and roll music, vintage wardrobe, blissful production design, and an otherworldly atmosphere, “Only Lovers Left Alive” reclaims vampires as graceful, complex, and cultured beings, rather than the vehicle for teenage fantasies
Review "Only Lovers Left Alive"
9. "Nightcrawler"
Brutally unapologetic about the bloodthirsty practices of today’s media, Dan Gilroy’s directorial debut is a fantastic vehicle for Jake Gyllenhaal to deliver a performance unlike anything he’s done before. Outrageously insightful, Gilroy’s writing is a perverse delight that is at once analytical and utterly entertaining.
8. "Birdman"
While definitely hilarious, Inarritu’s latest work offers sharp observations on the nature of art and artists. This is a giant leap into new territory for the acclaimed Mexican filmmaker. His undeniable talent directing actors is what elevates his work from just a brilliant idea to a work that thrives on touching human vulnerability. Added to this, Emanuel Lubeski’s work in the cinematography department is a visual treat.
7. "Wild Tales"
This insanely inventive collection of deranged stories questions violence and revenge from a comedic angle. Besides being a complete riot that packs in uproarious humor, Damian Szifron’s film demonstrates his ability to create a cohesive film out of diverse vignettes united by the dark side of human nature. From start to finish, “Wild Tales” is truly a savagely fun trip.
Sydney Levine's Feature Piece on "Wild Tales"
6. "The Tale of the Princess Kaguya"
Studio Ghibli’s co-founder Isao Takahata demonstrates once more that his work is as spectacular as anything else the studio has created. His brand of handcrafted animation is of a uniquely exquisite kind that flows on the screen like streams of vibrant beauty. ‘The Tale of the Princess Kaguya” is perhaps his most striking work
5. "A Girl Walks Home Alone at Night"
This black and white, Persian-language vampire film is a revelation. Style and story elegantly arranged to be poetic and ethereal throughout. Undoubtedly the most dazzling feature debut of the year. Ana Lily Amirpour has a unique vision forged out of her fascination with genre films, music, and other peculiar interests, all of which blend into a delightful cocktail of beauty, danger, and pure originality.
4. "Winter Sleep"
Nuri Bilge Ceylan defines what being an auteur means every times he is behind the camera. Palme d’Or or not, “Winter Sleep” is the only film over 3 hours that has kept me fully engaged for every second of it. Every line of dialogue is as thought provoking as the next without being pretentious. He finds the fibers of human behavior and stretches them to their limit in every single scene. Absolutely mesmerizing
Review "Winter Sleep"
Sydney Levine's Feature Piece on "Winter Sleep" from Cannes
3. "Mommy"
The tenderly violent love between a mother and a son make for an intoxicating tour de force. Xavier Dolan plays with aspect ratios, music, evocative cinematography and raw, maddening emotions to produce one of the most heartbreaking and intense experiences I’ve ever had watching a film. I was in a complete state of exhilaration until the very last, perfect, frame.
2. "Ida"
There is not a single miscalculation in Pawel Pawlikowski’s immaculate post-Holocaust drama. Each frame is a stunning work of sheer perfection. Flawless cinematography, riveting performances by both leading actresses, and a story that is subtle on the surface but carries intense undertones about spirituality and the consequences of guilt, make of “Ida” a masterwork to be cherished for years to come
Review "Ida"
Sydney Levine's interview with Pawel Pawlikowski
1. "Song of the Sea"
I'm certain some people will think me crazy for choosing this film as my favorite of the year, but witnessing Tomm Moore’s gorgeous and ethereal craftsmanship was an unforgettable experience. What he was able to achieve here, both in technique and emotional poignancy, is absolutely outstanding. "Song of the Sea" is one of the most blissfully beautiful animated films ever made. It is a gem beaming with awe-inspiring, heartwarming magic. It will be a long time before animation reaches this level of mesmerizing artistry again.
Review "Song of the Sea"
Carlos Aguilar's interview with Tomm Moore...
There were many other films that I did in fact watch but didn’t make the list, such as “Wild,” “Interstellar,” “The Imitation Game,” “Unbroken,” “The Theory of Everything,” “Big Hero 6,” “Big Eyes,” "A Most Violent Year" and “Into the Woods.” Although none of these ended up among my favorites, many of them served as vehicles for the cast to deliver outstanding performances or showcased great cinematography and VFX. I mention this to clarify that their omission was a conscious decision.
Evidently, there were several acclaimed films I did not manage to watch, which could have made a difference. These include films like "Love is Strange," “Maps to the Stars,” “Stray Dogs,” “Top Five,” and “Rosewater.”
The films on this list include films that had a regular release in 2014, films that some consider to be 2013 films but which got a full release in 2014, and films that had a one-week qualifying run in 2014 but which will officially open in 2015. Other amazing films that I saw at festivals, but which did not have a theatrical release of any form this year will be included in next year’s list. Examples of these include “The Tribe,” “Timbuktu,” “The Voices” “Gueros,” “Viktoria,” and “Kumiko, the Treasure Hunter.”
Like with all lists, this is a very personal selection of films that connected with me on different levels. Some choices might be strange, others expected, but all of them speak to what I find interesting or great about cinema. I hope that with this list you can find titles you haven’t hear of or others you might have forgotten about. It has been such a terrific year for films. Here is hoping for 2015 to be even more inspiring.
Feel free to share with us what your favorite films of 2014 were in the comments section.
Honorary Mention for Favorite TV Series: "Over the Garden Wall"
In Patrick McHale’s enchanting Cartoon Network miniseries, “Over the Garden Wall,” brothers Wirt (Elijah Wood) and adorable Greg (Collin Dean) travel through the Unknown, a magical forest filled with peculiar characters. Blending a classic fable look with witty humor and catchy songs for a fantastically refreshing 2D cartoon, the show is rapidly - and deservingly - becoming a fan favorite. Once you see little Greg performing the sweet tune Potatoes and Molasses, it will all make sense.
Top 60 Films Of 2014
60. "Happy Christmas"
Anna Kendrick is an irresponsible, yet charming, young woman in Joe Swanberg’s holiday-infused family dramedy. “Happy Christmas” is small in scope but big in subtle amusement. Baby Jude Swanberg steals every scene.
59."Mood Indigo"
Whimsical, ingenious, and uniquely confected, Michel Gondry’s adaption of Boris Vian’s novel stars Audrey Tautou and Romain Duris. His latest romantic fantasy is heartwarming visual candy.
Review "Mood Indigo"
Carlos Aguilar's interview with Tautou
58. "Lilting"
A cross-cultural connection in the aftermath of tragedy is at the center of Hong Khaou’s touching debut. Through great performances and ethereal cinematography the filmmaker reassures us love is the only language that matters.
Carlos Aguilar's interview with Hong Khaou
57. "Captain America: The Winter Soldier"
With an intelligent and fun screenplay, this new entry in the Marvel universe showed us that - despite all the badassery he is capable of - all that Steve Rogers wants is his best friend back.
Review "Captain America: The Winter Soldier"
56. "Oculus"
Mike Flanagan doesn’t resort to excessive gore or a monumental story to instill fear. Instead, he uses the effective mechanics of his story to turn a room with an old mirror, a camera, and a pair of youngsters into a terrifying space.
55. "Rich Hill"
Looking at a segment of the American population from a uniquely compassionate and insightful perspective, “Rich Hill” cherishes the humanity of its subject rather than patronizing them.
54. "The Notebook"
The brutality of war is observed through the eyes of a pair of twin brothers who decide to detach themselves from any emotional connection in order to survive. Unflinching and powerful, “The Notebook” is part dark fairytale and part historical drama.
Review "The Notebook"
Carlos Aguilar's interview with János Szász
53. "Blue Ruin"
This gritty and unpredictable thriller follows a man whose thirst for revenge becomes his death sentence. Macon Blair’s character goes from passively hiding in the shadows to becoming a ruthless rookie assassin. Tension is the name of the game here.
52. "The Book of Life"
The ancient Mexican celebration of Day of the Death comes to life in this vibrant and surprisingly authentic animated feature from Jorge Gutierrez and producer Guillermo del Toro. It’s a colorful and intricately designed vision of beloved tradition.
51. "The German Doctor" (Wakolda)
Lucia Puenzo’s captivating mystery focuses on infamous Nazi physician Josef Mengele, as he tries to test his disturbing practices on family while hiding in the Argentine countryside. Elegantly executed and definitely unsettling
Review "The German Doctor"
Carlos Aguilar's interview with Lucia Puenzo
Sydney Levine's Case Study on "The German Doctor"
50. "Still Alice"
Lost, confused, but still fighting to preserve her individuality while facing the imminent effects of Alzheimer’s disease, Alice refuses to give up. Julianne Moor is absolutely stunning and heartbreaking.
49. "American Sniper"
Eastwood’s best film in a long time packs thrilling combat sequences as it looks at post-9/11 American patriotism via a simple man turned murder weapon. Bradley Cooper delivers the best performance of his career.
48. "The Lego Movie "
Pop culture has never been as hilarious and witty as in this uniquely animated story about individuality, the nature of heroism, and the power of a child’s imagination. With cameos galore and jokes aplenty, everything is indeed awesome.
47. "Manuscripts Don't Burn "
Mohammad Rasoulof’s fearless cinematic statement denouncing the Iranian regime is an incredible testament to the power of film as a cultural weapon against injustice. Not only is the film politically relevant, but also an all-around gripping thriller.
