There was a time when live sports and pay TV were inseparable. The decline of cable and satellite in the United States has changed that relationship dramatically, and though studies indicate that people still prefer to watch live sports on linear TV, the preference gap between pay TV and streaming is shrinking.
That assertion is being confirmed once again by new data from Robert Seidman of Internet Compost. Seidman’s compilation of numbers from TV ratings magnate Nielsen indicates that many of the biggest nationally-offered sports networks in the United States have seen a decline in the number of households that have access to them since December. Networks like MLB Network and Tennis Channel, and even juggernauts like ESPN all saw declines in household penetration.
Network Customer Losses Since December Percent Change Tudn 8,934,000 -27.2% beIN Sports Espanol 629,000 -8.4% beIN Sports 829,000 -7.5% ESPN Deportes 364,000 -3.4% Tennis Channel 1,284,000 -3.1% Fox Deportes 364,000 -...
That assertion is being confirmed once again by new data from Robert Seidman of Internet Compost. Seidman’s compilation of numbers from TV ratings magnate Nielsen indicates that many of the biggest nationally-offered sports networks in the United States have seen a decline in the number of households that have access to them since December. Networks like MLB Network and Tennis Channel, and even juggernauts like ESPN all saw declines in household penetration.
Network Customer Losses Since December Percent Change Tudn 8,934,000 -27.2% beIN Sports Espanol 629,000 -8.4% beIN Sports 829,000 -7.5% ESPN Deportes 364,000 -3.4% Tennis Channel 1,284,000 -3.1% Fox Deportes 364,000 -...
- 3/29/2023
- by David Satin
- The Streamable
The appealingly atmospheric crime thriller Alphabet City (1984) debuts on Blu-ray this fall courtesy of Fun City Editions. Directed by Amos Poe, with a script by Poe, Gregory K. Heller (additional dialogue is credited to Robert Seidman), Alphabet City belongs in the company of After Hours and Into The Night (both 1985) as one of the ultimate ’80s nightmare nocturnes, and it is downright, well, criminal that Alphabet City is not better remembered today. Hopefully this Blu-ray will work towards amending that.
Alphabet City
Blu-ray
Fun City Editions
1984 / Color / 1.85:1 widescreen / 85 min. / Street Date September 29, 2020 / available through Vinegar Syndrome / 24.99
Starring: Vincent Spano, Michael Winslow, Kate Vernon, Jami Gertz, Zohra Lampert, Raymond Serra.
Cinematography: Oliver Wood
Film Editor: Grahame Weinbren
Composer: Nile Rodgers
Written by Amos Poe, Gregory K. Heller, Robert Siedman (additional dialogue).
Produced by Andrew Braunsberg
Directed by Amos Poe
As things kick off, our temperamental hero Johnny, a street hustler for the mob,...
Alphabet City
Blu-ray
Fun City Editions
1984 / Color / 1.85:1 widescreen / 85 min. / Street Date September 29, 2020 / available through Vinegar Syndrome / 24.99
Starring: Vincent Spano, Michael Winslow, Kate Vernon, Jami Gertz, Zohra Lampert, Raymond Serra.
Cinematography: Oliver Wood
Film Editor: Grahame Weinbren
Composer: Nile Rodgers
Written by Amos Poe, Gregory K. Heller, Robert Siedman (additional dialogue).
Produced by Andrew Braunsberg
Directed by Amos Poe
As things kick off, our temperamental hero Johnny, a street hustler for the mob,...
- 10/22/2020
- by Alex Kirschenbaum
- Trailers from Hell
Moments ago, the 2020 Writers Guild Awards began their show. Interestingly, the ceremony kicked off by announcing both of the big Film prizes, Original Screenplay and Adapted Screenplay. The former was seen as a race between Noah Baumbach for Marriage Story and Bong Joon Ho and Han Jin Won for Parasite, with the winner the main competitor to Quentin Tarantino and Once Upon a Time…in Hollywood at Oscar. The latter? A close race with four of the five Academy Award nominees competing has turned into a battle between Greta Gerwig’s Little Women script and Taika Waiti’s script for Jojo Rabbit. How did it turn out? Read on for the winners… Original Screenplay went to Parasite, while Adapted Screenplay went to Jojo Rabbit. Parasite may well have some major momentum in Original going into Oscar night, while the Adapted race is officially too close to call. The Academy Awards...
