Festival names 16 projects from Spain and Latin America.
Sónia Méndez’s As Neves (The Snows), Laura Ferrés’ The Permanent Picture and Agustín Toscano’s I Trust You are among 16 projects selected for the sixth edition of Malaga Work In Progress,
Spain’s Aquí y Allí Films, the company behind the winner of 2012 Critics’ Week with emigration drama Aquí y Allá, by Antonio Méndez Esparza, is producing the Sonia Méndez’s feature debut As Neves, a psychological drama with thriller touches set in Galicia.
Scroll down for full list of projects
After her 2017 Cannes Critics’ Week short film winner The Disinherited,...
Sónia Méndez’s As Neves (The Snows), Laura Ferrés’ The Permanent Picture and Agustín Toscano’s I Trust You are among 16 projects selected for the sixth edition of Malaga Work In Progress,
Spain’s Aquí y Allí Films, the company behind the winner of 2012 Critics’ Week with emigration drama Aquí y Allá, by Antonio Méndez Esparza, is producing the Sonia Méndez’s feature debut As Neves, a psychological drama with thriller touches set in Galicia.
Scroll down for full list of projects
After her 2017 Cannes Critics’ Week short film winner The Disinherited,...
- 2/14/2023
- by Emilio Mayorga
- ScreenDaily
Three first features from Spain’s burgeoning next generation of female filmmakers, led by Cannes Critics’ Week winner Laura Ferrès, is one highlight at this year’s Málaga Work in Progress, an Málaga Festival industry centerpiece where productions such as “The Platform” first saw the light of day.
Playing in Malaga Wip, “The Platform” was acquired by Latido Film which sold the title to Netflix at Toronto. It has gone on to rank as the third most-watched non-English movie ever on Netflix.
At least three titles – Spanish road movie “Devil Dog Road,” horror pic “The Hidden City,” the neo-noir “Foremost by Night” – boast genre gristle. Some titles turn on gender oppression (“As Neves”), female self-discovery (“Mara’s Vacation”) or sexual diversity (“I Trust You”). Many, especially from Spain, have social-issue overtones.
Production companies range from established indie forces – Madrid’s Aquí y Allí, Buenos Aires’ Magma Cine, Portugal’s Ukbar Filmes – to on-the-rise outfits,...
Playing in Malaga Wip, “The Platform” was acquired by Latido Film which sold the title to Netflix at Toronto. It has gone on to rank as the third most-watched non-English movie ever on Netflix.
At least three titles – Spanish road movie “Devil Dog Road,” horror pic “The Hidden City,” the neo-noir “Foremost by Night” – boast genre gristle. Some titles turn on gender oppression (“As Neves”), female self-discovery (“Mara’s Vacation”) or sexual diversity (“I Trust You”). Many, especially from Spain, have social-issue overtones.
Production companies range from established indie forces – Madrid’s Aquí y Allí, Buenos Aires’ Magma Cine, Portugal’s Ukbar Filmes – to on-the-rise outfits,...
- 2/14/2023
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
Juanma Bajo Ulloa and Jo Sol share the award for Best Film at the 30th Nantes Spanish Film Festival. The Audience award went to One for All and the award for Best Documentary to Rol & Rol. Exceptionally organised online, the 30th edition of the Nantes Spanish Film Festival has placed two feature films ex-aequo in the Fiction category, with the 2021 Jules Verne award for Best Film being shared by Baby from Juanma Bajo Ulloa (winner of the Best Score award last November at Tallinn Black Nights) and Armugan from Jo Sol (discovered in competition at Tallinn). With screenwriter Alicia Luna as its president, the jury underlined the force and originality of two films "with similar qualities: the radical primacy of the images over the dialogue, a sumptuous cinematography which made us all regret the fact that we could not discover these films on the big screen, the vibrant...
Carolina Astudillo’s “Song to a Lady in the Shadow,” Fabrizio Ferraro’s “The Luminous View,” Jo Sol’s “Armugan,” and Miguel Angel Blanca’s “Magaluf Ghost Town” feature among a 31-title lineup hosted by promotion board Catalan Films at an European Film Market virtual screening room.