Review "Manuscripts Don't Burn"
46. "Guardians of the Galaxy "
This summer Marvel outdid itself with the truly enjoyable first installment of its newest franchise. Charismatic Chris Pratt as Star Lord, a more than memorable soundtrack, and an eclectic group of sidekicks made this the smartest summer hit.
45. "In Bloom"
Set in Tbilisi, Georgia, this unique coming-of-age tale is a riveting hidden gem that sports mesmerizing performances from its young cast. The filmmakers find evocative, everyday beauty in the hardships of life in a war-torn country.
Review "In Bloom"
44. "Goodbye to Language"
Godard’s use of 3D in this highly experimental work produces a physical reaction on the viewer that proves how alive the auteur’s vision still is. He is as cryptic, curious, innovative, unapologetic, and brilliant as he was over 50 years ago.
43. "Mistaken for Strangers"
Tom Berninger’s personal documentary is not a film about The National, but about a man trying to find his own path while reconnecting with his older brother – who happens to be a rock star. Fun, heartfelt, and honest.
Carlos Aguilar's interview with Tom and Matt Berninger
42. "Manakamana"
Simple on the surface but hauntingly poetic, this documentary focuses on a series of people as they travel up to a sacred shrine in Nepal. Their faces speak in silences, laughter, and visible sadness, which form a language far more stirring than ephemeral words.
41. "Whiplash"
J.K. Simmons is a nightmarish instructor in Damien Chazelle’s fascinating debut about a young drummer by obsessive passion. The final sequence is an astonishing showstopper that sports marvelous, flawless editing
40. "The Overnighters"
What starts as the story about a Good Samaritan helping those in need despite criticisms, turns into an examination of a conflicted man. Faith, lies, regret and the judgmental eyes of an entire community will become his agonizing cross to bear.
39. "Rocks in My Pockets"
Latvian artist Signe Baumane uses 2D animation to work through her insecurities, her relationships with her estrange family, and depression. Craft and substance merge to construct an absorbing personal statement that is unexpectedly relatable.
Sydney Levine's Feature Piece on "Rocks in My Pockets"
38. "The Missing Picture"
To reconstruct his family’s past, and by extension that of his homeland under the Khmer Rouge, director Rithy Panh uses clay figurines and evocative narration in the absence of images from the time. One of the most original documentaries ever made.
Review "The Missing Picture"
37. "Snowpiercer"
Art house sensibilities imbedded into a powerful post-apocalyptic tale from South Korean director Bong Joon-ho gave us a superbly sophisticated actioner. Chris Evans delivers a different, but equally great heroic performance. However, Tilda Swinton takes the prize here.
36. "Life Itself"
Roger Ebert’s love for life and movies was endless. Despite major health issues near the end, his spirits and voice were never weakened. Steve James intimate documentary captures both the man and the critic in a lovely manner.
35. "Gone Girl"
Fincher’s latest focuses on a media circus fueled by a couple’s despicable lies and the public’s voyeuristic desire to find a villain and a victim. While Ben Affleck is good here, the film thrives on Rosamund Pike’s wickedly clever role.
34. "Two Days, One Night"
Only the Dardenne brothers can transform seemingly banal situations into compelling narratives that question the morality of their characters. In their latest masterful effort Marion Cotillard’s talent shines as she balances desperation, pride, and hope.
33. "Foxcatcher"
Driven by a trifecta of great performances, Bennett Miller’s drama shows a disturbed man in search of recognition and validation by any means necessary. Channing Tatum deserves more praise for his nuanced work here.
32. "Omar"
At once timeless and decisively current, Hany Abu-Asad’s Shakespearean crime drama deals with Israeli-Palestinian relations from a humanistic point of view. The political issues that serve as context become more urgent when seen through the characters’ struggles.
Review "Omar"
Carlos Aguilar's interview with Hany Abu-Assad
31. "Mr. Turner"
The awe-inspiring cinematography and Timothy Spall’s grumpy, yet endearing portrayal of one of Britain’s most revered painters make of “Mr. Turner” another successful addition to Mike Leigh’s near-perfect track record.
30. "Nymphomaniac"
Blasphemous, explicit, and cerebral as most of Lars von Trier’s works, this two-part recollection of the anecdotes takes us into the tortured mind of a sex addict. There is no sugarcoating or redemption to be found here, only a skillful provocateur who loves to revel in the playful bleakness of it all.
Review "Nymphomaniac Vol. 1"
Review "Nymphomaniac Vol. 2"
29. "Gloria"
A middle-aged woman takes control of her life in this excellent Chilean dramedy. The title character, played by the lovely Paulina Garcia, wants to find love once again and to live without restrains. As she dances the night away we are certain that, despite the hardships, she will.
Review "Gloria"
Sydney Levine's interview with Sebastian Lelio and Paulina Garcia
28. "The Babadook"
A vicious boogieman terrorizes a mother and her son in this Australian horror masterpiece. Like with the best films in the genre, is what you don’t see that’s the most disturbing. Dir. Jennifer Kent uses creepy guttural sounds, shadows, and a malevolent children’s book to psychologically inflict fear.
27. "Ernest & Celestine"
Delightfully crafted to look like a collection of gorgeous moving watercolors, this French animated feature based on Gabrielle Vincent’s books is a visual treat and reminds us of the innocent fables from yesteryear.
Carlos Aguilar's interview with Benjamin Renner
26. "Hide Your Smiling Faces"
Two brothers growing up in a small town are confronted with the notion of death and the complexities of the adult world in this remarkably done debut by Daniel Patrick Carbone. An absolute must-see that deserves a wider audience.
Review "Hide Your Smiling Faces"
25. "Stranger by the Lake"
In Alain Guiraudie’s beachside mystery, a murderous romance hides underneath warm weather and desire. This provocative, darkly comedic and splendidly acted slow-burner shows that danger is sometimes the most lethal aphrodisiac.
Carlos Aguilar's interview with Alain Guiraudie
24. "Heli"
Amat Escalante’s brave and brutally honest depiction of Mexico’s violent present is unquestionably a difficult cinematic experience. However, the filmmaker is capable of finding resilient hope in the midst of overwhelming despair.
Review "Heli"
Carlos Aguilar's interview with Amat Escalante
23. "CitizenFour"
Few embellishments are needed when you have such a shocking and important story told not from an outsider’s perspective, but from its source. Fiction falls short in comparison to the truths and secrets encompassed in Laura Poitras account of the Edward Snowden case.
22. "Force Majeure"
Gender roles are questioned with humorous but poignant observations on marriage and societal expectations in this Swedish hit from Ruben Östlund. Laugh-out-loud moments galore and an unforgettable “man cry” sequence are the result of a catastrophic controlled avalanche.
Carlos Aguilar's interview with Ruben Östlund and Johannes Kuhnke
21. "The Guest"
Adam Wingard’s perversely comedic stunner about a devilishly deceiving visitor was by far one of the most outrageously fun films I saw this year. It’s a masterwork of madness. I can’t wait to see what Wingard, writer Simon Barrett, and star Dan Stevens do next.
20. "Obvious Child"
Jenny Slate’s Donna Stern is navigating adulthood through laughter. Her standup performances are unfiltered, moving, and often hilariously distasteful, but always sincere. Slate and director Gillian Robespierre are a match made in comedy heaven.
Review "Obvious Child"
Carlos Aguilar's interview with Gillian Robespierre and Jenny Slate
19. "Inherent Vice"
There are numerous wacky characters and subplots in Paul Thomas Anderson’s adaption of Thomas Pynchon novel, but the real magic happens when Joaquin Phoenix and Josh Brolin are together on screen. “Motto panukeiku!” is all I have to say.
18. "Starred Up"
Jack O’Connell’s award-deserving performance packs raw energy, ferocious anger, and tragic vulnerability. Violence and respect are the only useful currencies in this potent prison drama that’s as thrilling as it’s emotionally devastating.
Carlos Aguilar's interview with David Mackenzie
17. "Listen Up Philip"
Brimming with originality and uncompromising humor, Alex Ross Perry’s look at the writing craft is pure brilliance. Jason Schwartzman stars as an obnoxious, self-centered young author. He is as utterly amusing and revels in his character’s hilarious arrogance.
16. "Boyhood"
Thanks to Richard Linklater’s perseverance we were able to experience an incredible and incomparable cinematic journey. Filled with small, but affecting moments of sorrow and joy, a child’s life - and that of those around him - literally unfolds on screen somewhere between reality and fiction.
15. "Selma"
Avoiding all the dreaded biopic clichés, director Ava DuVernay created a powerful historical drama that couldn’t be more opportune. Among a star-studded cast, David Oyelowo delivers a knockout performance as Dr. Martin Luther King Jr.
14. "Under the Skin"
Life on earth as seen by a seductive alien is simultaneously frightening and revelatory in Jonathan Glazer’s dazzling sci-fi character study. Scarlett Johansson is superb as a creature intrigued by the virtues and shortcomings of human nature.
Review "Under the Skin"
13. "The Grand Budapest Hotel"
Everything we love about Wes Anderson and much more is included in this stylized beauty of a film. Ralph Fiennes is an irreverent, classy, womanizer that gets into trouble with an array of quirky villains played by a topnotch cast. From its score to the production design, this is Anderson at his best.
