The BBC is celebrating the art of the literary adaptation by screening a variety of classics on BBC Four. More details here.
The BBC is quite rightly celebrated for its rich history of book to screen adaptations, such as the iconic 1995 version of Jane Austen’a Pride And Prejudice to Cbbc’s hugely successful adaptation of Dame Jacqueline Wilson’s Tracy Beaker series.
It has now put together a season of 14 adaptations from the BBC archive, some of which have rarely been seen since their original broadcast.
The dramas are:
The Great Gatsby
Toby Stephens, Mira Sorvino and Paul Rudd lead the cast in this 2000 BBC adaptation of F Scott Fitzgerald’s classic novel on the American dream in the jazz age.
Small Island
Naomie Harris, Ruth Wilson, David Oyelowo, Benedict Cumberbatch and Ashley Walters star in this 2009 TV version of Andrea Levy’s novel focusing on the lives and...
The BBC is quite rightly celebrated for its rich history of book to screen adaptations, such as the iconic 1995 version of Jane Austen’a Pride And Prejudice to Cbbc’s hugely successful adaptation of Dame Jacqueline Wilson’s Tracy Beaker series.
It has now put together a season of 14 adaptations from the BBC archive, some of which have rarely been seen since their original broadcast.
The dramas are:
The Great Gatsby
Toby Stephens, Mira Sorvino and Paul Rudd lead the cast in this 2000 BBC adaptation of F Scott Fitzgerald’s classic novel on the American dream in the jazz age.
Small Island
Naomie Harris, Ruth Wilson, David Oyelowo, Benedict Cumberbatch and Ashley Walters star in this 2009 TV version of Andrea Levy’s novel focusing on the lives and...
- 2/6/2024
- by Jake Godfrey
- Film Stories
On its face, Criterion’s Chantal Akerman Masterpieces, 1968–1978 is an essential set for offering key early works, some more obscure than others, from the career of one of the great film artists. But the pleasures here run deeper. Akerman used each of her initial films as a springboard to the next, and watching them in chronological order sees her consolidating and complicating her aesthetic and thematic preoccupations with each successive project.
Consider Akerman’s first film, 1968’s Saute ma ville. Akerman made this 13-minute short at the age of 18, and its debt to the antic energy and seriocomic political inclinations of the French New Wave makes it an outlier in a body of work fixated on structuralism and more meditative atmospheres. Yet in the film’s depiction of a young woman (Akerman herself) trashing her apartment emerges an outlandish expression of what will become a more somberly explored theme in upcoming shorts,...
Consider Akerman’s first film, 1968’s Saute ma ville. Akerman made this 13-minute short at the age of 18, and its debt to the antic energy and seriocomic political inclinations of the French New Wave makes it an outlier in a body of work fixated on structuralism and more meditative atmospheres. Yet in the film’s depiction of a young woman (Akerman herself) trashing her apartment emerges an outlandish expression of what will become a more somberly explored theme in upcoming shorts,...
- 1/26/2024
- by Jake Cole
- Slant Magazine
French film promotional organization Unifrance put talent in the spotlight at this year’s Rendez-Vous in Paris, where the 10 actors and filmmakers selected as 2024’s Talents to Watch were fêted with flutes of champagne at France’s Ministry of Culture before being introduced to the international press at a dedicated event.
For more than a decade, the 10 to Watch program has pinpointed the creative talents breathing modernity and vitality into contemporary French cinema. Think of a Gallic artist that’s made international waves over the past decade, and chances are they made this list. Here are the voices taking the industry forward in the years to come.
Sofia Alaoui
Sofia Alaoui
Franco-Moroccan filmmaker Sofia Alaoui will build on the rugged eeriness of her 2023 Sundance jury prize winner “Animalia” with “Tarfaya” – a slow-burn thriller that mines Morocco’s sweeping landscapes for ambient unease.
The upcoming film will follow Meryam, a 40-something...
For more than a decade, the 10 to Watch program has pinpointed the creative talents breathing modernity and vitality into contemporary French cinema. Think of a Gallic artist that’s made international waves over the past decade, and chances are they made this list. Here are the voices taking the industry forward in the years to come.
Sofia Alaoui
Sofia Alaoui
Franco-Moroccan filmmaker Sofia Alaoui will build on the rugged eeriness of her 2023 Sundance jury prize winner “Animalia” with “Tarfaya” – a slow-burn thriller that mines Morocco’s sweeping landscapes for ambient unease.
The upcoming film will follow Meryam, a 40-something...
- 1/23/2024
- by Ben Croll
- Variety Film + TV
“Love is stronger than death… even than life.”
Twenty-five years before Bram Stoker revolutionized the world of horror with his iconic novel Dracula, another sensual vampire was drifting into the moonlit bedchambers of society’s upper crust. First appearing in a 1871 edition of the literary magazine The Dark Blue, Carmilla, a.k.a. Mircalla, Countess Karnstein, preys upon unsuspecting young women in the crumbling castles of the Austrian countryside. Despite never gaining the ubiquity of Stoker’s dark antagonist, Sheridan Le Fanu’s gothic novella Carmilla is one of the world’s first examples of vampiric literature and helped to establish the archetype of the lesbian vampire. Belgian director Harry Kümel combines this foundational text with the true story of Hungarian serial killer Elizabeth Báthory to create another sinister seductress in his 1971 erotic horror film Daughters of Darkness.
Newlyweds Stefan (John Karlen) and Valerie (Danielle Ouimet) are still enjoying the...
Twenty-five years before Bram Stoker revolutionized the world of horror with his iconic novel Dracula, another sensual vampire was drifting into the moonlit bedchambers of society’s upper crust. First appearing in a 1871 edition of the literary magazine The Dark Blue, Carmilla, a.k.a. Mircalla, Countess Karnstein, preys upon unsuspecting young women in the crumbling castles of the Austrian countryside. Despite never gaining the ubiquity of Stoker’s dark antagonist, Sheridan Le Fanu’s gothic novella Carmilla is one of the world’s first examples of vampiric literature and helped to establish the archetype of the lesbian vampire. Belgian director Harry Kümel combines this foundational text with the true story of Hungarian serial killer Elizabeth Báthory to create another sinister seductress in his 1971 erotic horror film Daughters of Darkness.
Newlyweds Stefan (John Karlen) and Valerie (Danielle Ouimet) are still enjoying the...
- 1/11/2024
- by Jenn Adams
- bloody-disgusting.com
Clockwise from top left: Bram Stoker’s Dracula (Sony), Dracula (Universal), Only Lovers Left Alive (Sony), The Hunger (MGM/UA), Nosferatu The Vampyre (Shout Factory), Nosferatu (Kino Lorber) Graphic: AVClub
The vampire is cinema’s favorite monster. Ever since Nosferatu more than a century ago, bloodsuckers of every conceivable persuasion...
The vampire is cinema’s favorite monster. Ever since Nosferatu more than a century ago, bloodsuckers of every conceivable persuasion...
- 10/17/2023
- by Matthew Jackson
- avclub.com
Christophe Honoré selected Catherine Breillat’s 36 Fillette: “Her work is very important for French cinema.” Photo: Anne-Katrin Titze
Jacques Demy’s Lola (starring Anouk Aimée with Marc Michel), Wim Wenders’ Paris, Texas, Zhangke Jia and composer Yoshihiro Hanno, Yves Robert’s La Guerre des Boutons, Alain Resnais’ Providence and L'Année Dernière à Marienbad, Kenneth Lonergan’s Manchester By The Sea, Sophie's Misfortunes, and Catherine Breillat’s 36 Fillette all came up in our discussion.
Christophe Honoré with Anne-Katrin Titze on why Alain Resnais is a king: “I’m interested in narrative play and people who have a ludic relationship to storytelling.” Photo: Anne-Katrin Titze
Christophe Honoré was in New York to present Winter Boy, starring Paul Kircher, Vincent Lacoste, Juliette Binoche, and Erwan Kepoa Falé, shot by Rémy Chevrin (Guermantes, [film]On...