- 2/2/2020
- by Joey Magidson
- Hollywoodnews.com
The Bong Joon Ho and Han Jin Won-penned South Korean class thriller “Parasite” won Best Original Screenplay and Taika Waititi’s Nazi satire “Jojo Rabbit” won Best Adapted Screenplay at the Writers Guild Awards Saturday night.
The annual awards, which honor the best in film, TV, and radio writing, were handed out at dual ceremonies in New York and Los Angeles.
Both “Parasite” and “Jojo Rabbit” are in the running for Oscars in their respective categories.
“Parasite” bested three Best Original Screenplay nominees up for the Writers Guild Award: “1917,” “Knives Out,” “Marriage Story,” and “Parasite.” The WGA swapped the fifth Oscar-nominated script, “Once Upon a Time in Hollywood,” in favor of a nomination for “Booksmart.”
“Jojo Rabbit” also beat three Best Adapted Screenplay nominees up for the Writers Guild Award: “The Irishman,” “Joker,” and “Little Women.” “A Beautiful Day in the Neighborhood was a WGA nominee and is not up for the Oscar,...
The annual awards, which honor the best in film, TV, and radio writing, were handed out at dual ceremonies in New York and Los Angeles.
Both “Parasite” and “Jojo Rabbit” are in the running for Oscars in their respective categories.
“Parasite” bested three Best Original Screenplay nominees up for the Writers Guild Award: “1917,” “Knives Out,” “Marriage Story,” and “Parasite.” The WGA swapped the fifth Oscar-nominated script, “Once Upon a Time in Hollywood,” in favor of a nomination for “Booksmart.”
“Jojo Rabbit” also beat three Best Adapted Screenplay nominees up for the Writers Guild Award: “The Irishman,” “Joker,” and “Little Women.” “A Beautiful Day in the Neighborhood was a WGA nominee and is not up for the Oscar,...
- 2/2/2020
- by Chris Lindahl
- Indiewire
The Writers Guild of America handed out its top awards of the year in concurrent ceremonies on both the East and West Coasts on Saturday night, with big winners including “Parasite” and “Jojo Rabbit” on the film side and “Succession” and “Barry” in TV.
Bong Joon Ho and Han Jin Won took home the award for original screenplay for “Parasite,” winning out over nominees such as Noah Baumbach for “Marriage Story.” Bong expressed his gratitude to WGA members for reading his script in translation. “You understood the structure of our story and the nuance of our dialogue — it’s amazing,” he said.
In English, Bong made a reference to President Donald Trump’s polarizing political agenda by observing: “Some people make the barriers higher. We writers, we love to destroy the barriers.”
The other major film winner was “Jojo Rabbit” by Taika Waititi, which won over competitors including Todd Phillips and Scott Silver for “Joker.
Bong Joon Ho and Han Jin Won took home the award for original screenplay for “Parasite,” winning out over nominees such as Noah Baumbach for “Marriage Story.” Bong expressed his gratitude to WGA members for reading his script in translation. “You understood the structure of our story and the nuance of our dialogue — it’s amazing,” he said.
In English, Bong made a reference to President Donald Trump’s polarizing political agenda by observing: “Some people make the barriers higher. We writers, we love to destroy the barriers.”
The other major film winner was “Jojo Rabbit” by Taika Waititi, which won over competitors including Todd Phillips and Scott Silver for “Joker.
- 2/2/2020
- by Michael Schneider, Cynthia Littleton and Alex Stedman
- Variety Film + TV
The Writers Guild of America revealed its winners for the 72nd annual edition of its awards, which were held simultaneously at the Beverly Hilton Hotel in Los Angeles and at the Edison Ballroom in New York City on February 1. About 15,000 WGA members vote on the best writing of the prior calendar year in an array of genres.
But beware Oscar predictors: Often a few film scripts nominated for an Academy Award are deemed ineligible. Only screenplays written under the guild’s guidelines or those of several international partners are allowed to vie for the WGA Awards. That accounts for its relatively low success rate at previewing the eventual Oscar nominees compared to the other guilds.