Produced by Cornelius Films, “Song” marks the third feature outing of director Carolina Astudillo. A doc-fiction hybrid, it turns on a family whose father is exiled in France after fighting for the Republican government during the Spanish Civil War. Echoing Homer’s Penelope, his wife stays behind with their children in a Catalan village suffering hunger, deprivation, economic crisis and unemployment.
Another awaited documentary, “Magaluf,” is produced by Boogaloo Films in co-production with France’s Les Films d’Ici. Director Blanca depicts the consequences of unbridled tourism in a popular destination in the Balearic Islands, with a touch of comedy.
Selected at this year’s Forum showcase,...
Produced by Cornelius Films, “Song” marks the third feature outing of director Carolina Astudillo. A doc-fiction hybrid, it turns on a family whose father is exiled in France after fighting for the Republican government during the Spanish Civil War. Echoing Homer’s Penelope, his wife stays behind with their children in a Catalan village suffering hunger, deprivation, economic crisis and unemployment.
Another awaited documentary, “Magaluf,” is produced by Boogaloo Films in co-production with France’s Les Films d’Ici. Director Blanca depicts the consequences of unbridled tourism in a popular destination in the Balearic Islands, with a touch of comedy.
Selected at this year’s Forum showcase,...
- 2/26/2021
- by Emilio Mayorga
- Variety Film + TV
At the Award Ceremony of the 24th Tallinn Black Nights Film Festival (PÖFF) awards were handed to the winners of the four competition programmes of the festival and PÖFF’s sub-festivals Youth and Children’s Film Festival Just Film and International Short Film and Animation Film Festival PÖFF Shorts.
The jury of Official Selection – Competition headed by Mark Adams selected director Ivaylo Hristov’s drama “Fear“ as their favourite, handing the film the Grand Prix of the festival. Blending drama with deadpan comedy, the film’s story is set on the Bulgarian border, on a new route for African migrants arriving from Turkey with hopes to reach Germany. The protagonist, the former school teacher, comes across an African man who will bring a dramatic turn to her life.
The Best Director award goes to Turkish director Nisan Dağ for “When I’m Done Dying“, a vibrant portrayal of an upcoming hiphop artist struggling with drug addiction.
The jury of Official Selection – Competition headed by Mark Adams selected director Ivaylo Hristov’s drama “Fear“ as their favourite, handing the film the Grand Prix of the festival. Blending drama with deadpan comedy, the film’s story is set on the Bulgarian border, on a new route for African migrants arriving from Turkey with hopes to reach Germany. The protagonist, the former school teacher, comes across an African man who will bring a dramatic turn to her life.
The Best Director award goes to Turkish director Nisan Dağ for “When I’m Done Dying“, a vibrant portrayal of an upcoming hiphop artist struggling with drug addiction.
- 12/2/2020
- by Adriana Rosati
- AsianMoviePulse
If words like "slow cinema", "philosophical" and "contemplation" already make you feel twitchy, then you'll probably know that this latest film from Jo Sol is not for you but if you welcome films that leave space for your own thoughts in between the dialogue, then this is a winner. The antithesis of a blockbuster, it is a densely worked tale steeped in metaphor and, as you might expect for such an arthouse affair, it is shot in crisp monochrome, eschewing straightforward story in favour of considering the profoundly complex nature of death and what precedes it.
Visually arresting from the start, when we see Armugan (Íñigo Martínez) being piggybacked, with great effort, through the mountains by Ánchel (Gonzalo Cunill), we are told that he is a doula for the dying, being called to homes, almost like a priest when people are on the brink of death, to comfort them on their way from this.
Visually arresting from the start, when we see Armugan (Íñigo Martínez) being piggybacked, with great effort, through the mountains by Ánchel (Gonzalo Cunill), we are told that he is a doula for the dying, being called to homes, almost like a priest when people are on the brink of death, to comfort them on their way from this.
- 11/28/2020
- by Amber Wilkinson
- eyeforfilm.co.uk
Nisan Dağ wins best director for ‘When I’m Done Dying’.
Director Ivaylo Hristov and producer Assen Vladimirov have won the Grand Prix for best film, for Bulgarian drama Fear, at Tallinn Black Nights Film Festival (PÖFF).