12. "The Boxtrolls"
Laika’s craftsmanship reached a new level of delightful greatness with this darkly comedic period piece. Their brand of stop-motion animation is impeccable. Each character is meticulously created with a wonderful physicality that no other medium can provide.
Review "The Boxtrolls"
11. "Leviathan"
Andrey Zvyagintsev’s masterpiece dissects the complexity of Russian society through a family drama that is as intimate as it is monumental in the themes it explores. Religion, government, and betrayal are all monsters haunting a righteous man at the mercy or their powers.
Carlos Aguilar's interview with Andrey Zvyagintsev
10. "Only Lovers Left Alive"
Between desolated Detroit and a moody Marrakesh, Jim Jarmusch's darkly comedic film delivers an incredibly original tale about familiar bloodsuckers. Permeated in groovy rock and roll music, vintage wardrobe, blissful production design, and an otherworldly atmosphere, “Only Lovers Left Alive” reclaims vampires as graceful, complex, and cultured beings, rather than the vehicle for teenage fantasies
Review "Only Lovers Left Alive"
9. "Nightcrawler"
Brutally unapologetic about the bloodthirsty practices of today’s media, Dan Gilroy’s directorial debut is a fantastic vehicle for Jake Gyllenhaal to deliver a performance unlike anything he’s done before. Outrageously insightful, Gilroy’s writing is a perverse delight that is at once analytical and utterly entertaining.
8. "Birdman"
While definitely hilarious, Inarritu’s latest work offers sharp observations on the nature of art and artists. This is a giant leap into new territory for the acclaimed Mexican filmmaker. His undeniable talent directing actors is what elevates his work from just a brilliant idea to a work that thrives on touching human vulnerability. Added to this, Emanuel Lubeski’s work in the cinematography department is a visual treat.
7. "Wild Tales"
This insanely inventive collection of deranged stories questions violence and revenge from a comedic angle. Besides being a complete riot that packs in uproarious humor, Damian Szifron’s film demonstrates his ability to create a cohesive film out of diverse vignettes united by the dark side of human nature. From start to finish, “Wild Tales” is truly a savagely fun trip.
Sydney Levine's Feature Piece on "Wild Tales"
6. "The Tale of the Princess Kaguya"
Studio Ghibli’s co-founder Isao Takahata demonstrates once more that his work is as spectacular as anything else the studio has created. His brand of handcrafted animation is of a uniquely exquisite kind that flows on the screen like streams of vibrant beauty. ‘The Tale of the Princess Kaguya” is perhaps his most striking work
5. "A Girl Walks Home Alone at Night"
This black and white, Persian-language vampire film is a revelation. Style and story elegantly arranged to be poetic and ethereal throughout. Undoubtedly the most dazzling feature debut of the year. Ana Lily Amirpour has a unique vision forged out of her fascination with genre films, music, and other peculiar interests, all of which blend into a delightful cocktail of beauty, danger, and pure originality.
4. "Winter Sleep"
Nuri Bilge Ceylan defines what being an auteur means every times he is behind the camera. Palme d’Or or not, “Winter Sleep” is the only film over 3 hours that has kept me fully engaged for every second of it. Every line of dialogue is as thought provoking as the next without being pretentious. He finds the fibers of human behavior and stretches them to their limit in every single scene. Absolutely mesmerizing
Review "Winter Sleep"
Sydney Levine's Feature Piece on "Winter Sleep" from Cannes
3. "Mommy"
The tenderly violent love between a mother and a son make for an intoxicating tour de force. Xavier Dolan plays with aspect ratios, music, evocative cinematography and raw, maddening emotions to produce one of the most heartbreaking and intense experiences I’ve ever had watching a film. I was in a complete state of exhilaration until the very last, perfect, frame.
2. "Ida"
There is not a single miscalculation in Pawel Pawlikowski’s immaculate post-Holocaust drama. Each frame is a stunning work of sheer perfection. Flawless cinematography, riveting performances by both leading actresses, and a story that is subtle on the surface but carries intense undertones about spirituality and the consequences of guilt, make of “Ida” a masterwork to be cherished for years to come
Review "Ida"
Sydney Levine's interview with Pawel Pawlikowski
1. "Song of the Sea"
I'm certain some people will think me crazy for choosing this film as my favorite of the year, but witnessing Tomm Moore’s gorgeous and ethereal craftsmanship was an unforgettable experience. What he was able to achieve here, both in technique and emotional poignancy, is absolutely outstanding. "Song of the Sea" is one of the most blissfully beautiful animated films ever made. It is a gem beaming with awe-inspiring, heartwarming magic. It will be a long time before animation reaches this level of mesmerizing artistry again.
Review "Song of the Sea"
Carlos Aguilar's interview with Tomm Moore...
- 1/1/2015
- by Carlos Aguilar
- Sydney's Buzz
After a summer season of blockbusters that gave the cinematic landscape of jewels and gems worthy of inspection a shake, “awards season,” from which some worthy contenders showed themselves, came roaring. Likewise, a backlog of more movies in the thick of this holiday season growing, certain timely realities proved elusive, in terms of getting to see everything 2014 — a year with more discoveries on my part than planned anticipation — had to offer. For that reason, potential favorites may turn up by the time some people, including myself, get to see those.
Yet, among the larger blockbusters (Interstellar, Godzilla, Guardians of the Galaxy) and widely lauded releases (Gone Girl, Boyhood, Whiplash, Birdman), surveying every crevice of that landscape, there were a lot of movies that were released, watched, podcasted about and reviewed here on Sound on Sight.
(Look for Sound on Sight’s finalized, staff-wide list of this year’s best on December 28.)
In fact,...
Yet, among the larger blockbusters (Interstellar, Godzilla, Guardians of the Galaxy) and widely lauded releases (Gone Girl, Boyhood, Whiplash, Birdman), surveying every crevice of that landscape, there were a lot of movies that were released, watched, podcasted about and reviewed here on Sound on Sight.
(Look for Sound on Sight’s finalized, staff-wide list of this year’s best on December 28.)
In fact,...
- 12/26/2014
- by Fiman Jafari
- SoundOnSight
If you thought the recent Golden Globes nominations slighted some of the better performances this year, allow the Santa Barbara International Film Festival to shine its spotlight on some of the underdogs (along with a few major contenders we can’t cynically roll our eyes at — they’re just too lovable). Sbiff announced in a press release Friday afternoon that it would continue its tradition of honoring the year’s standout performers by presenting The 2015 Virtuosos Award to Chadwick Boseman ("Get on Up"), Ellar Coltrane ("Boyhood"), Logan Lerman ("Fury"), David Oyelowo ("Selma"), Rosamund Pike ("Gone Girl"), J.K. Simmons ("Whiplash") and Jenny Slate ("Obvious Child"). “These are seven exemplary performers that provide us with undeniable evidence that 2014 was a dynamic year in acting," festival director Roger Durling said in a statement. If you were thinking of contending with Sbiff’s choices, allow them to defend the picks in their own words:...
- 12/12/2014
- by Matt Patches
- Hitfix
Stars: Jenny Slate, Jack Lacy, Gaby Hoffmann, Gabe Liedman, David Cross, Richard Kind, Polly Draper, Paul Briganti, Cindy Cheung, Stephen Singer | Written and Directed by Gillian Robespierre
Donna Stern (Slate) is an unapologetic stand up comedian who managed to get dumped, fired and pregnant in quick succession. Better at cracking jokes about flatulence and the contents of her knickers, Donna has a lot of growing up to do. So, after her one night stand with a guy not even remotely her type, she decides to make a choice most responsible to her future. With the support of her friends, Donna decides to have an abortion, and learns what it is like to be brave, honest and vulnerable in real life, not just on stage.
Obvious Child is a big fan of brutally honest comedy. Not the ‘Oh he slipped over on a banana skin that is obviously hilarious so you should laugh!
Donna Stern (Slate) is an unapologetic stand up comedian who managed to get dumped, fired and pregnant in quick succession. Better at cracking jokes about flatulence and the contents of her knickers, Donna has a lot of growing up to do. So, after her one night stand with a guy not even remotely her type, she decides to make a choice most responsible to her future. With the support of her friends, Donna decides to have an abortion, and learns what it is like to be brave, honest and vulnerable in real life, not just on stage.
Obvious Child is a big fan of brutally honest comedy. Not the ‘Oh he slipped over on a banana skin that is obviously hilarious so you should laugh!
- 8/31/2014
- by Richard Axtell
- Nerdly
Beautifully redresses how the realities of women’s lives are too often ignored on film… and does so with startling raw power and humor. I’m “biast” (pro): I’m desperate for movies about women as real people
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
I keep thinking about the anecdote that flew around the Internet this summer from Tina Fey’s book Bossypants, in which she described how, in the writers’ room at Saturday Night Live, Jimmy Fallon got squicked out by Amy Poehler being less than demure and ladylike, told her that it made her less cute and likable, and she rounded on him with “I don’t fucking care if you like it.” You may not like 20something New Yorker and standup comic Donna Stern (Jenny Slate: This Means War), because she is far from demure and far...
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
I keep thinking about the anecdote that flew around the Internet this summer from Tina Fey’s book Bossypants, in which she described how, in the writers’ room at Saturday Night Live, Jimmy Fallon got squicked out by Amy Poehler being less than demure and ladylike, told her that it made her less cute and likable, and she rounded on him with “I don’t fucking care if you like it.” You may not like 20something New Yorker and standup comic Donna Stern (Jenny Slate: This Means War), because she is far from demure and far...
