Still one of Tracy and Hepburn’s best, this follow-up to Adam’s Rib works on all levels. It rings the feminist rights gong just hard enough, and drums the notion that women deserve a chance to achieve their potential without sex discrimination getting in the way. Katharine Hepburn is at her most attractive when being athletic. Some fine star-making supporting action adds to the fun, especially the contribution of a young Aldo Ray.
Pat and Mike
Blu-ray
Warner Archive Collection
1952 / B&w / 1:37 Academy / 95 min. / Street Date August 25, 2020 / available through the WBshop / 21.99
Starring: Spencer Tracy, Katharine Hepburn, Aldo Ray, William Ching, Sammy White, George Mathews, Gussie Moran, Babe Didrikson Zaharias, Don Budge, Alice Marble, Frank Andrew Parker, Betty Hicks, Beverly Hanson, Helen Dettweiler, Loring Smith, Phyllis Povah, Charles Bronson, Frank Richards, Jim Backus, Chuck Connors, Joseph E. Bernard, Owen McGiveney, Lou Lubin, Carl ‘Alfalfa’ Switzer, William Self, Frankie Darro.
Pat and Mike
Blu-ray
Warner Archive Collection
1952 / B&w / 1:37 Academy / 95 min. / Street Date August 25, 2020 / available through the WBshop / 21.99
Starring: Spencer Tracy, Katharine Hepburn, Aldo Ray, William Ching, Sammy White, George Mathews, Gussie Moran, Babe Didrikson Zaharias, Don Budge, Alice Marble, Frank Andrew Parker, Betty Hicks, Beverly Hanson, Helen Dettweiler, Loring Smith, Phyllis Povah, Charles Bronson, Frank Richards, Jim Backus, Chuck Connors, Joseph E. Bernard, Owen McGiveney, Lou Lubin, Carl ‘Alfalfa’ Switzer, William Self, Frankie Darro.
- 8/11/2020
- by Glenn Erickson
- Trailers from Hell
Norma Shearer films Note: This article is being revised and expanded. Please check back later. Turner Classic Movies' Norma Shearer month comes to a close this evening, Nov. 24, '15, with the presentation of the last six films of Shearer's two-decade-plus career. Two of these are remarkably good; one is schizophrenic, a confused mix of high comedy and low drama; while the other three aren't the greatest. Yet all six are worth a look even if only because of Norma Shearer herself – though, really, they all have more to offer than just their top star. Directed by W.S. Van Dyke, the no-expense-spared Marie Antoinette (1938) – $2.9 million, making it one of the most expensive movies ever made up to that time – stars the Canadian-born Queen of MGM as the Austrian-born Queen of France. This was Shearer's first film in two years (following Romeo and Juliet) and her first release following husband Irving G.
- 11/25/2015
- by Andre Soares
- Alt Film Guide
Norma Shearer films Note: This article is being revised and expanded. Please check back later. Turner Classic Movies' Norma Shearer month comes to a close this evening, Nov. 24, '15, with the presentation of the last six films of Shearer's two-decade-plus career. Two of these are remarkably good; one is schizophrenic, a confused mix of high comedy and low drama; while the other three aren't the greatest. Yet all six are worth a look even if only because of Norma Shearer herself – though, really, they all have more to offer than just their top star. Directed by W.S. Van Dyke, the no-expense-spared Marie Antoinette (1938) – $2.9 million, making it one of the most expensive movies ever made up to that time – stars the Canadian-born Queen of MGM as the Austrian-born Queen of France. This was Shearer's first film in two years (following Romeo and Juliet) and her first release following husband Irving G.
- 11/25/2015
- by Andre Soares
- Alt Film Guide
Joan Crawford Movie Star Joan Crawford movies on TCM: Underrated actress, top star in several of her greatest roles If there was ever a professional who was utterly, completely, wholeheartedly dedicated to her work, Joan Crawford was it. Ambitious, driven, talented, smart, obsessive, calculating, she had whatever it took – and more – to reach the top and stay there. Nearly four decades after her death, Crawford, the star to end all stars, remains one of the iconic performers of the 20th century. Deservedly so, once you choose to bypass the Mommie Dearest inanity and focus on her film work. From the get-go, she was a capable actress; look for the hard-to-find silents The Understanding Heart (1927) and The Taxi Dancer (1927), and check her out in the more easily accessible The Unknown (1927) and Our Dancing Daughters (1928). By the early '30s, Joan Crawford had become a first-rate film actress, far more naturalistic than...
- 8/10/2015
- by Andre Soares
- Alt Film Guide
Mary Boland movies: Scene-stealing actress has her ‘Summer Under the Stars’ day on TCM Turner Classic Movies will dedicate the next 24 hours, Sunday, August 4, 2013, not to Lana Turner, Lauren Bacall, Katharine Hepburn, Ginger Rogers, Esther Williams, or Bette Davis — TCM’s frequent Warner Bros., MGM, and/or Rko stars — but to the marvelous scene-stealer Mary Boland. A stage actress who was featured in a handful of movies in the 1910s, Boland came into her own as a stellar film supporting player in the early ’30s, initially at Paramount and later at most other Hollywood studios. First, the bad news: TCM’s "Summer Under the Stars" Mary Boland Day will feature only two movies from Boland’s Paramount period: the 1935 Best Picture Academy Award nominee Ruggles of Red Gap, which TCM has shown before, and one TCM premiere. So, no rarities like Secrets of a Secretary, Mama Loves Papa, Melody in Spring,...
- 8/4/2013
- by Andre Soares
- Alt Film Guide
Paulette Goddard, Modern Times Paulette Goddard on TCM Part I: Modern Times, Reap The Wild Wind I've never watched Alexander Korda's British-made An Ideal Husband, a 1948 adaptation (by Lajos Biro) of Oscar Wilde's play, but it should be at least worth a look. The respectable cast includes Michael Wilding, Diana Wynyard, C. Aubrey Smith, Hugh Williams, Constance Collier, and Glynis Johns. George Cukor's film version of Clare Boothe Luce's hilarious The Women ("officially" adapted by Anita Loos and Jane Murfin) is definitely worth numerous looks; once or twice or even three times isn't/aren't enough to catch the machine-gun dialogue spewed forth by the likes of Goddard, Rosalind Russell, Joan Crawford, Mary Boland, Phyllis Povah, Lucile Watson, et al. A big hit at the time, The Women actually ended up in the red because of its high cost. Norma Shearer, aka The Widow Thalberg, was the nominal star; curiously,...
- 8/2/2011
- by Andre Soares
- Alt Film Guide
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