Jacques Demy’s Lola (starring Anouk Aimée with Marc Michel), Wim Wenders’ Paris, Texas, Zhangke Jia and composer Yoshihiro Hanno, Yves Robert’s La Guerre des Boutons, Alain Resnais’ Providence and L'Année Dernière à Marienbad, Kenneth Lonergan’s Manchester By The Sea, Sophie's Misfortunes, and Catherine Breillat’s 36 Fillette all came up in our discussion.
Christophe Honoré with Anne-Katrin Titze on why Alain Resnais is a king: “I’m interested in narrative play and people who have a ludic relationship to storytelling.” Photo: Anne-Katrin Titze
Christophe Honoré was in New York to present Winter Boy, starring Paul Kircher, Vincent Lacoste, Juliette Binoche, and Erwan Kepoa Falé, shot by Rémy Chevrin (Guermantes, [film]On...
- 3/13/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The British Film Institute's "Sight & Sound" magazine has named director Chantal Akerman's 1975 feature "Jeanne Dielman, 23, quai du commerce, 1080 Bruxelle", widely appreciated for its 'slow cinema' technique, as the 'greatest movie of all time', pushing Alfred Hitchcock’s "Vertigo" into second place and Orson Welles' "Citizen Kane into third:
"...'Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles' stars Delphine Seyrig as a widowed woman. The film documents her daily routine, over a three-day period. She cooks, does household chores, takes care of her teenage son and does sex work to make ends meet..."...
"...'Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles' stars Delphine Seyrig as a widowed woman. The film documents her daily routine, over a three-day period. She cooks, does household chores, takes care of her teenage son and does sex work to make ends meet..."...
- 12/4/2022
- by Unknown
- SneakPeek
The push and pull of a Sight and Sound crown: if a film’s greatness becomes received wisdom in ways previously never possible—where even an Alfred Hitchcock movie starring Jimmy Stewart receives new forms of attention—the film itself invariably becomes embalmed, a single object of study before it’s the work of artists who thought heavily, intently, obsessively about how to make it exist.
Most writing, discussion, and scholarship on Jeanne Dielman considers what’s before us: its rigor, subversions, thrills, boredom. About which there’s endless consideration, needless to say. And none of which begins explaining how a 24-year-old Belgian woman, directing her third feature, rewrote entire swaths of cinema history in her image, nearly five decades hence dethroning Citizen Kane and Vertigo from the closest known claim to greatest film ever made.
An answer, or at least some open door, has been there longer than most...
Most writing, discussion, and scholarship on Jeanne Dielman considers what’s before us: its rigor, subversions, thrills, boredom. About which there’s endless consideration, needless to say. And none of which begins explaining how a 24-year-old Belgian woman, directing her third feature, rewrote entire swaths of cinema history in her image, nearly five decades hence dethroning Citizen Kane and Vertigo from the closest known claim to greatest film ever made.
An answer, or at least some open door, has been there longer than most...
- 12/2/2022
- by Nick Newman
- The Film Stage
Unfortunately, like pretty much all arts-based industries, filmmaking is a male-dominated industry. Think about the movies you've been told are core parts of the film canon -- "Citizen Kane," "Vertigo," "The Godfather" -- and so on and so forth. What do most of them have in common besides bringing significant and positive changes to the medium? They are directed by established men who had proven their talents time and time again. However, outside of a few exceptions, the so-called "film canon" rarely takes female directors and their work into account. While recent history has been more kind to these artists as women's work is increasingly championed across the industry, there are still staggeringly few movies directed by women that have been widely referred to as essential viewing.
However, according to the British Film Institute's Sight and Sound magazine, that might change. That's because their once-a-decade poll on the greatest movies...
However, according to the British Film Institute's Sight and Sound magazine, that might change. That's because their once-a-decade poll on the greatest movies...
- 12/2/2022
- by Erin Brady
- Slash Film
The results of Sight and Sound’s once-a-decade Greatest Film of All Time poll are in.
Every 10 years, the British Film Institute-published magazine asks experts, including critics, academics, distributors, writers, curators, archivists and programmers, to send their personal top 10 favourite films.
In 2012, the winner was Alfred Hitchcock’s Vertigo, which has been bumped into second place.
The 2022 poll, which recorded responses from just under double the amount that voted a decade ago, was topped by Chantal Akerman’s minimalistic Belgian drama Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Akerman has become the first female director to have a film top the poll in its 70-year history. In the 2012 list, the film finished in 36th place.
The three-hour, 21-minute-long film, which was directed by Akerman when she was 25, charts the daily routine of a widow (Delphine Seyrig) over the course of three days.
Rounding out the top five is Orson Welles’s...
Every 10 years, the British Film Institute-published magazine asks experts, including critics, academics, distributors, writers, curators, archivists and programmers, to send their personal top 10 favourite films.
In 2012, the winner was Alfred Hitchcock’s Vertigo, which has been bumped into second place.
The 2022 poll, which recorded responses from just under double the amount that voted a decade ago, was topped by Chantal Akerman’s minimalistic Belgian drama Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).
Akerman has become the first female director to have a film top the poll in its 70-year history. In the 2012 list, the film finished in 36th place.
The three-hour, 21-minute-long film, which was directed by Akerman when she was 25, charts the daily routine of a widow (Delphine Seyrig) over the course of three days.
Rounding out the top five is Orson Welles’s...
- 12/1/2022
- by Jacob Stolworthy
- The Independent - Film
Another decade, another Sight & Sound poll. On Thursday, the British magazine unveiled the 2022 edition of its long-running critics’ poll on the greatest films of all time, with “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles” taking the top spot — the first film from a female director to achieve the honor since the poll began in 1952.
Directed by Belgian filmmaker Chantal Akerman and released in 1975, “Jeanne Dielman” is a three-hour, 20-minute film following the title character (Delphine Seyrig), a single mother and prostitute, as she carries out a monotonous daily routine that slowly breaks apart and collapses. Since its premiere, the film has been highly acclaimed as a landmark of feminist cinema. Previously, it ranked 36 on Sight & Sound’s 2012 edition of the poll, where it was one of only two films in the top 100 from a female filmmaker; the other, “Beau Travail” by Claire Denis, is now ranked at number seven.
In celebration...
Directed by Belgian filmmaker Chantal Akerman and released in 1975, “Jeanne Dielman” is a three-hour, 20-minute film following the title character (Delphine Seyrig), a single mother and prostitute, as she carries out a monotonous daily routine that slowly breaks apart and collapses. Since its premiere, the film has been highly acclaimed as a landmark of feminist cinema. Previously, it ranked 36 on Sight & Sound’s 2012 edition of the poll, where it was one of only two films in the top 100 from a female filmmaker; the other, “Beau Travail” by Claire Denis, is now ranked at number seven.
In celebration...
- 12/1/2022
- by Wilson Chapman and Christian Blauvelt
- Indiewire
Helga Reidemeister's Von wegen 'Schicksal' (Is This Fate?) screens this Saturday, September 10, as part of Open City Documentary Festival in London. Starting September 16, it will be available to stream on Another Screen along with Reidemeister's Der gekaufte Traum and Cristina Perincioli's Für Frauen. 1. Kapitel.Von wegen 'Schicksal' (Is This Fate?) (1979).Helga Reidemeister’s Von wegen ‘Schicksal’ (Is this Fate?) (1979) begins in a space of near total darkness. At the center of the frame is 48-year-old Irene Rakowitz, whose tumultuous family life at the social housing estate Märkisches Viertel constitutes the heart of this unblinking documentary. Divorced, disabled, and surviving on benefits, Irene lived with her two youngest children in a small apartment five floors above her ex-husband Richard’s. Her two older daughters had left—or rather fled—the claustrophobic environment. Facing a row of monitors, Rakowitz gazes upon playbacks of an interview between Reidemeister and her daughters...