- 8/29/2014
- by MaryAnn Johanson
- www.flickfilosopher.com
Wamg is giving away 5 Run-Of-Engagement Passes (Admit Two) to see director Gillian Robespierre’s Obvious Child in the St. Louis Area.
For A Chance To Win, Enter Your Name And Email Address Below.
No purchase necessary. We will contact you if you are a winner!
Obvious Child stars Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman & Richard Kind.
Read Jim Batts’ review Here.
For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of independent adulthood for the first time.
As she grapples with an uncertain financial future, an unwanted pregnancy,...
For A Chance To Win, Enter Your Name And Email Address Below.
No purchase necessary. We will contact you if you are a winner!
Obvious Child stars Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman & Richard Kind.
Read Jim Batts’ review Here.
For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of independent adulthood for the first time.
As she grapples with an uncertain financial future, an unwanted pregnancy,...
- 7/1/2014
- by Movie Geeks
- WeAreMovieGeeks.com
Obvious Child is a new film that has its roots in a short film of the same name from 2009. The film relates the fall-out from a one-night stand by a stand-up comic trying to make her way in the world. The story is about an adult woman, who works in a very child-like profession that must handle various adult-level crises simultaneously.
Gillian Robespierre, a relative novice with a handful of credits, directed both this film and the short. This is her first feature-length directing job and she also is the primary writer of both the long and short version.
The film opens with Donna Stern (Jenny Slate) on stage engaged in a filthy and hilarious monologue. Donna is a stand-up comic working in Brooklyn. She is in her twenties and is relatively happy as an underpaid comic. By which I mean she has a menial job to help support herself...
Gillian Robespierre, a relative novice with a handful of credits, directed both this film and the short. This is her first feature-length directing job and she also is the primary writer of both the long and short version.
The film opens with Donna Stern (Jenny Slate) on stage engaged in a filthy and hilarious monologue. Donna is a stand-up comic working in Brooklyn. She is in her twenties and is relatively happy as an underpaid comic. By which I mean she has a menial job to help support herself...
- 6/27/2014
- by Steven Gahm
- CinemaNerdz
Let’s take a detour, a very hard left turn to be more precise, from the noisy Summer block busters and head to the independent side streets of cinema. And, as is usually the case, the side street is in New York City. This is another quirky comedy about an off-kilter, free-spirit trying to make a life for herself while rebelling against adulthood as her 20′s come to a close, the same territory treaded by Party Girl and Frances Ha. Oh, and perhaps she can hook up with a good guy along the way. The heroine of this new film faces a complication that sets her journey on a different path than many of those previous “indie” movie icons. That’s because some very tough, very adult decisions are in store for this Obvious Child.
Our introduction to Donna Stern (Jenny Slate) takes place as she regales a small audience...
Our introduction to Donna Stern (Jenny Slate) takes place as she regales a small audience...
- 6/26/2014
- by Jim Batts
- WeAreMovieGeeks.com
Jenny Slate, the former Saturday Night Live star and creator of popular video, Marcel the Shell with Shoes On, is having a breakout moment. As stand-up comedian Donna Stern in Obvious Child, Slate’s character bounces back from heartache the way every modern woman does: by meeting a nice, young gentleman at a bar. What comes next is worth the ticket price — and the subject of a recent censorship debate — but her initial contact with Max (Jake Lacy) proves just how fruitful even the silliest of drunken conversations can be.
But what if you’re not the star of a well-received Sundance hit? Does your tipsy banter give you the same shot at lifelong happiness? Yes, you, too can find love at your local watering hole. Just follow Jenny’s advice on how to execute a proper pick up line, especially if you plan on hitting on someone like Ryan Gosling.
But what if you’re not the star of a well-received Sundance hit? Does your tipsy banter give you the same shot at lifelong happiness? Yes, you, too can find love at your local watering hole. Just follow Jenny’s advice on how to execute a proper pick up line, especially if you plan on hitting on someone like Ryan Gosling.
- 6/26/2014
- by Emily Exton
- TheFabLife - Movies
Wamg invites you to enter for a chance to win a Prize Pack from Obvious Child. This special giveaway includes a One Night Stand Survival Kit and Tank Top.
Enter Your Name And E-mail In Our Comments Section Below. We Will Contact You If You Are A Winner.
Official Rules:
1. You Must Be A Us Resident. Prize Will Only Be Shipped To Us Addresses. No P.O. Boxes. No Duplicate Addresses.
2. Winners Will Be Chosen From All Qualifying Entries. No Purchase Necessary. Prizes Will Not Be Substituted Or Exchanged.
Contest Ends – July 3rd, 11:59p est
If you live in the St. Louis area, be sure sure to enter our contest for a chance to win tickets to the advance screening on Monday, June 23rd. Click Here.
Obvious Child opened in select theaters June 6, expands across the country throughout June and on June 27th in St. Louis.
For aspiring comedian Donna Stern,...
Enter Your Name And E-mail In Our Comments Section Below. We Will Contact You If You Are A Winner.
Official Rules:
1. You Must Be A Us Resident. Prize Will Only Be Shipped To Us Addresses. No P.O. Boxes. No Duplicate Addresses.
2. Winners Will Be Chosen From All Qualifying Entries. No Purchase Necessary. Prizes Will Not Be Substituted Or Exchanged.
Contest Ends – July 3rd, 11:59p est
If you live in the St. Louis area, be sure sure to enter our contest for a chance to win tickets to the advance screening on Monday, June 23rd. Click Here.
Obvious Child opened in select theaters June 6, expands across the country throughout June and on June 27th in St. Louis.
For aspiring comedian Donna Stern,...
- 6/19/2014
- by Movie Geeks
- WeAreMovieGeeks.com
Donna Stern is having a really bad week. She’s been dumped, lost her job, and is now staring down the wrong end of a pregnancy test. What’s a girl to do?
In the new film Obvious Child, comedian Jenny Slate stars as the struggling Donna, who after deciding to have an abortion, must come to terms with the consequences of her decision including whether or not to tell the one night stand who randomly winds up in her life again.
Cineplex went 1-on-1 with Jenny Slate to talk about being the lead in her first feature film, stand-up comedy, and howObvious Child is so much more than the “abortion rom-com.”...
In the new film Obvious Child, comedian Jenny Slate stars as the struggling Donna, who after deciding to have an abortion, must come to terms with the consequences of her decision including whether or not to tell the one night stand who randomly winds up in her life again.
Cineplex went 1-on-1 with Jenny Slate to talk about being the lead in her first feature film, stand-up comedy, and howObvious Child is so much more than the “abortion rom-com.”...
- 6/19/2014
- by Rachel West
- Cineplex
The writing is literally on the wall in the new comedy Obvious Child, and in more ways than one. Scrawled across every inch of the film’s favorite hangout spot, a squalid unisex bathroom in the backroom of a dive bar, is just about every obscenity there is, and in just about every permutation. It’s a collage of colourful language that the film practically sets out to adapt, as every scene of Obvious Child is ripe with profanity. One tag stands out from the smut though, and it’s two words that simply say “Jenny rules.” Who is this Jenny? We don’t know. We never meet a Jenny in the film, and its protagonist is a woman named Donna Stern. But Donna is played by actress Jenny Slate, who does indeed rule, as does Obvious Child.
Slate, known best for playing high-pitched ditzes on just about every other comedy show airing these days,...
Slate, known best for playing high-pitched ditzes on just about every other comedy show airing these days,...
- 6/17/2014
- by Sam Woolf
- We Got This Covered
Opening on June 27th in St. Louis is Obvious Child.
The film stars Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman & Richard Kind.
Obvious Child star Jenny Slate and director Gillian Robespierre talk about their mission to Take Back The Rom-com in a brand new featurette.
For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of independent adulthood for the first time.
As she grapples with an uncertain financial future, an unwanted pregnancy, and a surprising new suitor, Donna begins to discover that the most terrifying thing about...
The film stars Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman & Richard Kind.
Obvious Child star Jenny Slate and director Gillian Robespierre talk about their mission to Take Back The Rom-com in a brand new featurette.
For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of independent adulthood for the first time.
As she grapples with an uncertain financial future, an unwanted pregnancy, and a surprising new suitor, Donna begins to discover that the most terrifying thing about...
- 6/16/2014
- by Movie Geeks
- WeAreMovieGeeks.com
Obvious Child
Written and directed by Gillian Robespierre
USA, 2014
Obvious Child is an indie rom-com that wears its obvious heart on its obvious sleeve. Writer-director Gillian Robespierre does a good job with the lighter material, but her script falters when things start getting heavy. Luckily, she gets a magnificent lead performance from Jenny Slate to hold our attention. Everything about Slate is wonderful, from her effortless vulgarity to the vulnerability lurking just below the surface. Still, there aren’t enough laughs here to keep you entertained and not enough depth to get you thinking. It simply lacks the emotional resonance to emerge as one of this year’s indie darlings.
Donna Stern (Slate) is a stand-up comedienne whose act treads perilously close to her personal life. Her brand of comedy mines the sordid details that most people try to bury. It’s the kind of stuff that makes you cringe...