The event presented its awards in Tallinn, Estonia this evening. Hristov and Vladimirov share the €10,000 grant that comes with the win.
Scroll down for the full list of awards
They were awarded the prize by a jury consisting of Mark Adams, Mostofa Sarwar Farooki, Izabela Kiszka-Hoflik and Ester Kuntu.
The jury praised “a beautifully-made film that astutely balances dry humour with important contemporary drama.
Director Ivaylo Hristov and producer Assen Vladimirov have won the Grand Prix for best film, for Bulgarian drama Fear, at Tallinn Black Nights Film Festival (PÖFF).
The event presented its awards in Tallinn, Estonia this evening. Hristov and Vladimirov share the €10,000 grant that comes with the win.
Scroll down for the full list of awards
They were awarded the prize by a jury consisting of Mark Adams, Mostofa Sarwar Farooki, Izabela Kiszka-Hoflik and Ester Kuntu.
The jury praised “a beautifully-made film that astutely balances dry humour with important contemporary drama.
- 11/27/2020
- by Ben Dalton
- ScreenDaily
Twelve films to receive their world premiere in competition at the festival.
Estonia’s Tallinn Black Nights Film Festival (November 13-29) has unveiled the full lineup of its main competition strand as it prepares to go ahead as a mix of physical and online events.
The festival’s official selection comprises 12 world premieres, 12 international and two European premieres. Eight of these films were previously announced, including István Szabó’s Final Report.
Scroll down for full list of titles
Titles set to receive their world premiere include rural drama Armugan from Spanish director Jo Sol, who won a best new director...
Estonia’s Tallinn Black Nights Film Festival (November 13-29) has unveiled the full lineup of its main competition strand as it prepares to go ahead as a mix of physical and online events.
The festival’s official selection comprises 12 world premieres, 12 international and two European premieres. Eight of these films were previously announced, including István Szabó’s Final Report.
Scroll down for full list of titles
Titles set to receive their world premiere include rural drama Armugan from Spanish director Jo Sol, who won a best new director...
- 10/29/2020
- by Michael Rosser
- ScreenDaily
Festival devoted to cinema of the Mediterranean basin unfolded in French city of Montpellier Oct 21-29.
Spanish director Jo Sol’s Living And Other Fictions has won the top prize at the CineMed film festival, devoted to cinema hailing from the Mediterranean basin.
The drama revolves around the friendship between fragile former psychiatric patient Pepe and disabled activist Antonio, who tries to help the former build a life outside the walls of an institution.
The jury - led by actress Laetitia Casta – described the film as a “human experience” which broke taboos and praised it for the way in which it built the two central characters on the big screen “without judgement or morals” coming into play.
French director Fabrice Benchaouche’s feel-good picture Timgad -about the efforts of a junior soccer team from a small Algerian village to get to a major tournament in France - won the Audience Award.
The Best Documentary...
Spanish director Jo Sol’s Living And Other Fictions has won the top prize at the CineMed film festival, devoted to cinema hailing from the Mediterranean basin.
The drama revolves around the friendship between fragile former psychiatric patient Pepe and disabled activist Antonio, who tries to help the former build a life outside the walls of an institution.
The jury - led by actress Laetitia Casta – described the film as a “human experience” which broke taboos and praised it for the way in which it built the two central characters on the big screen “without judgement or morals” coming into play.
French director Fabrice Benchaouche’s feel-good picture Timgad -about the efforts of a junior soccer team from a small Algerian village to get to a major tournament in France - won the Audience Award.
The Best Documentary...
- 11/2/2016
- ScreenDaily
Three Spanish titles will compete for this year’s Golden Shell.Scroll down for full line-up
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
- 7/28/2016
- ScreenDaily
Three Spanish titles will compete for this year’s Golden Shell.Scroll down for full line-up
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
- 7/28/2016
- ScreenDaily
Madrid -- When the 13th Malaga Spanish Film Festival kicks off Saturday it signals the beginning of a new film season for Spain -- as the festival packs a powerful punch of premieres from edgy first-time directors and seasoned veterans in its lineup.