Among those ineligible for consideration this year are some of the leading Oscar contenders, including the original screenplays for “Once Upon a Time in Hollywood” and “Pain and Glory.” The former is by Quentin Tarantino,...
But beware Oscar predictors: Often a few film scripts nominated for an Academy Award are deemed ineligible. Only screenplays written under the guild’s guidelines or those of several international partners are allowed to vie for the WGA Awards. That accounts for its relatively low success rate at previewing the eventual Oscar nominees compared to the other guilds.
Among those ineligible for consideration this year are some of the leading Oscar contenders, including the original screenplays for “Once Upon a Time in Hollywood” and “Pain and Glory.” The former is by Quentin Tarantino,...
- 2/1/2020
- by Susan Wloszczyna
- Gold Derby
The Writers Guild of America revealed nominations on January 6 for the 72nd annual edition of its awards, which will be held simultaneously in La and Gotham on Feb. 1. The original screenplay nominees are: “Booksmart,” “Knives Out,” “Marriage Story,” “1917” and “Parasite.” The adapted screenplay contenders are: “A Beautiful Day in the Neighborhood,” “The Irishman,” ” Jojo Rabbit,” “Joker” and “Little Women.”
Only scripts written under the guild’s guidelines or those of several international partners are allowed to vie for the WGA Awards. That accounts for its relatively low success rate at previewing the eventual Oscar nominees compared to the other guilds.
Among those ineligible for consideration this year are some of the leading Oscar contenders, including the original screenplays for “Once Upon a Time … in Hollywood” and “Pain and Glory.” The former is by Quentin Tarantino, who refuses to join the guild. The latter ran afoul of the requirement that foreign...
Only scripts written under the guild’s guidelines or those of several international partners are allowed to vie for the WGA Awards. That accounts for its relatively low success rate at previewing the eventual Oscar nominees compared to the other guilds.
Among those ineligible for consideration this year are some of the leading Oscar contenders, including the original screenplays for “Once Upon a Time … in Hollywood” and “Pain and Glory.” The former is by Quentin Tarantino, who refuses to join the guild. The latter ran afoul of the requirement that foreign...
- 1/6/2020
- by Paul Sheehan
- Gold Derby
Moments ago, the Writers Guild of America announced their 2020 nominees. The big Guild precursors are going to come hot and heavy over the next 24 hours, but today brought the WGA. As you’ll see, they gave boosts to major contenders for Best Picture, kept a few films alive, and snubbed a handful of movies. Some things never change, right? Below you’ll see who the Writers Guild selected, but keep in mind that titles like Clemency, Downton Abbey, The Farewell, Judy, The Last Black Man in San Francisco, Midsommar, Once Upon a Time in Hollywood, Pain and Glory, The Peanut Butter Falcon, and Waves were not eligible, while The Two Popes was ruled Original for this Guild, though for the Academy Awards it’ll be Adapted. Anyway, take a look at the nominations… Here are the WGA nominees: Original Screenplay 1917, Written by Sam Mendes & Krysty Wilson-Cairns; Universal Pictures Booksmart, Written...
- 1/6/2020
- by Joey Magidson
- Hollywoodnews.com
The Writers Guild of America West and Writers Guild of America East have announced nominations for outstanding achievement in screenwriting during 2019.
Among the nominees are Greta Gerwig for “Little Women,” Noah Baumbach for “Marriage Story” as well as Bong Joon Ho for “Parasite.” Todd Phillips and Scott Silver picked up a nom for “Joker.”
WGA winners will be announced during concurrent galas in Los Angeles and New York on Feb. 1.
The announcement comes just one day before Oscar nominations voting closes on Tuesday.
Last year, “Can You Ever Forgive Me?” starring Melissa McCarthy and Richard E. Grant won the WGA prize for adapted screenplay, while “Eighth Grade” picked up best original screenplay.
In terms of the Academy Awards, only WGA nominees “Roma,” “Vice” and “Green Book” went on last year to garner Oscar noms in the original category. On the adapted side, the Oscar and WGA noms were the same...
Among the nominees are Greta Gerwig for “Little Women,” Noah Baumbach for “Marriage Story” as well as Bong Joon Ho for “Parasite.” Todd Phillips and Scott Silver picked up a nom for “Joker.”
WGA winners will be announced during concurrent galas in Los Angeles and New York on Feb. 1.