Written and directed by Gillian Robespierre
USA, 2014
Obvious Child is an indie rom-com that wears its obvious heart on its obvious sleeve. Writer-director Gillian Robespierre does a good job with the lighter material, but her script falters when things start getting heavy. Luckily, she gets a magnificent lead performance from Jenny Slate to hold our attention. Everything about Slate is wonderful, from her effortless vulgarity to the vulnerability lurking just below the surface. Still, there aren’t enough laughs here to keep you entertained and not enough depth to get you thinking. It simply lacks the emotional resonance to emerge as one of this year’s indie darlings.
Donna Stern (Slate) is a stand-up comedienne whose act treads perilously close to her personal life. Her brand of comedy mines the sordid details that most people try to bury. It’s the kind of stuff that makes you cringe...
- 6/8/2014
- by J.R. Kinnard
- SoundOnSight
It’s a sign of how far mainstream culture has been shoved to the right that a female protagonist having an abortion — a legal procedure, at least the last time I checked — is enough to turn a clever, modest comedy like Gillian Robespierre’s Obvious Child into a Momentous Event. In context, its modesty becomes it.The child of that odd title (borrowed from a Paul Simon song) isn’t an embryo but Donna Stern (Jenny Slate), an aspiring stand-up comedian in her late 20s who’s hopelessly out of her depth in the grown-up world. As she stands before the mike in a Williamsburg bar making fun of her Jewish features and her farts and implying it’s a miracle she even has a boyfriend, the boyfriend in question is standing in the back, scowling — and about to deliver the news that he’s sleeping with her blonde friend.
- 6/6/2014
- by David Edelstein
- Vulture
When it comes to comedy there is an unspoken list of touchy subjects that are usually off the table. The line between cruelty and hilarity is perhaps scarily thin. Each gag is a gamble. Among those blacklisted sources for comedic material, abortion ranks high on the list. One could go on and on about how a film that takes this lightly could have never happened in a country that still finds it divisive. But that would reduce Gillian Robespierre’s "Obvious Child"to a film about abortion, which is not. It’s a film about a woman's uncompromising way to look at her life who, given the circumstances she is faced with, decides to have an abortion. This choice doesn't define the character or the film.
Said woman is Donna Stern (Jenny Slate) a Brooklyn standup comedian whose act is heavily influenced by how she perceives her own shortcomings. In other words, she makes people laugh by making fun of herself in a delightfully raunchy manner. Unfortunately, not everyone can take honesty and self-parody with a grain of salt. After a rambunctious performance at her usual hole in the wall bar, her boyfriend breaks up with her. He has found someone else and blames Donna’s unruly lifestyle for the fall out in the relationship. Donna’s version of a sensible reaction to the unpleasant news is to drink, stalk, and wallow in self-pity for a few days. This marvelous procedural to post-break-up recovery culminates with an on stage venting session in which she bleeds out her sorrows in front of a perplexed audience. In this tragic but gloriously amusing sequence, the young woman finds a rebound.
Looking like he’s never broken any hearts, Max (Jake Lacy), a small town student in New York, approaches a vulnerable and intoxicated Donna. She is needy, he is caring, they are drunk, he farts on her face, she laughs, and unavoidably they connect. As grotesque and non-romantic as the previous description sounds, the pair enjoys a night of dancing, foolishness, and forgettable sex that will turn out to be more memorable than expected. Dependent on her parents’ loans for survival and unsure of where her life is going, Donna feels more adrift than ever. Not exactly what she needs, but an unwanted pregnancy looming on her near future will serve as catalyst for a hilarious story of renewed self-discovery.
A reaction to the man-child epidemic in bromance comedies, Robespierre’s debut is an empowering film that allows its protagonist to be tremendously flawed, but at the same time being in control of what she wants for her life. Donna’s decision not to be a mother at the time is a product of her inability to take care of her own needs. She is not ready and she admits it. Just like with any other negative experience, she decides to bare it all and laugh at her pain. Being vocal about it in the comfort of strangers is a liberating undertaking. Donna exchanges guilt for comedic truth.
Sweet and sour in equal quantities throughout, Slate is uncompromisingly perfect. Her charmingly obscene tone commands the story with heartfelt fragility covered in childish extroversion. Even when she is broken every sentence exclaimed packs hilarious irony. What is most amazing is that her personality never feels fabricated. The film is painfully real without taking itself very seriously. It takes a flawless marriage between outstanding writing and ideal casting to concoct such a star-making performance. One can only imagine the joyful epiphany Robespierre experienced when she saw Donna come to life through Slate - nothing short of a revelation.
Instead of punishing Donna for her lack of responsibility, ‘Obvious Child’ speaks warmly about immaturity and the right to be lost. Regardless of how much everyone likes to think that adults have it all figure out, for the most part we are simply children disguised in formal attire. That child, herself, is the one Donna needs to take care of. She needs to give her a chance to fulfill her aspirations, to find a partner that accepts her brutal lack of tact, and to be a careless drunk once in a while. Breaking away from the mold of expectations is a brave move by any standards. It is hard to think of anything more pro-life than that.
Said woman is Donna Stern (Jenny Slate) a Brooklyn standup comedian whose act is heavily influenced by how she perceives her own shortcomings. In other words, she makes people laugh by making fun of herself in a delightfully raunchy manner. Unfortunately, not everyone can take honesty and self-parody with a grain of salt. After a rambunctious performance at her usual hole in the wall bar, her boyfriend breaks up with her. He has found someone else and blames Donna’s unruly lifestyle for the fall out in the relationship. Donna’s version of a sensible reaction to the unpleasant news is to drink, stalk, and wallow in self-pity for a few days. This marvelous procedural to post-break-up recovery culminates with an on stage venting session in which she bleeds out her sorrows in front of a perplexed audience. In this tragic but gloriously amusing sequence, the young woman finds a rebound.
Looking like he’s never broken any hearts, Max (Jake Lacy), a small town student in New York, approaches a vulnerable and intoxicated Donna. She is needy, he is caring, they are drunk, he farts on her face, she laughs, and unavoidably they connect. As grotesque and non-romantic as the previous description sounds, the pair enjoys a night of dancing, foolishness, and forgettable sex that will turn out to be more memorable than expected. Dependent on her parents’ loans for survival and unsure of where her life is going, Donna feels more adrift than ever. Not exactly what she needs, but an unwanted pregnancy looming on her near future will serve as catalyst for a hilarious story of renewed self-discovery.
A reaction to the man-child epidemic in bromance comedies, Robespierre’s debut is an empowering film that allows its protagonist to be tremendously flawed, but at the same time being in control of what she wants for her life. Donna’s decision not to be a mother at the time is a product of her inability to take care of her own needs. She is not ready and she admits it. Just like with any other negative experience, she decides to bare it all and laugh at her pain. Being vocal about it in the comfort of strangers is a liberating undertaking. Donna exchanges guilt for comedic truth.
Sweet and sour in equal quantities throughout, Slate is uncompromisingly perfect. Her charmingly obscene tone commands the story with heartfelt fragility covered in childish extroversion. Even when she is broken every sentence exclaimed packs hilarious irony. What is most amazing is that her personality never feels fabricated. The film is painfully real without taking itself very seriously. It takes a flawless marriage between outstanding writing and ideal casting to concoct such a star-making performance. One can only imagine the joyful epiphany Robespierre experienced when she saw Donna come to life through Slate - nothing short of a revelation.
Instead of punishing Donna for her lack of responsibility, ‘Obvious Child’ speaks warmly about immaturity and the right to be lost. Regardless of how much everyone likes to think that adults have it all figure out, for the most part we are simply children disguised in formal attire. That child, herself, is the one Donna needs to take care of. She needs to give her a chance to fulfill her aspirations, to find a partner that accepts her brutal lack of tact, and to be a careless drunk once in a while. Breaking away from the mold of expectations is a brave move by any standards. It is hard to think of anything more pro-life than that.
- 6/6/2014
- by Carlos Aguilar
- Sydney's Buzz
Editor’s note: Our review of Obvious Child originally ran during this year’s Sundance Film Festival, but we’re re-running it now as the film opens in limited release. Donna Stern (Jenny Slate) has a problem with sharing – specifically, she shares too much when she’s on stage doing stand-up comedy; her act is peppered with scatological humor, jokes about other bodily fluids, and personal information about her romantic life. It’s not something her boyfriend Ryan (Paul Briganti) likes so much, which is probably why he thinks it’s appropriate to break up with her after one of her sets, at the bar where does her comedy, in the joint’s grubby communal bathroom. While staring at his phone. And confessing that he’s been banging her friend Kate. Perhaps Donna’s actual problem is that she’s been saddled with a heartless douchebag boyfriend for quite some time, but...
- 6/6/2014
- by Kate Erbland
- FilmSchoolRejects.com
Sundance and SXSW selection, Obvious Child, is hitting select theaters tomorrow, and the film has released a new clip featuring star Jenny Slate‘s drunk-dialing scene.
This indie gem has been getting a lot of attention, and you want to make sure you put it on your radar if its coming your way. Find showtimes here.
The film has a wonderfully surprising cast, including Jake Lacy (of Better With You and The Office fame), David Cross and Richard Kind, and by all accounts is a remarkable effort at putting its lead under the microscope.
Get more info below, and seek this one out.
For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear.
But when Donna gets dumped,...
This indie gem has been getting a lot of attention, and you want to make sure you put it on your radar if its coming your way. Find showtimes here.