- 9/7/2022
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSJafar Panahi.Having been detained last week for protesting the arrest of fellow Iranian filmmakers Mohammad Rasoulof and Mostafa Aleahmad, Jafar Panahi has now been ordered to serve six years in prison. Ahead of this development Eric Kohn reported on the broader situation in Indiewire. “Maybe they will come for all of us one by one,” says one anonymous filmmaker who is quoted in the article.Martine Marignac, a producer of vital films by Jacques Rivette, Chantal Akerman, Leos Carax, Jeanne Balibar, Jean-Marie Straub and Danièle Huillet, and others, has died aged 75.The juries have been announced for the 79th edition of the Venice Film Festival. Julianne Moore will head up the main jury, supported by filmmakers Audrey Diwan, Leonardo di Costanzo, Rodrigo Sorogoyen, and Mariano Cohn, plus actor Leila Hatami and author Kazuo Ishiguro.
- 7/20/2022
- MUBI
To mark the release of the restoration of The Discreet Charm of the Bourgeoisie on 20th June, we’ve been given 2 copies to give away on Blu-ray.
This virtually plotless tale of six middle-class guests and their interrupted attempts to have a meal together stars Fernando Rey, Paul Frankeur (The Phantom Of Liberty), Delphine Seyrig, Bulle Ogier (L’Amour Fou), Stéphane Audran and Jean-Pierre Cassel (Murder On The Orient Express) and was the recipient of the Best Foreign Language Film Oscar as well as two BAFTA awards on its release in 1972.
Buñuel’s humorous satire depicts a group of friends – the Thévenots, the Sénéchals, Madame Thévenot’s younger sister Florence and Latin American ambassador Don Rafael Acosta – make repeated attempts to dine together, but are constantly frustrated by bizarre interruptions, including a series of dreams.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
The Small...
This virtually plotless tale of six middle-class guests and their interrupted attempts to have a meal together stars Fernando Rey, Paul Frankeur (The Phantom Of Liberty), Delphine Seyrig, Bulle Ogier (L’Amour Fou), Stéphane Audran and Jean-Pierre Cassel (Murder On The Orient Express) and was the recipient of the Best Foreign Language Film Oscar as well as two BAFTA awards on its release in 1972.
Buñuel’s humorous satire depicts a group of friends – the Thévenots, the Sénéchals, Madame Thévenot’s younger sister Florence and Latin American ambassador Don Rafael Acosta – make repeated attempts to dine together, but are constantly frustrated by bizarre interruptions, including a series of dreams.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
The Small...
- 6/13/2022
- by Competitions
- HeyUGuys.co.uk
"I don't think I belong here." The Film Forum in NYC has revealed an official 4K restoration trailer for the iconic, surrealist masterpiece The Discreet Charm of the Bourgeoisie, one of the great Luis Buñuel's final films. It originally premiered in 1972, which means it's celebrating its 50th anniversary this year in 2022. It's highly regarded as a cerebral classic dealing with time travel and the bourgeoisie and their never-ending appetite. The Discreet Charm of the Bourgeoisie follows a group of dinner guests attempting to dine together, despite continual interruptions involving dreams and repeating scenes. The film is described as Bunuel's "most frivolously witty movie, directed (at the age of 72) with exhilarating ease." The French film stars Fernando Rey, Stéphane Audran, Jean-Pierre Cassel, Paul Frankeur, Delphine Seyrig, Bulle Ogier, Julien Bertheau, and Milena Vukotic. It's one of the most confusing films you'll ever see, but that's also part of the "discreet charm" of figuring it out,...
- 5/30/2022
- by Alex Billington
- firstshowing.net
No two ways about it: April’s a great month for the Criterion Channel, which (among other things; more in a second) adds two recent favorites. We’re thrilled at the SVOD premiere of Hamaguchi’s entrancing Wheel of Fortune and Fantasy, our #3 of 2021, and Bruno Dumont’s lacerating France, featuring Léa Seydoux’s finest performance yet.
Ethan Hawke’s Adventures in Moviegoing runs the gamut from Eagle Pennell’s Last Night at the Alamo to 4 Months, 3 Weeks and 2 Days, while a 14-film John Ford retro (mostly) skips westerns altogether. And no notes on the Delphine Seyrig retro—multiple by Akerman, Ulrike Ottinger, Duras, a smattering of Buñuel, and Seyrig’s own film Be Pretty and Shut Up! That of all things might be the crown jewl.
See the full list of April titles below and more on the Criterion Channel.
—
3 Bad Men, John Ford, 1926
Aar paar, Guru Dutt,...
Ethan Hawke’s Adventures in Moviegoing runs the gamut from Eagle Pennell’s Last Night at the Alamo to 4 Months, 3 Weeks and 2 Days, while a 14-film John Ford retro (mostly) skips westerns altogether. And no notes on the Delphine Seyrig retro—multiple by Akerman, Ulrike Ottinger, Duras, a smattering of Buñuel, and Seyrig’s own film Be Pretty and Shut Up! That of all things might be the crown jewl.
See the full list of April titles below and more on the Criterion Channel.
—
3 Bad Men, John Ford, 1926
Aar paar, Guru Dutt,...
- 3/25/2022
- by Leonard Pearce
- The Film Stage
Horror icon Barbara Crampton discusses a few of her favorite movies with hosts Josh Olson and Joe Dante.
Show Notes:
Movies Referenced In This Episode
Re-Animator (1985)
Body Double (1984)
Jakob’s Wife (2021)
The Court Jester (1955) – John Landis’s trailer commentary, Randy Fuller’s wine pairings
The Adventures Of Robin Hood (1938)
The Three Musketeers (1974) – Josh Olson’s trailer commentary
The Matrix (1999)
Bound (1996)
Eyes Without A Face (1962) – Sam Hamm’s trailer commentary, Dennis Cozzalio’s review, Glenn Erickson’s Blu-ray review
Halloween (1978) Adam Rifkin’s trailer commentary, Randy Fuller’s wine pairing, Alex Kirschenbaum’s film power rankings, Alex Kirschenbaum’s timeline power rankings
All About Eve (1950)
Terminator 2: Judgment Day (1991) – Glenn Erickson’s Blu-ray review
Alien (1979) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairings
Relic (2020)
Anything For Jackson (2020)
The Haunting (1963) – Dan Ireland’s trailer commentary
Strait-Jacket (1964) – David DeCoteau’s trailer commentary
The Silence Of The Lambs (1991) – Allan Arkush’s trailer commentary,...
Show Notes:
Movies Referenced In This Episode
Re-Animator (1985)
Body Double (1984)
Jakob’s Wife (2021)
The Court Jester (1955) – John Landis’s trailer commentary, Randy Fuller’s wine pairings
The Adventures Of Robin Hood (1938)
The Three Musketeers (1974) – Josh Olson’s trailer commentary
The Matrix (1999)
Bound (1996)
Eyes Without A Face (1962) – Sam Hamm’s trailer commentary, Dennis Cozzalio’s review, Glenn Erickson’s Blu-ray review
Halloween (1978) Adam Rifkin’s trailer commentary, Randy Fuller’s wine pairing, Alex Kirschenbaum’s film power rankings, Alex Kirschenbaum’s timeline power rankings
All About Eve (1950)
Terminator 2: Judgment Day (1991) – Glenn Erickson’s Blu-ray review
Alien (1979) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairings
Relic (2020)
Anything For Jackson (2020)
The Haunting (1963) – Dan Ireland’s trailer commentary
Strait-Jacket (1964) – David DeCoteau’s trailer commentary
The Silence Of The Lambs (1991) – Allan Arkush’s trailer commentary,...
- 12/28/2021
- by Kris Millsap
- Trailers from Hell
Sacrificing oneself for love is a too cute and too familiar interaction thrown in movies like strawberry jam. It is simple, ordinary, and expected. Romance in horror films, however, is chaotic, bloody, and revolting. Horror and eroticism are an unexpected sweetness, so go ahead and serve that with your morning toast. Monsters have indulged in romance with mortals as we have seen in The Creature from the Black Lagoon (1954) to more recent movies like The Shape of Water (2017). It’s a classic story about a beautiful woman and a hideous beast, but even cinema changed the familiar storyline.