Spain's main showcase for homegrown talent, Malaga has firmly established itself as the debut of most of the local industry's solid product.
A parade of Spanish industry faces accompanies such a lineup every year and this year is no different. Aside from Culture Minister Angeles Gonzalez-Sinde and Film Institute director Ignasi Guardans, director Carlos Saura, Nacho Velillo and Juana Macias, producer Andres Vicente Gomez, actors Lorenzo Balducci and Javier Camara, among others, are expected.
And that's just the first weekend.
This year's official section is bookended by two of Spain's most international auteurs: Carlos Saura with his Mozart-driven "I, Don Giovanni" and Julio Medem with the sexy "Room in Rome.
Spain's main showcase for homegrown talent, Malaga has firmly established itself as the debut of most of the local industry's solid product.
A parade of Spanish industry faces accompanies such a lineup every year and this year is no different. Aside from Culture Minister Angeles Gonzalez-Sinde and Film Institute director Ignasi Guardans, director Carlos Saura, Nacho Velillo and Juana Macias, producer Andres Vicente Gomez, actors Lorenzo Balducci and Javier Camara, among others, are expected.
And that's just the first weekend.
This year's official section is bookended by two of Spain's most international auteurs: Carlos Saura with his Mozart-driven "I, Don Giovanni" and Julio Medem with the sexy "Room in Rome.
- 4/15/2010
- by By Pamela Rolfe
- The Hollywood Reporter - Movie News
Helmer Jo Sol's Fake Orgasm is based interviews done in the U.S., Europe, Asia, and South America. Sol attempts to find common answers that cross-cultural boundaries as to why three quarters of women say they're sexually dissatisfied and many fake orgasms. Personally, I'm already looking forward to the audio portion of the film. - It's a sign of the times when U.S. based indie producers are looking outside their parameters for new ops. Relatively a new trend, Christine Vachon's Killer Films has been working outside the U.S. for funding, filming and other co-production duties for a while now, this time out, Variety reports that the company is boarding a doc film from Spain in an exec-producer, promotions, distribution and festival strategy capacity. I think that the subject matter is amusing enough that this is more than just a deal that'll pay the rent. Helmer Jo Sol...
- 12/23/2009
- IONCINEMA.com
Christine Vachon's Killer Films is set to co-produce Zip Films' "Fake Orgasm." The documentary is produced by Jordi Rediu and Norbert Llaras of Zip Films. Jo Sol directs. Vachon will exec produce. "Orgasm" is based on a seven-month shoot with interviews in Europe, U.S., India, China, Thailand, Japan, Chile, Brazil and Hawaii. Sol tries to find common answers that cross boundaries of cultures, asking why three quarters of women say they're sexually unsatisfied, and many fake orgasms.
- 12/22/2009
- Upcoming-Movies.com
San Sebastian, Spain -- U.S. venture capital fund GC Financial Group has acquired a 25% stake in Barcelona-based Zip Films for €3.7 million, giving it a foothold in Spain from which to launch a European expansion.
"Now we have a base in Europe to take advantage of the financing structure for independent films," GC managing partner Adi Cohen said Thursday. "Zip is our base with the Spanish-speaking film industry, and gives us a place to launch our European entertainment operation."
Cohen said GC would be looking to buy another film company in Germany as part of its strategy.
"In the last 10 years most independent films were financed out of Europe," Cohen said. "We're looking to be in the center of the process, instead of at the end of the food chain."
GC gives Zip access to a $22.4 million in revolving credit as the newly teamed entity looks to become what Cohen calls a "Pan-European,...
"Now we have a base in Europe to take advantage of the financing structure for independent films," GC managing partner Adi Cohen said Thursday. "Zip is our base with the Spanish-speaking film industry, and gives us a place to launch our European entertainment operation."
Cohen said GC would be looking to buy another film company in Germany as part of its strategy.
"In the last 10 years most independent films were financed out of Europe," Cohen said. "We're looking to be in the center of the process, instead of at the end of the food chain."
GC gives Zip access to a $22.4 million in revolving credit as the newly teamed entity looks to become what Cohen calls a "Pan-European,...
- 9/24/2009
- by By Pamela Rolfe
- The Hollywood Reporter - Movie News
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