The film has a wonderfully surprising cast, including Jake Lacy (of Better With You and The Office fame), David Cross and Richard Kind, and by all accounts is a remarkable effort at putting its lead under the microscope.
Get more info below, and seek this one out.
For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear.
But when Donna gets dumped,...
- 6/6/2014
- by Marc Eastman
- AreYouScreening.com
Stand-up queen and actress Jenny Slate stars in "Obvious Child," a comedy-drama film that will be in select theaters tomorrow. In preparation for the film's release, A24 released a clip of the funny woman leaving a bunch of drunk voicemails that grow more and more inappropriate as the night goes on. Read More: Why Jenny Slate is Everything and Nothing Like the Comic She Plays in 'Obvious Child'In "Obvious Child," Slate stars as Donna Stern, a Brooklyn comedian who gets fired, dumped and pregnant all around the same time. The film explores the life decisions she must make and handles it all with appropriate levels of humor and insight. Directed by Gillian Robespierre, "Obvious Child" also stars Gaby Hoffmann, Jake Lacy and David Cross. ...
- 6/5/2014
- by Eric Eidelstein
- Indiewire
“Obvious Child” is about would-be stand-up Donna Stern (Jenny Slate) and her decisions when a one-night stand results in an ill-timed unwanted pregnancy. “Obvious Child” began as a short in 2009, then hunted for crowdfunding, got it, and resulted in this feature-length Sundance 2014 debut for writer-director Gillian Robespierre. It’d be easy to make a crass joke about how, for a film about abortion, “Obvious Child” has had an unexpectedly long gestation period. That’s also about the only crass joke “Obvious Child” doesn’t make, but it’s also worth noting that despite its fearlessness and fake-tough bravado, the film never takes its circumstances or consequences lightly; Slate’s Donna Stern is cracking wise because if she didn’t, she’d probably just crack. Please note for but one example that even as Judd Apatow’s “Knocked Up” was praised for its realism about pregnancy, it only brought up abortion once—as a joke,...
- 6/4/2014
- by James Rocchi
- The Playlist
Chicago – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the new SXSW, Sundance Film Festival and Chicago Critics Film Festival hit “Obvious Child” featuring a star-making performance from Jenny Slate!
“Obvious Child,” which is rated “R,” also stars Jake Lacy, Gaby Hoffmann, Gabe Liedman, David Cross, Richard Kind, Polly Draper, Paul Briganti, Cindy Cheung and Stephen Singer from writer and director Gillian Robespierre and writer Karen Maine. Note: You must be 17+ to win this Hookup and attend this “R”-rated screening.
To win your free “Obvious Child” passes courtesy of HollywoodChicago.com, just get interactive with our social media widget below. That’s it! This screening is on Tuesday, June 10, 2014 at 7 p.m. in downtown Chicago. The more social actions you complete, the more points you score and the higher yours odds of winning! Completing these social actions only increases...
“Obvious Child,” which is rated “R,” also stars Jake Lacy, Gaby Hoffmann, Gabe Liedman, David Cross, Richard Kind, Polly Draper, Paul Briganti, Cindy Cheung and Stephen Singer from writer and director Gillian Robespierre and writer Karen Maine. Note: You must be 17+ to win this Hookup and attend this “R”-rated screening.
To win your free “Obvious Child” passes courtesy of HollywoodChicago.com, just get interactive with our social media widget below. That’s it! This screening is on Tuesday, June 10, 2014 at 7 p.m. in downtown Chicago. The more social actions you complete, the more points you score and the higher yours odds of winning! Completing these social actions only increases...
- 6/4/2014
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Each year since its inception, the Cinetopia International Film Festival has grown by leaps and bounds. This year finds the festival expanding even more into the Metro Detroit area, which means some of the best films from around the film festival circuit will be available. Unfortunately, that also means you may be forced to make some hard choices. I’d be willing to wager it’s nearly impossible to see all of the films that will be screened across the ten Cinetopia venues for this year’s festival, which means you might need a bit of guidance when planning your festival experience. The Cinetopia staff has been offering their Top 5 Picks throughout the past month, so I thought it was time to jump in the ring myself. Below are the five movies you should not skip at this year’s festival.
1. The Skeleton Twins
Starring Saturday Night Live (SNL) alums...
1. The Skeleton Twins
Starring Saturday Night Live (SNL) alums...
- 6/4/2014
- by Dane Jackson
- CinemaNerdz
Review: Jenny Slate is a Vulgar Delight in 'Obvious Child,' But Quit Calling It an 'Abortion Comedy'
Ever since its premiere at the Sundance Film Festival, "Obvious Child" has carried the unwieldy status of an "abortion comedy," but only the second half of that label is accurate. Indeed, this witty, lighthearted tale finds New York comedienne Donna Stern (Jenny Slate) ultimately getting impregnated by the sweet-natured business school grad Max (Jake Lacy) and deciding to undergo the procedure without telling him. It's a choice that immediately distinguishes the movie from every other entry in the genre, from "Knocked Up" to "Juno," in which the impregnated heroines eventually decide to eschew the procedure for the sake of some unspoken duty. The casual way that "Obvious Child" writer-director Gillian Robespierre (building off an original 20-minute short) rejects that tendency with her own character's decision is a welcome rebuke. But the decision itself isn't funny, nor does it dominate the plot, which is reliant on more clichés than suggested by the hype,...
- 6/3/2014
- by Eric Kohn
- Indiewire
Jenny Slate displays an unusually high tolerance for embarrassment. During an outdoor film screening in Brooklyn on a recent Saturday night, the actress smiles calmly, seated among an audience watching her run a gauntlet of debasement on a big screen. She's pictured being brutally dumped, drinking her sorrows away in pajamas, dancing drunk and half-naked during a one-night stand, joking that her underwear looks like it crawled out of a tub of cream cheese, getting sloppy and humiliating herself onstage, taking a pregnancy test, fielding parental disdain, getting laid off,...
- 6/2/2014
- Rollingstone.com
We dubbed "Obvious Child" a "breakout hit" of Sundance this January, and now we've partnered with A24 to give you the chance to see Jenny Slate's star-making performance for free before its wider release. Tickets are available in 15 cities nationwide (there's a limit of 2 per person), and all screenings will be held Tuesday, June 3rd. Best of all: the screenings are all Free. Click here to RSVP. The comedy opens June 6th. A full synopsis and trailer for the film can be found below. For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to...
- 5/30/2014
- by Indiewire
- Indiewire
Here’s a first look at the new poster for director Gillian Robespierre’s Obvious Child – the comedic gem of a discovery of the Sundance Film Festival. The film stars Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman & Richard Kind.
For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor.
On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of independent adulthood for the first time.
As she grapples with an uncertain financial future, an unwanted pregnancy, and a surprising new suitor, Donna begins to discover that the most terrifying thing about adulthood isn’t facing it all on her own.
For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor.
On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of independent adulthood for the first time.
As she grapples with an uncertain financial future, an unwanted pregnancy, and a surprising new suitor, Donna begins to discover that the most terrifying thing about adulthood isn’t facing it all on her own.
- 5/10/2014
- by Michelle McCue
- WeAreMovieGeeks.com
The simple new poster for "Obvious Child" features a slightly dishelved, yet still positively radiant Jenny Slate against a bright pink background. It's a reminder, ladies, that it is okay to revel in our "feminine tendencies." Written and Directed by Gillian Robespierre, "Obvious Child" is a grown woman's coming-of-age story. Per the synopsis provided by distributor A24: For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of independent adulthood for the first time. As she grapples with an uncertain financial future, an unwanted pregnancy, and a surprising new suitor,...
- 5/9/2014
- by Shipra Gupta
- Indiewire
★★★★☆Recent lo-fi Brooklynite comedies such as Noah Baumbach's Frances Ha (2013) and Lena Dunham's Tiny Furniture (2010) feel positively old-hat compared with Gillian Robespierre's bracing Obvious Child (2014), which is funnier and more urgent than both. Robespierre and her breakout star Jenny Slate give us a feminist comedy about abortion, but still this is one of the cutest romantic comedies of recent years - although you'll have to think carefully whether to take your date. Donna Stern (Slate) is one of those comics who puts her life into her act. She opens with scatological jokes about dirty knickers and flatulence, before launching into her her boyfriend and her Jewish New York family.
- 5/1/2014
- by CineVue UK
- CineVue
Ahead of its June 6 release, A24 has released the trailer to yet another potential hitmaker in their arsenal: Gillian Robespierre’s Obvious Child. I interviewed Robespierre about the film for our upcoming Spring issue, which upends the traditional romantic comedy route of boy meets girl by wedging an abortion into the mix. Jenny Slate stars as Donna Stern, a comedian whose pathological on-stage oversharing is momentarily stunted when she finds herself pregnant by a one night stand. Surrounded by a winsome ensemble — including Gaby Hoffman and Gabe Liedman — Donna juggles her misstep and budding relationship with Max (Jake Lacy) […]...
- 4/15/2014
- by Sarah Salovaara
- Filmmaker Magazine - Blog
Ahead of its June 6 release, A24 has released the trailer to yet another potential hitmaker in their arsenal: Gillian Robespierre’s Obvious Child. I interviewed Robespierre about the film for our upcoming Spring issue, which upends the traditional romantic comedy route of boy meets girl by wedging an abortion into the mix. Jenny Slate stars as Donna Stern, a comedian whose pathological on-stage oversharing is momentarily stunted when she finds herself pregnant by a one night stand. Surrounded by a winsome ensemble — including Gaby Hoffman and Gabe Liedman — Donna juggles her misstep and budding relationship with Max (Jake Lacy) […]...