The 1970s opened an endless coffin of vampire films about love, sexuality, and the survival of the fittest. Open relationships, casual sex, gender fluid romances, and bloodthirsty villains painted the theater towns crimson red. The decade brought light to cultural issues that never seemed to be reflected on the mirrors of prior vampire films.
The 1970s opened an endless coffin of vampire films about love, sexuality, and the survival of the fittest. Open relationships, casual sex, gender fluid romances, and bloodthirsty villains painted the theater towns crimson red. The decade brought light to cultural issues that never seemed to be reflected on the mirrors of prior vampire films.
- 11/5/2021
- by Leticia Lopez
- DailyDead
The series Sex, Truth, and Videotape: French Feminist Activism is playing on Mubi in many countries. Maso and Miso Go BoatingTo commemorate the United Nations decreeing 1975 as the International Year of the Woman, French television host Bernard Pivot invited the State Secretary for Women Françoise Giroud to chat with a series of men who all proudly identified as misogynists. Throughout “The Year of the Woman: Thank God! It’s Over,” representatives from various corners of the arts came together to discuss why women will never be great artists, cooks, or human beings. Giroud happily agrees with them, the group having a chatty back and forth about why women marry their abusers. There’s no dissent from anyone, and these experts in their field and representatives of the state reveal the shallowness of hegemony, which is in turn transmitted directly into the homes of the French. These are the people in...
- 7/1/2021
- MUBI
Next month’s Mubi lineup has been unveiled and if you can’t make it to Cannes Film Festival, they are spotlighting recent favorites from the event. As part of a Cannes Takeover series, they will show Lisandro Alonso’s Viggo Mortensen-led Jauja, the Zambian drama I Am Not a Witch, Nuri Bilge Ceylan’s The Wild Pear Tree, and Hirokazu Kore-eda’s After the Storm, plus two films from directors who have new films in this year’s lineup, Ryusuke Hamaguchi’s Asako I & II and Nanni Moretti’s Mia Madre, plus more.
Also in the lineup will be the Mubi debut of Magnus van Horn’s Sweat, which opens in theaters today, plus series on Jean-Claude Carriére and Luis Buñuel’s collaboration and a trio of films by the prolific Chilean master Raúl Ruiz. There will also be some recent festival favorites, including Arab Blues starring Golshifteh Farahani...
Also in the lineup will be the Mubi debut of Magnus van Horn’s Sweat, which opens in theaters today, plus series on Jean-Claude Carriére and Luis Buñuel’s collaboration and a trio of films by the prolific Chilean master Raúl Ruiz. There will also be some recent festival favorites, including Arab Blues starring Golshifteh Farahani...
- 6/18/2021
- by Jordan Raup
- The Film Stage
Mubi has unveiled their lineup for next month, featuring the exclusive streaming premiere of Frederick Wiseman’s masterful documentary City Hall, the late Monte Hellman’s final film Road to Nowhere, a trio of works by Stephen Cone, two films by Alain Resnais, the multi-month series Sex, Truth, and Videotape: French Feminist Activism, and Abel Ferrara’s Bad Lieutenant.
As a special addition in addition to the regular programming listed below, the new restoration of Meeting the Man: James Baldwin in Paris will be available as a free presentation celebrating Juneteenth, from June 18-19. Timed with the release of his latest gem Undine, a Christian Petzold retrospective continues with his earlier, essential films Yella, Barbara, Ostwärts, and The Warm Money.
Check out the lineup below, with links to reviews where available, and get 30 days of Mubi for free here. One can also check back for our new streaming picks every Friday here.
As a special addition in addition to the regular programming listed below, the new restoration of Meeting the Man: James Baldwin in Paris will be available as a free presentation celebrating Juneteenth, from June 18-19. Timed with the release of his latest gem Undine, a Christian Petzold retrospective continues with his earlier, essential films Yella, Barbara, Ostwärts, and The Warm Money.
Check out the lineup below, with links to reviews where available, and get 30 days of Mubi for free here. One can also check back for our new streaming picks every Friday here.
- 5/19/2021
- by Jordan Raup
- The Film Stage
Volker Schlöndorff on Jean-Claude Carrière: “Early Sixties, Brigitte Bardot, Jeanne Moreau, Catherine Deneuve, Delphine Seyrig, those were the stars in our sky, when we first met, about 55 years ago, Jean-Claude 30, me 23, not working together but working on the same picture: Viva Maria!” Photo: Anne-Katrin Titze
Jean-Claude Carrière, who died on February 8 at the age of 89, had three films in the works that he co-wrote, Shirin Neshat and Shoja Azari’s Land Of Dreams, Louis Garrel’s The Crusade, and José Luis López-Linares’ documentary Le Mystère Goya. In 2018, at the New York Film Festival press conference for Julian Schnabel’s At Eternity's Gate, starring Willem Dafoe as Vincent van Gogh, Carrière said: “There is a love story between painting and movies, because the painting is still and doesn't move. And movies move. It's a love story that goes back to the prehistoric caves when the first painters tried to give the illusion of movement.
Jean-Claude Carrière, who died on February 8 at the age of 89, had three films in the works that he co-wrote, Shirin Neshat and Shoja Azari’s Land Of Dreams, Louis Garrel’s The Crusade, and José Luis López-Linares’ documentary Le Mystère Goya. In 2018, at the New York Film Festival press conference for Julian Schnabel’s At Eternity's Gate, starring Willem Dafoe as Vincent van Gogh, Carrière said: “There is a love story between painting and movies, because the painting is still and doesn't move. And movies move. It's a love story that goes back to the prehistoric caves when the first painters tried to give the illusion of movement.
- 2/11/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
All hail the cinematic delights of Luis Buñuel, a world-class directing genius whose work ranges from insightfully impish to point-blank outrageous. Driven from Spain by Fascists and from New York by commie hunters, he found a cinematic haven in Mexico, adapting his surreal mindset to popular film forms. These final three French features embrace the surrealist ethos, where a coherent narrative is optional. We definitely recognize our ‘rational’ world; Buñuel’s high art simply tells the truth.
Three Films by Luis Buñuel
The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, That Obscure Object of Desire
Blu-ray
The Criterion Collection 102. 290, 143
1972-1977 / Color / 1:66 widescreen / available through The Criterion Collection / Street Date January 5, 2021 / 99.95
Cinematography: Edmond Richard
Production Designer: Pierre Guffroy
Film Editor: Hélène Plemiannikov
Written by Luis Buñuel, Jean-Claude Carrière
Produced by Serge Silberman
Directed by Luis Buñuel
Tracking down the films of Luis Buñuel has been an ongoing effort.
Three Films by Luis Buñuel
The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, That Obscure Object of Desire
Blu-ray
The Criterion Collection 102. 290, 143
1972-1977 / Color / 1:66 widescreen / available through The Criterion Collection / Street Date January 5, 2021 / 99.95
Cinematography: Edmond Richard
Production Designer: Pierre Guffroy
Film Editor: Hélène Plemiannikov
Written by Luis Buñuel, Jean-Claude Carrière
Produced by Serge Silberman
Directed by Luis Buñuel
Tracking down the films of Luis Buñuel has been an ongoing effort.
- 1/9/2021
- by Glenn Erickson
- Trailers from Hell
Finally, a horror shocker that needs to make no excuses! Harry Kümel’s interpretation of the Elizabeth Báthory legend excels in all departments and succeeds in each of its aims. Erotic Eurohorror meets Sternbergian visual decadence, making a vivid (and bloody) statement about classic screen exoticism. Given the full glamour treatment, silky Delphine Seyrig is striking as the deceptively congenial vampire queen. It’s a rare throwback to the beginnings of erotic Eurohorror — sex and death, together again! Blue Underground takes the leap to 4K Ultra HD and stacks the extras with key interview content, and a soundtrack CD.