The announcement comes just one day before Oscar nominations voting closes on Tuesday.
Last year, “Can You Ever Forgive Me?” starring Melissa McCarthy and Richard E. Grant won the WGA prize for adapted screenplay, while “Eighth Grade” picked up best original screenplay.
In terms of the Academy Awards, only WGA nominees “Roma,” “Vice” and “Green Book” went on last year to garner Oscar noms in the original category. On the adapted side, the Oscar and WGA noms were the same...
- 1/6/2020
- by Marc Malkin
- Variety Film + TV
Writers Guild of America West and Writers Guild of America, East have announced nominations for outstanding achievement in screenwriting during 2019. Following up two big Golden Globes wins, rising awards contender “1917” landed an Original Screenplay nomination for Sam Mendes and Krysty Wilson-Cairns, along with nods for comedies “Knives Out,” “Booksmart,” and Globes-winner “Parasite,” as well as Noah Baumbach’s drama “Marriage Story.”
Baumbach’s partner, writer-director Greta Gerwig, landed a nomination for Adapted Screenplay for “Little Women.” Shockingly omitted was Anthony McCarten’s script for Netflix’s “The Two Popes,” which may turn up on Oscar nominations morning in the less competitive Adapted category; the WGA considered it as Original because McCarten’s play on which it was based had not been produced when the script was written.
And documentarian Alex Gibney scored not one but two nominations, for “Citizen K” as well as “The Inventor: Out for Blood in Silicon Valley.
Baumbach’s partner, writer-director Greta Gerwig, landed a nomination for Adapted Screenplay for “Little Women.” Shockingly omitted was Anthony McCarten’s script for Netflix’s “The Two Popes,” which may turn up on Oscar nominations morning in the less competitive Adapted category; the WGA considered it as Original because McCarten’s play on which it was based had not been produced when the script was written.
And documentarian Alex Gibney scored not one but two nominations, for “Citizen K” as well as “The Inventor: Out for Blood in Silicon Valley.
- 1/6/2020
- by Anne Thompson
- Thompson on Hollywood
Writers Guild of America West and Writers Guild of America, East have announced nominations for outstanding achievement in screenwriting during 2019. Following up two big Golden Globes wins, rising awards contender “1917” landed an Original Screenplay nomination for Sam Mendes and Krysty Wilson-Cairns, along with nods for comedies “Knives Out,” “Booksmart,” and Globes-winner “Parasite,” as well as Noah Baumbach’s drama “Marriage Story.”
Baumbach’s partner, writer-director Greta Gerwig, landed a nomination for Adapted Screenplay for “Little Women.” Shockingly omitted was Anthony McCarten’s script for Netflix’s “The Two Popes,” which may turn up on Oscar nominations morning in the less competitive Adapted category; the WGA considered it as Original because McCarten’s play on which it was based had not been produced when the script was written.
And documentarian Alex Gibney scored not one but two nominations, for “Citizen K” as well as “The Inventor: Out for Blood in Silicon Valley.
Baumbach’s partner, writer-director Greta Gerwig, landed a nomination for Adapted Screenplay for “Little Women.” Shockingly omitted was Anthony McCarten’s script for Netflix’s “The Two Popes,” which may turn up on Oscar nominations morning in the less competitive Adapted category; the WGA considered it as Original because McCarten’s play on which it was based had not been produced when the script was written.
And documentarian Alex Gibney scored not one but two nominations, for “Citizen K” as well as “The Inventor: Out for Blood in Silicon Valley.
- 1/6/2020
- by Anne Thompson
- Indiewire
Once Upon A Time…In Hollywood, The Farewell are ineligible.
Last night’s Golden Globe winners Parasite and 1917 are among the original screenplay nominees announced on Monday (January 6) by the Writers Guild of America (WGA) in the run-up to the 72nd Annual awards.
Globe winner Once Upon A Time…In Hollywood is ineligible, as is The Farewell. The other original screenplay contenders are Marriage Story, Booksmart, and Knives Out.
Adapted screenplay nominees are A Beautiful Day In The Neighborhood, The Irishman, Jojo Rabbit, Joker, and Little Women.
Documentary screenplay contenders are Citizen K, Foster, The Inventor: Out For Blood In Silicon Valley,...