- 4/15/2014
- by Sarah Salovaara
- Filmmaker Magazine-Director Interviews
“Saturday Night Live” alum Jenny Slate finds out she’s pregnant from a one-night stand as seen in the debut trailer for Gillian Robespierre‘s romantic comedy “Obvious Child.” Originally a short film back in 2009, “Obvious Child” found support through crowd funding to be made into a feature and went on to premiere at Sundance earlier this year. In what could potentially be her breakthrough film role, Slate plays Donna Stern, a stand-up comedian who recently got dumped after using her relationship as comedic fodder, was fired from her job at a used book store, and is now pregnant with Max [...]
The post Watch: SNL Alum Jenny Slate in First Trailer for Sundance Hit ‘Obvious Child’ appeared first on Up and Comers.
The post Watch: SNL Alum Jenny Slate in First Trailer for Sundance Hit ‘Obvious Child’ appeared first on Up and Comers.
- 4/15/2014
- by Alfonso Espina
- UpandComers
Jenny Slate’s Donna Stern is having a rough time. She’s a 27-year-old struggling stand-up comedian. Her boyfriend cheated on her with her best friend. She’s resorted to stalking him in her desperation. And she’s just found out she’s pregnant from a one night stand, and the only date available for an abortion happens to be Valentine’s Day.
Written and directed by Gillian Robespierre, Obvious Child premiered at the 2014 Sundance Film Festival and co-stars Jake Lacy (as the possibly too nice one night stand), Gaby Hoffman (as Donna’s supportive, manic friend), and David Cross...
Written and directed by Gillian Robespierre, Obvious Child premiered at the 2014 Sundance Film Festival and co-stars Jake Lacy (as the possibly too nice one night stand), Gaby Hoffman (as Donna’s supportive, manic friend), and David Cross...
- 4/15/2014
- by Lindsey Bahr
- EW - Inside Movies
After loving the comedy Obvious Child at the 2014 Sundance Film Festival earlier this year, we're happy to report the film is hitting theaters this summer, and the first trailer has just arrived. Former "Saturday Night Live" star and "The Kroll Show" regular Jenny Slate delivers a charming, hilarious and spectacular breakthrough performance as Donna, a Brooklyn comedian who gets dumped and takes solace in a one night stand and ends up pregnant. It throws her whole life into upheaval, not to mention her struggle with telling the would-be father about the mishap, including her plan to get an abortion. Not only is the film funny, but it's genuine and as I wrote in my review, "everything that romantic comedies wish they could be." Watch! Here's the first trailer for Gillian Robespierre's Obvious Child from A24: Obvious Child is written and directed by Gillian Robespierre, based on her own...
- 4/15/2014
- by Ethan Anderton
- firstshowing.net
If you aren't already familiar with Jenny Slate from her stint on "Saturday Night Live," you probably know her as the voice behind the title character in "Marcel the Shell with Shoes On," the stop-motion short she made with her husband Dean Fleischer-Camp that became a viral smash and screened at the 2011 Sundance Film Festival. She also appeared on TV in "Parks and Recreation" and "Girls." In Gillian Robespierre's hit Sundance comedy "Obvious Child," Slate proves she can carry a project solo. Playing a Brooklyn comedian who refuses to grow up (think "Frances Ha" with bigger laughs), Slate shines in the A24 comedy that opens in select theaters on June 6. We have the first trailer. Here's the official synopsis: For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics...
- 4/15/2014
- by Nigel M Smith
- Indiewire
While it didn’t take any of the Sundance Film Festival awards earlier this year, one of the bigger breakout films from the Utah-set festival was “Obvious Child.” Starring comedienne and former 'SNL' cast member Jenny Slate, the film centers on an unapologetically crude aspiring comedian whose world is turned upside down by a devastating break-up, getting fired from her job and an unplanned pregnancy. Our review from Sundance called the film, “tough and funny, true and snappy… well-made and wickedly bold” and Slate was included in our 20 Breakout Actors, Directors & Talents From The 2014 Sundance Film Festival feature from earlier this year. Directed by Gillian Robespierre (who started out “Obvious Child” as a 2009 short), the picture also co-stars Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman and Richard Kind. Here’s the full synopsis. For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable.
- 4/15/2014
- by Edward Davis
- The Playlist
A24 has released the trailer for the upcoming comedy Obvious Child , starring Jenny Slate. Check it out in the player below! The project began as a 2009 short of the same name and first-time writer-director Gillian Robespierre raised $37,000 via Kickstarter to help with the production costs of turning it into a feature film. In the movie, Slate, a former "Saturday Night Live" cast member and recurring character on NBC's "Parks and Recreation," plays Brooklyn comedian Donna Stern, who is dumped, fired and pregnant just in time for Valentine's Day. The film also stars Jake Lacy, Gaby Hoffman, Polly Draper, Richard Kind and David Cross. Obvious Child hits theaters June 6.
- 4/15/2014
- Comingsoon.net
Now in its third year the Sundance London film and music festival has just unveiled its lineup for the 2014 event and it is the strongest year so far.
Building on the great work done by the festival’s filmmakers and directors over the last few years the London based offshoot of the famous Park City happening has carved out its own identity to become on the most interesting and eclectic events in the calendar.
We have an Exclusive Presale link so click here now to get your tickets for Sundance London.
Michael Fassbender leads the way as Jon Ronson’s affectionate tribute to the world of Frank Sidebottom gets a UK premiere at the festival. Likewise Steve Coogan and Rob Brydon’s second Trip (this time to Italy) gets its first showing (and is highly recommended) and Ryan Reynolds and Gemma Arterton talk to the animals in Marjane Satrapi’s The Voices.
Building on the great work done by the festival’s filmmakers and directors over the last few years the London based offshoot of the famous Park City happening has carved out its own identity to become on the most interesting and eclectic events in the calendar.
We have an Exclusive Presale link so click here now to get your tickets for Sundance London.
Michael Fassbender leads the way as Jon Ronson’s affectionate tribute to the world of Frank Sidebottom gets a UK premiere at the festival. Likewise Steve Coogan and Rob Brydon’s second Trip (this time to Italy) gets its first showing (and is highly recommended) and Ryan Reynolds and Gemma Arterton talk to the animals in Marjane Satrapi’s The Voices.
- 3/24/2014
- by Jon Lyus
- HeyUGuys.co.uk
Sundance just ended, and we are already preparing for the next big film festival, South By Southwest. Not too long ago, the festival announced a few of the films premiering this year, but now they’ve announced the main slate. The midnight selections and some inevitable late-breaking additions are still to be announced, but this should be more than enough to get you excited. Along with many World Premieres, and Sundance favorites like Richard Linklater’s Boyhood and Gareth Evans’ The Raid 2, the line up also includes an anniversary screening of The Texas Chain Saw Massacre, and an extended Q&A screening of The Grand Budapest Hotel with Wes Anderson. SXSW 2014 runs March 7 through 15 in Austin, Texas. Check out the line up after the jump.
****
Narrative Feature Competition
Eight world premieres, eight unique ways to celebrate the art of storytelling. Selected from 1,324 films submitted to SXSW 2014. Films screening in Narrative...
****
Narrative Feature Competition
Eight world premieres, eight unique ways to celebrate the art of storytelling. Selected from 1,324 films submitted to SXSW 2014. Films screening in Narrative...
- 1/31/2014
- by Ricky
- SoundOnSight
Today the South by Southwest (SXSW) Film Conference and Festival announced a diverse features lineup for this year’s Festival, the 21st edition and running March 7 – 15, 2014 in Austin, Texas. The 2014 program expands on SXSW tradition of embracing a range of genres and span of budgets, featuring a wealth of vision from experienced and developing filmmakers alike.
For more information visit http://sxsw.com/film.
Listed in the announcement are 115 of the features that will screen over the course of nine days at SXSW 2014. The lineup below includes 68 films from first-time filmmakers, and consists of 76 World Premieres, 10 North American Premieres and 7 U.S. Premieres. These films were selected from a record 2,215 feature-length film submissions composed of 1,540 U.S. and 675 international feature-length films. With a record number of 6,482 submissions total, the overall increase was 14% over 2013. The Midnighters feature section and the Short Film program will be announced on February 5, with the complete...
For more information visit http://sxsw.com/film.
Listed in the announcement are 115 of the features that will screen over the course of nine days at SXSW 2014. The lineup below includes 68 films from first-time filmmakers, and consists of 76 World Premieres, 10 North American Premieres and 7 U.S. Premieres. These films were selected from a record 2,215 feature-length film submissions composed of 1,540 U.S. and 675 international feature-length films. With a record number of 6,482 submissions total, the overall increase was 14% over 2013. The Midnighters feature section and the Short Film program will be announced on February 5, with the complete...
- 1/31/2014
- by Movie Geeks
- WeAreMovieGeeks.com
After announcing earlier this month that Jon Favreau’s Chef and the Veronica Mars movie will be making their world debuts at SXSW this year, the festival has revealed its full line-up, including further very promising world premieres, alongside appearances from some of the year’s most high-profile films.