Daughters of Darkness
Ultra-hd + Blu-ray + CD
Blue Underground
1971 / Color / 1:66 widescreen / 100 min. / Le Rouge aux Lèvres, Les Lèvres Rouges Street Date October 27, 2020 / 59.95
Starring: Delphine Seyrig, John Karlen, Danielle Ouimet, Andrea Rau, Paul Esser.
Cinematography: Eduard van der Enden
Film Editors: Denis Bonan, Gust Verschueren
Original Music: François de Roubaix
Written by Pierre Drouot,...
Daughters of Darkness
Ultra-hd + Blu-ray + CD
Blue Underground
1971 / Color / 1:66 widescreen / 100 min. / Le Rouge aux Lèvres, Les Lèvres Rouges Street Date October 27, 2020 / 59.95
Starring: Delphine Seyrig, John Karlen, Danielle Ouimet, Andrea Rau, Paul Esser.
Cinematography: Eduard van der Enden
Film Editors: Denis Bonan, Gust Verschueren
Original Music: François de Roubaix
Written by Pierre Drouot,...
- 11/3/2020
- by Glenn Erickson
- Trailers from Hell
With Halloween approaching quickly, we have one final round of home media releases headed our way this week in case you’re looking to pick up some last-minute films to check out this spooky season. Blue Underground is releasing Daughters of Darkness in 4K this Tuesday, and Severin Films is keeping busy with an array of titles, including The Black Cat, Patrick Still Lives, and Shock Treatment.
Vinegar Syndrome also has quite the lineup of films coming home this week, including Grave Robbers, Memorial Valley Massacre, Zombie 5: Killing Birds, and several Amityville sequels. Arrow Video is also showing some love to both Cold Light of Day and The Last Starfighter, and if you’re a big fan of The Monster Squad, you’ll definitely want to check out the Wolfman’s Got Nards documentary.
Other releases for October 27th include Scary Tales, Spine Chiller, Weedjies: Halloweed Night, Attack of the Unknown,...
Vinegar Syndrome also has quite the lineup of films coming home this week, including Grave Robbers, Memorial Valley Massacre, Zombie 5: Killing Birds, and several Amityville sequels. Arrow Video is also showing some love to both Cold Light of Day and The Last Starfighter, and if you’re a big fan of The Monster Squad, you’ll definitely want to check out the Wolfman’s Got Nards documentary.
Other releases for October 27th include Scary Tales, Spine Chiller, Weedjies: Halloweed Night, Attack of the Unknown,...
- 10/26/2020
- by Heather Wixson
- DailyDead
“Love is stronger than death… even than life.”
Limited Collector’s Edition of Daughters Of Darkness includes 4K Uhd Blu-ray, Blu-ray, Soundtrack CD, collectable booklet, reversible sleeve, and 3D lenticular slipcover (First Pressing). Blu-ray features 1080p HD Resolution and DTS-hd Master Audio Uhd features 2160p Ultra HD Resolution and Dolby Vision Hdr, with Dolby Atmos and DTS-hd Master Audio. Check out this trailer for the restoration:
International screen icon Delphine Seyrig (Last Year At Marienbad) stars as Elizabeth Bathory, an ageless Countess with a beautiful young ‘companion’ (Goth goddess Andrea Rau) and a legendary legacy of perversion. But when the two women seduce a troubled newlywed couple (Canadian beauty Danielle Ouimet and John Karlen of Dark Shadows and Cagney & Lacey), they unleash a frenzy of sudden violence and depraved desire that shocked both art house audiences and grindhouse crowds worldwide.
Co-written and directed by Harry Kümel, Daughters Of Darkness remains...
Limited Collector’s Edition of Daughters Of Darkness includes 4K Uhd Blu-ray, Blu-ray, Soundtrack CD, collectable booklet, reversible sleeve, and 3D lenticular slipcover (First Pressing). Blu-ray features 1080p HD Resolution and DTS-hd Master Audio Uhd features 2160p Ultra HD Resolution and Dolby Vision Hdr, with Dolby Atmos and DTS-hd Master Audio. Check out this trailer for the restoration:
International screen icon Delphine Seyrig (Last Year At Marienbad) stars as Elizabeth Bathory, an ageless Countess with a beautiful young ‘companion’ (Goth goddess Andrea Rau) and a legendary legacy of perversion. But when the two women seduce a troubled newlywed couple (Canadian beauty Danielle Ouimet and John Karlen of Dark Shadows and Cagney & Lacey), they unleash a frenzy of sudden violence and depraved desire that shocked both art house audiences and grindhouse crowds worldwide.
Co-written and directed by Harry Kümel, Daughters Of Darkness remains...
- 10/5/2020
- by Tom Stockman
- WeAreMovieGeeks.com
After nearly a half-year of involuntary confinement, of one day monotonously blending into the next with precious little change, of repeating the same limited routines with no hope of breaking out of the rut anytime soon, this week I finally saw the film that speaks to this moment far more than does any other. It was made 45 years ago, in Belgium, of all places, and it’s a landmark classic for the precious few who have seen it.
The film carries the ungainly full title of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles and was written and directed Chantal Akerman, a Belgian writer-director who had made a few experimental films in her home country as well as in New York City and was just 25 when she made this art film blockbuster—the same age, her most ardent fans like to point out, as was Orson Welles when he summoned forth Citizen Kane.
The film carries the ungainly full title of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles and was written and directed Chantal Akerman, a Belgian writer-director who had made a few experimental films in her home country as well as in New York City and was just 25 when she made this art film blockbuster—the same age, her most ardent fans like to point out, as was Orson Welles when he summoned forth Citizen Kane.
- 8/17/2020
- by Todd McCarthy
- Deadline Film + TV
Sofia Bohdanowicz and Deragh Campbell's Ms Slavic 7, which is receiving an exclusive global online premiere on Mubi, is showing from June 4 - July 4, 2020 in Mubi's The New Auteurs series.Above: The above image and those throughout this article are a selection of pages from the notebook Deragh Campbell kept as the character Audrey Benac, toward the creation of the monologues in Ms Slavic 7.Considering Sharon Lockhart’s collaboration with Noa Eshkol, in which she retranslates the deceased artist’s elaborate system of choreographic notation into movement, Daniela Zyman negates the perception of a filmed subject as a singular identity and defines it instead as a figure of two, an encounter between the artist and the protagonist. She applies this to Lockhart’s greater body of work, describing Lockhart’s particular ability to allow the coexistence of the subject’s inherent right to self-representation and the artist’s formal impositions,...
- 6/24/2020
- MUBI
” Je t’aime bien, mon enfant… plus que tu ne crois. I love you, my child… more than you believe. “
Cinema St. Louis’ 12th Annual Robert Classic French Film Festival runs July 17-23, 2020. Individual tickets are $10 for general admission, $8 for Cinema St. Louis members and students with valid and current photo IDs. All-access passes are available for $25, $20 for Csl members. Ticket and Pass Purchase information can be found Here
The 12th Annual Robert Classic French Film Festival — presented by TV5MONDE, sponsored by the Jane M. & Bruce P. Robert Charitable Foundation, and produced by Cinema St. Louis (Csl) — celebrates St. Louis’ Gallic heritage and France’s extraordinary cinematic legacy.
Because of the Covid-19 health crisis, the fest will be presented virtually this year. Csl is partnering with Eventive, which also handles our ticketing, to present the Virtual Festival. Filmswill be available to view on demand anytime from July 17-23. Access to...
Cinema St. Louis’ 12th Annual Robert Classic French Film Festival runs July 17-23, 2020. Individual tickets are $10 for general admission, $8 for Cinema St. Louis members and students with valid and current photo IDs. All-access passes are available for $25, $20 for Csl members. Ticket and Pass Purchase information can be found Here
The 12th Annual Robert Classic French Film Festival — presented by TV5MONDE, sponsored by the Jane M. & Bruce P. Robert Charitable Foundation, and produced by Cinema St. Louis (Csl) — celebrates St. Louis’ Gallic heritage and France’s extraordinary cinematic legacy.