Last night’s Golden Globe winners Parasite and 1917 are among the original screenplay nominees announced on Monday (January 6) by the Writers Guild of America (WGA) in the run-up to the 72nd Annual awards.
Globe winner Once Upon A Time…In Hollywood is ineligible, as is The Farewell. The other original screenplay contenders are Marriage Story, Booksmart, and Knives Out.
Adapted screenplay nominees are A Beautiful Day In The Neighborhood, The Irishman, Jojo Rabbit, Joker, and Little Women.
Documentary screenplay contenders are Citizen K, Foster, The Inventor: Out For Blood In Silicon Valley,...
- 1/6/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Big commercial hits and a number of awards-season regulars were written in today as the WGA announced its 2020 Writers Guild Awards nominees for outstanding achievement in screenwriting writing during 2019. Check out the full list below.
The Original Screenplay category covers comedy, drama, mystery and more as the scribes behind Universal’s 1917, UA’s Booksmart, Lionsgate’s Knives Out, Netflix’s Marriage Story and Neon’s South Korean pic Parasite will vie for the hardware. The Adapted Screenplay race is among Tristar’s A Beautiful Day in the Neighborhood, Netflix’s The Irishman, Fox Searchlight’s Jojo Rabbit, Warner Bros’ Joker and Sony’s Little Women.
Because of WGA rules (see below), Original Screenplay for Oscar contenders Once Upon a Time in Hollywood — the Quentin Tarantino-penned pic that led all films with three wins at the Golden Globes on Sunday — and Pedro Almodovar’s Pain & Glory aren’t eligible for WGA noms this year.
The Original Screenplay category covers comedy, drama, mystery and more as the scribes behind Universal’s 1917, UA’s Booksmart, Lionsgate’s Knives Out, Netflix’s Marriage Story and Neon’s South Korean pic Parasite will vie for the hardware. The Adapted Screenplay race is among Tristar’s A Beautiful Day in the Neighborhood, Netflix’s The Irishman, Fox Searchlight’s Jojo Rabbit, Warner Bros’ Joker and Sony’s Little Women.
Because of WGA rules (see below), Original Screenplay for Oscar contenders Once Upon a Time in Hollywood — the Quentin Tarantino-penned pic that led all films with three wins at the Golden Globes on Sunday — and Pedro Almodovar’s Pain & Glory aren’t eligible for WGA noms this year.
- 1/6/2020
- by Erik Pedersen
- Deadline Film + TV
The screenplays for “The Irishman,” “Little Women,” “Marriage Story” and “Parasite” have all been nominated by the Writers Guild of America, which announced the nominees for its 2020 Writers Guild Awards on Monday.
In the Original Screenplay category, “Marriage Story” and “Parasite” were joined by “Booksmart,” “Knives Out” and “1917.” In Adapted Screenplay, “Little Women” and “The Irishman” will be competing against “A Beautiful Day in the Neighborhood,” “Jojo Rabbit” and “Joker.”
Quentin Tarantino’s “Once Upon a Time … in Hollywood,” one of the favorites for the original-screenplay Oscar, was not nominated by the guild. But its absence should not be interpreted as a snub, because the Writers Guild restricts eligibility for its awards to screenplays written under its Minimum Basic Agreement, or under the jurisdiction of a collective bargaining agreement in a handful of other countries. This year, that rule disqualified “Once Upon a Time … in Hollywood” as well as “The Farewell,...
In the Original Screenplay category, “Marriage Story” and “Parasite” were joined by “Booksmart,” “Knives Out” and “1917.” In Adapted Screenplay, “Little Women” and “The Irishman” will be competing against “A Beautiful Day in the Neighborhood,” “Jojo Rabbit” and “Joker.”
Quentin Tarantino’s “Once Upon a Time … in Hollywood,” one of the favorites for the original-screenplay Oscar, was not nominated by the guild. But its absence should not be interpreted as a snub, because the Writers Guild restricts eligibility for its awards to screenplays written under its Minimum Basic Agreement, or under the jurisdiction of a collective bargaining agreement in a handful of other countries. This year, that rule disqualified “Once Upon a Time … in Hollywood” as well as “The Farewell,...