The Midnight programme will be announced early next month, along with the Shorts line-up, and the complete Conference slate a little later as well.
Led by Seth Rogen and Zac Efron, Nicholas Stoller’s anticipated R-rated comedy, Neighbors, will be making its world debut at the festival, notably marked out as a ‘work-in-progress’ ahead of its theatrical release in May.
David Gordon Green’s acclaimed Joe will make its Us premiere, having bowed at Venice and then Toronto last year. Early reviews have Nicolas Cage giving one of the finest performances of his career, with Tye Sheridan (Mud) excellent alongside him.
The Midnight programme will be announced early next month, along with the Shorts line-up, and the complete Conference slate a little later as well.
Led by Seth Rogen and Zac Efron, Nicholas Stoller’s anticipated R-rated comedy, Neighbors, will be making its world debut at the festival, notably marked out as a ‘work-in-progress’ ahead of its theatrical release in May.
David Gordon Green’s acclaimed Joe will make its Us premiere, having bowed at Venice and then Toronto last year. Early reviews have Nicolas Cage giving one of the finest performances of his career, with Tye Sheridan (Mud) excellent alongside him.
- 1/30/2014
- by Kenji Lloyd
- HeyUGuys.co.uk
Not sure if there is a Short Term 12 equivalent in this year’s Narrative Feature Comp, but on paper SXSW programmers are serving up a mean (and the usual lean group of 8 out of a whopping 1,324 film entries) for the upcoming competitiuon of eight which includes notable entries (that we’ve been tracking for a good time now) such as Zachary Wigon’s The Heart Machine, John Magary’s The Mend, Leah Meyerhoff’s I Believe in Unicorns and Lawrence Michael Levine’s Wild Canaries. Undoubtedly one of the most anticipated docs of the year, on the non-fiction side we find Margaret Brown’s The Great Invisible. Below you’ll find a breakdown of the other sections (notable world preems in We’ll Never Have Paris and Faults (see Mary Elizabeth Winstead above), some Sundance items with Texan connections and other nuggets.
Narrative Feature Competition
Eight world premieres, eight...
Narrative Feature Competition
Eight world premieres, eight...
- 1/30/2014
- by Eric Lavallee
- IONCINEMA.com
Title: Obvious Child Director: Gillian Robespierre Starring: Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman, Richard Kind New York City is a place ripe for young adults to experience their formative years. That time often comes with hopes and dreams that aren’t quite equivalent to financial realities. Obvious Child stars Jenny Slate as Donna Stern, a 27-year-old stand-up comedian. Though she has a regular opportunity to perform her material, Jenny is not exactly living large. When her boyfriend breaks up with her in a bar bathroom after her show, Donna descends into a state of misery, obsessing over him and struggling to get her life back on track. [ Read More ]
The post Obvious Child Movie Review appeared first on Shockya.com.
The post Obvious Child Movie Review appeared first on Shockya.com.
- 1/29/2014
- by abe
- ShockYa
The 2014 Sundance Film Festival is finally over (check out all our coverage right here), and as is always the case after the indie film bonanza in Park City, some films were lucky enough to get purchased for distribution on the big screen. However, with no break out hits like Beasts of the Southern Wild, Like Crazy or Fruitvale Station, there were significantly less pick-ups during the festival, with only 21 films getting picked up. There's likely plenty more deals to come with buzzed about films with recognizable faces like Infinitely Polar Bear with Mark Ruffalo and Camp X-Ray with Kristen Stewart still looking for distribution. But for now, we've collected a list of all the films that got picked up so far. See the list below! All acquisitions are in alphabetical order by company, and are accompanied by a brief Sundance synopsis: A24 Obvious Child (Director & Screenwriter: Gillian Robespierre) — An honest...
- 1/27/2014
- by Ethan Anderton
- firstshowing.net
With the topic being so controversial, who would have thought that a romantic comedy with abortion at the center of the story would be so damn charming and irresistible. Obvious Child hails from Gillian Robespierre, turning her short film of the same name into a feature length film with "Saturday Night Live" veteran Jenny Slate playing the same role, a twentysomething who finds herself with an unexpected pregnancy after a one night stand with a kind, alluring stranger (Jake Lacy of "The Office"). The familiar meet-cute that would normally drive a generic romantic comedy is made engaging with the abortion focus. Slate plays Donna Stern, an affably lewd comedian living in Brooklyn struggling to keep up her spirits up on and off the stage after a traumatizing break-up. It's familiar territory for Slate, but it's the actresses performance outside of the clearly comfortable stand-up comedy routines that the "SNL" veteran...
- 1/26/2014
- by Ethan Anderton
- firstshowing.net
Premiering at Sundance, “Obvious Child” is about would-be stand-up Donna Stern (Jenny Slate) and her decisions when a one-night stand results in an ill-timed unwanted pregnancy. “Obvious Child” began as a short in 20009, then hunted for crowdfunding, got it, and resulted in this feature-length Sundance 2014 debut for writer-director Gillian Robespierre. It’d be easy to make a crass joke about how, for a film about abortion, “Obvious Child” has had an unexpectedly long gestation period. That’s also about the only crass joke “Obvious Child” doesn’t make, but it’s also worth noting that despite its fearlessness and fake-tough bravado, the film never takes its circumstances or consequences lightly; Slate’s Donna Stern is cracking wise because if she didn’t, she’d probably just crack. Please note for but one example that even as Judd Apatow’s “Knocked Up” was praised for its realism about pregnancy, it only...
- 1/24/2014
- by James Rocchi
- The Playlist
Jenny Slate stars in "Obvious Child"Our Sundance Film Festival coverage continues with Michael Cusumano on "Obvious Child".
If you have heard Tig Notaro’s astonishing comedy album Live you have some sense of the vibe Gillian Robespierre’s Obvious Child is aiming for. The album captures the already legendary set where Notaro hit the stage fresh from a cancer diagnosis and proceeded to spin that, and a slew of other recent misfortunes including the death of her mother and the disintegration of a long term relationship, into comedy gold.
The circumstances Obvious Child’s Donna Stern finds herself in are pretty rough, if not as dire as Notaro’s. In the space of a week Donna is dumped by her boyfriend, loses her job, and hits a new low on stage as a struggling NYC comedian. All this before the possibility of unplanned pregnancy enters the picture. The film...
If you have heard Tig Notaro’s astonishing comedy album Live you have some sense of the vibe Gillian Robespierre’s Obvious Child is aiming for. The album captures the already legendary set where Notaro hit the stage fresh from a cancer diagnosis and proceeded to spin that, and a slew of other recent misfortunes including the death of her mother and the disintegration of a long term relationship, into comedy gold.
The circumstances Obvious Child’s Donna Stern finds herself in are pretty rough, if not as dire as Notaro’s. In the space of a week Donna is dumped by her boyfriend, loses her job, and hits a new low on stage as a struggling NYC comedian. All this before the possibility of unplanned pregnancy enters the picture. The film...
- 1/22/2014
- by Michael C.
- FilmExperience
Writer/Director: Gillian Robespierre
Cast: Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman, Richard Kind
Performances
In Obvious Child, former SNL cast member Jenny Slate shines as a struggling stand-up comic whose life unravels when her boyfriend brutally dumps her for one of her friends. Things get worse when she has a rebound one-night-stand and becomes pregnant. Slate is known mostly for her often over-the-top characters on SNL and Kroll Show. In this film, however, she gives a wonderful and grounded performance, emerging as a relatable and irresistibly likable leading-lady.
Jake Lacy plays the straight-laced guy Slate has a one night stand with who is unaware that she is pregnant as he continues to pursue her. He plays to type as the nice guy the girl should obviously end up with — pretty much the exact same role he played on The Office -- but he’s damn good at it,...
Cast: Jenny Slate, Jake Lacy, Gaby Hoffmann, David Cross, Gabe Liedman, Richard Kind
Performances
In Obvious Child, former SNL cast member Jenny Slate shines as a struggling stand-up comic whose life unravels when her boyfriend brutally dumps her for one of her friends. Things get worse when she has a rebound one-night-stand and becomes pregnant. Slate is known mostly for her often over-the-top characters on SNL and Kroll Show. In this film, however, she gives a wonderful and grounded performance, emerging as a relatable and irresistibly likable leading-lady.
Jake Lacy plays the straight-laced guy Slate has a one night stand with who is unaware that she is pregnant as he continues to pursue her. He plays to type as the nice guy the girl should obviously end up with — pretty much the exact same role he played on The Office -- but he’s damn good at it,...
- 1/20/2014
- by Eli Reyes
- GeekTyrant
A24 has made their second distribution deal of the 2014 Sundance Film Festival, picking up the Jenny Slate comedy Obvious Child for North American distribution. The project began as a 2009 short of the same name and first-time writer-director Gillian Robespierre raised $37,000 via Kickstarter to help with the production costs of turning it into a feature film, which premiered on Friday as part of Sundance's Next competition. In the movie, Slate, a former "Saturday Night Live" cast member and recurring character on NBC's "Parks and Recreation," plays Brooklyn comedian Donna Stern, who is dumped, fired and pregnant just in time for Valentine's Day. The film also stars Jake Lacy, Gaby Hoffman, Polly Draper, Richard Kind and David Cross. A24 also picked up...
- 1/20/2014
- Comingsoon.net
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