Because of the Covid-19 health crisis, the fest will be presented virtually this year. Csl is partnering with Eventive, which also handles our ticketing, to present the Virtual Festival. Filmswill be available to view on demand anytime from July 17-23. Access to...
- 6/17/2020
- by Tom Stockman
- WeAreMovieGeeks.com
In addition to their 4K Ultra HD releases of movies such as Lucio Fulci's Zombie and William Lustig's Maniac, Blue Underground has announced that they're bringing Harry Kümel's 1971 vampire film Daughters of Darkness to 4K Ultra HD/Blu-ray this year as well.
Special features and a specific release date have yet to be announced for the 4K Ultra HD release of Daughters of Darkness, but according to Blue Underground's Twitter account and Blu-ray.com, it is slated for a fall release.
You can view the official cover art (via Twitter) and synopsis (via Blu-ray.com) below, and stay tuned to Daily Dead for more updates.
Synopsis: " International screen icon Delphine Seyrig (Last Year at Marienbad) stars as Elizabeth Bathory, an ageless Countess with a beautiful young "companion" (Goth goddess Andrea Rau) and a legendary legacy of perversion. But when the two women seduce a troubled newlywed couple...
Special features and a specific release date have yet to be announced for the 4K Ultra HD release of Daughters of Darkness, but according to Blue Underground's Twitter account and Blu-ray.com, it is slated for a fall release.
You can view the official cover art (via Twitter) and synopsis (via Blu-ray.com) below, and stay tuned to Daily Dead for more updates.
Synopsis: " International screen icon Delphine Seyrig (Last Year at Marienbad) stars as Elizabeth Bathory, an ageless Countess with a beautiful young "companion" (Goth goddess Andrea Rau) and a legendary legacy of perversion. But when the two women seduce a troubled newlywed couple...
- 6/11/2020
- by Derek Anderson
- DailyDead
Close-Up is a feature that spotlights films now playing on Mubi. Marguerite Duras's India Song (1975) is now showing April 4 - May 3, 2020 in the United States.The quintessential Marguerite Duras heroine suffers inwardly as the outside world shakes, its distant echoes gently, but inexhaustibly knocking at her front door. This woman appears in Baxter, Vera Baxter (1977), solemnly recounting the sallow conditions of her marriage as chirpy luau-inflected music from a neighboring party invades the room; she is in Nathalie Granger (1972), a film about women whose days are spent in relative silence doing yard work and staring out windows. News of external violence plays on the radio, and the appearance of a bumbling salesman unsettles the drudgery of their daily lives. The films of Marguerite Duras are adept at generating this particular tension, this conflict between the psychic world of the individual and the external one with its countless, unimaginable problems.
- 4/17/2020
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSChanges continue to ripple throughout the film industry: Following the cancellation of this year's SXSW, the festival has paired up with Amazon Prime and invited filmmakers of their lineup to take part in a 10-day "online festival," streaming on Prime for users in the U.S. Both Cannes and the Venice Film Festival have announced that neither will be moving forward with a digital festival, committing to plans for physical events for later this year. Recommended Viewingnhk World is offering its four part documentary, 10 Years with Hayao Miyazaki, on its website for free. The series offers an exclusive look at the animation auteur's production of Ponyo on the Cliff by the Sea.A new short film by Jean-Marie Straub, France Against Robots, has premiered on the Kino Slang blog. The film's title is...
- 4/8/2020
- MUBI
With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform.
Beneath the glassy surfaces of nearly every Todd Haynes’ movie lives a woman pressing against them, about to break out. Julianne Moore has played two of those: a suburban housewife chained to the social order of racially segregated 1950s Connecticut in “Far From Heaven,” and as another psychically shackled housewife, this time in 1980s Southern California, in “Safe.”
More from IndieWireStream of the Day: How 'Ganja & Hess' Became Much More Than a Black Vampire StoryStream of the Day: Sofia Coppola's 'Bling Ring' Knows What It's Like to Feel Disconnected
Though released in 1995, “Safe” is set in 1987, at the height of the AIDS epidemic in America. Haynes’ roots as a queer filmmaker often find him responding to that crisis, most...
Beneath the glassy surfaces of nearly every Todd Haynes’ movie lives a woman pressing against them, about to break out. Julianne Moore has played two of those: a suburban housewife chained to the social order of racially segregated 1950s Connecticut in “Far From Heaven,” and as another psychically shackled housewife, this time in 1980s Southern California, in “Safe.”
More from IndieWireStream of the Day: How 'Ganja & Hess' Became Much More Than a Black Vampire StoryStream of the Day: Sofia Coppola's 'Bling Ring' Knows What It's Like to Feel Disconnected
Though released in 1995, “Safe” is set in 1987, at the height of the AIDS epidemic in America. Haynes’ roots as a queer filmmaker often find him responding to that crisis, most...
- 3/27/2020
- by Ryan Lattanzio
- Indiewire
The event’s 42nd edition is kicking off (and closing to the public) at the Pompidou Centre in Paris, notably offering 13 feature films in the international competition and celebrating Pedro Costa. Update: Following the announcement made by the Prime Minister at midday regarding the ban on gatherings of upwards of 100 people, all public screenings and meetings linked with the Cinéma du réel Festival are now cancelled. Badgeholders can, however, watch the competition films via the event's online videotheque at Festival Scope, Tënk, Mediapart and UniversCiné (read about the details here). Last night saw Babette Mangolte’s French-American co-production Calamity Jane & Delphine Seyrig, A Story open (as a prologue) the 42nd Cinéma du Réel Festival (scheduled to unspool in Paris’s Pompidou Centre from 13 to 22 March) against the rather peculiar backdrop of the Coronavirus epidemic and the progressive strengthening of precautionary measures adopted by the French government (namely the...
The Museum of Modern Art has unveiled its full festival lineup of 28 features and shorts for Doc Fortnight 2020, its annual showcase of the best of nonfiction film, on Monday. The list includes the latest works from the likes of Michael Almereyda, Terrence Nance, Denis Côté, Sky Hopinka, Lucretia Martel, Akosua Adoma Owusu, Ben Rivers, Lynn Sachs, Kazuhiro Soda, Roger Ross Williams, Maya Khoury and the Abounaddara Collective.
Now in its 19th year, Doc Fortnight will run from February 5 to 19, 2020, and will include 12 world premieres, 17 North American premieres, and 14 Us premieres from 38 countries. Doc Fortnight 2020 opens with the New York premiere of “Crip Camp,” a portrait of Camp Jened—a camp for disabled teenagers near Woodstock, New York, that thrived in the late 1960s and ’70s—which established a close-knit community of campers who would become pioneering disability advocates. The film is co-directed and produced by Nicole Newnham and James Lebrecht,...
Now in its 19th year, Doc Fortnight will run from February 5 to 19, 2020, and will include 12 world premieres, 17 North American premieres, and 14 Us premieres from 38 countries. Doc Fortnight 2020 opens with the New York premiere of “Crip Camp,” a portrait of Camp Jened—a camp for disabled teenagers near Woodstock, New York, that thrived in the late 1960s and ’70s—which established a close-knit community of campers who would become pioneering disability advocates. The film is co-directed and produced by Nicole Newnham and James Lebrecht,...
- 1/6/2020
- by Variety Staff
- Variety Film + TV
Above: Candy Mountain“How much of this film is composed, and how much is improvised?” The obvious question posed by Robert Frank’s first film (coauthored by painter Alfred Leslie), Pull My Daisy (1959), is also posed, sometimes less obviously, by the authored and coauthored Frank films that follow it—an unwieldy filmography that has on occasion become even harder to access because of the unwieldy ways it was financed or put together. To wonder whether they’re Frank or just frank is arguably another way of interrogating their relative degrees of sincerity or subterfuge, non-fiction or fiction, single or collective authorship. And it’s ultimately our call whether any shot in a Frank film corresponds to a declarative statement or a question—something that might also apply to his better known, more celebrated, and noncollaborative still photography. “After seeing these pictures,” wrote Jack Kerouac of The Americans, “you end up...