- 1/6/2020
- by Steve Pond
- The Wrap
The NBA Finals will cross international borders when it tips off Thursday, with the Toronto Raptors becoming the first team outside the United States to play for the NBA title. But while they may be celebrating up in the North, the lack of a second U.S. home market will likely put a dent in the TV ratings for ABC.
Outside of the Super Bowl, TV ratings in sports championships come down to two key ingredients: The size of the two teams’ home markets and the competitiveness of the series. In that first one, ABC is already working at a disadvantage.
The Raptors, outside of the camera-shy Kawhi Leonard, don’t have many household names the average fan would know either. In fact, the Raptors’ biggest star just might be Drake, who is something of a team ambassador, and frequently makes headlines with his antics from his courtside seats. On the other side,...
Outside of the Super Bowl, TV ratings in sports championships come down to two key ingredients: The size of the two teams’ home markets and the competitiveness of the series. In that first one, ABC is already working at a disadvantage.
The Raptors, outside of the camera-shy Kawhi Leonard, don’t have many household names the average fan would know either. In fact, the Raptors’ biggest star just might be Drake, who is something of a team ambassador, and frequently makes headlines with his antics from his courtside seats. On the other side,...
- 5/29/2019
- by Tim Baysinger
- The Wrap
Peter Bishop might want to think about not existing again, because the ratings for Fringe are getting kinda scary — and not in a cool translucent skin, third-arm-sticking-out-of-my-collided-selves’-chest kind of way. And yet another Peter — Warner Bros. TV president Peter Roth — says it’s too early for fans of the far-out series to freak out.
During its first season, when it aired on Tuesdays (sometimes leading out of a little show called American Idol), Fringe averaged 10 million total viewers and was known to score a 4.0 rating, if not higher, with the coveted 18-49 crowd. But in the show’s third year,...
During its first season, when it aired on Tuesdays (sometimes leading out of a little show called American Idol), Fringe averaged 10 million total viewers and was known to score a 4.0 rating, if not higher, with the coveted 18-49 crowd. But in the show’s third year,...
- 11/22/2011
- by Matt Webb Mitovich
- TVLine.com
Late Wednesday night, Steve Levitan, the co-creator and exec producer of Modern Family, set off a Twitter dialogue (tweet-alogue?) that’s still burning today. The topic? Reports of a future Ipo for Hulu, which seem to have Levitan none-too-pleased. Levitan wrote “Some estimate Hulu Ipo could bring in $2Bil. What will the content providers get? Zero. What is Hulu without content? An empty jukebox.” This isn’t the first time Levitan has spoken out against online television: At TCA earlier this month, he told reporters that he’d lobbied unsuccessfully for Modern Family episodes to be removed from Hulu and ABC.
- 8/20/2010
- by Kerrie Mitchell
- EW.com - PopWatch
Earlier this month, Robert Seidman from the site TV by the Numbers made his stance clear: There was not a shred of reality in a report from Airlock Alpha that Fox could consider renewing the Joss Whedon series "Dollhouse." But maybe Seidman has softened a little since then? On April 6, Seidman posted a story with the headline "Don't believe what you read, without ratings improvements 'Dollhouse' won't be renewed." He was referring specifically to an Airlock Alpha story that ran the same day saying that Fox was leaning toward renewal of the series. "These kind of stories seem to suggest that while the ratings are worse than even Fox expected them to be on Friday nights, that Fox is mesmerized by the critical acclaim for recent episodes," Seidman said. "Simply put, that's complete ...
- 4/27/2009
- GeekNation.com
Welcome back to day two of WWW. It’s a balmy 40 degrees here in New York City, and I can feel spring right around the corner. And with the lamb-like exit of March from our consciousness, we can start looking forward to new television shows and some of the bigger premieres of the year. Again, if you have anything interesting you’d like us to hear about, drop me a line at parker@ugo.com. Today, we say hello to some old friends, and meet some new ones. Ladies and gents, get those beach bodies ready, spring break is almost upon us! I didn’t watch much of the whole LonelyGirl15 debacle a few years ago. One of the first online TV Youtube hoaxes of its kind, it was the fake vlog of actress, Jessica Rose. Miss Rose captured the hearts and crotches of lonely nerds across the nets, and...
- 3/12/2009
- UGO TV
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