- 11/18/2019
- MUBI
The films in this program, for the most part, seem to pertain to global space, in particular the subjective experience of movement that one can glean from travel, displacement, or the disorienting impact of visual technologies. Now, I know from experience that I always enjoy the disorientations generated by the 3D films of Blake Williams, but sadly I was unable to preview his new film 2008 because I could not secure equipment on which to view it. Apologies for that. The rest of the program is discussed below.Amusement RideQ: What's a "structural film"?
A: That's easy! Everybody knows what a structural film is! It's when engineers design an airplane or a bridge, and they build a model to find out if it will fall apart too soon. The film shows where all the stresses are!—Owen Land, On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and...
A: That's easy! Everybody knows what a structural film is! It's when engineers design an airplane or a bridge, and they build a model to find out if it will fall apart too soon. The film shows where all the stresses are!—Owen Land, On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and...
- 9/8/2019
- MUBI
“Open To Interpretation”
By Raymond Benson
Last Year at Marienbad should have had the marketing tagline: “Open to Interpretation,” for the film belongs at the top of a list entitled Movies That Make You Go ‘Huh??’
Alain Resnais’ enigmatic, surreal, and puzzling experimental picture from 1961, the follow-up to his acclaimed Hiroshima mon amour (1959), won the Golden Lion at the Venice Film Festival. The picture has been simultaneously praised and reviled since its release because audiences generally don’t know what to make of it.
Yes, it’s beautiful to look at. The cinematography by Sacha Vierny is magnificent in its black and white, widescreen splendor. The settings at such Baroque palaces as Nymphenburg and Schleissheim in Munich evoke a mysterious past that might be an alternate timeline. The music by Francis Seyrig might belong in a creepy cathedral with its gothic horror organ. The pace is slow, but the picture...
By Raymond Benson
Last Year at Marienbad should have had the marketing tagline: “Open to Interpretation,” for the film belongs at the top of a list entitled Movies That Make You Go ‘Huh??’
Alain Resnais’ enigmatic, surreal, and puzzling experimental picture from 1961, the follow-up to his acclaimed Hiroshima mon amour (1959), won the Golden Lion at the Venice Film Festival. The picture has been simultaneously praised and reviled since its release because audiences generally don’t know what to make of it.
Yes, it’s beautiful to look at. The cinematography by Sacha Vierny is magnificent in its black and white, widescreen splendor. The settings at such Baroque palaces as Nymphenburg and Schleissheim in Munich evoke a mysterious past that might be an alternate timeline. The music by Francis Seyrig might belong in a creepy cathedral with its gothic horror organ. The pace is slow, but the picture...
- 8/5/2019
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Mirror, mirror, on the fritz. The last few weeks on the Horror Queers Podcast have resulted in plenty of great discussions and hilarious shenanigans. We’ve considered cannibalism as a metaphor for homosexuality in Ravenous, drooled over Delphine Seyrig’s fierce queer vampire in Daughters of Darkness and been baffled by the sheer ineptitude of the slasher musical Stage Fright. In the newest episode, Joe […]...
- 4/15/2019
- by Trace Thurman
- bloody-disgusting.com
Sing your heart out. The last few weeks on the Horror Queers Podcast have resulted in plenty of great discussions and hilarious shenanigans. We’ve questioned the problematic cross-dressing virgin-killer in Cherry Falls, considered cannibalism as a metaphor for homosexuality in Ravenous and drooled over Delphine Seyrig’s fierce queer vampire in Daughters of Darkness. Related: The Horror Queers and The Halloweenies Discuss ‘A […]...
- 4/8/2019
- by Trace Thurman
- bloody-disgusting.com
Cinema St. Louis presents the 11th Annual Robert Classic French Film Festival which takes place March 8-10, 15-17, and 22-24, 2019. The location this year is Washington University’s Brown Hall Auditorium, Forsyth & Skinker boulevards.
The 11th Annual Robert Classic French Film Festival — presented by TV5MONDE and produced by Cinema St. Louis — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1930s through the 1990s, offering a revealing overview of French cinema. The fest annually includes significant restorations, and this year features seven such works: Pierre Schoendoerffer “The 317th Platoon,” Marcel Pagnol’s “The Baker’s Wife,” Olivier Assayas’ “Cold Water,” Jacques Becker’s “The Hole,” Jacques Rivette’s “The Nun,” Agnés Varda’s “One Sings, the Other Doesn’t,” and Diane Kurys’ “Peppermint Soda.” The schedule is rounded out by Robert Bresson’s final film, “L’argent,” and two 1969 films celebrating...
The 11th Annual Robert Classic French Film Festival — presented by TV5MONDE and produced by Cinema St. Louis — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1930s through the 1990s, offering a revealing overview of French cinema. The fest annually includes significant restorations, and this year features seven such works: Pierre Schoendoerffer “The 317th Platoon,” Marcel Pagnol’s “The Baker’s Wife,” Olivier Assayas’ “Cold Water,” Jacques Becker’s “The Hole,” Jacques Rivette’s “The Nun,” Agnés Varda’s “One Sings, the Other Doesn’t,” and Diane Kurys’ “Peppermint Soda.” The schedule is rounded out by Robert Bresson’s final film, “L’argent,” and two 1969 films celebrating...
- 3/4/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSZhang Yimou's One SecondZhang Yimou's latest One Second has been pulled from its competition slot at the Berlin International Film Festival. The film's official Weibo account cites "technical reasons," though some have speculated that the Cultural Revolution-set drama may have run into censorship troubles. Samuel L. Jackson and Giancarlo Esposito are both in talks to join Spike Lee's Da 5 Bloods, about African American veterans who return to Vietnam in search of a body and some hidden gold. “'I’ve done everything I need to do, I made a million films, I’ve been around the world,' she told CBS2’s Cindy Hsu. 'It’s been a pleasure to live and living has been terrific.'" One of the great pioneers of queer cinema, Barbara Hammer, speaks to CBS New York about "right to die" laws.
- 2/21/2019
- MUBI
Alongside Angela Schanelec's I Was at Home, But..., the Berlinale is premiering new work by another stalwart practitioner of a highly individual film language. German filmmaker Heinz Emigholz has made what seems to be the final entry in his long-running, multi-film series of documentaries devoted to architecture, which has included such films as Sullivan’s Banks (2000) and Perret in France and Algeria (2012). (Mubi presented a retrospective of some of these films last winter.) Part of a greatly ambitious, international, multi-architect project of cinematic surveys, Emigholz’s beautiful new film, Years of Construction, is a gesture of powerful summary for the series, as it charts the destruction of a building and the creation of a new one.Commissioned by Kunsthalle Mannheim for this purpose, we get to see this through Emigholz’s characteristic gaze: no voiceover or text explanation, and favoring still shots on tripods that fleetly move from composition to composition,...
- 2/16/2019
- MUBI
Known outside France for her roles in film classics like Last Year at Marienbad, Stolen Kisses and The Discreet Charm of the Bourgeoisie, the late actress Delphine Seyrig was, along with Catherine Deneuve, Jeanne Moreau and Anna Karina, one of the great female talents to emerge at the birth of the Nouvelle Vague.
But perhaps unbeknownst to most foreigners was Seyrig’s involvement, beginning in the late 60s, with the French feminist movement, for which she became one of its leading celebrity mouthpieces during the latter part of her career. That part of the actress’s life is revealed with considerable ...
But perhaps unbeknownst to most foreigners was Seyrig’s involvement, beginning in the late 60s, with the French feminist movement, for which she became one of its leading celebrity mouthpieces during the latter part of her career. That part of the actress’s life is revealed with considerable ...
Known outside France for her roles in film classics like Last Year at Marienbad, Stolen Kisses and The Discreet Charm of the Bourgeoisie, the late actress Delphine Seyrig was, along with Catherine Deneuve, Jeanne Moreau and Anna Karina, one of the great female talents to emerge at the birth of the Nouvelle Vague.
But perhaps unbeknownst to most foreigners was Seyrig’s involvement, beginning in the late 60s, with the French feminist movement, for which she became one of its leading celebrity mouthpieces during the latter part of her career. That part of the actress’s life is revealed with considerable ...
But perhaps unbeknownst to most foreigners was Seyrig’s involvement, beginning in the late 60s, with the French feminist movement, for which she became one of its leading celebrity mouthpieces during the latter part of her career. That part of the actress’s life is revealed with considerable ...
Secret agent Michael Caine must take on both the kidnappers of his son and his own suspect Army Intelligence colleagues in Don Siegel’s efficiently filmed, curiously tame suspense thriller. Delphine Seyrig is enticing and Donald Pleasance an unlikeable security bureaucrat, while the capable Janet Suzman and John Vernon fill out a top-flight cast that performs well in thriller surprisingly lacking in dramatic impact.
The Black Windmill
Blu-ray
Kl Studio Classics
1974 / Color / 2:35 widescreen / 106 min. / Street Date December 4, 2018 / available through Kino Lorber / 29.95
Starring: Michael Caine, Donald Pleasence, Janet Suzman, Delphine Seyrig, John Vernon, Clive Revill, Joss Ackland, Catherine Schell, Joseph O’Conor, Hermoine Baddeley, John Rhys-Davies
Cinematography: Ousama Rawi
Film Editor: Antony Gibbs
Original Music: Roy Budd
Written by Leigh Vance, from the novel Five Days to a Killing by Clive Egleton
Produced and Directed by Don Siegel
Something seems wrong from the first with The Black Windmill: the...
The Black Windmill
Blu-ray
Kl Studio Classics
1974 / Color / 2:35 widescreen / 106 min. / Street Date December 4, 2018 / available through Kino Lorber / 29.95
Starring: Michael Caine, Donald Pleasence, Janet Suzman, Delphine Seyrig, John Vernon, Clive Revill, Joss Ackland, Catherine Schell, Joseph O’Conor, Hermoine Baddeley, John Rhys-Davies
Cinematography: Ousama Rawi
Film Editor: Antony Gibbs
Original Music: Roy Budd
Written by Leigh Vance, from the novel Five Days to a Killing by Clive Egleton
Produced and Directed by Don Siegel
Something seems wrong from the first with The Black Windmill: the...
- 1/5/2019
- by Glenn Erickson
- Trailers from Hell
Belgian director Harry Kumel’s most accessible film is a measured, erotic Euro horror about “The Blood Countess” Elizabeth Bathory, a Hungarian serial killer who legendarily tortured hundreds of young girls and bathed in virgins’ blood to stay eternally young. The Dietrich-like Delphine Seyrig channels her performance in Last Year at Marienbad in the similarly dreamlike setting of the Grand Hotel des Thermes. The memorable music score is by Robert Enrico regular Francois de Roubaix.
The post Daughters of Darkness appeared first on Trailers From Hell.
The post Daughters of Darkness appeared first on Trailers From Hell.
- 12/19/2018
- by TFH Team
- Trailers from Hell
Fred Zinnemann’s counter-assassination thriller remains topflight filmmaking, torn from reality and shot through with an unsentimental dose of political realism. Edward Fox’s implacable killer outwits the combined resources of an entire nation as he stalks his prey, and when bad luck forces him to improvise, he racks up more victims on his kill list. Step aside Bond, Bourne and Marvel — the original Jackal is the man to beat.
The Day of the Jackal
Blu-ray
Arrow Video USA
1973 / Color / 1:85 widescreen / 143 min. / Street Date September 25, 2018 / Available from Arrow Video / 39.95
Starring: Edward Fox, Michel Lonsdale, Delphine Seyrig, Cyril Cusack, Eric Porter, Tony Britton, Alan Badel, Michel Auclair, Tony Britton, Maurice Denham, Vernon Dobtcheff, Olga Georges-Picot, Timothy West, Derek Jacobi, Jean Martin, Ronald Pickup, Jean Sorel, Philippe Léotard, Jean Champion, Michel Subor, Howard Vernon.
Cinematography: Jean Tournier
Film Editor: Ralph Kemplen
Second Unit Director: Andrew Marton
Original Music: Georges Delerue
Written...
The Day of the Jackal
Blu-ray
Arrow Video USA
1973 / Color / 1:85 widescreen / 143 min. / Street Date September 25, 2018 / Available from Arrow Video / 39.95
Starring: Edward Fox, Michel Lonsdale, Delphine Seyrig, Cyril Cusack, Eric Porter, Tony Britton, Alan Badel, Michel Auclair, Tony Britton, Maurice Denham, Vernon Dobtcheff, Olga Georges-Picot, Timothy West, Derek Jacobi, Jean Martin, Ronald Pickup, Jean Sorel, Philippe Léotard, Jean Champion, Michel Subor, Howard Vernon.
Cinematography: Jean Tournier
Film Editor: Ralph Kemplen
Second Unit Director: Andrew Marton
Original Music: Georges Delerue
Written...
- 9/18/2018
- by Glenn Erickson
- Trailers from Hell
To mark the release of Last Year in Marienbad on 17th September, we’ve been given 1 copy to give away on Blu-ray.
A stunning new restoration of one of the most enigmatic and distinctive films ever made, this astounding collaboration between director Alain Resnais (Night and Fog) and leading French novelist Alain Robbe-Grillet is a key moment in the French New Wave.
In a baroque spa hotel, an unnamed sophisticate (Giorgio Albertazzi) attempts to persuade a similarly unnamed married woman (Delphine Seyrig) that they have not only previously met, but that they were also romantically involved and had planned to elope together. The woman recalls no such encounter and so begins a sensual and philosophical examination of the uncertainty of truth. Strikingly composed and beautifully shot in Cinemascope by Sacha Vierny, Last Year in Marienbad hypnotically merges chronology to radically blur the boundaries of reality and fantasy. A seductive and utterly fascinating cinematic puzzle,...
A stunning new restoration of one of the most enigmatic and distinctive films ever made, this astounding collaboration between director Alain Resnais (Night and Fog) and leading French novelist Alain Robbe-Grillet is a key moment in the French New Wave.
In a baroque spa hotel, an unnamed sophisticate (Giorgio Albertazzi) attempts to persuade a similarly unnamed married woman (Delphine Seyrig) that they have not only previously met, but that they were also romantically involved and had planned to elope together. The woman recalls no such encounter and so begins a sensual and philosophical examination of the uncertainty of truth. Strikingly composed and beautifully shot in Cinemascope by Sacha Vierny, Last Year in Marienbad hypnotically merges chronology to radically blur the boundaries of reality and fantasy. A seductive and utterly fascinating cinematic puzzle,...
- 9/16/2018
- by Competitions
- HeyUGuys.co.uk
The Very Eye of Night is a series of columns on non-binary and female avant-garde film and video artists. The title refers to Maya Deren’s last completed film. Anthology Film Archives in New York presents a five-program retrospective of Carole Roussopoulos’s videos from November 7–9, 2017. The screenings will be introduced by Nicole Fernández Ferrer, director of the Simone de Beauvoir Audiovisual Center.Carole Roussopoulos, 1970. Photo by Guy Le Querrec.Jean-Luc Godard wrote a letter to Carole Roussopoulos in 1979 for Cahiers du cinéma in which he reflected on the motivations behind making films, and inquired: “Sometimes I wonder what has happened to all you have filmed in the four corners of France and the world… And I wonder why people in cinema want to film others with so much frenzy.” As Nicole Brenez recalls, the Swiss filmmaker responded to him: “to privilege the approach of those without a voice.” Carole Roussopoulos...
- 11/7/2017
- MUBI
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